kin·dred [kin-drid] noun or adj:
a person's relatives collectively; kinfolk; kin.
b.group of persons related to another; family, tribe, or race.
har·vest [hahr-vist] noun:
5. the result or consequence of any act, process, or event.
Local artist Amanda Ladymon will be showing some interesting new works during Mingle and Jingle on Main Street this week, though not at her home gallery at S & S Art Supply. Ladymon's work can be found down the street as an exciting installment in the FOM series at the Frame of Mind optical shop.
The new exhibition is composed of mixed media paintings on wood panel and on paper. Ladymon used a new photo transfer method in incorporating old photographs, dating back to the early 1920's through the 1980's. Incorporating biological drawings, she creates a metaphorical dialogue between the event or person in the photo and what is being implied through form and line. While it ranges from subtle to obvious, the shapes are consistently referring to reproductive processes in the female body, starting from the cellular level.
According to Ladymon, life in so many ways, is much like a game of parcheesi. So many decisions, mistakes, or unexpected encounters happen with just the "toss of the dice." Each decision one player makes will inevitably affect the other players. Ladymon writes that she feels that life parallels this "game" in that, for every action, there is an effective chain of events that lead to everything else, whether we win or lose.
Over twenty-five altered cigar boxes, hang suspended and glowing from the inside. Each box contains photographic images layered with maps and other images, revealing an important clue as to where the photo was taken, or perhaps what memories are tied with that person or specific event taking place in the photo. Some of the boxes are connected with a line of string to different areas on the game board, signifying the connection between not only the people, but the events themselves.
For a better understanding of what brought Ladymon to this work, please read her artist statement below --
“Having recently tied the knot, my husband and I are weaving a new path and creating our own family, which makes me reflect back on my family and its many generations of strong women who held it together. This body of work investigates the many complexities of family and the roles played within those relationships. The mother and child bond and reproductive process is one strong influence on this work. Our upbringing affects us all, especially in determining what kind of person we turn out to be. Within this body of work, there are many photographic images used to reflect on my family’s past – all the photographs and drawings were acquired directly from my family albums. The many shapes and organic drawings interspersed amongst the photographic images represent the connective energy between each person, whether it was the memory of loving or possibly more of a longing. The use of circular forms continues to symbolize the connective relationship we have with one another in a biological or conceptual sense.
“Another theme I have touched on is the idea of how each moment and decision in life affects another. While I generally feel repulsed by the images and ideas of war, I cannot deny the fact that if WWII hadn’t happened, I wouldn’t exist. World War II was a monumental turning point in America, in which millions of families were created due to strangers meeting and falling in love. My grandparents had such a story. They met while he was recovering from a broken back after his plane crashed. He was a southern boy from Georgia and she was an adventurous, strong-willed California girl. With every little decision, mistake, and circumstantial event, they met and created a family. This sequence of events eventually lead to my birth and the strong influence their marriage continued to have on me throughout my adolescence and early adulthood.”