Review: Annie Get Your Gun at Village Square Theatre by Melissa Ellington

annie get your gun

After the original version’s success in 1946, a Tony Award-winning revival of Annie Get Your Gun (with libretto revised by Peter Stone) opened on Broadway back in 1999, starring Bernadette Peters and Tom Wopat. As a graduate student living in New York City at the time, this reviewer was pleasantly surprised by the complexity of a fictionalized depiction of celebrated sharpshooter Annie Oakley’s success in Buffalo Bill’s Wild West show and her romance with star Frank Butler. Any self-respecting musical theatre kid grows up to be familiar with numbers like “There’s No Business Like Show Business” and “I Got the Sun in the Morning.” Yet Annie Get Your Gun offers more than toe-tapping favorites, with a challenging book that provokes questions about treatment of Native Americans and considers the nuances of gender roles in professional and personal relationships.

As produced by Village Square Theatre, Annie Get Your Gun (music and lyrics by Irving Berlin, book by Herbert and Dorothy Fields as revised by Peter Stone, and orchestrations by Larry Moore) succeeds on multiple levels. From the sprightly, inviting opening number to the vibrant finale, Annie Get Your Gun is sure to please longtime fans of the musical along with audience members who are new to the show.

In the pivotal role of Annie Oakley, Candice Pipkin proves a formidable comedienne with a gorgeous voice. Pipkin captivates the audience as she balances homespun hijinks with tender sincerity, a key factor in realizing Annie’s character. She is a performer of great charisma and endearing pluck, just right for the indefatigable Oakley. Pipkin’s enchanting strength as both an actor and a vocalist emerges in dynamic numbers like “You Can’t Get a Man with a Gun” as well as poignant songs such as her exquisite rendition of “I Got Lost In His Arms.”

With the appealing Chris Kruzner in the role of Frank Butler, Pipkin shares lovely vocals punctuated by comedic mischief in entertaining numbers like “The Girl That I Marry,” “An Old Fashioned Wedding,” and “Anything You Can Do.”

The delightful Melissa Hanna (Winnie Tate) and Brian Andrews (Tommy Keeler) sparkle in a romantic subplot, while Eliza C. Spence delivers saucy and conniving energy as Butler’s assistant Dolly Tate. The engaging ensemble features Robert Bullock as the capable, businesslike Charlie Davenport, Jeff Sigley as a splendidly costumed Buffalo Bill Cody, Drew Tyler (Pawnee Bill), and Dick White (Chief Sitting Bull). Annie’s younger siblings are played with lively sweetness by Miranda Campagna, Emily Grace McIntyre, Peyton Sipe, and Cameron Eubanks, who shine in the lilting charm of “Moonshine Lullaby.”

Talented director Debra E. Leopard collaborates with a valuable production team, including Becky Croft (Executive Producer), Matt Marks (Technical Director), and Stephanie Nelson (Stage Manager). Camille Jones provides expert musical direction, and the band members (Jones, Jim Hall, and Eddie Bird) bring Berlin’s beloved songs to life with flair. Not only do Hanna and Pipkin play lead roles, they also function as choreographers (with Jeff Lander), crafting a variety of crowd-pleasing dance numbers, including “I’ll Share It All With You” and “Who Do You Love, I Hope.”

The large cast is costumed beautifully by Nancy Huffines and Heidi Willard. Clever set designs work effectively to convey numerous locations, from a steam train to a cattle boat to the Hotel Brevoort, with various other stops in between. Ensemble members collaborate on fluid and efficient scene changes, particularly impressive with a show of this scope and size.

Led by the extraordinary star power of Pipkin, the Village Square cast and production team have achieved an enjoyable production of Annie Get Your Gun. (Audience members with younger children will want to be aware that the show includes some mild language and a few suggestively racy moments.) Performances will take place on May 15 and 16 at 7:30 pm and May 16 and 17 at 3:00 pm. For tickets and more information, contact 803-359-1436 or visit

"Cheaper by the Dozen" - Melissa Swick Ellington reviews the new show at Lexington's Village Square Theatre

cheaper2 The Lexington County Arts Association presents Cheaper by the Dozen, dramatized by Christopher Sergel from the book by Frank B. Gilbreth, Jr., and Ernestine Gilbreth Carey, at the Village Square Theatre through November 16.   Based on the book authored by two of the Gilbreth children, Cheaper by the Dozen explores family life in the early twentieth century as the older girls begin grappling with the social and fashion issues of high school.  While the song titles and style choices are of a different era, the teenagers’ feelings are timeless. The real life inspiration for the father character, Frank Bunker Gilbreth, was an accomplished efficiency expert. His work in the field of time and motion study extended from factories to his own home, where Gilbreth and his wife Lillian Moller Gilbreth implemented procedures inspired by efficiency with their children. Several of these attempts are dramatized in the play, such as the use of Victrolas in the bathrooms for the purpose of learning foreign languages. Although the scene of Gilbreth modeling the most efficient way to bathe while fully clothed on the living room rug is undeniably humorous, he made serious contributions to his profession. (The book by Gilbreth and Carey was made into a film in 1950. Potential audience members may want to know that the more recent movie starring Steve Martin does not reflect the book’s characters or plot.  South Carolina connection: Gilbreth later wrote a popular column for the Charleston News and Courier for many years under the pseudonym of "Ashley Cooper.")

As the authors of the book that inspired the play’s creation, Frank and Ernestine provide a handy narrative framework, sharing glimpses of character and exposition as they remember their energetic and loving father’s impact on family life. The story focuses on Mr. Gilbreth’s goal of prioritizing efficiency as well as instilling strong character and values in his large brood. While the oldest child Anne rebels with silk stockings and a flashy cheerleader suitor, her younger sisters encourage her daring ways as ardently as her father tries to put on the brakes through insisting younger brothers accompany older sisters on dates. Although light-hearted matters of high school popularity and the family dog’s misbehavior suggest an insouciant romp, there is a dark cloud of illness that runs through much of the drama. The parents’ awareness of Mr. Gilbreth’s heart trouble contrasted with the children’s ignorance of the situation allows for moving exchanges such as one daughter’s careless declaration (“I wish I were dead”) met by her father’s troubled reply, “What a thing to wish.” As the audience comes to understand the motivation behind Mr. Gilbreth’s urgent need to organize his family and push the children through their education, the play moves beyond a simple comedy to a more complex depiction of the harsh struggle that mortality poses for any family.

This Village Square production boasts effective direction and an excellent cast. In the central role of the patriarch known for his “By jingo!” exclamations, Brian Andrews delivers a moving performance as Mr. Gilbreth. With the charming Lisa Pappas playing his gracious and clever wife, Andrews creates a highly convincing family dynamic. (Gariane Gunter plays the role of Mrs. Gilbreth for the November 14 – 16 performances.)  The idea that “what works in the factory” can improve the home helps to drive an entertaining script.  Andrews’ strong stage presence reveals a father who loves, gives firm direction, and teaches his children.

Although we don’t see all twelve children referenced in the title as the babies are being cared for “upstairs” throughout the play, the nine youngsters who appear on stage are vibrant enough for a full dozen and then some. The children craft a very believable sense of sibling camaraderie, transforming the living room set into a real home full of lively young people. As eldest daughter Anne, Maggie Hornacek achieves a skillful portrayal of the adolescent girl trying to date boys and become popular, while also learning adult truths about life.    Riley Goldstein and Cameron Eubanks share enthusiasm as Ernestine and Frank, making fluid transitions between reminiscences and scenes of the past. Kori Hays plays Martha with verve, and Paul Woodard becomes a genuine and funny younger brother in the role of Bill.   Isabella Gunter (Jackie), Kristen Hallman (Danielle), Cade Culler (Fred), and Annsyn Feinberg (Lillian) demonstrate spirit and charisma. It is rare to see a cast this young deliver such consistently strong performances, and the Cheaper by the Dozen kids succeed admirably.


Supporting characters are also well represented in this production. Graycen Szalwinski is appropriately flashy as the cheerleader Joe Scales, while Nick Holland makes a sympathetic impression as the beleaguered boyfriend Larry. Ben Sellers shares a memorable performance as the disapproving teacher Mr. Brill, and Rae Fuller’s effective appearances as Mrs. Fitzgerald remind us of the tremendous work required to keep the home running. Alternating in the brief yet significant role of Dr. Burton are Jeff Sigley, Steve MacDougall, and Troy Fite.

Mr. Gilbreth keeps an eye on his daughter and her suitor.

Village Square Theatre has once again assembled a talented production team, with producers Jill Larkin and Jeff Sigley at the helm. Debi Young provides insightful direction, and Daniel Woodard (Technical Director/Master Carpenter) has created a very attractive and functional set. Additional technical support includes experienced theatre artists such as Debra Leopard (Lighting Design), Nancy Huffines (Costumes), and Becky Croft (Sound Design and Control).

This lovely production gently affirms the idea of saving time for where one’s heart lies. Hard work, education, and family bonds: the Gilbreth clan’s experiences do not sugarcoat life’s challenges. My first grader shared that she enjoyed this play “about a family who learned about love.” I believe that audiences will leave the theatre feeling that they have learned something about love, and family, too.

~ Melissa Swick Ellington

Cheaper by the Dozen runs through Sunday, November 16; visit for more information.