Columbia Children’s Theatre’s Spaghetti and Meatball Players Stir Up Delicious Fun - Melissa Swick Ellington reviews "The Commedia Snow White"

SnowWhite-PosterWe’re smack in the middle of that sweltering heat for which Columbia is famous, so thank goodness for the cool, original commedia play at Columbia Children’s Theatre. A rollicking band of players bring to life the meaning of commedia dell’arte, or “the very creative comedy of actors,” as described by the gifted (and hilarious) director and writer Jerry Stevenson. The collaborative nature of this Italian theatre tradition soars through the vibrant efforts of an exceptionally talented cast. Melding popular culture, current news items, Broadway musicals, and classic fairy tales with high energy slapstick, the ensemble sparkles in this gem of a production. Skillfully staged by Stevenson with special commedia choreography by Cathy Brookshire, The Commedia Snow White and the Seven Dwarves features five excellent actors who play traditional commedia characters: Punchin (Paul Lindley II), Rosetta (Beth DeHart, with Kendal Turner in the role for certain performances), Pantalone (Julian Deleon), Columbine (Elizabeth Stepp),and Arlequino (Anthony Harvey). These “Spaghetti and Meatball Players” take on various roles within the story, leading to some nifty meta-theatrical moments (such as Stepp’s matter-of-fact observation on what can’t happen if she’s playing Snow White instead of another role.)

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The actors capitalize on the fun interplay of the commedia characters’ tension and discord through the fairy tale framework. Lindley realizes his character’s desire to star in a musical with brilliant commitment and impressive vocals; musical theatre fans will be particularly enthralled by his Broadway mash-up. DeHart’s gift for physical comedy fuels zany sequences like an uproarious running gag with sound cues. Her wicked queen is a hoot, especially in scenes with the magical mirror (the delightful Harvey) who belts out hit singles with attitude. Harvey’s considerable talents are put to good use throughout the engaging production. In a charming performance, Deleon creates effective rapport with the audience as Pantalone the narrator. Stepp achieves both the ridiculous (in a good way) and the sublime in her hilariously enchanting portrayal of the title role. One of the veterans from past commedia productions, Stepp is a marvel onstage; you don’t want to miss her magnificent “All By Myself” breakdown among other triumphs.

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Some of the wit (Voltaire, anyone?) will be over the heads of younger children, but there are plenty of jokes that land for the kids while the grownups giggle over references to Instagram, Photoshop, Divergent, and Twitter. My six-year-old loved the wordplay of homonym humor such as “hair/hare” and “pi/pie.” This is definitely a show that works on multiple levels. When Snow White can’t eat gluten or high fructose corn syrup, hilarity ensues. The ingenious staging of the seven dwarves is simply too good to describe – go see the show and be ready to laugh yourself silly.

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Production design choices hit all the right notes. Ragtag patched curtains frame anappealing proscenium with simple backdrops for efficient scene changes. Costumes by Donna Harvey and Stevenson evoke the stock commedia characters vividly while also giving a nod to contemporary figures such as a certain well-known animated female mouse. Extraordinary attention to detail went into the sound design (Stevenson) and operation (Jim Litzinger), and David Quay provides effective light board operation. Stage manager Crystal Aldamuy must possess superb organizational skills to keep track of all the mayhem this production instigates.

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These actors are quick-witted, clever, and multi-talented (singing, dancing, the ability to turn awesome cartwheels in a big puffy princess gown...) They are also experts at connecting with the child audience members who seek autographs after the show. I continue to be impressed by how the CCT performers relate to individual kids. It is no small feat to deliver a raucous performance and immediately thereafter exude kindness and intuitive understanding of young people.

The only thing I’d like more than attending a performance of The Commedia Snow White and the Seven Dwarves? Watching what must have surely been a laugh riot of a rehearsal and development process. CCT has produced commedia offerings for five consecutive summers; let’s hope for more delicious fun in future from the Spaghetti and Meatball Players.

~ Melissa Swick Ellington

 

Show Times:

Friday, June 20: 8:00 p.m. Late Night Date Night for Mom and Dad Saturday, June 21: 10:30 a.m., 2:00 p.m., 7:00 p.m. Sunday, June 22: 3:00 p.m

Weekday matinees (perfect for day cares & camps):

Thursday, June 19, 10:30 a.m.

Thursday, June 26: SOLD OUT Thursday, July 10: 10:30 a.m. Thursday, July 17: 10:30 a.m. Thursday, July 24, 10:30 a.m.

Call 691-4548 to reserve seats for your campers at a discounted group rate.

For more information, visit http://www.columbiachildrenstheatre.com/.

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Bullets & Bandaids: Behind the Eyes of Combat War Veterans

On January 31, 2012, local artists will showcase works inspired by combat veterans’ stories at Bullets & Bandaids, an art show honoring local war veterans, from 6 – 10 p.m. at 701 Whaley in downtown Columbia, SC.

Robert LeHeup, PIENSA: Art Company’s resident writer and a combat war veteran himself, organized this art show to give audience members an introspective view on the impacts of war told through visual interpretations of the stories of those who have lived them.

Bullets & Bandaids will feature a collection of war veterans’ stories depicted by local Columbia artists including Robbi Amick, Alex Coco, Thomas Crouch, Michael Krajewki, Whitney Lejeune, Dre Lopez, Sammy Lopez, Nikoai Oskolkov, Adam Schrimmer, Jonathan Sharpe and Kiril Simin.

“My hope is that these talented artistic pieces will give a unique and intricate interpretation of the experiences of our veterans and how they’ve reacted to those experiences,” said LeHeup.

Films screening at Bullets & Bandaids include: Soldier Girl: South Carolina Female Veterans, a short documentary about women veterans dating back to WW II, a largely undocumented but ever expanding segment of our military population share stories of their trials and triumphs, hopes and dreams in provocative and inspiring interviews, produced by Cathy Brookshire and edited by Lee Ann Kornegay; and Spent Rounds, a short film about the internal struggle of a combat war veteran suffering from PTSD entering back into civilization, written and directed by Robert LeHeup. Also, there will be the music video "Quiet" which deals with a vet's struggle with PTSD, done by Atlanta-based recording artist Dirty Dickens who himself is an Iraq war veteran.

Ticket sales and 30 percent of art sales will be given to Hidden Wounds, a non-profit organization dedicated to the treatment of combat veterans who suffer from PTSD. Hidden Wounds was founded by Columbia native Anna Bigham in honor of her brother, Marine Lance Cpl. Mills Palmer Bigham, who committed suicide suffering from PTSD inflicted by war trauma. Marince Lance Cpl. Bigham’s story is featured in Bullets & Bandaids.

Admission for Bullets & Bandaids is $5 for entry; $10 for entry and a copy of Spent Rounds; or $20 for entry, a copy of Spent Rounds, and a Hidden Wounds T-shirt.

The event will be held on the first floor of 701 Whaley on 701 Whaley St. in downtown Columbia, SC. For inquiries contact Robert LeHeup by calling (864) 216-1492 or via email at RLeHeup@yahoo.com.

Bullets & Bandaids is brought to you by PIENSA: Art Company in partnership with 701 Whaley, Hidden Wounds, the local veterans who have shared their stories and the local artists who have honored those stories through their respective pieces.

 

 

Wikipedia: lay definition: to beat or strike down with force.