Words, Words, Words: Shakespeare’s First Folio comes to USC by Haley Sprankle

  Tempest

“Come in, take a seat on the couch.”

 

I walked into Professor Robert Richmond’s office, and saw pictures everywhere of various productions he has directed both at the university and around the country.

 

Most of these productions are the works of Mr. William Shakespeare himself.

 

From April 14-30, the University of South Carolina is hosting Shakespeare’s First Folio, and since all the world’s a stage, there will be a myriad of ways Columbians can experience these exquisite and well-known works.

 

“The First Folio is a book that was created seven years after Shakespeare’s death, and is really the book that gave us Shakespeare’s works. Without that compilation of his plays, we probably would have lost many of them, and he wouldn’t have been the most performed playwright in the world. So it seemed appropriate that we should program a number of events.” Richmond explained. “The Tempest, which is the Main Stage production in Drayton Hall, was seemingly fitting because it was his last play and was his farewell to the theatre in many ways.”

 

The Tempest isn’t the only production on campus to catch a hint of the bard though. Louis Butelli will star in the one-man production and original piece, Gravedigger’s Tale (April 21-23, Longstreet Theatre) and a group of players will perform in an outdoor production titled “Jukebox Shakespeare” (April 23, outside of Thomas Cooper Library).

 

Gravedigger’s Tale is an interactive audience piece in which the audience is given a human bone and on the bone is a question. Louis Butelli, playing the gravedigger, invites the audience in a random order to ask a question, and he gives the answer back all in Shakespeare except for just a couple of little adjoining words that get in from A to B,” Richmond elaborates. “Jukebox Shakespeare will be a traveling troupe of Shakespearean players who will perform different scenes, monologues, speeches, and soliloquies on the green outside of the library. It will revolve around the crowd because it’s just really based on passers-by. People will be able to take requests from the ‘greatest hits’ of Shakespeare, so we have everything from Romeo and Juliet to Hamlet to Twelfth Night to Richard III to Henry V.”

 

Clearly, Richmond is no stranger to innovation. His productions often include unique takes on familiar pieces that transform the work and drop audiences into completely different worlds.

Tempest 2

 

“Well, I think every generation has to redefine him [Shakespeare] in that it has to become accessible and exciting and it needs to be something that a younger generation can understand and feel a part of and complicit in the action,” Richmond says. “So The Tempest is actually a weird play because it has a reputation of being very serious, but actually there’s huge amounts of fun in it. There’s clowns, magic, and fantasy characters. I wanted to try and do a production that is sort of Pan’s Labyrinth meets Shakespeare, but it has to have a sort of an appeal to our sensibilities so that we understand the science fiction of it, the fantasy element of it. Ours is not the sandy beach, castaway version of the play. Ours is a Lord of the Rings version of the play with Celtic music that is obviously very evocative that really tells the audience and makes them think about what it would be like to be stranded on an island.”

 

Outside of USC’s theatrics, the Thomas Cooper Library will host classes, discussions, and speeches from people such as Shakespearean scholar Stephen Orgel, the First Folio exhibit “Much Ado About Shakespeare” will be open in Hollings Library, and the South Carolina Shakespeare Company will perform Merry Wives of Windsor in Finlay Park.

 

“To me, it’s less about the book and more about the humanity that is in the book,” Richmond closes. “The book itself is significant; it’s changed the way that we think, the way that we talk, the language that we use. In that book are 1,700 words that had never been spoken before. His [Shakespeare’s] influence on the language that English-speakers share across the world is huge. But the book itself is just a book; it’s about what is in the book and what the book says to each and every one of us.”

 

For more information about the upcoming events this month, go to http://library.sc.edu/p/FirstFolio!

Gravedigger’s Tale, Interactive Retelling of Hamlet, Performs at Longstreet Theatre April 21-23

gravedigger
The 40-minute one-man show is presented as part of the celebration of Shakespeare First Folio exhibition at the University of SC

The UofSC Department of Theatre and Dance will host Gravedigger’s Tale, an interactive retelling of William Shakespeare’s Hamlet, April 21-23 at Longstreet Theatre. Show time is 6pm nightly and admission is free, with seating available on a first-come basis.  Longstreet Theatre is located at 1300 Greene St.

In Shakespeare's play Hamlet, the Gravedigger appears briefly in Act V to perform a comic exchange with a fellow gravedigger before speaking to Hamlet and presenting him with the jester Yorick’s skull.  In this production, the Gravedigger arrives with a trunk and a book and answers “questions” from the audience with pieces of text from Hamlet. 

Conceived and directed by Robert Richmond (Folger Theatre’s Julius Caesar, Richard III, Henry V and more) and performed by Louis Butelli, this forty-minute interactive audience experience combines the text from Hamlet with some original and traditional music.  The short run-time makes it a perfect companion piece to the University’s production of The Tempest, being presented at Drayton Hall Theatre at 8pmnightly during the run of Gravedigger’s Tale.  Tickets for The Tempest can be purchased by calling 803-777-2551, beginning Friday, April 8.

Gravedigger’s Tale is being presented as part of the celebration of the Shakespeare First Folio exhibition at the University.  The University of SC was chosen as the only location in SC to exhibit the First Folio, which is on a nationwide tour sponsored by Washington DC’s Folger Shakespeare Library (owner of the largest collection of surviving Folios in the world).  The First Folio will be on display at Thomas Cooper Library from April 14-30.  More information on the Folio exhibition can be found online at http://library.sc.edu/p/firstfolio.

Butelli is no stranger to the University theatre program, having most recently directed the Moliére adaptation Scapin, which ran at Longstreet Theatre in February.  He is currently on a national tour withGravedigger’s Tale for the Folger Shakespeare Library.  Butelli has appeared in several productions of Shakespeare’s works for the Folger Theatre, winning a prestigious Helen Hayes Award in 2012 for his work in Henry VIII (directed by Richmond).  Cyclops: A Rock Opera, an original musical co-created by Butelli through his production company, Psittacus Productions, received a Pulitzer Jury nomination in 2012.  

For more information on Gravedigger’s Tale, contact Kevin Bush by phone at 803-777-9353 or via email at bushk@mailbox.sc.edu