Supper Table spotlight: Olga Yukhno and Carla Damron Honor Sarah Leverette

We’re featuring the artists from the Supper Table project throughout the summer. This is the 5th in our series on Supper Table Artists.

An overhead view of Olga Yukhno’s place-setting honoring Sarah Leverette

An overhead view of Olga Yukhno’s place-setting honoring Sarah Leverette

Originally from Russia, visual artist Olga Yukhno lives in Columbia, South Carolina, where she is the Gallery Director for the School of Visual Art and Design at the UofSC. After learning and creating in multiple art forms, Yukhno found a home in ceramic sculpting, where she feels that she has no limits.

With ceramics, Yukhno can create anything that she can imagine and even those which she can’t. No two of her completely handmade pieces are identical. Yukhno has used the limitless possibilities of her craft to create a place setting in honor of Sarah Leverette for the Supper Table.

Sarah Leverette was, and is, a powerful inspiration to women in and outside of South Carolina, having spent her life breaking glass ceilings wherever she went, from the Civil Air Patrol to the School of Law at USC.

Yukhno’s place-setting honors all the different aspects of Leverette’s remarkable life. The artist says she wanted to use her piece to “show the parts of her life that were the most significant and impressed her the most personally.” Having been impressed by Leverette’s quotations, she incorporated them all around the border of her place-setting, using small wing symbols with the logo of the Civil Air Patrol.  From there, each layer from bottom to top represents a different period of the subject’s life.

As Yukhno says, the book represents her contribution to the library system of South Carolina, to which she dedicated 15 years of her life. Despite her contributions, school officials at USC would not make her faculty because she was a woman. The next tier of Yukhno’s place setting contains multiple nails, which represent the obstacles Leverette faced to become a full professor.

The very top culminates in a bowl showing a fist having just broken through a glass ceiling. As Yukhno says, “Leverette’s whole life was dedicated to fighting for women’s and civil rights, and the element of this broken glass is repeated throughout the piece to show the relevance of this pursuit throughout her lifetime.”

Finally, the goblet was created with multiple hands supporting it, to “show that in everything she did, she always built other people up.” Leverette was a mentor to many well-known lawyers who themselves brought about significant changes and continued the fight for people’s rights.

 

Supper Table detail olga - leverette.jpg

Carla Damron is a professional writer (The Stone Necklace, USC Press, 2016) who uses her experience as a social worker throughout her work, as witnessed in her novels Keeping Silent and Spider Blue. Damron has spent over 20 years focusing on her work in mental health, where she connects this to her novels in hopes to fight stigmas surrounding the topic of mental illness. Her very own clients have been her best teachers.

Damron used her background to tackle the task of writing a creative non-fiction essay about the life of Sarah Leverette, a task she was more than ready to tackle and conquer. As Damron says, “[Leverette’s] words, and her spirit, live and breathe in our state’s constitution, its code of laws, and in all the people she touched.”

The following is an excerpt from Damron’s essay on Leverette:

Sarah always wanted to emulate her heroes Lindbergh and Earhart. And now, as a member of the Civil Air Patrol, she was about to take her first flight.

She climbed a ladder to the biplane wing, grabbed hold of the edge of the cockpit, and hauled herself into the copilot’s seat. She grasped the seatbelt and clicked it into place. Snug goggles covered her eyes. Behind her, the pilot started the plane, which gave a little shimmy as it roared to life. Breath entered her lungs in short gasps. She was nervous. Excited. Ready. 

They moved. The plane bumped and rattled up the runway, getting louder and louder as the pilot lifted the throttle. Sarah held to her seat and swayed with the movement. 

Faster. She couldn’t see the speedometer but knew they were approaching eighty-five, full throttle, as the nose of the plane tilted up. As they lifted off, all smoothed.  

She looked above, the sky a vast blue bowl with a few feathers of white. She looked down: Trees became green pencil pricks. A wide, turbulent river was just one of many of Earth’s many arteries. Everything was different here. How wide the world is, she realized, when you are away from the clutter of land.

To read more of Damron’s essay and to see more of Yukhno’s place setting, be sure to reserve your copy of Setting the Supper Table at the $50 sponsorship level or above on the Supper Table’s Kickstarter campaign page at the link below, and join us this September as we unveil the Supper Table for the first time.

Kickstarter: https://www.kickstarter.com/projects/thejasperproject/the-supper-table.

 

It's JAY Season - Vote Now! VOTE HERE!

2016-jays A really good year.

Every artist has one now and again. A period of time when the universe smiles upon you, life just seems to click, and you have the energy to get done all the jobs you need to do.

It’s a brilliant feeling. And we like spreading that brilliance around. That’s why we asked our readers to nominate the artists in their lives who have had one of those really good years. Then, our panel of experts took a look at the list of nominees and winnowed it down to the top three artists in each discipline who seemed to have the very best years of all.

Below, you’ll read about these 12* artists and have the opportunity to register your vote for which artist in each field should be named 2016 Jasper Artist of the Year.

Winners will be announced at the 2016 Jasper Artist of the Year Gala & Columbia Christmas Carol Lip Sync Championship on December  2nd.

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VOTE HERE!

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Literary Arts

Carla Damron

Carla Damron’s most important work for the year was the publication of her literary novel, The Stone Necklace, by Story River Books, a division of USC Press. The Stone Necklace was also chosen as the One Book, One Community selection for February 2016 which led to multiple events and appearances, which gave Damron the opportunity to explore the intersection of art and social awareness with hundreds of people (including a presentation at the SC National Alliance for Mental Illness conference). Damron has completed approximately 30 book club presentations thus far, with more scheduled. Damron’s other works include a submission to the Jasper Project’s Marked By Water collection, monthly blogs on the Writerswhokill website, a quarterly column in the SC Social Workers newsletter, and the completion of her fifth novel, which is now in her agent’s hands.

Len Lawson

Len Lawson’s many poetry publications this year have included the following: “Briefcase of Little Tortures,” in Up the Staircase Quarterly, “Down South,” in Charleston Currents; “I Write My Body Eclectic” in [PANK] Magazine; “Feel the Vibration: Marky Mark & the Funky Bunch, A Retrospective” in Yellow Chair Review; “Church Fan,” “Niger (Or the Country Missing a Letter,” and “When a White Man in Camden Tells You to Act Like  You Got Some Sense,” in Drunk in a Midnight Choir;  “Google Search for Black Lives Matter” in Winter Tangerine Review; “ The Black Life Anthem: Unarmed Black People Killed by Police or Dying in Police Custody Since 2012*” in Free Times; “For the Dead Whose Caskets Flowed Out of Graves After the South Carolina Flood,” “12 Year Old Inside Me Seeks a Father Figure,” “Uneasy Dreams of a Presidential Hopeful,” and “The Body is a Cave” in Connotation Press; “  George Zimmerman as Jack in Titanic Painting Trayvon Martin as Rose” and “Krack” in Public Pool; and, “The Invitation” in Get Free Books.

Ray McManus

This year, along with R. Mac Jones, Ray McManus co-edited the anthology Found Anew: Writers Responding to Photographic Histories which was published by USC Press and nominated for the Lillian Smith Book Award. He published the following poems: “Caveman Survey,” “How Boys are Measured,” and “Manspread,” in The Good Men Project; “For the Hardest to Reach Places” in Prairie Schooner; “Dog Box,” “Disturbing Remains,” and “Staying in the Truck” in Hard Lines: Rough South Poetry from USC Press; “When a Dog Comes Back Rabid,” “We Were All Dead Once,” and “Natural Selection,” in Red Truck; “Ask Your Doctor,” “Origin of Species,” “In the Absence of Protection,” and “The Descent of Man” in The Dead Mule School of Southern Literature; and, “Ruts” in The State of the Heart Volume II, from USC Press. McManus participated in community projects that included the Tri-District Arts Consortium, The Carolina Master Scholars program, Serious Young Women Writers Workshop, Poetry Out Loud Region II Competition, High School and Middle School ABC Site Training, Word Fest Charlotte, and the Center for Oral Narrative and gave readings at Festival for the Book in Nashville; Pat Conroy Lit Fest in Beaufort: LILA Author Event in Charleston; Book Tavern in Augusta GA; Deckle Edge Literary Festival as well as Mind Gravy in Columbia; the Upcountry Lit Fest; Two Writers Walk into a Bar in Durham NC; and, the Scuppernong Book Store, Greensboro NC.

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VOTE HERE!

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Visual Arts

Kendal Jason

Kendall Jason's work this year has included quite a few multidisciplinary performance art pieces including the following at The 701 CCA South Carolina Biennial 2015 comprised of Speak to Me: "I've been mad for fucking years, absolutely years, been over the edge for yonks, been working me buns off for bands..." as well as, "I've always been mad, I know I've been mad, like the most of us...very hard to explain why you're mad, even if you're not mad" and Far away across the field, The tolling of the iron bell, Calls the faithful to their knees. To hear the softly spoken magic spells, both with reconstituted performance costumes; Lunatic on the Grass and

Breathe, a single channel video. Jason also created the "Goin Down the Road Feelin Bad" performance at Tapp’s Arts Center In conjunction with Michaela Pilar Brown, and The Transitioner Episode 1- "Who Do You Love"- 3 night performance at 701 CCA. For the Da Da Desque Exhibition 701 CCA, he created The Bags (50lbs Zombie Drawings), The Uniform (Custom Uniform for Work and Play), Episode I, Who Do You Love (Live video), and Ol' Man. He performed at Artista Vista as The Transitioner Episode 2, producing Corn hole Bags (50lbs Zombie Drawings), Extra Large Corn hole boards (Fear Vs. Fan Zombie Cheerleader drawings), and Zombie Drawings.

Michaela Pilar Brown

Among the programs that have occupied Michaela Pilar Brown’s time of late are Summer Arts Residencies in both Sedona Arts Center in Sedona, Arizona as well as one in Kunstlerwerkgemeinschaft Kaiserslautern, Germany. She also served as a visiting artist at Claflin University, Central Piedmont Community College, and at Tapp’s Arts Center, here in Columbia. She was featured in a film by Roni Nicole Henderson as well as one by Wade Sellers, and her work, Speak No’, 2011 was acquired by the Columbia Museum of Art. Her exhibitions included 15-Jahre-Künstlerwerkgemeinschaft volksbank Kaiserslautern; Artfields in Lake City; a solo exhibition and site specific performance, I’m a boss my house, at If Art Gallery; a two-woman show and site specific installation and performance called Making Time Marking Forever at Carrack Contemporary Art in Durham, NC; The Mother Wound site specific performance at Spelman College in Atlanta; Remix – Themes and Variations in African American Art at the Columbia Museum of Art; Wet Hot Southern Summer Group Exhibition at The Southern Gallery in Charleston; Where They Cut Her I Bleed – Site Specific Installation/ Solo Exhibition and Performance at Tapp’s Arts Center; The Space Between – Solo Exhibition and Performance at McMaster Gallery, University of South Carolina; Ruptured Silence Multimedia Performance and Collaboration with Wideman Davis Dance and Darion McCloud at Drayton Hall, University of South Carolina; Liquor and Watermelon Will Kill You – Solo Exhibition at Rebecca Randall Bryan Art Gallery in Conway; and Red Dirt and Doilies – Solo Exhibition at Sumter County Gallery of Art in Sumter.

Lauren Chapman

Among Lauren Chapman’s accomplishments this year was winning second place in the 61st Annual USC Student Art exhibition for the painting Still, and her painting The Flood was featured at the ArtFields Festival 2016 in Lake City as well as being published in the 2016 ArtFields catalog. In May, Chapman had a joint exhibition at Tapp’s Art Center and in August she showcased 25 oil paintings in her first solo exhibition and artist talk, titled Repetitions at the Pearson Lakes Art Center in Okoboji, IA. Chapman was awarded the Yaghjian Studio arts scholarship at USC and received a fully funded art residency at the international center for the arts in Monte Castello, Italy which she attended in June. Finally, Chapman’s oil painting the white rabbit was selected for the "Figure Out" Planned Parenthood exhibition in August.

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VOTE HERE!

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Music Arts

Mark Rapp

If there’s a linchpin of Columbia’s jazz scene, it’s probably trumpet (and didgeridoo) player Mark Rapp. In addition to balancing a steady stream of gigs around the city with his constant national and international travel, Rapp has kept busy orchestrating a steady stream of recordings, including a long overdue set from jazz patriarch Skipp Pearson and two efforts under his The Song Project Series with guitarist Derek Bronston. And, as part of the Harbison Theatre Performance Incubator Series, Rapp teamed up with professional choreographer Stephanie Wilkins to create Woven, a unique collaboration that combines jazz and contemporary dance that stands as one of the most innovative original performance pieces created in Columbia in recent years.

Dylan Dickerson

Although he’s one of the most affable and easygoing artists in town, when Dylan Dickerson steps on stage with his band Dear Blanca and starts playing music that person seems to slip away. With his post-punk-meets-Hendrix approach to playing guitar and an unadorned bawl of a voice, Dickerson stands clearly out among his peers. His lyrics, pondering and painstaking, feel like anthems for twentysomethings who want to make it plain that their disaffection and distress should never be mistaken for apathy.

Dear Blanca started out slowly but over the past year seems poised to make the next step, releasing two EPs--one produced by Triangle veteran Scott Solter (Mountain Goats, St. Vincent, Spoon), the other by Charleston’s producer-of-the-moment Ryan “Wolfgang” Zimmerman of Brave Baby--that hold to Dickerson’s idiosyncratic vision of folkie Townes Van Zandt drinking at a bar with D. Boon of the Minuteman while proving that Dear Blanca is a band capable of making music every bit as captivating as their heroes.

Justin Daniels

As much as Columbia has begun to champion its hip-hop veterans like FatRat da Czar and Preach Jacobs, there’s no denying that much of the energy of the genre still lies with a powerful younger generation that is still forging its own identity. Of the newer crop of emcees in the Capital City, Justin Daniels, who raps under the moniker H3RO, is one of the best. His December release Between the Panels, despite its DIY sensibility, plays like a masterclass in how to embrace youthful swagger with a keen sense of history. His comic book motifs and love of pure bars harkens back to Wu Tang Clan; the joyful soul samples and backpack rap self-consciousness to Lauryn Hill and early-period Kanye West; and his charismatic exuberance not unlike current rapper-of-the-moment Chance the Rapper. Daniels is still hustling, but his past year suggests the sky is the limit.

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VOTE HERE!

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Theatre Arts

Baxter Engle

A perennial behind-the-scenes magic maker, Baxter Engle has served over the past year in the following productions: Marie Antoinette (Sound Design); Blithe Spirit (Scenic Design); Peter and the Star Catcher (Scenic and Props Design); American Idiot (Scenic and Video Design); and, Anatomy of a Hug (Scenic and Video Design.) In addition to handling the creative aspects of design, Engle is hands-on throughout the productions from conception to the birth of the show.

Robert Harrelson

The consummate theatre man, Robert Harrelson is the executive director and owner of his own company, and all the hard work and minutiae that implies, with On Stage Productions, a non-profit theatre company in West Columbia. This year, Harrelson directed Little Shop of Horrors, Twisted Carol, Miracle in Memphis, Crimes of the Heart, and Oz: Dorothy’s Return, which he also wrote. He also teaches ongoing acting classes.

Hunter Boyle

In January 2016 Hunter Boyle performed in a staged reading of Composure, a screenplay by Jason Stokes at Trustus’ Side Door Theatre, playing “Pitchfork” Ben Tillman and several other characters. Next, he performed at Trustus Theatre, where he is a Company member, in Peter and the Star Catcher, playing the roles of Mrs. Bumbrake and the mermaid called Teacher. Following that, Boyle performed with the South Carolina Shakespeare Company, where he is also a company member, playing Sir John Falstaff in The Merry Wives of Windsor. Boyle taught several Master Classes in Musical Theatre (how to tell a story through song) and Acting (how to develop/train your voice effectively for stage work) for the Trustus’ Apprentice Company, as well as a total of five classes (three classes in the fall and two classes in the spring) of Introduction to the Theatre at USC Aiken. Boyle is currently a member in good standing of the Actor’s Equity Association-the union of professional actors in the US, as well as the Screen Actor’s Guild and the American Federation of Television and Radio Artists in the US. As of the nomination cut-off date, Boyle is currently rehearsing the role of Dr. Scott in The Rocky Horror Picture Show at Trustus Theatre, being directed by Scott Blanks.

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VOTE HERE!

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(*The 2016 JAY in Dance will not be awarded this year.)

Vicky Saye Henderson Offers Improv Event Based on The Stone Necklace

Vicky Saye Henderson Jasper: You're involved with One Book, One Community's 2016 selection, The Stone Necklace by Carla Damron, in a couple ways, right? I know you created the audio version of the book - what was that like?

VSH: Partnering with the USC Press team, Carla, and Ron Whitten at the SC State Library has been incredibly rewarding and a great joy. I feel so fortunate to have been invited to participate. This was a completely different way of exploring a narrative for me compared to simply reading a novel or preparing text for stage. It challenged me to prepare differently and stay in touch with the tempo, tone, and pulse of the story and its characters.

Jasper: Was this the first book you've recorded?

VSH: Yes, this was the first audio book I've done. In preparing for the audition taping, I asked the Richland Library staff to assist me in pulling some award-winning high quality audio books, I took them home and studied them. I noted and considered what seemed distinctive regarding the narrator's choices for voicing the text, and employed some of those things in both my audition and ultimately our recording of the book. Luckily, those things seemed to work!

Jasper: Tell us about the process. How long did it take?

VSH: A week before we started recording, I met with Carla to talk about the book, its characters, her writing process, and more. We then began recording in mid-October.Typically, we would record for 2-3 hours a session twice a week. Ron Whitten (recording director) and I found that we made for a great team. His years of experience and knowledge got me quickly acquainted to this new medium, and our intuitive combined ear for keeping the quality consistent kept us on target. We logged over 40 hours in the recording studio. Jonathan, Carla and other key staff came by during sessions to listen in and were consulted during our process. It was a highly collaborative experience.

Jasper: Have any of your friends or family listened to your recording and, if so, what did they have to say about it?

VSH: Yes, Jim Dukes listened to some early parts of the first few chapters. What he said was interesting to me---that he could very distinctly see in his mind's eye all the colors and textures of the story in ways that just reading a book had not afforded him in the past.

Jasper: Is it something you'd like to do again?

VSH: Absolutely! I loved doing it. I really like the team of people I've come to know, I grew as a performing artist, and I found and added a totally new means of being a storyteller.

Jasper: Now, can you tell us about the improv event you'll be conducting for The Stone Necklace on Tuesday, February 11th at 7 pm at Tapp's Arts Center?

VSH: I've heard it said that two ways we can create more empathy in our lives are to read more novels and take an improv class. This event combines both elements! We will be "walking through the halls" of this book and exploring its story lines, characters and settings (the book is set in Columbia, SC) via interactive improvisation techniques. It's not about performance, but rather about becoming co-explorers of story using Carla's existing elements as prompts. A whole new way to appreciate an author's work.

Jasper: How can the public be involved in this and what do they need to do to prepare?

VSH: There's nothing to bring or do to prepare for the event. Come with a curious spirit and willing heart to learn about the book, engage your creativity, see things from a new perspective, and apply your own point of view.

Jasper: How would we benefit from participating?

VSH: It will be a new and more intimate way to meet a story and its creator. People will get to know one another in the room, and hopefully learn a little about the highly versatile medium of improv as a tool for discovery and collaboration.

Jasper: Do we need to have read the book first?

VSH: No prior reading is necessary. An overview of the story will be given and excerpts from the novel will be read.

Jasper: Finally, what's your favorite thing about (or part of) the book The Stone Necklace?

VSH: The two things I appreciate most about this book is the keen, intuitive and seamless way Carla weaves the stories of these seemingly different people into a common tapestry, and her choice to set it in Columbia, SC. I became very emotionally invested in the characters very quickly (especially one character, Joe), grew to appreciate their individual and combined roads of healing, and saw my city through a new lens.

 


 

Vicky Saye Henderson is a performer and teaching artist, whose projects include live stage, film, TV, voice-overs and cabaret. On staff at Trustus Theatre, she serves as Director of Education and Professional Development.  She is also a member of Trustus' residential performing ensemble, appearing most recently in The Great American Trailer Park Christmas Musical. She is the recipient of the SC Arts Commission's 2015 Individual Artist Fellowship in Acting and was named the 2013 Jasper Artist of the Year in Theatre. She received her improv training in Orlando, FL (KVG Studios) and is co-director of Trustus' Improv and Sketch Comedy master track Apprentice Company program. Vicky recently provided vocal narration for USC Press' audiobook of Carla Damron's novel, The Stone Necklace. 

 

PROGRAM DESCRIPTION:

Come and be introduced to Carla Damron's new novel, The Stone Necklace, in a highly active way! Trustus Theatre Ensemble member and Director of Education, Vicky Saye Henderson will use the versatile medium of improvisation to explore the novel's narrative, its characters and setting, the author's process in fun, unexpected and non-traditional ways using readings, music, audience interaction and more.

The Stone Necklace Sparks Multidisciplinary Arts Events

Damron_cover.indd  

In celebration of the 2016 One Book, One Community selection, The Stone Necklace by Carla Damron (USC Press, 2016) a number of multi-disciplinary arts events are planned to more fully enjoy the community reading experience, including a three-person photography exhibit opening on Thursday, February 4th with a panel presentation by the participating photographers. In the weeks to come additional programs involving theatre arts and music, all inspired by a reading of The Stone Necklace, are also planned.

Set against the backdrop of contemporary Columbia, South Carolina, The Stone Necklace braids together the stories of a grieving widow, a struggling nurse, a young mother, and a homeless madman, reminding us of the empowering and surprising ways in which our lives touch one another and through which, together, we recover from even the greatest of losses. Bestselling and award-winning author Mary Alice Monroe praises The Stone Necklace as “a celebration of the transformative power of shared experiences and of the connections that bind us.”

 

Cemetery by Thomas Hammond

 

Off Page – Photography: Artists Respond to The Stone Necklace will open on the Tapp’s Arts Center on Thursday, February 4th as part of the First Thursday celebration of Columbia arts. Columbia photographers Thomas Hammond, Robert Coffey, and Kristine Hartvigsen, having read advanced copies of the novel, will show the work they created in response. A brief panel presentation discussing the exhibit will take place at 7 pm in the Fountain Room downstairs at Tapp’s. https://www.facebook.com/events/542294492601031/. Free.

 

Vicky Saye Henderson

 

Off Page – On Stage: Imrov with Vicky Saye Henderson will take place on Thursday, February 11th at 7 pm in the Skyline Room of Tapp’s Arts Center.  In a program created by local theatre artist and educator Vicky Saye Henderson based in part on Damron’s novel, Henderson will lead an improvisation workshop and demonstration. https://www.facebook.com/events/1188116441213546/.  Free.

 

Cully Salehi and Todd Mathis

Off Page – Music: A Musical Response to The Stone Necklace featuring original work created by Todd Mathis and Cully Salehi in response to the novel The Stone Necklace will take place on Saturday, February 20th at 7 pm at the Deckle Edge Literary Festival Saturday Night Reception at Main Street Agape. Tickets available via Brown Paper Tickets.

The above events are presented via a partnership between One Book, One Columbia, One Columbia for Arts and History, Jasper Magazine, The University of South Carolina Press, and Richland Library.

About the Artists

 

South Carolinian Carla Damron is a fiction writer, clinical social worker, and author of the Caleb Knowles mystery novels Keeping Silent, Spider Blue, and Death in Zooville in which she explores addiction, homelessness, and other social issues. Her short stories have appeared in Fall Lines, Six Minute Magazine, Melusine, In Posse Review,and other journals. Named the 2014 South Carolina Social Worker of the Year, Damron holds an M.F.A. in creative writing from Queens University and a master's degree in social work from the University of South Carolina.

Thomas Hammond is a freelance photojournalist from Columbia, South Carolina specializing in human interest, political, and cultural stories from the heart of the American South to the Middle East and wherever else the road takes him. In 2015, he won a South Carolina Press Association award for his work documenting the war and humanitarian crisis in and around Syria. More recently, he's covered local stories such as the removal of the Confederate flag, the devastation of the recent floods, and the evolution of the local music scene.

Born in San Francisco, California, Kristine Hartvigsen earned a bachelor’s degree in education and completed graduate studies in journalism at the University of South Carolina. She began her journalism career in the mid-1980s at The State and The Columbia Record newspapers. She is a past editor of South Carolina Business and Lake Murray-Columbia magazines as well as a past associate editor of Jasper magazine. Her photography has been published in:  Sandlapper, South Carolina Business Monthly, Lake Murray-Columbia, Columbia Business Monthly, and Jasper magazines; in The State, the Free-Times, the Myrtle Beach Sun News, Lowcountry Life, and the Georgetown Times newspapers; as well as in print and online publications of the South Carolina Chamber of Commerce, The Nature Conservancy of South Carolina, and the South Carolina Education Association. In 2012, Muddy Ford Press published her first poetry collection, To the Wren Nesting.

Vicky Saye Henderson is a performer and teaching artist, whose projects include live stage, film, TV, voice-overs and cabaret. On staff at Trustus Theatre, she serves as Director of Education and Professional Development.  She is also a member of Trustus' residential performing ensemble, appearing most recently in The Great American Trailer Park Christmas Musical. She is the recipient of the SC Arts Commission's 2015 Individual Artist Fellowship in Acting and was named the 2013 Jasper Artist of the Year in Theatre. She received her improv training in Orlando, FL (KVG Studios) and is co-director of Trustus' Improv and Sketch Comedy master track Apprentice Company program. Vicky recently provided vocal narration for USC Press' audiobook of Carla Damron's novel, The Stone Necklace. 

For the past 15 years, Todd Mathis has been a solid fixture of the South Carolina music scene, and well beyond, playing in a number of groups from the indie soul of Betty Sneetch to the Brit-tinged rock of Boxing Day (Universal/Republic), fronting the alt-country turned rock of American Gun, crafting the soundscapes of Interruptions of the Mind, and releasing a few solo albums along the way.

Cully Salehi, a graduate of North Carolina School of the Arts, began her journey in music as an orchestral violist. After eight years of classical playing she began exploring the worlds of improvisation, jazz, and rock. Since contributing viola and keys to North Carolina Indie rock group Silver Hill Mine, she has performed several seasons with Columbia Community Orchestra and Lake Murray Symphony Orchestra. She currently enjoys playing local venues, growing in her own songwriting, and collaborating on recording projects at Jangly Records.