“Balancing Act” – Artist Paul Yanko talks about the mural he and spouse Enid Williams created at Trenholm Plaza

by Mary Catherine Ballou

Photo courtesy of Paul Yanko

Over the summer, a mural emerged on one of the exterior walls of Trenholm Plaza, a shopping center located in the heart of Forest Acres.  Before its appearance, few examples of public art existed in this area.  Upon discovering this intriguing abstract rendering, Jasper intern Mary Catherine Ballou conducted with the mural’s artist, Paul Yanko.


Commissioned by EDENS (the longtime Trenholm Plaza property owners), Greenville-based artist Yanko painted the mural with help from his wife, artist Enid Williams. Yanko, an accomplished abstract painter and visual art teacher at the South Carolina Governor’s School for the Arts and Humanities (where he has been teaching for 13 years), completed the mural over the course of three months, working through the scorching heat from June through August to bring a lively and colorful display of public art to the community.


In the following interview, Yanko kindly provides information about his artistic history, how the mural developed, and his hopes for the mural’s impact on the community at-large.


Jasper: Please tell us about your artistic background.

Yanko: “I am originally from Northeast Ohio and I relocated to South Carolina in 2004 to teach full time at the South Carolina Governors School for the Arts and Humanities.  Prior to moving, I attended the Cleveland Institute of Art from 1986 to 1991.  I received a BFA in 1991 in Illustration, then I went back to graduate school to pursue an MFA in Painting, which I received in 1995.  Upon receiving my MFA, my wife, Enid Williams (Visual Arts Instructor at Greenville Technical College), and I occupied a studio in Ohio for eight years, so we really built our careers in Northeast Ohio, exhibiting regionally and nationally.  Then we moved to South Carolina…and have continued to exhibit regionally and nationally.”


Please describe your artistic process what inspired you to create this mural?

“That place [Trenholm Plaza] was designated by the property management company [EDENS], [but] the project was delayed slightly because of the flooding [in October 2015].  I made an initial visit to the site [during the summer of 2015], just to get a firsthand sense of the scale and overall surroundings.  That was [with] Mary Gilkerson from One Columbia and also a faculty member from Columbia College.  We made a time to meet up and I visited the Plaza in July of 2015 and got a sense of the actual dimensions and scale.  I was impressed with the renovations that had taken place in the Plaza.  I was struck by the combination of materials used – the wood combined with some of the tiling, and gridded meshed columns…with vines trailing up.  I was just kind of taking in everything that my first impressions were giving me, along with the fact that EDENS was looking for somebody [with] very broad, very open parameters…something very upbeat, lively.  I appreciated the fact that they weren’t requesting something so specific – it was open to 3D work as well – but for me as a painter, my response, my considerations for the proposal shifted to my area of expertise.


I started thinking about a palette – I recalled some site-specific works that I did in the early 2000s – 8-hour drawings at a college in Pennsylvania [and] 48 hours of making art [at] another college…[we were] given a weekend to camp in the gallery [and] assigned an area to create a work in 48 hours.  I collected an assortment of rollers, brushers, miscellaneous paints, ladders, and just rolled up my sleeves and got to work on it – 15 feet by 15 feet...You just have to plan and execute – it’s a very different way of organizing your time and activates compared to what you might typically do in the studio.


Those earlier projects provided a kind of frame of reference for this project.  I went back to using rollers in various sizes, lots of masking tape, a level, straight edges – pretty simple, straightforward tools.  It just became a matter of chalking off lines with Enid’s help – she was a big help on this project.  Once I did the layout, she or I would come back and tape and start rolling in those areas with an assortment of latex colors – gallon quantities of commercial latex paint – just to ensure there would be enough material for the size of the project, [and] organized a pallet of about nine colors.  I wanted the palette to correspond to impressions, sensations that I had taken in from the environment, also keeping in mind the location of the mural.  That particular context had a big drive in my palette.  [Then] I presented a proposal, artistic background, concept budget, and loose timetable for executing the work…


My current work in the studio – the process I employ of layering, masking, [and] building surface qualities guided my direction for the decisions for the proposal…kind of a combination of some previous installation projects.  Also, Enid and I executed a large mural in a public recreation center in the late 90s – we did that collaboratively so there were some past instances, but it also relates to my thought processes in the studio and on canvas.”


yanko 2

How different is it planning and painting an outdoor public mural compared to an in-studio piece?

“There’s certainly an awareness that’s timed in the studio [but] you do have to think about time differently [when working outside in a public space].  There’s a dry time [and] there are considerations about weather conditions.  I also teach full time, so the summer was really the only time to have this kind of continuity, opportunity to work – so summer just became the time to do or die.  My schedule is pretty…regimented anyway – it definitely has to be that way with the mural – [taking into consideration] traffic, do I have enough water, do I bring a lunch, do I have the right supplies because it’s not easy to stop.  It’s a little bit like comments I’ve heard from friends and family who do a little bit of backpacking [or] camping, in the way you have to organize yourself and get materials ready for the day, preplanning the night before.  Oftentimes our conversations for the day would be ‘We’re going to do the gray, blue, orange [colors today]…’”


How would you describe the experience of painting a mural in such a public forum? What’s the status of the mural now?

“It’s done – we made a big start in June – then we worked quite a bit through July on the project, and a little bit in August – just tried to consider the weather and timing.  It has been an exceptionally hot summer – no big surprises there.  We timed it for working a little bit earlier in the afternoon, so that was most productive for us.  We’ve been connected, been a part of the Columbia art scene for many years, [but] we decided to commute back and forth on the project.  I think having some time in-between the sessions of painting were helpful – just to think about other projects…in the studio [and] exhibitions to prepare for this summer.  It was a little bit of a juggling act.  That led me to titling the piece “Balancing Act”, which refers to time on the project, referring to what’s occurring in the mural itself – interaction of color and shape, how some of the elements seem to be leaning and precariously placed, buttressed by others, and (thirdly I would say) it makes a reference to the activity, the conversations that I was sort of exposed to, the clients, the patrons of the plaza.


When you’re working on a mural, you’re kind of on a rail like the track of an old electric typewriter – you’re going back and forth, up and down, back and forth, so you’re on this track while you’re working and this current of people [are] behind you in the Plaza.  It doesn’t stop – you overhear folks talking about their schedule for the day or picking up outfits – there’s this current in life moving on around you.  I think it might have been designated as a Pokémon hot spot – I saw a few younger kids face down following their phones stopping by the mural.  So there’s a little cultural thing going on – everyone will remember that was the summer that went on.  It’s very different working privately in the studio – a lot of questions were presented [and] the public couldn’t have been more supportive.  They had great questions, interest, enthusiasm for the project – they felt it was a favorable addition…”


yanko 3


How would you describe this mural? What feelings or emotions do you hope to convey through the mural?

“It’s abstract, a configuration of color, shape, using a simple vocabulary to build layer into something complex – it’s just taking in impressions and recreating those in a language of color and shape.  I used to title old paintings [for example] ‘Old Section, New Section’, [like the process of] building in a community – I sort of see this corresponding to my project.  I was really impressed to learn about what the Plaza meant to the community in the past – how this…is a real renovation template for EDENS, it seems to have gotten a revitalized interest and strong support from the community.  The general public was great – I got responses and remarks from small children to teens to adults…


I would like it to be engaging, through its complexity.  I would hope that people would be compelled to stop and allow their eye to find different points of entry – kind of navigate the network of lines, of stripes connecting messaging in the mural.  I would hope that it will provide something to serve as a point of discussion, to promote some dialogue, to elicit some kind of commentary – hopefully favorable in opinion – because viewing an actual painting [or] mural is not a passive thing – it’s not exactly like advertising along the highway.  I think it asks, hopefully, that the viewer return and notice something different and reconnect with it.  I’ve heard people comment about how it looks at night – I haven’t seen it at night yet – possibly at different times of the day, different weather conditions, different perceptions of it.  I prefer engagement and curiosity, and a reengagement.


I’d like it to kind of integrate itself in the community…and hopefully over time be regarded as a public sculpture or some other type of mural or artwork that already exists in Columbia.  The best outcome would be having it regarded favorably.  That’s a byproduct of working in the community…there’s people offering their opinions…you feel a connection with the community, you talk to people, get to know the staff of the Plaza, feel like a part of you is there.  This is a much larger audience, compared with a private collector [or] buyer.  I spoke to a broad range of [people]…you’re reminded of how diverse the community really is…”


yanko 5

Why do you think this public art is important for the community?

“It’s original, it forms a connection to the community in a very unique way that other projects might not – there’s a face to it, there’s a history, there’s a documentation of the process, there’s a record of the whole thing.  It’s not going to exist somewhere else in exactly [the] same incarnation…


It’s giving the community something unique.  It was created in the context of working in collaboration with a company like EDENS that is based in the community.  People can say that they saw the mural from the day that we started up to this point – so they feel a little bit of an investment.  Hopefully it will be a point of entry for someone interested in art – create a little interest that leads them going back to the Columbia Museum of Art [or] State Museum – showing them something that can exist outside of those institutions but still maybe have a connection.  I think that’s the value of what it can hold.


I think I would consider color [and] the consideration of shape very differently in another community.  As an abstract painter, I can say it has changed maybe gradually.  I think my work would have gone on a different trajectory had I not moved, but maybe not because you’re working out of your head and no matter where you live you still draw from that.  I didn’t want to artificially…embrace working in a different way just because I moved [from Ohio to South Carolina].  I think that maybe the conditions of lighting, the climate have made slow, more nuanced subtle changes in my work – that kind of thing influences how I go about collecting color.”


Do you have any future mural projects in-store that you want to tell Jasper readers about?

“I’m working on a project…in collaboration with Lululemon athletic attire.  I was approached about a year ago from them to develop work in partnership with their designer for a store opening in Greenville.  It’s going to be a very different type of appearance and approach altogether.”


Any closing remarks?

“A nice feature about this project [at Trenholm Plaza] – I developed the concept [and] my wife and I executed the work.  That creates a different level of investment…I’m not acting as a hired hand to execute the work from start to finish. My role has been from planning, to execution, to purchasing the materials.  I don’t have a [business] card and I don’t paint murals all the time – I think it would be a very different type of mural if a fulltime muralist had been contracted.  My work is not coming out of other mural projects as much as it does out of things in the studio – [and] informed by some of those earlier projects.  I do think it’d be a very different project if it were executed by a full-time mural team.


I’m really grateful to have been selected – it was a really productive experience.  At the end of the day, I just want the community to feel a kind of connection to the work – part of that can be felt [by the fact that] we were just painting out in the open.  People can see what was going on, [it] give[s] everybody a chance to acclimate to the changes over time – [I] enjoyed that approach instead of a big unveiling at the end.”


yanko 6


A dedication ceremony for the mural will take place on September 21st at 10:30AM in Trenholm Plaza. For more information about the artist, please visit http://www.paulyanko.org/.


Fall Lines – a literary convergence launches third issue with a reception and reading at Tapp’s Arts Center July 28th

Fall Lines  


The Columbia Fall Line is a natural junction, along which the Congaree River falls and rapids form, running parallel to the east coast of the country between the resilient rocks of the Appalachians and the softer, more gentle coastal plain. 


Jasper Magazine, in partnership with Richland Library, USC Press, One Columbia, Muddy Ford Press, and The Jasper Project will release the third annual issue of Fall Lines – a literary convergence on Thursday, July 28th from 7 – 9 pm at a free reception at Tapp’s Arts Center. An annual literary journal based in Columbia, SC, Fall Lines was conceived as a mechanism for highlighting Columbia as the literary arts capitol of South Carolina.

A panel of judges selected 30 pieces of poetry and prose, from hundreds of international submissions, for publication in Fall Lines alongside invited pieces from Ron Rash, Terrance Hayes, Pam Durban, Laurel Blossom, and Patricia Moore-Pastides. Two prizes for the literary arts, sponsored by Friends of the Richland Library, will also be awarded including the Saluda River Prize for Poetry to Kathleen Nalley for her poem, “The Last Man on the Moon,” and the Broad River Prize for Prose, awarded to Claire Kemp for her short fiction, “The Dollmaker.”  Adjudicators included SC poet laureate Marjory Wentworth and award-winning author Julia Elliott. In addition, Fall Lines will also publish the winner of the 2016 South Carolina Academy of Authors Coker Fiction Fellowship, “I Can’t Remember What I Was Trying to Forget,” by Phillip Gardner.

The awards ceremony and reception will also feature readings by selected authors whose work is published in this issue of Fall Lines: Scott Chalupa, David Travis Bland, Matthew O’Leary, Mike Miller, Claire Kemp, Kathleen Nalley. Tim Conroy, Julie Bloemeke, Eileen Scharenbroch, Jonathan Butler, and Mark Rodehorst.

The editors of Fall Lines, Cindi Boiter, Ed Madden, and Kyle Petersen, are deeply appreciative of this year’s sponsors including Jonathan and Lorene Haupt, Sara June Goldstein, Richland Library, One Columbia for Arts and History, Muddy Ford Press, Columbia Museum of Art, the SC Philharmonic Orchestra, Rosewood Art and Music Festival, Deckle Edge Literary Festival 2017, and The Whig.

For more information please contact Cindi Boiter at cindiboiter@gmail.com.

Tuesday is MAKE MUSIC DAY brought to you by One Columbia and friends

make music cola  

This Tuesday, June 21, Columbia will take part in its second annual Make Music Columbia event. Music will be played just about everywhere, from Five Points, Main Street, the State House, Lexington and more. It’s a perfect indoor and outdoor event for music-lovers of all ages to experience all sorts of music, happening from 9 am – 9 pm. There will be music of all styles, from rock, hip hop, folk, jazz, experimental and anything in between.

Make Music Columbia is part of a broader network that is the Make Music Day Alliance. The first Make Music Day was in France in 1982, and it is now a worldwide event, with over 700 cities in 120 countries participating. It happens each year on the summer solstice, a great way to celebrate the longest day of the year.

Anyone is free to participate in Make Music Columbia, and there will be a number of mass appeals, which are large groups of people playing the same instruments together. These will take place at the State House, and anyone is welcome to walk up and join in. They’ll have ukulele songbooks, harmonicas and more for the crowd. No musical skill required!

There will be buskers all around the city along with other organized concerts, which are all free and open to the public. People are also welcomed and encouraged to sign up to either host or perform. This is primarily a collaborative effort, made possible by the committed work of One Columbia, Rice Music House and WXRY FM.




Most performances can be caught in Five Points, Main Street, and The Village at Sandhills, and there will be outdoor concerts at Tapp’s Arts Center and The Lula Drake on Main Street. There are still a lot more places to enjoy performances, and these can be found at makemusiccolumbia.org.

“The idea is to create so much music that people encounter it during their daily activities,” says Ashleigh Lancaster, Office Manager at One Columbia. “The idea that you can fill a whole city with performances like that is really exciting… It makes the streets feel so alive.”

Lancaster believes this is a great event for Columbia to be able to participate in a worldwide event while also enjoying the stress–relieving qualities of music. It can put a smile on people’s faces, and give them the opportunity to let go during the week.



  • First up – Join the Sound Circle!  Led by Girls Rock Columbia, make music using your voice – strange noises, bleeps, boops, even screams come together to create a unique chorus! Starts around 6pm.
  • Then – Learn the Harmonica! Thanks to Hohner, we’ll be handing out 100 free harmonicas! Walk right up and learn how to play – then we’ll try our new skills as a group. Starts around 6:30pm.
  • And, then – Uke it Up! The Cola Ukulele Band will perform their sweet tunes for you, but not before teaching you a few things they’ve learned! Be sure to bring your ukulele. There will be some books on hand with sheet music. Starts around 7:15pm 


So no matter how talented or less-than-talented you feel in your musical abilities, Lancaster and all the other good folks organizing Make Music Columbia invite you to make or just enjoy some music this Tuesday, June 21. It’ll be a great way to celebrate the summer solstice, and join the worldwide Fête de la Musique (meaning both “festival of music” and “make music” in French).

Hand music


-- Ony Ratsimbaharison

Line Up of Fun for Jasper Release Party Monday Night

jasper presents

Big Art Fun at GUESSWORK Studio


We've seen this happen before.

Jasper starts out planning to celebrate the release of the newest issue of the magazine with an informal gathering of artists and arts lovers at a local studio or gallery. Keeping it simple. No big deal.

Then someone has an idea for a cool performance or activity. A band or two is interested in playing. What if we did this? Or this? Damn Y'all, let's just do this!

The next thing we know a big old hairy artball is rolling down the hill and, this time, it's landing with a splat at Billy Guess's very cool new studio space GUESSWORK on Avondale Road.

(You know you don't want to miss this thing.)

Here's what to expect Monday night, starting about 7, at the release celebration of the 29th issue of Jasper Magazine.

Hold on tight.



Music by Tyler Godon

Music by the Mustache Brothers

Art by Billy Guess, Khris Coolidge, and (fingers crossed) Jasper's own visual arts editor, Kara Gunter

Michael Krajewski will be channeling Dave Chappell channeling Prince and making Prince symbol-shaped pancakes - Billy will be providing a pancake toppings bar

On a big blow-up outdoor screen, Wade Sellers will be sharing his film 25 Artists, which features - you guessed it - 25 Artists from Columbia

Barry Wheeler will be creating a video of you and 100 of your closest friends playing a One Columbia kazoo in a weird blend of the arts and patriotism as we create the Columbia Arts Community's Memorial Day Message to the Universe

Bier Doc will be grilling up cheap hot dogs and supper will only cost you a dollar (Or you can wrap those dogs in a pancake to make pan dogs/hot cakes)

Annie will be selling you bottomless cups of good beer and decent wine

And last but not least, you'll get your hands on a fresh hot copy of the 29th issue of

Jasper Magazine!


When was the last time you had this much fun on a Monday night?

See  you about 7 at 955 Avondale Drive, a couple blocks off North Main right after the intersection at Sunset

Bring a lawn chair and be ready to have a big old time!

Jasper leaf logo



What One Columbia Has Done for You & How You Can Return the Favor - Addresses, Talking Points, and More

(For letter-writing talking points, please skip to the bottom of the page.)

One columbia

 “A place without a distinctive cultural aura is much less apt to land on visitors’ itineraries than those with such amenities. There is no easy way of accounting for this economic impact, beyond affirming that tourism, a form of direct participatory experience, is one of the world’s largest industries and is closely tied to creative destinations.”

--From “Creative Placemaking”

The Mayors’ Institute on City Design, a leadership initiative of the National Endowment for the Arts in partnership with the United States Conference of Mayors and American Architectural Foundation.

One Columbia's Mission: to advise, amplify and advocate for strengthening and unifying the arts and history community by supporting arts and historic preservation tourism, promoting collaboration, coordinating advertisements, and celebrating the role of arts and history in this community


One Columbia creates a Comprehensive Calendar of Arts and History Events that shares information on typically about 150 active events at any given time and over 330 registered organizations that submit events and a weekly email of weekend activities that reaches over 9,000 people both in the Columbia market and beyond and includes social media promotion throughout the week

One Month was a Citywide, month-long celebration of the arts as a whole featuring special events and connections between established events during the month of April. This project was converted to the Cultural Passport program in Fall 2013 which was designed to provide more opportunities for engagement between the over 75 participating arts organizations and their audiences. Over 5000 were distributed in addition to the creation of an application for iPhone

Film Columbia/Capture One Columbia  is an initiative to collect video footage of events throughout the city of all different types for marketing and promotional purposes, resulting in 21 finished videos and over 700 Gb of raw video footage that is available to all arts organizations, media, organizations that promote the city

Public Art is another way One Columbia is creating unique spaces around the city that demonstrate creative talent and establish more vibrant places to live, work and visit. One Columbia formalized a program with the City of Columbia in 2014 that has led to three significant sculptures (two on Main Street, one in the Vista) adding over $55,000 in value to the City’s art collection. The formal program has inspired collaborative efforts with Richland Library (resulting in over $375,000 in value), Kroger Supermarkets (approximately $12,000), Edens (approximately $10,000) and the Columbia Metropolitan Airport (approximately $250,000 over the next 10 years). One Columbia has also developed a community of buskers and street performers to enhance the visitor experience and demonstrate artistic talent. It has also enrolled Columbia to participate in national arts celebrations such as International Make Music Day (June 21) and National Poetry Month (April).

One Columbia is hosting an Art-o-mat, a former cigarette machine that has been converted to dispense $5 pieces of handmade art, which will help engage the public in art by making it accessible, but also encouraging Columbia’s artists to participate and get their name in one of the over 100 active machines throughout the country.

Established the position of Poet Laureate for an individual to bring awareness of the city as an arts hub outside the city and create projects that enhance Columbian’s daily lives through the arts. Ed Madden, the inaugural poet laureate, has created a project to display poetry on the bus system and to celebrate National Poetry Month by putting poetry on coffee sleeves


One Columbia provides basic resources for arts organizations and artists, including office/meeting space, permanent mailing address, video and still cameras, easels, copies and prints and Notary Public services.

It brings together organizations to increase the size, scope and level of awareness of events including the 150th Anniversary of the Burning of Columbia (nearly 30 participating organizations) and the creation of the city’s first cultural district in the Congaree Vista as part of a program offered by the South Carolina Arts Commission

It facilitates leadership transitions for events such as First Thursday on Main, Deckle Edge Literary Festival to replace the SCBF, and adding artistic elements to Artista Vista, Indie Grits, Hip Hop Family Day and others.


Identifies strategic needs of the arts community through meetings with arts leaders.

Utilizes opportunities to determine and share key data points that benefit arts organizations and make them more competitive for support from regional and national sources of support including a Creative Industry Report completed by WESTAF and the upcoming follow-up to the Arts and Economic Prosperity study with the Americans for the Arts  - Where are we going from here?

One Columbia will continue to work toward a more unified arts community and will assist in connecting the city’s arts and historic preservation communities to regional and national resources.

More emphasis will be placed on developing a long-term vision for the arts in the city.

Public art projects will expand through work with private partners and more emphasis will be placed on the improvement of public and quasi-public spaces under the principles of creative placemaking.

More collaborative activities under unified themes will be developed that bring together all art forms and create greater recognition of the city throughout the region, nation and globe

What You Should Know

In a memorandum from City Manager Ms. Teresa Wilson dated September 3, 2013, the City determined “that One Columbia’s proposed mission and budget are activities that constitute advertisement and promotions related to tourism development under the Hospitality Act and as such, operating activities of One Columbia are eligible expenses to receive funds under the Act.”

One Columbia for Arts & History was supported with 2015-2016 Hospitality Tax funding at the level of $167,600. The organization has utilized these funds to continue work toward the mission of the organization to advise, amplify and advocate for strengthening and unifying the arts and history community by supporting arts and historic preservation tourism, promoting collaboration, coordinating advertisements, and celebrating the role of arts and history in this community.

In the past year, the organization has taken great steps in accomplishing this mission. To better amplify the arts community’s work and based on the principle that passports provide access to new experiences, One Columbia has continued it’s cultural passport program for Columbians to utilize when attending events and venues in our city. With over 100 organizations and venues participating, passport holders collect unique stamps across various genres of art and history. As they collect stamps, they become eligible for perks including gift cards, art supplies, t-shirts, and event tickets. Passports come in the form of printed booklets or a free iPhone application to make the program as accessible as possible. This program amplifies awareness about the extent of the arts community and allows arts organizations to connect with their growing audiences. Thus far, over 5,000 passports have been distributed at a full range of cultural events.

The organization has made significant progress in establishing its process for public art and has installed the first works created as a result of the process. Pieces created as part of this formal process are privately funded and publicly owned and maintained. One Columbia installed two new pieces of public art on Columbia’s Main Street in 2014 and one new piece on Lincoln Street in the Congaree Vista in 2015, equivalent to approximately $55,000 new public art investment in the City. One Columbia has adapted the program to assist in projects that are sponsored by private property owners or developers and has initiated projects with the Richland Library, Kroger Supermarkets, and the Columbia Metropolitan Airport. By working with the Richland Library, One Columbia will have coordinated artist identification and project selection of pieces of art for nine renovated locations of the library representing over $375,000 of public art investment in the Midlands in the next year.

In June 2015, in collaboration with Rice Music House and WXRY FM, the city of Columbia participated in international Make Music Day. The day featured free, live, outdoor concerts in various districts of the city, as well as a central event where 100 free harmonicas were distributed to participants.

One Columbia has also worked with Indie Grits in expanding its arts component, including the coordination of a mural space on the corner of Main and Taylor streets that changes annually. For the 2015 Indie Grits, One Columbia coordinated two major outdoor art installations and hosted an artist-in-residence that focused on the City’s history and monuments.

One Columbia has also started the development of a true community of buskers to bring the arts out onto the streets an into the daily lives of the city’s citizens.

To get more art in the hands of more people and inspire citizens to start art collections in an affordable and fun way, One Columbia has become a host of an official Art-o-mat. The converted cigarette machine vends small pieces of unique art. The machine will be placed at various venues throughout the city. One Columbia partnered with Izms of Art to create Art Linc, a celebration of chalk art in the Lincoln Street Tunnel that was held on November 7.

To further celebrate the artistic identity of the Congaree Vista, One Columbia worked with the Vista Guild to bring together a plethora of stakeholders in order to develop a strategic plan and application for the creation of a formal cultural district as recognized by the South Carolina Arts Commission.

In conjunction with the goals of offering Columbia’s citizens ample opportunities to engage with art, the organization has worked with the City of Columbia to establish the Gallery at City Hall.

One Columbia for Arts & History again served as a major partner in carrying out the One Book, One Community program. One Book, One Community seeks to engage the community in a reading project by selecting one book to read together during the month of February. This year’s selection was The Stone Necklace by Carla Damron, and programming was strongly connected with the activities of the Deckle Edge Literary Festival.

New partnerships were forged including one with The State Newspaper, which serialized the chapters One Columbia has also partnered with Jasper Magazine, the Richland Library and the USC Press to distribute Fall Lines, a free literary journal featuring the writing of Columbians and South Carolinians.

In an effort to increase Columbia’s profile as an artistic city, One Columbia worked with the Mayor and City Council to establish the office of poet laureate for the city. In Resolution R-2014- 081, City Council permitted One Columbia to carry out a process for identification and selection of a poet laureate to serve a four-year term in order to represent the city’s rich literary tradition and to carry out activities that engage citizens with poetry and language. Ed Madden began his term as the City’s inaugural poet laureate in January 2015 and since then, One Columbia and Dr. Madden have worked together to create a project with The COMET bus system to feature poetry themed around life in a city on each of the buses in the system. They also created a chapbook of the collected poems and the poems about transportation are featured on the printed bus schedules. This project will continue in 2016 with the theme focused on rivers.

One Columbia has put great effort into commissioning and collecting video footage of various arts and cultural events throughout the City. The collected footage is freely available to arts organizations, tourist organizations, promotional groups, and media organizations to feature the vibrancy and diversity of Columbia’s cultural life and can be viewed as part of our Film Columbia initiative at https://vimeo.com/onecolumbia.

In association with the Americans for the Arts, One Columbia will be collecting over 800 surveys regarding the spending of attendees at the diverse arts events throughout 2016. This data will result in an economic impact study of the arts of the greater Columbia area including Richland and Lexington counties and builds on a similar study that was done in partnership with the Cultural Council of Richland and Lexington Counties in 2010. This data will be important in giving arts organizations necessary context for their impact and help them when applying for grants and donations for future programming.

In 2013, the City of Columbia lost a highly respected and valued citizen upon the passing of Mr. Steve Morrison. Mr. Morrison had been a visionary of the arts community and the chair of the One Columbia board of directors. To honor him, One Columbia established the Steve Morrison Visionary Award to recognize an individual in our community that has brought foresight and ambition to the development of Columbia’s cultural life. This past year, the organization selected the recipient to be Mr. William Starrett, the executive director and artistic director of the Columbia City Ballet. The presentation took place in front of a full house at the fall concert of the SC Philharmonic.

One Columbia has led the way to transition First Thursdays on Main to new leadership made of Main Street’s important stakeholders ensuring the continuity of a vital activity that brings a significant amount of visitors out to the City’s main thoroughfare 12 evenings a year. One Columbia assists with planning and connecting organizations and artists that can create unique and interesting content to each month’s activities.

And, at the announcement of the cancellation of the South Carolina Book Festival by the Humanities Council SC, One Columbia has worked with partners to develop a new replacement literary festival to fill the void. This event saw a successful inaugural year featuring over 70 authors bringing nearly 1000 participants to Columbia’s Main Street.

One Columbia for Arts & History is very grateful for your recognition of the enduring value of the arts and historic preservation in advancing Columbia’s standing as a vibrant community where creativity and preservation can be fostered to the benefit of residents and visitors alike. 


If you would like to express your appreciation of One Columbia and your desire that the organization continue to be fully funded by the City of Columbia please write to the following individuals:

Talking Points:
  • One Columbia’s structure and line item, H tax-funded budget were designed, voted upon, and approved by City Council in 2012.
  • It should not be incumbent upon the employees of a city office to create the funding for their own salary and operating expenses.
  • One Columbia cannot carry out their mission if they also have to compete for funding with the arts organizations and individual artists they serve.
  • One Columbia has become an integral and indispensable part of the Columbia arts community. (Please consider using examples of ways you have been impacted by the work of One Columbia from the comprehensive text above.)
  • The issue boils down to whether Council understands that the city needs an organization to work as an objective office of cultural affairs charged with helping the entire arts community and that it can be funded in a variety of ways.
  • Members of City Council should not use the arts and One Columbia as weapons in a power play against the mayor.

Poems Flow with Your Cup of Morning Joe via River Poems from One Columbia and the office of the Poet Laureate

  one columbia coffee


Local poets come together to create coffee sleeve poems about the historic flood and rivers of Columbia for national poetry month this April.


In conjunction with One Columbia for Arts and History, Ed Madden, the city of Columbia’s poet laureate, has created a project titled River Poems. This project will focus on bringing poetry to the people of Columbia during the entire month of April. Since 1996, April has been national poetry month, and one of the tasks of the poet laureate is to promote the literary arts. “As a project for the poet laureate, last year and this year both, we put poems on the buses. We had already decided the theme this year would be the river, because it is the theme for Indie Grits, but I think the flood added additional urgency to the theme,” says Madden.


Along with the bus project, the second project this year was to put the poems on coffee sleeves. “We’ve been trying to think of ways to promote poetry in unexpected places, so coffee sleeves felt like a really obvious place to put poetry,” says Madden. “You can drink your morning cup and read beautiful literature.”


Seven local writers came together for this wonderful opportunity to spread literature around the city. The writers include, Jennifer Bartell, Betsy Breen. Jonathan Butler, Bugsy Calhoun, Monifa Lemons Jackson, Len Lawson, Ray McManus, and Madden himself. After sending out a limited call to those artists to create a piece of poetry eight lines or fewer, each poem was then stamped on thousands of coffee sleeves that will be distributed at independent coffee shops around Columbia. Including both Drip locations, and the Wired Goat.


“I think the idea of the coffee sleeves is so smart. Columbia has a healthy relationship with the arts, especially the performing arts. But the city gives a lot of love to the fine arts, the design arts, and the literary arts that has thrived here for quite some time.  You’d expect that from a capital city to a certain extent. But what is unique in Columbia is that the art scene is so diverse, and there is a growing respect for that diversity. The literary scene is no exception. There is a little something for everyone here. I hope that resonates,” says Ray McManus, poet and author of the poem Mud.


Each of the eight poems centers around the idea of the river that runs through Columbia. This idea ties in with the theme of this year’s Indie Grits Festival, which is Waterlines as well as The Jasper Project’s multi-disciplinary project Marked by the Water, which will commemorate the first anniversary of the floods in October. There are also a few featured poems that represent the voices of people effected by the historic flood which ran through the city last October. Overall, each poems creates a sense of what the rivers mean to each poet, and how in many ways people are still mending together the pieces almost six months later.


When writing her poem titled What Stays, Betsy Breen was thinking back to a particular image she recollects from the flood. “I was thinking about the flood in October, and all the debris that washed up during that time. I have a particular image in my mind of a part of Gills Creek that I pass every morning on the way to work. The week after the rain stopped, it was filled with both keepsakes and trash. I was thinking of that when I wrote this poem,” says Breen.


It was almost opposite for McManus, who says most of his inspiration almost always comes from books and projects. “I love exploring directions that I didn’t otherwise intend. I’ve always been drawn to rivers; the way they perform; the way they’re always moving. And we depend on them more than we realize, especially in the most basic of functions. We grow from rivers, from the mud of rivers. At some point they become a part of who we are,” says McManus.


National poetry month begins on April 1. Columbia is sure to be celebrating all month with something to read as people drink their coffee and travel to work. “We are always looking for more ways to promote the arts, and I believe this year that includes a pretty unique project,” says Madden.


Don’t forget to pick up your cup of morning joe this month to feel the inspiration of poetry. Breen reminds us that “National Poetry month is much larger than this poem or project, of course, and I do hope people pay attention to all the different kinds of poetry around them.”

-- Alivia Seely

Where is Your Next Stop? Launching Poets on The Comet This Sunday, November 1!


Rosa Rode the Bus Too A revolution began on a city bus. Where is your next stop? - Len Lawson

By: Literary Arts Editor and City Poet Laureate Ed Madden

On Sunday, November 1, One Columbia and The Comet will host the launch of our city’s first major poetry as a public art program—poems on city buses—with a rolling poetry reading on a downtown bus route followed by a celebration and reading at Tapp’s Art Center (1644 Main).

The rolling reading will take place on route 101—so we’re calling it Poetry 101. (Clever, right?) The route, which runs up North Main from the Sumter Street transit station, takes approximately an hour. There will be limited seating, first come, first served. Three sets of poets will read their work for Poetry 101, and thanks to the generosity of One Columbia, all rides on the 101 route will be free all day. For the Poetry 101 rolling reading, meet at the Sumter Street station (1780 Sumter) at 3:30. If you can’t join us on the bus, join us at Tapp’s Art Center for the celebration, with food and drink and readings by more of the poets.

The project is a collaboration One Columbia Arts and History and the Poet Laureate with the Central Midlands Transit Authority. Thanks especially to Lee Snelgrove at One Columbia and Tiffany James at CMTA.

This is my first major project as the city’s poet laureate, and I’m really excited that we have been able to do this. One of my charges as the city laureate is to incorporate the literary arts into the daily life of the city, and to get poetry into public places. The Comet project does that. We have poems on printed CMTA bus schedules (check out some online at: http://catchthecomet.org/routes/), we have poems on the buses themselves, and One Columbia has also published a small book of poems selected for this project—an exciting collection of South Carolina voices, and short poems ranging from the punchy to the political to the poignant. The books will be available at Tapp’s.

Earlier this year, 89 South Carolina writers submitted over 200 poems for Poems on the Comet. Our theme was “The Story of the City,” and poets wrote about favorite places, historical events, daily life in the Midlands, even poems about riding on the bus. We narrowed it down to 51 poems by 45 writers. There are poems by established writers, emerging writers, writers active in the local spoken word and arts communities, musicians, and young writers—seven of them students in Richland and Lexington County middle schools.

At Tapp’s we will also announce the theme for next year’s poetry project.

You can find out more at our Facebook event site: https://www.facebook.com/events/180667522270918/

Learn more about this project and get updates on what I’m doing as laureate at the laureate website: http://www.columbiapoet.org/2015/10/20/cometevent/

Here are a few poems featuring in this year’s project.


Jennifer Bartell

As a turtle suns on the boulders of the river so my soul stretches forth to face the day.

Downtown Grid

Kathleen Nalley

No matter your starting point, here you’re never lost. Each right turn, each left turn leads you to a familiar place. The city itself a compass, its needle, no matter the direction, always points you home.

Small Winds

Jonathan Butler

All morning the wind has collected the incense of fields, the smell of grass like the sweet breath of the dead, the scent of earth pungent with sorrow and hope, the perfume the rain shakes from its long hair.

The wind has collected these things in fields and forests, cities and towns, to bring them to you this morning, small winds carrying chocolate and smoke blown from the black lake of your cup of coffee.

Who Sees The City?

Drew Meetze (age 14)

Who sees the city best? The tourist, the resident, or the outsider? The tourist sees the bronze stars on the capitol, the cramped racks of key chains and postcards. The resident sees little coffee shops on Main Street and hidden alleyways. The outsider understands that everyone they see has their own lives, first loves, or tragedies.


K. LaLima

Time flows like water Eyes of Cofitachequi Watch the Congaree


Under watchful gaze Five Points remains guarded by That naked cowboy

Milltown Saltbox Bedrooms

David Travis Bland

You can dance in the passenger seat— I'll hold the wheel. Five in the morning traffic Between an emaciated bridge And chicken factory steam Blurring the red neon sky. We're vegetarians in a pork town Dancing in milltown saltbox bedrooms On the banks of a river we all cross.

Cedric Umoja's Millwood Mural Project - by Jessica Blahut

Before ( unfinished mural from years ago) After (Mock up of the finished collaborative piece)


For years, an abandoned, unfinished mural has stood near the intersection of Millwood and Gervais, a reminder of the obstacle that urban communities everywhere face. However, a group of three artists in partnership with One Columbia hope to bring the mural and community back to life by refinishing the wall with a mural that will speak to the optimistic future of the community.


“I was just driving I saw the wall that needed some finishing,” says local artist Cedric Umoja.  “I just wondered if it was ever going to get done and who started it and that type of thing.”


From there Umoja and others at One Columbia gathered information about the existing mural and how to transform the existing wall into something new and fresh for the community.  Umoja contacted fellow artists Brandon Donahue (Nashville, TN) and Karl Zurflüh (Charleston, SC) to collaborate on this project and a shared vision of growth and revitalization was born.

“We came together and said that this was really about the idea of community, but what does that mean?  What does that word mean to you, visually speaking?” said Umoja.

For Umoja, community cannot exist without the promise of the future.  His portion of the mural is a commentary on the necessity of helping the public grow and prosper now to ensure that it can continue. Zurflüh took a different approach, coming from a graphwriting background, he broke up the word “community” into “commune” and “unity” in order to break it down into its purest definition.  Donahue used the imagery of an insect from African folktales, taking the perspective of growth and rebirth.

This mural, which will bridge that gap between high art and street art, has the potential to be a jumping off point for the visual arts community of Columbia; there has been a growing trend in cities around the country of holding “open walls” and inviting street artists to create murals to enhance the existing urban landscape.

“It’s happening everywhere except Columbia, and I think there’s a lot of wall space for it to happen and grow the city in the right way,” says Umoja of Columbia’s potential to follow in the footsteps of other cities.

“I think that it’s going to elevate the quality of life for people that live there, not just the city, but in the community too,” says Umoja “I think that is what we as artist try to do, a lot of us are trying to make people think but we are mostly just trying to enrich people’s lives and educate them from different perspectives.”

Though One Columbia initiative is funding a portion of the project, it does not cover the entire projected cost of the mural.  The artists are also responsible for prepping the wall, supplying their own materials, and other logistical expenses.  In addition to the labor costs of the three muralists, a filmmaker and photographer who will be documenting and archiving the process will also need to be compensated.  Unfortunately, these factors are getting in the way of this project being realized.

Those interested in supporting the Millwood Mural Project can make a contribution at www.gofundme.com/millwoodmural.


Q&A with Singer/Songwriter and South Carolina Native Marshall Chapman

DSC7581 One of the advantages of having Lee Smith as our One Book, One Columbia author is she has a lot of cool friends—like South Carolina native Marshall Chapman, one of the state’s most significant musical figures of the last 40 years. Chapman has been a songwriter and performer in Nashville since the 1970s, and her songs have found their way on albums by Jimmy Buffett, Emmylou Harris, and Joe Cocker, among others, and she also has 13 solo albums of her own. Of those, the most recent two, Big Lonesome (2010) and Blaze of Glory (2013), represent some of the finest work of her career. These albums come on the heels of Chapman’s turn to prose—her two critically-acclaimed and award-winning memoirs, Goodbye Little Rock and Roller (2003) and They Came to Nashville (2010), both books which demonstrated a life lived hard and well. In recent years Chapman has also written for such publications as Oxford American, Nashville Arts Magazine, Garden & Gun, and Southern Living.

This is all in addition to her collaboration with Smith, Jill McCorkle, and Matraca Berg, Good Ole Girls, a musical play which has toured throughout the South and had a brief run off-Broadway. Chapman will be performing songs from that play with Smith and McCorkle at 701 Whaley this Thursday, February 26th as part of the closing party for this year’s One Book festivities. Chapman will also be playing a show on Wednesday, May 13th, at Conundrum Music Hall.

Jasper caught up with Chapman recently to chat about her long history in the musical world and late-career renaissance.

Jasper: Blaze of Glory was one of the best-reviewed albums of your career. Do you think you could have imagined 30 or 40 years ago that you would still be making great music?

Marshall Chapman: No, not really. Mainly because I never thought I'd live this long. (laughs)

J: How has the songwriting process changed over the years?

MC: I don't chase it like I used to. These days, I just let the songs come to me.

J: Did you have any specific goals or ideas in mind when you were writing for this record?

MC: Not really. But I knew I was onto something. At first, I thought it was going to be this sexy record. I even had a working title—Sexagenarian. But then it deepened into the whole mortality thing. As soon as I finished "Blaze of Glory," [the song] I knew it would be the title of the album. And also the last song you hear.

J: These songs all feel really fresh, even though it's still very much the sound and style you were working in during the 1970s and 1980s. The straight-up Bo Diddley take on “Love in the Wind” and the soulful rendition of “Nearness of You,” for instance, sound like reinvigorated takes on classic territory.  Why do you think that is?

MC: Oh, I don't know. I was working with producers and co-producers back in the 70s and 80s. I didn't really know that much about making records. I was like Gidget goes to Nashville and gets a Record Deal. But with these last two [Blaze of Glory and Big Lonesome], I was much more focused. Probably because I'm older. It's like ... Last call to get it right! I've been doing this a long time. And it's taken every bit of that time to learn how to trust myself in the studio.

J: You didn’t tour as much behind this record as Big Lonesome, and you’ve become more of a writer, actor, and collaborator (like on Good Ol’ Girls) in recent years. How does that balance work? Has the lack of touring affected your ability to promote your music?

Well, there's a personal reason I didn't tour as much behind this album as with Big Lonesome. Let's just say all the wheels supporting my life came off all at once and leave it at that. As for "lack of touring" affecting my "ability to promote" my music, those two things are pretty much entwined. Nothing gets the word out like a live performance. But it's true. I'm cutting back on live performances.

As for the rest, I've always enjoyed writing prose, so writing the two books felt pretty natural. I've always been interested in the stories behind songs. Especially when the stories are better than the songs!

The idea for Good Ol' Girls was conceived by songwriter Matraca Berg. Matraca called me out of the blue one day, saying she wanted to do a musical with me and Lee Smith. She was a big fan of Lee's writing, but she didn't know her. So I called Lee, since I knew her from when she lived in Nashville in the 1970s. At first Lee didn't seem interested. But then she called me back saying she was in and that she was bringing in Jill McCorkle and a director! [Paul Fergusen, who ended up doing the

adaptation.] The show has toured the South and even had a run off-Broadway. It's playing in a couple of theaters this spring. But this week at 701 Whaley, Lee, Jill and I will be doing our own version of Good Ol' Girls. And probably throw in some new stuff. I never really know what's gonna happen when the three of us get together. But I can assure you this -- something will happen! It's outrageous whenever the three of us get together. Why we haven't been arrested is beyond me.

As for acting, I've done three movies in the past three years—all since turning sixty-two. Maybe the Universe is trying to tell me something.

J: You’ve lived in Nashville for a long time (since you matriculated at Vanderbilt?). What does being from South Carolina mean to you now? What’s it like coming back for tours?

MC: Where you come from ... it stays with you. Especially if you're from South Carolina! Seriously, it's always special coming back to South Carolina to perform. I was in Spartanburg a lot this past fall dealing with the death of my mom. I was driving around there thinking, Hmmmm, maybe I could come back and live here! I even looked at some property off St. John Street.

J: You’ve written two award-winning non-fiction books about your life, Goodbye, Little Rock and Roller and They Came to Nashville. Any plans for a third, either fiction or non-fiction?

MC: Well, I've been writing a monthly column called "Beyond Words" for a Nashville magazine for nearly five years. They told me I could write about anything I wanted, and I imagine I've taken them to task on that. (laughs) Anyway, I'm thinking about putting a collection of those [essays] in a book. As for a novel ... I've had a few stories published, so I've danced around fiction. But the idea of writing an entire novel like Lee and Jill do all the time terrifies me. Which means I'll probably do it one day.

J: The record closes with the title track, which is a kind of uplifting take on mortality, almost like a gospel song. You also recount the most pivotal moment of your life, seeing Elvis as a 7 year-old in the song. Can you tell me a little bit about the idea and inspiration behind that tune?

MC: I wrote the first verse to that song while sitting at my breakfast table. I had a feeling it might be a keeper, so I captured just that little bit on a little recorder. A few weeks later, I returned to it and immediately wrote a second verse. And then a bridge about Jimi Hendrix and Janis Joplin and a few other musical heroes who died young, i.e., in a blaze of glory. But something wasn't right. It felt forced. So I went for a walk, and when I got back, I started from from scratch. I just went back to where it all began—seeing Elvis. As soon as I wrote "that colored balcony came crashing to the floor," I'm thinking, Now what! I mean, you don't want to raise the bar too high. So I got real quiet. And then that last verse about the sun just landed on the page. "Blaze of Glory" wrote itself. All I had to do was get out of the way.

For more information about Marshall Chapman and the latest updates about her various projects, check out tallgirl.com

One Columbia and the City of Columbia Install Second Public Art Sculpture

MOMENTS - by Shaun Dargan Cassidy and Tom Stanley

One Columbia for Arts and History and the City of Columbia are proud to announce the installation of a second sculpture resulting from the public art pilot program.
Commissioned with a generous donation from Agapé Senior, the piece entitled “Moments” was created by artists Shaun Dargan Cassidy and Tom Stanley. Both artists are faculty members in the College of Visual and Performing Arts at Winthrop University.
“Agapé Senior is pleased to support the City and One Columbia’s public arts initiative by funding this sculpture.  Our company works to improve the communities in which we serve through local chambers and Rotary clubs, as well as non-profit support, and now with the corporate headquarters on Main Street, this opportunity just seemed like a great fit for us.  Plus, I am a graduate of Winthrop University so having the artists from my alma mater create the piece, this project came full circle for me personally.” says Scott Middleton, Founder and CEO of Agapé Senior.
The stainless steel sculpture is composed of open box structure with an attic above and a tree root system below evoking memory and a collected lifetime of stories. These elements combine into a new sapling that grows up from these symbols of one’s life moments.
Artist Shaun Cassidy explains “’Moments’ was designed to use recognizable imagery to act as triggers to provoke associations with memory, decay, growth, the past and the future. The sculpture is intended to be both contemplative and aspirational and to provide a quiet moment of beautiful visual poetry on Main Street.” Cassidy adds, “We are grateful to One Columbia for the opportunity to create a significant permanent work in such a prestigious location in Columbia.”
“Not only is this a great addition to Main Street, it also serves to demonstrate public art’s power to transform Columbia into a true City of Creativity,” said Columbia Mayor Steve Benjamin. “None of this would be possible without strong public/private partnerships with great businesses like Agape and we’re very excited about what the future holds.”
“It is a privilege to work with businesses like Agapé that have a strong dedication to making Columbia the finest city it can be,” Lee Snelgrove, Executive Director of One Columbia for Arts and History states. “This sculpture in particular reflects the values of our City in how we’re taking unique elements of our past to create new growth. Art is an important part of our identity.”
A public announcement ceremony will be held on Thursday, February 5 at 10am at the sculpture on the 1600 block of Main Street.
The installation of this sculpture would not have been possible without the joint efforts of multiple departments of the City of Columbia, the City Center Partnership, and the Greater Columbia Community Relations Council.
Artists interested in submitting their qualifications for consideration for future projects can find the call for artists on the One Columbia for Arts and History website at onecolumbiasc.com.

BREAKING NEWS -- Ed Madden is Named City of Columbia's First Ever Poet Laureate

Ed Madden - Columbia's Inaugural Poet Laureate

As one of only a few southern cities to create the position, One Columbia for Arts and History and the City of Columbia are proud to announce the selection of poet Dr. Ed Madden as Columbia’s first Poet Laureate. Madden will serve a four-year term that begins January 2015.

Madden is the founding literary arts editor of Jasper Magazine.

Recognized by Mayor Benjamin and the members of City Council in a resolution passed on October 21, 2014, the honorary position of Poet Laureate will “encourage appreciation and create opportunities for dissemination of poetry in Columbia, promote the appreciation and knowledge of poetry among the youth, and act as a spokesperson for the growing number of poets and writers in Columbia.”

“Dr. Madden is not only a world class talent and scholar but also a leader who, through his actions as well as his words, exemplifies the very best of who we are and who we hope to be,” said Columbia Mayor Steve Benjamin. “We’re honored to have him serve as our city’s first Poet Laureate and confident that he will exceed our highest expectations.”

"Ed has led poetry summer camps for a number of year and has some good ideas of how to involve kids and families into the activities he'll conduct as poet laureate,” states Councilman Moe Baddourah, the chair of City Council’s Arts and Historic Preservation Committee. "I believe he's the right person to take on this job."

Dr. Ed Madden, Associate Professor of English and the Director of Women’s and Gender Studies Program at the University of South Carolina, holds a PhD in Literature from the University of Texas at Austin. Originally from Newport, Arkansas, he has lived in Columbia since 1994. He has published three books of poetry and is currently working on a fourth entitled Ark, to be published in 2016. He is the recipient of the inaugural Carrie McCray Nickens Fellowship in poetry from the SC Academy of Authors as well as a fellowship for prose writing from the SC Arts Commission.

His first scheduled readings as City Poet Laureate will be part of the State of the City Address on January 20, 2015 as well as for the commemoration events for the 150th anniversary of the burning of Columbia on February 17, 2015.

“I am excited to have been chosen for this position, and really honored to be the first poet selected,” said Madden.  “Columbia is a city so rich in writers, I’m also very humbled.” He is looking forward to using this position to promote poetry and the literary arts in the area.  “I want to be a champion for poetry, language, and the arts, and I want to use poetry to document the life and culture of the city.”

Dr. Madden is excited about the possibilities of community work and hopes to work with local schools, libraries, and writing groups. He particularly hopes to develop forums for youth and student voices, and he’s planning a project on walls and windows that would highlight the work of community writers in public spaces.

One Columbia will provide financial support for the Poet Laureate to conduct activities that support the organization’s mission to promote and strengthen the arts in Columbia.

“It’s a privilege to be able work with Ed,” Lee Snelgrove, Executive Director of One Columbia for Arts and History states. “He has the skills and ambition to craft the position of poet laureate into something very special that will bring even more recognition to the City for it’s deep pool of artistic talent and strong support for the arts.”

Dr. Madden was selected to serve in this role by a selection committee representing the literary community, city government and academia. The members of this committee were: Nikky Finney, winner of the 2011 National Book Award for poetry; Tony Tallent, Director of Literacy and Learning at the Richland Library and Board Chair of One Columbia; Councilman Moe Baddourah; Michael Wukela representing the office of Mayor Benjamin; Jonathan Haupt, Director of the University of South Carolina Press and One Columbia board member; Sara June Goldstein, Senior Coordinator for Statewide Partnerships with the SC Arts Commission; Cynthia Boiter, co-founder of Muddy Ford Press and editor of Jasper Magazine; and Alejandro García-Lemos, a Columbia artist and founder of Palmetto Luna.

"The choice of Ed Madden, as Columbia's first poet laureate, is a lovely luminous moment for our city and state,” says Nikky Finney. “Poetry has the grace and power to both inspire and guide. The city of Columbia and the state of South Carolina need more poetry in its heart and soul. Ed is absolutely the one to help direct it there and there.”

An official presentation will take place on January 15, 2015 between 6-8pm at the Seibels House (1601 Richland Street). The event will also feature the official launch of Columbia’s One Book, One Community 2015 selection of On Agate Hill by Lee Smith and will be hosted by Jasper Magazine, who will be celebrating the release of their January issue and Historic Columbia who will feature the series of events commemorating the 150th anniversary of the burning of Columbia. The event is open to the public.


Fall Lines



Fall Lines – a literary convergence is a literary journal based in Columbia, SC and presented by Jasper Magazine in partnership with the University of South Carolina Press, Muddy Ford Press, Richland Library and One Columbia.

With a single, annual publication, Fall Lines is distributed in lieu of Jasper Magazine’s regularly scheduled summer issue. Fall Lines will accept submissions of previously unpublished poetry, essays, short fiction, and flash fiction from December 1, 2014 through March 1, 2015. While the editors of Fall Lines hope to attract the work of writers and poets from the Carolinas and the Southeastern US, acceptance of work is not dependent upon residence.

Please limit short fiction to 2000 words or less; flash fiction to 350 – 500 words per submission; essays to 1200 words; and poetry to three pages (Times New Roman 12 pt.)

Submit your work to Jasper Magazine’s Fall Lines – a literary convergence at  https://jaspermagazine.submittable.com/submit.

While you are invited to enter up to five items, each item should be sent individually as a single submission. Please include with each submission a cover sheet stating your name, email address, and USPO address.

There is a five dollar reading fee for each short story; for up to three poems; for up to three flash fiction submissions; or for each essay.

Publication in Fall Lines will be determined by a panel of judges and accepted authors will be notified in May 2015, with a publication date in June 2015. Accepted authors will receive two copies of the journal.


The Columbia Fall Line is a natural junction, along which the Congaree River falls and rapids form, running parallel to the east coast of the country between the resilient rocks of the Appalachians and the softer, more gentle coastal plain.

One Columbia Unveils New Public Art Piece on Main Street

One columbia

Unveiling  on September 17 at 10:00am on 1400 Block of Main

 One Columbia for Arts and History and the City of Columbia are pleased to announce the installation and unveiling of the first sculpture resulting from the public art pilot program.

Commissioned with a generous donation from Sean McCrossin, owner of Drip coffee shops and Scoopy Doo gelato shop, the piece entitled “Hanging” was created by local artists Eileen Blyth and Mark Finley. As Blyth explains, “This sculpture is an invitation to play…to stop and sit and play, or just listen. One Columbia is the force behind the Main Street public art initiative. And without the city's support, this sculpture and many more to come would not happen. It is very exciting to be a part of.”

Eileen Blyth

“I am very happy to be a part and help One Columbia, the City of Columbia and the Mayor in their endeavor to fill the streets with creative, inspired and inspiring art that will hopefully remind us of this colorful city in which we live,” says McCrossin.

The sculpture consists of five tank drums (also known as hank drums) fabricated from propane tanks mounted to painted seats. Each drum is tuned differently to allow for unique harmonies to be played. The piece will be installed in front of 1441 Main Street and will be publically unveiled on September 17 at 10am.

“Public art is inspirational, thought provoking and even more so when it’s interactive. ‘Hanging’ will give the public the opportunity not just to observe but to participate.” says Karel Givens, Vice President of City Center Partnership, the organization that manages the downtown Business Improvement District (BID).

“From increasing funding to our arts and cultural organizations to displaying local artists’ work in City Hall, we have taken several important steps this year toward realizing our vision of Columbia as a true City of Creativity,” said Columbia Mayor Steve Benjamin. “This sculpture and the new public art program it represents is a giant leap forward and I couldn’t be more proud.”

The public art program administered by One Columbia for Arts and History represents the joint efforts of multiple departments of the City of Columbia, the City Center Partnership, and the Community Relations Council who all contributed to make the process a success. The framework established by these partners will carry over to the creation of future pieces throughout the City of Columbia.

Lee Snelgrove, Executive Director of One Columbia for Arts and History explains, “Public art can define a place and give it a distinctive and inviting personality. Because of the relationships that have been made in establishing this formal process for commissioning public art, we’ll be able to continue bringing work to Columbia that will demonstrate the level of creativity and talent in this city.”

Artists interested in submitting their qualifications for consideration for future projects can find the call for artists on the One Columbia for Arts and History website at onecolumbiasc.com.


About One Columbia for Arts and History

One Columbia for Arts and History is a non-profit corporation that works to promote collaboration among citizens, the cultural community, and city government through celebrations of Columbia’s arts and historic treasures. Its goal is to enhance the quality of life for our residents, attract tourist dollars to our city, and further build our vibrant community. In short, it serves as the promotional arm of the City for Columbia’s cultural community. Visit the One Columbia website (http://onecolumbiasc.com) for a continuously updated master list of art and cultural activities occurring throughout the city.

Jasper Celebrates Fall Lines

Fall lines photo Jasper is pleased to announce that Fall Lines -- a literary convergence is on the streets after two exciting celebrations of its release.

On Sunday, we launched Fall Lines with a celebration and reading hosted by our partner the Richland Library Many thanks to Tony Tallent not only for facilitating the partnership but also for hosting and feting us so well Sunday afternoon.

The Fall Lines Team -- left to right, Ed Madden of Jasper, Lee Snelgrove of One Columbia, and Tony Tallent of Richland Library with Cindi Boiter of Jasper seated (not pictured Jonathan Haupt of USC Press and Bob Jolley of Muddy Ford Press)


Left - Nicola Waldron, winner of the Broad River Prize for Prose; Right - Mary Hutchins Harris - winner of the Saluda River Prize for Poetry -- both sponsored by Richland Library Friends


The next day we were back on the podium with an extended reading hosted by Sara Cogswell at her beautiful gallery on State Street in West Columbia, Gallery West.

photo by Will South


Pick up your copy of Fall Lines at any of the Richland County Library branches, the One Columbia office on Lady Street, Jasper Studio in the historic Arcade at 1332 Main Street, Frame of Mind, Gallery West, and selected boutiques, galleries and venues in Columbia -- or order it online at Amazon.com or BandN.com.  And look for the Fall Lines e-book coming soon from Richland Library.


Many thanks to Roe Young of Roe Young State Farm, Tom Mack of the SC Academy of Authors, and the Richland Library Friends.

Announcing the Winners of Jasper's Fall Lines Writing Prizes

Fall Lines  


The Columbia Fall Line is a natural junction, along which the Congaree River falls and rapids form, running parallel to the east coast of the country between the resilient rocks of the Appalachians and the softer, more gentle coastal plain.


Jasper is delighted to announce the winners of the Fall Lines Poetry and Prose Writing Prizes sponsored by the Richland Library Friends and published in the inaugural issue of Fall Lines – a literary convergence.

Congratulations to Nicola Waldron, winner of the Broad River Prize for Prose for her piece "Dig and Delve," and to Mary Hutchins Harris, winner of the Saluda River Prize for Poetry for her poem, "Accidentals." A check for $250 accompanies each prize.

Work by Waldron and Harris will appear in Fall Lines along with poetry and prose by such award winning writers as Christopher Dickey, Josephine Humphries, and SC Poet Laureate Marjory Wentworth, as well as Aida Rogers, Ray McManus, Susan Levi Wallach, Susan Laughter Meyers and more. Fall Lines is edited by Cynthia Boiter with poetry editor Ed Madden.

With a single annual publication, Fall Lines is distributed in lieu of Jasper Magazine’s regularly scheduled summer issue via a partnership between Jasper Magazine and Richland Library, the University of South Carolina Press, One Columbia, and Muddy Ford Press. The South Carolina Academy of Authors and Roe Young State Farm Insurance Agency also serve as generous sponsors of the literary journal.

Fall Lines will release on Sunday, June 8th with a 4 pm reception and reading at the Richland Library.

Fall Lines - new Columbia-based literary journal CALL FOR SUBMISSIONS

Fall Lines

a literary convergence


Fall Lines – a literary convergence is a new literary journal based in Columbia, SC and presented by Jasper Magazine in partnership with Richland Library, the University of South Carolina Press, Muddy Ford Press, and One Columbia.

With a single, annual publication, Fall Lines is distributed in lieu of Jasper Magazine’s regularly scheduled summer issue. While a limited issue of three thousand copies of Fall Lines will be printed, Fall Lines will be available in its entirety in a downloadable e-format via RichlandLibrary.com.

Fall Lines will accept submissions of previously unpublished poetry, essays, short fiction, and flash fiction from January 1 through March 1, 2014. While the editors of Fall Lines hope to attract the work of writers and poets from the Carolinas and the Southeastern US, acceptance of work is not dependent upon residence.

Please limit short fiction to 2000 words or less; flash fiction to 350 – 500 words; essays to 1200 words; and poetry to three pages (Times New Roman 12 pt.) Submit your work via email to Editor@JasperColumbia.com with the words “Fall Lines” in the subject heading along with the category (above) of the item being submitted. While you are invited to enter up to five items, each item should be sent individually as a single submission. Please include with each submission a cover sheet stating your name, age, email address, and USPO address. There is no fee to enter.

Publication in Fall Lines will be determined by a panel of judges and accepted authors will be notified in May 2014, with a publication date in June 2014. Accepted authors will receive two copies of the journal.


The Columbia Fall Line is a natural junction, along which the Congaree River falls and rapids form,runningparalleltothe east coast of the country between the resilient rocks of the Appalachians andthesofter, more gentle coastal plain.

Midlands Theatres Announce New Seasons!

Dueling Shreks.  Dueling Les Miserables. Dueling Clybourne Parks, dueling Hamlets ...well, I guess technically any production of Hamlet is a dueling Hamlet.  Neil Simon and Anthony Shaffer. Tom Stoppard and John Guare. Tammy Wynette and Patsy Cline. Dracula and Frankenstein, Ash and Elvis.  Revivals of classics, and brand-new shows direct from Broadway. Looks like there is something for everyone in the next year! I'm not sure that Jasper has ever broken any news before, but to my knowledge, this is the first report from last week's "One Last Hurrah" celebration at the Art Bar, the culmination of One Month, One Columbia. Representatives from many of the area's theatres announced their seasons for 2013-2014.  A few were not able to make it, and I've lifted some titles and dates from their websites.  Others do a calendar year format rather than a "school year," so in those cases I've listed what info is available.


First Disclaimer: I have not included commercial venues (like the Township, the Koger Center, etc.) that book productions, but they have some great shows coming up too.  Nor have I included one-time shows, high school shows (however excellent they may be), church and religion-based events, dance and music productions, etc.  I'm all in favor of those too, but this is about local community and professional theatres.

Second Disclaimer: theatre seasons often change, so this is in no way a definitive or comprehensive listing.  Look for something in a future print issue of Jasper - The Word on Columbia Arts for details and more specific dates and information.

Third Disclaimer: the event was held at the Art Bar, so my memory may not be perfect.  If there's anything significant that I have listed incorrectly, drop me a note at akrickel@jaspercolumbia.com .

That said, in no particular order, we have the following shows to look forward to!

Town Theatre

Les Miserables - September

The Foreigner - late fall

Elvis Has Left the Building - January

Stand By Your Man: The Tammy Wynette Story - March

Shrek: The Musical - May


High Voltage Theatre

Dracula (a new stage version by Chris Cook, developed in collaboration with Dacre Stoker, great-grand-nephew of Bram Stoker) at the West Columbia Riverwalk Amphitheater - October 10-13, 17-20, 24-27, 30-31

classic thriller at Tapp's Art Center (details tba) - February

classic thriller at West Columbia Riverwalk Amphitheater (details tba) - Spring


USC's Theatre South Carolina

Arcadia by Tom Stoppard - Sept. 27 - Oct. 5 at Drayton Hall

The Three Sisters by Anton Chekhov - Nov. 15-23 at Longstreet Theatre

The 39 Steps by Patrick Barlow - Feb. 21 -  March 1 - Longstreet Theatre

Hamlet by William Shakespeare (OK, like you didn't know that) - April 18-26 - venue tba

plus a full season of black box shows (details tba)


Stage 5 Theatre

Hamlet - September

Lombardi - November

Special Holiday Event - December

Clybourne Park – April


Lexington Arts Association (at the Village Square Theatre)

Shrek: The Musical - September 20 - October 6

Steel Magnolias - November 1 - November 10

Always…Patsy Cline - December 6 - December 15 (non-season show)

9 to 5: The Musical - January 17 – January 26

Roald Dahl's Willy Wonka JR. - March 7 - March 23

a musical revue (details tba) - May 9 - May 18


Workshop Theatre

Beehive - September

Sleuth - late fall

Crimes of the Heart - January

Biloxi Blues - March

Young Frankenstein - May (including Frau ....BLUCHER!)


Theatre Rowe

Murder Ahoy! - June 27 - July 28

Over the River and Through the Woods - August 16-17, 23-25

The Altos (tentative) - September 20-22, 27-29

Little Shop of Horrors - October 18-19, 25-26, 31


Chapin Theatre Company

How to Eat Like A Child (based on the book by Delia Ephron) - Aug. 2-4 at the Old Chapin Firehouse / American Legion Building

Unnecessary Farce, by Paul Slade Smith -  Sept. 19-22, 26-28 at Harbison Theatre at Midlands Technical College


South Carolina Shakespeare Company

Hamlet - Oct. 16 - 26

Les Miserables - Apr. 16 - May 3


On Stage Productions

An Evening of One-Acts - September

Yes, Virginia - The Musical - December

Second Samuel - February

Hey G - April

..........An Evening of One Acts -  September - 

Columbia Children's Theatre

The Musical Adventures of Flat Stanley - September

Ho Ho Ho! - November/December

Puss In Boots (a new comic version by CCT's Jerry Stevenson) - February

The Stinky Cheese Man and other Fair(l)y (Stoopid) Tales - April

The Commedia Snow White - June


Trustus Theatre

Thigpen Main Stage:

Ragtime - September

Venus in Fur - November

A Christmas Carol - December

Clybourne Park - January-February

Every Good Boy Deserves Favour, by Tom Stoppard, with music by Andre Previn; featuring the SC Philharmonic Orchestra conducted by Morohiko Nakahara - Feb.-March

See Rock City and Other Destinations - spring

The House of Blue Leaves - May

Evil Dead: The Musical - summer - groovy.

Winner of the Playwrights' Festival - August

Side Door Theatre

Five Lesbians Eating a Quiche (returning from its sold-out run in January) - Fall

El Diario De un Psiquiatra (A Psychiatrist's Diary) - a world premiere by Julia Vargas, presented in Spanish by La Tropa - November

Love, Lost and What I Wore, by Delia Ephron - January

a NiA Company show - Spring

Off-Off-Lady Series

The Adding Machine (pending rights) April 24-May 4 - venue tba

In the Red and Brown Water - June - at the Harbison Theatre


WOW (Walking on Water) Productions

Confessions of a Good Man - a new play by local authors Tangie Beaty, Donna Johnson, and Kevin A. Rasberry - July 25-28 at the Harbison Theatre

other original works in 2013-14 - TBA


If you didn't notice, including the groups collaborating in the Side Door, that's 15 different theatre groups!  In little bitty Columbia, SC - who knew?  Well, you probably did, since as I'm saying more and more these days... Columbia has always been a theatre town.  Look for details on all of the above in coming months here, and in print issues of Jasper - The Word on Columbia Arts. And many thanks to Larry Hembree and Debora Lloyd, the co-chairs for Theatre for OneColumbia, for organizing and facilitating One Last Hurrah!

~ August Krickel


Southern Exposure New Music Series: Steve Reich’s Music for 18 Musicians

  Steve Reich

One of the most compelling parts of Columbia’s arts scene is the Southern Exposure New Music Series, a series of FREE concerts put on by the nonprofit each year that explore contemporary classical and world compositions as well as some of the masterworks of the 20th century. The shows are often standing room only affairs, largely because of the depth and quality of the performances, which have a reputation for being wildly eclectic and stunning in equal measure.

If you’ve never been, consider going this weekend to a performance of Steve Reich’s seminal Music for 18 Musicians. Reich is perhaps the definitive composer of the second half of the 20th century, and this is his most famous piece—a gorgeous work of pulsating musical minimalism that builds (and contracts) ever-so-slowly as melodies and harmonies are gradually added to create a mesmerizing, hypnotic effect that is best experience live. The 18 musicians comes from the fact that the piece requires at a minimum four pianists, six percussionists, four female singers, two clarinetists, a violinist, and a cellist—parts which will be ably handled by 18 of USC’s most talented students in the School of Music (many of whom will be also be tackling more than one instrument in the course of the performance). Directing the work is USC piano professor Phillip Bush (who is also performing—the composition is traditionally performed without a conductor), who has played the piece numerous times around the world with Reich himself. Bush will also be giving a short talk before each performance.

Here’s  a complete performance available on YouTube (you really have to see it live though):



And, in the tradition of the increasingly collaborative arts scene we have in Columbia, local painter Blake Morgan will have his paintings on exhibit in the gallery for both performances. His involvement is sponsored by Pocket Productions!

A note on composer: Reich’s music always feels like waves upon waves of sound to me—while the careful the listener can note the subtle, ceaseless shifts in rhythm, melody, and harmony, there is something visceral about the listening experience as well, that hits you in the gut. That’s likely the reason Reich’s music has enjoyed such popularity outside of traditional contemporary music circles as well. While his compositions are usually debuted in the finest concert halls at this point (a stark contrast from his earlier years, when his work was shunned by the elites), Reich still gets an audience outside of those confines, even at rock festivals. Check out this video, where Reich and Bang On A Can’s Dave Cossin perform to whopping audience at the rock-centered Bloc festival in east London.


The series will be giving two performances of Music for 18 Musicians: on Friday and Saturday, April 12-13, 7:30pm, at the USC School of Music Recital Hall, 813 Assembly Street (next to the Koger Center), 2nd Floor. Admission, as always, is free.


K. Petersen, Jasper Music Editor

Correction: The original post incorrectly stated that Blake Morgan would be painting live during the performance. He will not be.

Dropped into the Middle of a Major Arts Month - What to Do Today, Tomorrow, Thursday and Friday

Hello Columbia Artists and Arts Lovers! I just got back a few hours ago from London and Ireland where the Bier Doc and I sucked up every last morsel of art we could cram into the two weeks we were there -- Five plays, three art museums including the very cool Hugh Lane in Dublin which houses the actual studio of Francis Bacon, three guided walks (Irish literary, history, and trad music), over 30 pubs, most with music - all with brew, and more sights and sounds and cliffs and sheep and ancient neo-lithic sites than I ever thought possible.

Francis Bacon standing in front of his Triptych

Yes, we got home exhausted, which is unfortunate, especially given the line-up of art and art experiences that April has in store for all of us. We're going to try to keep you posted via our Facebook page and this blog - What Jasper Says, but you should also pay close attention to the listings at One Columbia as well as at Indie Grits which kicks off Friday night with a smokin' hot  Block Party.

indie grits

Tonight, we recommend you join Yours Truly as I help out at the USC Art Auction at the Campus Room of the Capstone Building on the campus of USC. The auction starts at 7 with a lovely reception at 6.

(This guys knows not what he's doing and neither will I)

On Wednesday, we recommend you schedule yourself for the Closing Reception for Painted Violins from 5 - 8 at Gervais and Vine at 620 Gervais Street which benefits our beloved SC Philharmonic.

"She Used to Play the Violin" by Wayne Thornley

On Thursday, the highly successful (blushing) Jasper Salon Series returns with a presentation and discussion by local poet, author, and creativity coach, Cassie Premo Steele. We'll start out about 7 pm with drinks and chatting, then at 7:30 sharp, Cassie will begin the program.

Cassie Premo Steele

We'll be posting more sneak peeks at all the cool stuff going on this month just as soon as we unpack and get a day's work done. I'm looking forward to seeing you all where you ought to be -- smack in the middle of the Southeast's newest and hottest arts destination, Columbia, SC!



(note: not sure what happened to the previous version of this post which was missing most of its text. Oops & sorry!)


Jasper Calendar (Salon Series & Release Events) January thru March 2013

Last October, Jasper began a series of Salon events in which we invited local artists to give a brief and informal presentation on their work to a small group of fellow artists and arts lovers. Our Salon subjects have ranged from authors to artists to artistic directors with the size of our group ranging from a half dozen to more than 40. Every single one of the events has been a success. Attendees leave more engaged with the arts, better educated and informed, and with a greater sense of community. There have traditionally been no fees to attend, (though we usually have the Jasper Econobar open and, this year, we’re adding an unobtrusive donation box for folks who’d like to throw in a buck or two to help pay the rent.) We’re delighted to announce the Salon schedule for the first couple of months of 2013. Please check back soon though – the schedule is rapidly evolving as we all get a handle on the fact that the new year has started whether we were ready for it to or not! All of our events are also offered publicly on Facebook, too, so please try to RSVP there when you can.

Thanks for all your support and happy New Year from all of us at Jasper!


Thursday 1/10 at 7pm in the Jasper Studios at the Arcade, Author Janna McMahan  talks about her new book, Anonymity, published January 2013


Tuesday, 1/15 at 7pm at the Tapps Arts Center, Jasper Release Party for Jasper vol. 002, no. 002 – Our 1st Photocentric issue with photography from the Jasper staff photographers and their choices of some of the best local photographers in town.

Thursday 1/17 at 7pm at the Jasper Studios at the Arcade, Trustus  “The Trustus ‘Motherfu**ers : Looking Under the Hat” – Jasper invites members of the cast and crew of "The Motherfu**er with the Hat" to give you a behind the scenes look at the new Trustus play, opening on February 8th.


Thursday 1/24 at 7pm at the Jasper Studios at the Arcade presents “The Dark Side of Snow White with Columbia City Ballet featuring William Starrett” as Starrett shares his new vision of the ballet Snow White.


Tuesday, 1/31 at 7pm at the Jasper Studios at the Arcade -- Jasper’s book club, Jasper’s Nightstand, is up and running again and, by popular demand we’re reading Don McCallister’s new book, Fellow Traveler with discussion led by a surprise reader and Fellow Traveler author himself, Don McCallister.



Tuesday, 2/12 at 7pm at the Jasper Studios at the Arcade, USC Vagina Monologues director Alexis Stratton will talk about the history of the Vagina Monologues and this year’s edition. Plus, you’ll get to hear a reading of one or more monologues from the play.

Tuesday, 2/19 at 7pm at the Jasper Studios at the Arcade – Lecture and discussion “Patriarchy & Gender Roles in The Dry Grass of August: The Good Old Days? Sister, Please!” USC Women's and Gender Studies Adjunct Instructor and Jasper editor Cindi Boiter will lead discussion on the social constructs in this year's One Book, One Columbia selection, The Dry Grass of August by Anna Jean Mayhew.

Sunday, 2/24, time and location TBA, Book Launch – The Limelight: A Compendium of Contemporary Columbia Artists, Volume 1 published by Muddy Ford Press.

Thursday, 2/28 at Jasper Studios at the Arcade  Jasper’s Nightstand – The Dry Grass of August 8:30 or immediately following the author Anna Jean Mayhew's presentation at the Richland Library one block away.




Thursday, 3/7 at 7pm at the Jasper Studios at the Arcade -- Panel Discussion with Authors from The Limelight: A Compendium of Contemporary Columbia Artists. More information to come.

Friday, 3/15 at 7pm location TBA -- Join us as we celebrate the release of Jasper vol. 002, no. 003 -- The Women's Issue!