Celebrating Jazz on Main Street - by Mike Miller

This First Thursday Jazz is the Main Event

main street jazz fest.jpg

     Thirty years ago, a Columbia restaurant owner named Veron Melonas and his trumpet-playing pal Johnny Helms decided that Columbia needed a cool jazz party right on Main Street. Melonas owned the Elite Epicurean, a top-notch eatery right across the street from City Hall, and he said, “Why don’t we put the stage right outside?” Helms knew a lot of jazz players in New York, so he got on the phone and invited several of them down to the South Carolina capital city. Just like that, a jazz festival was born.

     “Jazz on Main” as it was called was first staged in July of 1987, and it ran for 10 years. One of the festival’s first performers, pianist Marian McPartland, called it “a true happening,” and it was pretty special. Musicians who came to Columbia during those years included trumpeter Clark Terry, saxophonist Jimmy Heath, guitarist Bucky Pizzarelli, and bassist Milt Hinton, just to name a few.

     To celebrate the 30th anniversary of that first “Jazz on Main” show, November’s First Thursday on Main will become a jazz festival of sorts. But this will not be a nostalgic event. It will showcase many of Columbia’s current crop of talented jazz musicians, players such as Mark Rapp, Tony Lee, Amos Hoffman, and Sam Edwards. Columbia jazz veterans such as Dick Goodwin, Danny Boozer, Robert Gardiner, and Jim Mings will also be performing.  

     Festivities begin at 6 p.m., and there will be live music at several locations on Main Street. Trumpeter Mark Rapp is the prime mover on Columbia’s contemporary jazz scene, and his quartet will be performing in the Main Street Public House. The guitar duo of Mings and Monte Craig will be in front of Mast General Store, and a revolving array of local jazz stars, including guitarist Hoffman, bassist Edwards, trombonist Mitch Butler, and drummer Boozer, will play on a stage in Boyd Plaza outside the Columbia Museum of Art. Add trumpeter Goodwin and the Tony Lee Group to the mix on Boyd Plaza, and you’ve got one of the most impressive collection of jazz players to come together in Columbia in quite some time.

     Back in 1987, there was an impressive array of jazz artists playing around town as well. Goodwin’s big band played weekly shows in a club called Greenstreet’s. Guitarist Terry Rosen and bassist Frank Duvall could be heard often at happy hour in the Five Points restaurant Garibaldi’s. But the most adventurous jazz happening took place on Tuesday night in Pug’s, a Five Points bar named after owner Pug Wallace. Weekly jam sessions there featured players such as drummers Reggie Ritter and Ted Linder, guitarists Mings and Rosen, trumpeters Al McClain and Helms, keyboardists John Drake and John Emche, and saxophonists Hans Tueber, Roger Pemberton, and a teenager named Chris Potter. For Columbia jazz fans, those nights in Pug’s were not to be missed.

     Today’s Columbia jazz scene is just as vibrant, and truth be told, it’s more diverse and active than its counterpart from three decades ago. Jazz can still be heard in Five Points at Speakeasy’s on Saluda Street. But the epicenter for jazz has moved uptown to places such as Public House on Main, Gervais and Vine, and Pearlz in the Vista.

     Other Columbia nightspots are featuring jazz nights, and there are many other exceptional musicians playing around town than just the ones mentioned above. It’s a great time for jazz artists and fans in Columbia, and that’s why it seemed like a good idea to revive the spirit of “Jazz on Main” and celebrate this cool, complex, and free-flowing music in the capital city.     

It's JAY Season - Vote Now! VOTE HERE!

2016-jays A really good year.

Every artist has one now and again. A period of time when the universe smiles upon you, life just seems to click, and you have the energy to get done all the jobs you need to do.

It’s a brilliant feeling. And we like spreading that brilliance around. That’s why we asked our readers to nominate the artists in their lives who have had one of those really good years. Then, our panel of experts took a look at the list of nominees and winnowed it down to the top three artists in each discipline who seemed to have the very best years of all.

Below, you’ll read about these 12* artists and have the opportunity to register your vote for which artist in each field should be named 2016 Jasper Artist of the Year.

Winners will be announced at the 2016 Jasper Artist of the Year Gala & Columbia Christmas Carol Lip Sync Championship on December  2nd.




Literary Arts

Carla Damron

Carla Damron’s most important work for the year was the publication of her literary novel, The Stone Necklace, by Story River Books, a division of USC Press. The Stone Necklace was also chosen as the One Book, One Community selection for February 2016 which led to multiple events and appearances, which gave Damron the opportunity to explore the intersection of art and social awareness with hundreds of people (including a presentation at the SC National Alliance for Mental Illness conference). Damron has completed approximately 30 book club presentations thus far, with more scheduled. Damron’s other works include a submission to the Jasper Project’s Marked By Water collection, monthly blogs on the Writerswhokill website, a quarterly column in the SC Social Workers newsletter, and the completion of her fifth novel, which is now in her agent’s hands.

Len Lawson

Len Lawson’s many poetry publications this year have included the following: “Briefcase of Little Tortures,” in Up the Staircase Quarterly, “Down South,” in Charleston Currents; “I Write My Body Eclectic” in [PANK] Magazine; “Feel the Vibration: Marky Mark & the Funky Bunch, A Retrospective” in Yellow Chair Review; “Church Fan,” “Niger (Or the Country Missing a Letter,” and “When a White Man in Camden Tells You to Act Like  You Got Some Sense,” in Drunk in a Midnight Choir;  “Google Search for Black Lives Matter” in Winter Tangerine Review; “ The Black Life Anthem: Unarmed Black People Killed by Police or Dying in Police Custody Since 2012*” in Free Times; “For the Dead Whose Caskets Flowed Out of Graves After the South Carolina Flood,” “12 Year Old Inside Me Seeks a Father Figure,” “Uneasy Dreams of a Presidential Hopeful,” and “The Body is a Cave” in Connotation Press; “  George Zimmerman as Jack in Titanic Painting Trayvon Martin as Rose” and “Krack” in Public Pool; and, “The Invitation” in Get Free Books.

Ray McManus

This year, along with R. Mac Jones, Ray McManus co-edited the anthology Found Anew: Writers Responding to Photographic Histories which was published by USC Press and nominated for the Lillian Smith Book Award. He published the following poems: “Caveman Survey,” “How Boys are Measured,” and “Manspread,” in The Good Men Project; “For the Hardest to Reach Places” in Prairie Schooner; “Dog Box,” “Disturbing Remains,” and “Staying in the Truck” in Hard Lines: Rough South Poetry from USC Press; “When a Dog Comes Back Rabid,” “We Were All Dead Once,” and “Natural Selection,” in Red Truck; “Ask Your Doctor,” “Origin of Species,” “In the Absence of Protection,” and “The Descent of Man” in The Dead Mule School of Southern Literature; and, “Ruts” in The State of the Heart Volume II, from USC Press. McManus participated in community projects that included the Tri-District Arts Consortium, The Carolina Master Scholars program, Serious Young Women Writers Workshop, Poetry Out Loud Region II Competition, High School and Middle School ABC Site Training, Word Fest Charlotte, and the Center for Oral Narrative and gave readings at Festival for the Book in Nashville; Pat Conroy Lit Fest in Beaufort: LILA Author Event in Charleston; Book Tavern in Augusta GA; Deckle Edge Literary Festival as well as Mind Gravy in Columbia; the Upcountry Lit Fest; Two Writers Walk into a Bar in Durham NC; and, the Scuppernong Book Store, Greensboro NC.




Visual Arts

Kendal Jason

Kendall Jason's work this year has included quite a few multidisciplinary performance art pieces including the following at The 701 CCA South Carolina Biennial 2015 comprised of Speak to Me: "I've been mad for fucking years, absolutely years, been over the edge for yonks, been working me buns off for bands..." as well as, "I've always been mad, I know I've been mad, like the most of us...very hard to explain why you're mad, even if you're not mad" and Far away across the field, The tolling of the iron bell, Calls the faithful to their knees. To hear the softly spoken magic spells, both with reconstituted performance costumes; Lunatic on the Grass and

Breathe, a single channel video. Jason also created the "Goin Down the Road Feelin Bad" performance at Tapp’s Arts Center In conjunction with Michaela Pilar Brown, and The Transitioner Episode 1- "Who Do You Love"- 3 night performance at 701 CCA. For the Da Da Desque Exhibition 701 CCA, he created The Bags (50lbs Zombie Drawings), The Uniform (Custom Uniform for Work and Play), Episode I, Who Do You Love (Live video), and Ol' Man. He performed at Artista Vista as The Transitioner Episode 2, producing Corn hole Bags (50lbs Zombie Drawings), Extra Large Corn hole boards (Fear Vs. Fan Zombie Cheerleader drawings), and Zombie Drawings.

Michaela Pilar Brown

Among the programs that have occupied Michaela Pilar Brown’s time of late are Summer Arts Residencies in both Sedona Arts Center in Sedona, Arizona as well as one in Kunstlerwerkgemeinschaft Kaiserslautern, Germany. She also served as a visiting artist at Claflin University, Central Piedmont Community College, and at Tapp’s Arts Center, here in Columbia. She was featured in a film by Roni Nicole Henderson as well as one by Wade Sellers, and her work, Speak No’, 2011 was acquired by the Columbia Museum of Art. Her exhibitions included 15-Jahre-Künstlerwerkgemeinschaft volksbank Kaiserslautern; Artfields in Lake City; a solo exhibition and site specific performance, I’m a boss my house, at If Art Gallery; a two-woman show and site specific installation and performance called Making Time Marking Forever at Carrack Contemporary Art in Durham, NC; The Mother Wound site specific performance at Spelman College in Atlanta; Remix – Themes and Variations in African American Art at the Columbia Museum of Art; Wet Hot Southern Summer Group Exhibition at The Southern Gallery in Charleston; Where They Cut Her I Bleed – Site Specific Installation/ Solo Exhibition and Performance at Tapp’s Arts Center; The Space Between – Solo Exhibition and Performance at McMaster Gallery, University of South Carolina; Ruptured Silence Multimedia Performance and Collaboration with Wideman Davis Dance and Darion McCloud at Drayton Hall, University of South Carolina; Liquor and Watermelon Will Kill You – Solo Exhibition at Rebecca Randall Bryan Art Gallery in Conway; and Red Dirt and Doilies – Solo Exhibition at Sumter County Gallery of Art in Sumter.

Lauren Chapman

Among Lauren Chapman’s accomplishments this year was winning second place in the 61st Annual USC Student Art exhibition for the painting Still, and her painting The Flood was featured at the ArtFields Festival 2016 in Lake City as well as being published in the 2016 ArtFields catalog. In May, Chapman had a joint exhibition at Tapp’s Art Center and in August she showcased 25 oil paintings in her first solo exhibition and artist talk, titled Repetitions at the Pearson Lakes Art Center in Okoboji, IA. Chapman was awarded the Yaghjian Studio arts scholarship at USC and received a fully funded art residency at the international center for the arts in Monte Castello, Italy which she attended in June. Finally, Chapman’s oil painting the white rabbit was selected for the "Figure Out" Planned Parenthood exhibition in August.




Music Arts

Mark Rapp

If there’s a linchpin of Columbia’s jazz scene, it’s probably trumpet (and didgeridoo) player Mark Rapp. In addition to balancing a steady stream of gigs around the city with his constant national and international travel, Rapp has kept busy orchestrating a steady stream of recordings, including a long overdue set from jazz patriarch Skipp Pearson and two efforts under his The Song Project Series with guitarist Derek Bronston. And, as part of the Harbison Theatre Performance Incubator Series, Rapp teamed up with professional choreographer Stephanie Wilkins to create Woven, a unique collaboration that combines jazz and contemporary dance that stands as one of the most innovative original performance pieces created in Columbia in recent years.

Dylan Dickerson

Although he’s one of the most affable and easygoing artists in town, when Dylan Dickerson steps on stage with his band Dear Blanca and starts playing music that person seems to slip away. With his post-punk-meets-Hendrix approach to playing guitar and an unadorned bawl of a voice, Dickerson stands clearly out among his peers. His lyrics, pondering and painstaking, feel like anthems for twentysomethings who want to make it plain that their disaffection and distress should never be mistaken for apathy.

Dear Blanca started out slowly but over the past year seems poised to make the next step, releasing two EPs--one produced by Triangle veteran Scott Solter (Mountain Goats, St. Vincent, Spoon), the other by Charleston’s producer-of-the-moment Ryan “Wolfgang” Zimmerman of Brave Baby--that hold to Dickerson’s idiosyncratic vision of folkie Townes Van Zandt drinking at a bar with D. Boon of the Minuteman while proving that Dear Blanca is a band capable of making music every bit as captivating as their heroes.

Justin Daniels

As much as Columbia has begun to champion its hip-hop veterans like FatRat da Czar and Preach Jacobs, there’s no denying that much of the energy of the genre still lies with a powerful younger generation that is still forging its own identity. Of the newer crop of emcees in the Capital City, Justin Daniels, who raps under the moniker H3RO, is one of the best. His December release Between the Panels, despite its DIY sensibility, plays like a masterclass in how to embrace youthful swagger with a keen sense of history. His comic book motifs and love of pure bars harkens back to Wu Tang Clan; the joyful soul samples and backpack rap self-consciousness to Lauryn Hill and early-period Kanye West; and his charismatic exuberance not unlike current rapper-of-the-moment Chance the Rapper. Daniels is still hustling, but his past year suggests the sky is the limit.




Theatre Arts

Baxter Engle

A perennial behind-the-scenes magic maker, Baxter Engle has served over the past year in the following productions: Marie Antoinette (Sound Design); Blithe Spirit (Scenic Design); Peter and the Star Catcher (Scenic and Props Design); American Idiot (Scenic and Video Design); and, Anatomy of a Hug (Scenic and Video Design.) In addition to handling the creative aspects of design, Engle is hands-on throughout the productions from conception to the birth of the show.

Robert Harrelson

The consummate theatre man, Robert Harrelson is the executive director and owner of his own company, and all the hard work and minutiae that implies, with On Stage Productions, a non-profit theatre company in West Columbia. This year, Harrelson directed Little Shop of Horrors, Twisted Carol, Miracle in Memphis, Crimes of the Heart, and Oz: Dorothy’s Return, which he also wrote. He also teaches ongoing acting classes.

Hunter Boyle

In January 2016 Hunter Boyle performed in a staged reading of Composure, a screenplay by Jason Stokes at Trustus’ Side Door Theatre, playing “Pitchfork” Ben Tillman and several other characters. Next, he performed at Trustus Theatre, where he is a Company member, in Peter and the Star Catcher, playing the roles of Mrs. Bumbrake and the mermaid called Teacher. Following that, Boyle performed with the South Carolina Shakespeare Company, where he is also a company member, playing Sir John Falstaff in The Merry Wives of Windsor. Boyle taught several Master Classes in Musical Theatre (how to tell a story through song) and Acting (how to develop/train your voice effectively for stage work) for the Trustus’ Apprentice Company, as well as a total of five classes (three classes in the fall and two classes in the spring) of Introduction to the Theatre at USC Aiken. Boyle is currently a member in good standing of the Actor’s Equity Association-the union of professional actors in the US, as well as the Screen Actor’s Guild and the American Federation of Television and Radio Artists in the US. As of the nomination cut-off date, Boyle is currently rehearsing the role of Dr. Scott in The Rocky Horror Picture Show at Trustus Theatre, being directed by Scott Blanks.




(*The 2016 JAY in Dance will not be awarded this year.)

Jazz Under the Stars in Kershaw County

The Mark Rapp Band

The Fine Arts Center of Kershaw County (FAC) along with the City of Camden will partner to present a free weekend of jazz in historic downtown Camden Friday, April 24 and Saturday, April 25. Jazz Under the Stars is sponsored by First Citizens, Van Horn Agency, Inc., TruVista and Wells Fargo Financial Advisors/Roy Fakoury, CFP.

The weekend will kick off at 6:00 p.m. on Friday evening at the City's new Broad Street Park on the corner of Rutledge and Broad Streets (1001 Broad Street.) Jeff Liberty will kick off the event followed by Palmetto Nights and The Mark Rapp Group will close out the night. Rutledge street will be closed for the event between Broad and Church Streets to accommodate for the concert goers.  Food and beverages will be available to purchase on site.

On Saturday, the Camden Middle School Jazz Band, under the direction of Nancy Neal, will perform at the newly located Farmers Market at 222 Broad Street on the grounds of Historic Camden. Their performance is scheduled for 9:00 a.m.

During the day, take time to enjoy the downtown shops and historic sites, have a leisurely lunch or dinner and then join us for the amazing Mike Frost Band at the Venue On Broad (1020 Broad St.) starting at 9:30 p.m. The Mike Frost Band is one of the South’s best jazz ensembles and will thrill any jazz enthusiast.


•About the artists:

Jeff Liberty earned his musical chops on the sidewalks of New Orleans' French Quarter, the back streets of St. Louis, and Beale Street in Memphis. Currently living in Columbia, SC, Liberty was voted "Best Local Solo Artist" in Columbia's Free Times Reader's Poll. A year later he formed the Jeff Liberty Band and was named "Best New Local Band" and "Best Local Blues Band" by Free Times readers in 2001. Stomping through the bars, juke joints, and blues festivals throughout the Southeast, Liberty has performed with Kenny Neal, Shrimp City Slim, Juke Joint Johnny, Sonny Landreth, Little Charlie and the Nightcats, and has also shared the bill with such greats as  Robert Plant, The Eagles, Aerosmith, Robin Trower, Cheap Trick, and The Marshall Tucker Band.

Jeff Liberty

Palmetto Nights (Sheri Speaks Berry, Geoff Collier and Brian Parmeter) — Sheri Speaks Berry is a native to South Carolina. She has lived in California and Pennsylvania and returned to SC in 2012 and began working with guitarist, Geoff Collier, soon after. Sheri fronted two bands  (one jazz, one folk/rock) in Pennsylvania. She studied vocal performance at both high school and college levels.  She is currently working towards her Master's degree and is employed by the Kershaw County School district.  Geoff Collier is a New York native who relocated to South Carolina several years ago as a psychology professor. Geoff holds a Ph.D. in psychology from Columbia University and is a multi-instrumentalist who plays the saxophone, keyboards, and guitar. Brian Parmeter, a talented, upright bassist with a great love for the standards, recently relocated to South Carolina from Minnesota. Brian is an R&B veteran of the Uptown and downtown Minneapolis scenes. Jazz and the acoustic upright bass became his mainstays during a dozen years gigging in HoTown Michigan.

The Mark Rapp Group — Mark Rapp is a distinguished trumpeter, composer, arranger, didgeridoo player, recording and touring artist. He has released five diverse recordings, and is featured on the closing track of Disney’s "Everybody Wants to be a Cat" CD.  His celebrated 2009 debut release "Token Tales" (Paved Earth Music,) earned him a spot as a "Top Emerging Trumpeter" in Downbeat Magazine. His release “Good Eats” (Dinemec Jazz) had critics saying, “Rapp is quickly developing a reputation as a superb interpreter and great stylist, willing to tackle the history of this music with his eyes on the past and his mind on the present and future of this music,” according to  AllAboutJazz.com. Rapp has performed in jazz clubs and festivals around the world. He has performed with such greats as Brandord Marsalis, Hootie & the Blowfish, Herbie Hancock, Aretha Franklin, Wycliffe Gordon, Nate Smith, Clerence Penn, and Wess “Warmdaddy” Anderson.

The Mike Frost Band--Aiken, SC's Mike Frost Band - features the superb vocals and saxophone of Lauren Meccia energizing the music scene by blending together several musical styles to create a sound that’s all their own.  Anchored by the dynamic bass playing of Mike Frost - an artist with decades of worldwide touring and performing experience - they combine a crowd-pleasing sense of fun with adventurous, turn-on-a- dime musicianship.  As evidenced by their stellar CD releases, “Riddle Me This?” (2011,) “Get Frosted! Live at the Blue Horse” (2011,) “Frosty Christmas” (2012,) and “Live at the Red Pepper” (2013,) their sound contains elements of danceable funk, classic rock, and R&B, while their approach to jazz standards and modern ballads is laced with undeniable verve and performed with a soulful spirit. Mike Frost (bass) is a former student of jazz legends Pat Martino and Jaco Pastorius. He is a composer, studio musician, educator, recording engineer, and designer of Brickhouse speaker enclosures. Mike has recorded and performed with a long list of high-profile musicians including Donald Vega, Wycliffe Gordon, Jorma Kaukonen, Jimmy Bruno, New York Voices, The Gypsy Kings, David Mann (Tower of Power,) Manolo Badrena (Weather Report,) Todd Turkisher (David Byrne, Ute Lemper,) John Scarpulla (Tower of Power, Bruce Springsteen,) John Miceli (Meatloaf,) and George Cintron (Leslie West, Blue Oyster Cult.)  Lauren Meccia is a vocalist, saxophonist, educator, composer, and lyricist.  Listeners have said that her voice is like medicine,  comparing her tone to Norah Jones, Eva Cassidy, and Ella Fitzgerald.  Her saxophone sound has an organic warmth that is rare for the instrument, incorporating influences of bright jazz and dark classical styles and tonal colors. She is the director of jazz ensembles and instructor of saxophone and clarinet at USC Aiken.  She is the founder and director of the CSRA (Central Savannah River Area) New Horizons Band, a beginning band for adults.

For more information, please call the FAC Box Office, or visit the FAC website at www.fineartscenter.org.  The Fine Arts Center of Kershaw County is located at 810 Lyttleton Street in Camden. Office hours are Monday through Wednesday and Friday, 10:00 a.m.-5:00 p.m. and Thursday 10:00 a.m.-6:00 p.m.

The Fine Arts Center is a 501c3 organization that is funded in part by the Frederick S. Upton Foundation and the South Carolina Arts Commission, which receives support from the National Endowment for the Arts. Additional funding provided by the City of Camden, Kershaw County, and BlueCross BlueShield of South Carolina along with donations from businesses and individuals.