"5 Lesbians Eating a Quiche" - Jillian Owens reviews the new Trustus Side Door Theatre production

Love, loss, secrecy, catharsis, and the vast importance of egg-based protein in one’s diet are all parts of the wonky comedy that is 5 Lesbians Eating a Quiche. Welcome to 1956! It’s time for the annual Susan B. Anthony Society for the Sisters of Gertrude Stein quiche breakfast-- and you’re all invited!  So grab a seat by a fellow “widow” *wink* and a nametag, and let the festivities begin!

But wait…can these five ladies maintain decorum and adhere to their motto: "No men. No meat. All manners."  even when nuclear Armageddon is upon them?!?!  Of course not! (and would it be any fun at all if they did?)  This play is absurd.  If it were a quiche, it would be filled with marshmallow fluff and bananas.  It’s silly, bawdy, and not at all deep.  That’s not a bad thing, friends!

The first 10 minutes or so made me wonder if I could tolerate the next 70.  This show is over-the-top, and I was worried that it was about to get downright annoying.  Not to worry.  As I settled in with my fellow “widows” *wink*, I really began to have fun!

As we begin our meeting (we’re all a part of this…check your name tag), our five officers take care of all necessary business and explanations.  Dale (played by Emily Meadows) hasn’t spoken to a man since she was three.  Ginny (played by Katie Mixon) is one of our newest members from across the big pond who loves her quiche …quite… ahem... graphically.  Vern (played by Dewey Scott-Wiley) is our pantsuit-loving DIY enthusiast.  Wren (played by Vicky Saye Henderson) is the epitome of barely contained ladylike excitement.  Lulie (played by Elena Martinez-Vidal) is our matriarch — protecting the sanctity of our eggs and quiches at whatever the cost.

This ensemble cast works really well together.  The role of Dale could have been written for Meadows, and Scott-Wiley’s Vern is terrifically farcical.  Martinez-Vidal comes off as distractingly heavy-handed (even for this production), but it all somehow manages to work.

The original NYC incarnation of this show has just arrived Off-Broadway after a sold-out run at the New York International Fringe Festival.  The director of this humbler (but still hilarious) production, Robin Gottlieb, has been talking with the show’s writers, Andrew Hobgood and Evan Linder throughout the rehearsal process, getting rewrite and edit upon rewrite and edit.

While the NYC cast’s Off-Broadway venue may be a bit larger than our more intimate Trustus Side Door Theatre, the smallness of Trustus’ black box venue is great for the audience participation this show demands.  Don’t worry — you’re not going to be pulled onstage, but you very well might be addressed directly by one of the officers of the Susan B. Anthony Society for the Sisters of Gertrude Stein!

5 Lesbians Eating a Quiche is a short (80 minutes) and utterly silly show that grownups (this show is NOT for the kiddos) with a bawdy sense of humor will enjoy — specially if they get a cocktail or two in them beforehand.  I’m rating Quiche R for lady-on-lady passion, lascivious quiche-eating, and partial disrobing.  So why in the world would you want to miss it?

5 Lesbians Eating a Quiche runs two more weekends, Thursday-Saturday, at the Side Door Theatre (off Lady Street) and closes on February 2nd; for ticket information, contact the Trustus box office at (803) 254-9732.

~ Jillian Owens

Dr. Jekyll & Mr. Hyde - a Review by Jillian Owens

Is it possible to gain serenity by isolating and removing all that is evil and full of rage from our minds?  This is the question Dr. Henry Jekyll seeks to answer in Chapin Theatre Company’s production of Dr. Jekyll and Mr. Hyde.  After much experimentation and late hours in his laboratory, Jekyll creates a concoction that transforms him from his kind-natured bookish self into a raging violent monster who calls himself Mr. Hyde.  In Jeffrey Hatcher’s adaptation of the famous novella by Robert Louis Stevenson, the lines of good and evil fade to grey.  In the beginning of his experiments, Dr. Jekyll remembers his alter-ego’s activities, but gradually he begins to “black out” for days at a time; as Hyde terrorizes London with violence, depravity, and murder.  Jekyll, through the testimony of his friends and colleagues is acutely aware of the dangerous and deadly extent of Hyde’s actions, but continues with his experiments regardless.  Hyde, on the other hand, becomes a sympathetic anti-hero.   Born with a rage he can’t control, we see surprising moments of tenderness to Elizabeth, a young chambermaid who falls in love with him.  He laments being unable to lament his cruel nature, and does all he can to defend himself from Jekyll’s threats to destroy him. This production of what could be a deeply moving exploration into the darkest corners of man’s soul doesn’t entirely work.  I applaud a small community theatre for attempting such a difficult production, but several elements of the show came off as hokey and/or unpolished.  Some of this is due to the challenging nature of the script.  Relying heavily on an ensemble cast, most of the actors end up playing a different aspect of Mr. Hyde -- a device that isn’t very effective, as it doesn’t really contribute to the story.   The constant “filling in the gaps” of the story by aside narrations and journal readings wouldn’t be so annoying if they weren’t so plentiful, often halting and killing any suspense that might have otherwise built up.  George Dinsmore’s performance of Dr. Henry Jekyll becomes much more powerful in the second half of this production, as we begin to actually see his inner turmoil and guilt for what he has done.  Nathan Dawson pulls of multiple roles, including the “main” Hyde well, although his Hyde is teeters on the edge of becoming a caricature, with a voice that is distractingly Tom Waits-ish.  The lack of erotic tension in the scenes between Hyde and Elizabeth (played by Emily Meadows) made their intense relationship seem quite unlikely.

This isn’t to say this production is without merit -  far from it.  The ensemble cast pulls off their rapidly-changing characters well,  changing their voices, postures, and mannerisms seamlessly and impressively.  Somehow a scene where one of the characters (played by David Reed) oversees an autopsy of the character he played in the previous scene doesn’t seem at all strange or out of place.  While the individually ever-rotating Mr. Hydes aren’t very effective, the scenes where they converge together to torment Dr. Jekyll are downright chilling.  

The set is stark, raw, and adaptive – perfect for this production.  The music plays a major part in creating this show’s haunting mood.  A few costume changes would have been helpful in establishing character changes, but became unnecessary, due to the strength of the cast’s ability to change so effortlessly and distinctly from role to role.

Chapin Theatre Company is making bold strides in moving away from being just another community theatre.  While they haven’t reached the caliber of other theatre companies in the Columbia area yet, they are well on their way.  Despite its flaws, Dr. Jekyll and Mr. Hyde will make a great addition to your Halloween season.

~ Jillian Owens

Dr. Jekyll and Mr. Hyde, adapted by Jeffrey Hatcher from the Robert Louis Stevenson novella Strange Case of Dr. Jekyll and Mr. Hyde, runs Oct. 19-Nov. 3, 2012 at the Harbison Theatre at Midlands Technical College, 7300 College St., Irmo, SC 29063. Visit www.chapintheatre.org for information on specific performance dates and reservations.