Announcing the 2018 Jasper Artist of the Year Finalists -- TIME TO VOTE!

We asked. You answered. Which members of the greater Columbia area arts community are finishing up particularly good years? Who has had that shining good year of success or accomplishment or growth? Who is a different artist today than they were in July 2017?

And based on your nominations and the material you provided we asked a panel of experts to narrow down the contenders to just three in each discipline.

Now, the ball is back in your court.

Check out the following 12 JAY finalists in Music, Theatre, Visual Arts, & Literary Arts and cast your votes for who you think should take home the awardS.

Then join us at the Historic Seibels House on Friday, January 18th for the Jasper Artists of the Year Awards Ceremony and Celebration.

Let’s get started.

~ MUSIC ~

Marina Alexander - Over the last 15 months Marina Alexandra has been invited to perform concerts at: the Governor’s School for Arts and Humanities, Greenville, SC, Furman University, the Public Library (at Sandhills), the National Flute Convention (…

Marina Alexander - Over the last 15 months Marina Alexandra has been invited to perform concerts at: the Governor’s School for Arts and Humanities, Greenville, SC, Furman University, the Public Library (at Sandhills), the National Flute Convention (DC), Ohio International Guitar Festival, Tuesday Concert Series (Augusta, GA), University of South Carolina (Linguistic Department, Russian program), Midtown Theater, North Charleston, SC. Marina founded a unique group called the Maritone Duo consisting of herself on classical guitar and Tony Lee on drums, and she has released 3 videos with the Maritone Duo. She was accepted to a prestigious Ivy League program sponsored by University of Pennsylvania, the Executive Program in Arts and Culture, and was invited to conduct a multi-day artists residency at East Point Academy and Irmo High School. She was invited to judge the SC All State Guitar Competition; she continues to direct the Southern Guitar Festival (since 2012). Marina Alexandra was listed by the Aaron Shearer Foundation as one of the most influential female classical guitarists in America.

Marcum Core - Over the past 15 months Marcum Core has realized the following accomplishments and more. In May, Marcum was featured in Jasper Magazine. He has released or performed the following: July 12 - Prolific Vol 1 (Instrumental Album), July 27…

Marcum Core - Over the past 15 months Marcum Core has realized the following accomplishments and more. In May, Marcum was featured in Jasper Magazine. He has released or performed the following: July 12 - Prolific Vol 1 (Instrumental Album), July 27 - Vol 2 (Instrumental Album) hosted in August - First Annual Pigeon Party @ The War Mouth (Curated Playlist), September 1 - Featured Artist on WUSC “The Columbia Beet,” September 3 - Prolific Vol 3 (Instrumental Album) September 26, Oct 5 - FatRat Da Czar released his latest album ETHX completely produced by Marcum. October 15 - Bandcamp Exclusive release Dawgone Shame (Instrumental Album). In Oct 27, he played for the Seuss Slam and served as the host and background music production for the readers. In November he opened for EZ Shakes and King Vulture (Live Beat Set).

Zach Seibert - Among Zach Seibert’s accomplishments over the past 15 months we include that he formed E.Z. Shakes as a duo the summer of 2017 and released a self-titled EP in August 2017 then went on to expand to a full band and play their debut sho…

Zach Seibert - Among Zach Seibert’s accomplishments over the past 15 months we include that he formed E.Z. Shakes as a duo the summer of 2017 and released a self-titled EP in August 2017 then went on to expand to a full band and play their debut show with Boo Hag in December 2017. Zach recorded a full-length album in March 2018 at Fidelitorium Recordings in Kernersville, NC, He submitted a video to NPR Tiny Desk competition of the title track "The Wolf" in April 2018 and had the full-length album release of The Wolf album in July 2018. He performed in a number of local and regional shows and festivals, both solo and with the band, such as the Jam Room Music Festival September 2018 and he recorded a follow up 7” inch EP titled "Eyes on fire" in the fall of 2018. Zach was also featured on the Kendallprojects podcast in October 2018.

~THEATRE ~

Michael Hazin - Michael Hazin has been busy performing in Rock of Ages in July 2017, in the title role in Evil Dead The Musical in October 2017, the Love is Love Cabaret; The Restoration’s Constance; The Lexington Festival of the Arts, and as a memb…

Michael Hazin - Michael Hazin has been busy performing in Rock of Ages in July 2017, in the title role in Evil Dead The Musical in October 2017, the Love is Love Cabaret; The Restoration’s Constance; The Lexington Festival of the Arts, and as a member of The Mothers for their 2017-2018 season. He is currently rehearsing for Curious Incident of the Dog in the Nighttime.

Christine Hellman - Christine Hellman served as a Resident Acting Coach for Workshop Theatre from the Summer 2017 to present. She played Barbara in Barbecue at Trustus Theatre, Juliet in Romeo and Juliet at Columbia Children’s Theatre in the fall of…

Christine Hellman - Christine Hellman served as a Resident Acting Coach for Workshop Theatre from the Summer 2017 to present. She played Barbara in Barbecue at Trustus Theatre, Juliet in Romeo and Juliet at Columbia Children’s Theatre in the fall of 2017, Jan in Speech and Debate at the Lab Theatre at University of South Carolina in the fall of 2017, as well as multiple roles in String of Pearls at Workshop Theatre in the fall of 2017. In Misery Is Optional – Recollections of Recovery, Christine served as the co-playwright, actor, and winner of the Harbison incubator grant (Feb 2018), which was given a special run at Trustus (September 2018) and at TedX Columbia (October 2018). Christine put together Girls Out Loud (in collaboration with Ilene Fins), an acting workshop and all-female exploration of Shakespeare about finding our voice in this world through classic text. Christine also became the Intimacy Liaison, Compliance Coordinator in October 2018 at Trustus Theatre, working with the cast, crew, and director of every show at Trustus Theatre to help ensure and facilitate consent in moments of intimacy during rehearsals and performances, implementing (with Chad Henderson) the Chicago Theatre Standards as compliance coordinator.

Darion McCloud - Darion McCloud played MacDuff in SC Shakespeare Company’s production of MacBeth in Finlay Park in October 2018. And he co-wrote, directed, acted in, and designed a one man show, Fireflies: A Dave the Potter Story - with an education…

Darion McCloud - Darion McCloud played MacDuff in SC Shakespeare Company’s production of MacBeth in Finlay Park in October 2018. And he co-wrote, directed, acted in, and designed a one man show, Fireflies: A Dave the Potter Story - with an education grant provided by the SC Arts Commission. In The Gift That Ran Away/Carnival of Animals, Darion wrote, directed, acted in and partnered with the SC Philharmonic and Richland School District One an original theatrical companion piece written by Darion to help introduce kids to orchestra instruments (think Peter and the Wolf meets Mr. Rogers). Darion co-wrote and directed an NiA production for families at Edventure called WHATCHAMACALLIT!!! and he directed a staged reading of The Drama of King Shotaway by playwright/USC professor Marvin MacCallister in February 2018. As a storyteller and performance artist, Darion performed in Augusta Baker’s Storytelling Festival as well as in Storyfest, participating as individual teller (over twenty years) and also directing and acting in NiA’s reader’s theatre performance based on children’s literature, as well as in Pigskin Poets, through a partnership with Richland Library, where he is also the creator and emcee of an annual event bringing together the USC Football team, families, storytelling , and children’s literature. He performed in NiA’s HOLLA!!!@The Eclipse, Newberry Opera House in August 2017, directed NiA’s production of A Song For Coretta by Pearl Cleage, Fine Arts Center of Kershaw County, as well as Storytelling in many locales throughout the state including Colleton, Columbia, Camden, and more. Darion was awarded the Andrew Billingsley Community Leadership Award by the University of South Carolina African American Studies Program and Institute for Families in Society in November 2018. He emceed the March for Our Lives event at the Statehouse, March 2018, became an Indie Grits Fellow in 2018, co-wrote and directed community theatre project for Indie Grits Festival addressing gentrification, called DISSONANCE in April 2018. Storyfest-directing and acting in NiA’s reader’s theatre based on children’s literature through a State Library partnership, participated in the Read to Succeed in partnership with SC Governor’s School, Williamsburg County School District, and SC Arts Commission. He was also one of five theatre educators using children’s literature and theatre practices to address (Summer Slide) literacy as part of a new arts education initiative. In the All American City competition City Project, he co-wrote with musician and USC professor David Cutler and directed 13 city employees in an original theatre piece in Denver, Colorado. Darion served in school residencies in the following institutions: Allendale Elementary-Allendale/Fairfax Forest Hills Elementary-Walterboro, Camden Elementary-Camden, Doby’s Mill-Kershaw, Forest Heights-Columbia, and Gadsden Elementary-Gadsden.

~ VISUAL ARTS ~

Trahern Cook - Trahern Cook is a plein air artist who has become a part of the Columbia area arts events landscape by setting up his easel, popping on his porkpie hat, and painting the life of the city. Trahern had this to say about his work over th…

Trahern Cook - Trahern Cook is a plein air artist who has become a part of the Columbia area arts events landscape by setting up his easel, popping on his porkpie hat, and painting the life of the city. Trahern had this to say about his work over the past 15 months: “I have the privilege of getting up every day and painting. I paint in my hometown and all over the United States. Connecting with people where they are and sharing their stories through my paintings is what speaks to my soul right now. My paintings are experiential and relational. I endeavor to find and share sanctuary with as many of my fellow citizens as possible. In the last year the easel has been my old wooden vessel that's carried me to many different sanctuaries, but all tell a uniting story. That most of us are all looking for the same thing; love, friendship, family, and a place to chill for a bit to mend the soul. When I can share that through my work, there's no greater fulfillment.”

Flavia Lovatelli - In addition to being a member of the Operation Bedroll Steering Committee for Columbia’s Homeless project, which organizes and teaches the community to create plarn (plastic yarn) out of recycled shopping bags and crotchet bedroll…

Flavia Lovatelli - In addition to being a member of the Operation Bedroll Steering Committee for Columbia’s Homeless project, which organizes and teaches the community to create plarn (plastic yarn) out of recycled shopping bags and crotchet bedrolls, Flavia is the founder of Art Ecologie Group which organizes the yearly ecoFAB Trash Couture. Since last July her work as been accepted into Time for Art Gala - COR Awards at the Columbia Museum of Art, Craft Hilton Head 2018 at the Art League Gallery in Hilton Head Island, SC, Inspirations - Webster Arts Center in Webster Groves, MO, The Winter Show Exhibition - GreenHill Center for North Carolina Art in Greensboro NC, the 30th Anniversary Juried Show - South Carolina State Museum, and was the main attraction at the Deja Vu Show for the 30th anniversary Gala fundraiser for Anderson Art Center. Her Re-Current show exhibited for the month of November in Anderson, SC, and showed at Guinan Gallery at The Art Institute of Charlotte, NC, at an Art Residency - Midlands Arts Conservatoy, at an exhibition at Tapp’s Art Center, at Recycle 2018 Art Exhibition - BWAC Gallery, Brooklyn, NY. At ArtFields 2018 she showed “The Great Barrier” in Lake City, SC and later at the Motor Supply Company Bistro. She also had the ReInvented Solo Show at the Bullpen Gallery at the Gaston City Museum of Art, Denver NC. She also showed “Free for All” at the Hart Witzen Gallery in Charlotte, NC. “The Great Barrier” was the culmination of a three-month Residency at Tapp’s Art Center. An installation made entirely of recycled plastic and paper depicting the Great Barrier Reef that is dying due to pollution and global warming, the piece offers a message to invoke the help of our community in becoming more conscientious in curbing our wasteful living. She also participated in Figure Out 2017, a Planned Parenthood Fundraiser at Tapp's Art Center and LookOut 2017 for AOA - National Outdoor Advertisers Convention, New Orleans LA. Flavia was commissioned 15 garments made with recycled billboard vinyl of their top clients.

Andy White - Andy White says the list of his accomplishments over the past year or so doesn’t “capture how I've grown as an artist over the past year (thanks in part to the support and encouragement I receive from our local arts community). His scul…

Andy White - Andy White says the list of his accomplishments over the past year or so doesn’t “capture how I've grown as an artist over the past year (thanks in part to the support and encouragement I receive from our local arts community). His sculpture “Call It In” was awarded First Place in the 3D category at the Rosewood Art and Music Festival (September 2017) and he contributed a piece ("Old Ben") to the Columbia Zoo's ZooFari fundraiser (September 2017). His sculpture (“The First Owl”) won first place in the professional sculpture division at the South Carolina State Fair (October 2017) and he was featured in a story by Rachel Haynie ( “Andy White: Ex-scrap-olator” ) in Columbia Living Magazine (November 2017). Andy was also featured in a story by Nic Jones (“Making Something from Nothing”) broadcasted on WLTX (March 2018). He produced a large seahorse sculpture (“Rocket Queen” ) for the first Kinetic Derby Day in West Columbia (April 2018) and built "The Rabbit Hole" for the Tapp's Invitational Mini-Golf Tournament (April 2018). He competed in ArtFields 2018 with his piece “Beauty and Grace” (May 2018) and was one of the featured artists at the 2018 Theoretical Archaeology Group conference at the University of Florida (May 2018). He had three pieces at the 2018 ecoFAB/Re-Current shows at Tapp’s (June 2018) and his sculpture (“My Father’s Hammer”) won first place in the professional sculpture division at the South Carolina State Fair (October 2018).

~ LITERARY ARTS ~

Libby Bernadin - For several years Libby has worked with Susan L. Meyers and Linda Ketron on the Tea & Poetry series, which Susan turned over to Libby prior to her death. From January to April of 2018, she, along with her co-facilitator, Cliff S…

Libby Bernadin - For several years Libby has worked with Susan L. Meyers and Linda Ketron on the Tea & Poetry series, which Susan turned over to Libby prior to her death. From January to April of 2018, she, along with her co-facilitator, Cliff Saunders, invited poets and organized the monthly readings. Libby will continue with this endeavor through 2020. She is a life member of the Board of Governors of the SC Academy of Authors and a member of the Poetry Society of SC and the NC Poetry Society. In the last year she judged grades 3-6 poem entries for the SC State Library. In March of 2018 she presented a workshop for students attending the Montessori School at Pawleys Island. While she now lives in Georgetown, she has an apartment in Columbia and spends time frequently here. Bernadin is retired from teaching at the University of South Carolina-Columbia but continues to present workshops at the Waccamaw Library. Poems accepted from July 2017 to July 2018 include 2018 Poetry Society of South Carolina Yearbook: “Habitat, Home, Harbor,” 2017 Poetry Society Yearbook: 2nd Place in The Gertrude Munzenmaier Prize, not published in Yearbook, “Black-eyed Susan” -- Free State; “Grief Works It’s Way” in the Summer Issue, 2018 of Anthology: Archive SC Poetry Since 2005 (Published in 2018); Transmigration” (First published in Pinesong, nominated for a Pushcart Prize); “After your funeral” (First published in Kakalak) - South Carolina Voices: Poetry and Prose (2018); and “Transmigration” - The Practicing Poet: Writing Beyond the Basics (ed. Diana Lockward, 2018, Poem accepted in Summer)- book: STONES RIPE FOR SOWING (Press 53, 2018).

Tim Conroy - Tim’s recent literary accomplishments include his first collection of poetry, Theologies of Terrain, being published by Muddy Ford Press and edited by Ed Madden as part of the Laureate Series late in the summer 2017. Tim wrote the intro…

Tim Conroy - Tim’s recent literary accomplishments include his first collection of poetry, Theologies of Terrain, being published by Muddy Ford Press and edited by Ed Madden as part of the Laureate Series late in the summer 2017. Tim wrote the introduction for Blue Mountain Review Issue 10 and, in that issue, his poem “Assurances” was republished. Tim’s poems “Last Call” and “Water Aerobics” were also published in Blue Mountain Review Issue 11, and his essay “The Great Yes” was included in Our Prince of Scribes: Writers Remember Pat Conroy, published by UGA Press. Tim’s narrative poem “Home Fires” was published in Fall Lines Volume V and his poem “Columbia: A Convergence” was published in the most recent iteration of Poetry on The Comet: Two Cities. Tim wrote and read 11 original poems responding to the permanent collection of the Columbia Museum of Art for their Write Around Series arranged by the Poet in Residence at the CMA, Ray McManus, this fall. He performed at The Local and gave a presentation on conviction to students at University of South Carolina-Beaufort for Professor Ellen Malphrus' class in October 2018. He participated in the Pat Conroy Literary Center Educational Outreach Series and Pat Conroy's Great Love of Poetry Presentation at the Irmo Library Branch in Columbia, SC, as well as the Kick-Start Poetry Month Annual Series at the Hilton Head Library. Other events include the Poetry of Andrew Clark, Tim Conroy, Kacy Jones, Susan Madison, Bill Newby, Meryl Newell, Elizabeth Robin, Guitar and original songs by Denny Baer; the March Forth on March Fourth Series; Pat Conroy Literary Center With Nikky Finney, Tim Conroy, Anthony Grooms, J. Drew Lanham, and Cassandra King Conroy; Deckle Edge Literary Festival on “Editor and Poet: A Presentation by Ed Madden and Tim Conroy”; The Moveable Feast Event at the Burry Book Store in Hartsville, S.C.; the Fall Lines Volume 5 release and reading; at the Pat Conroy Literary Festival in a Poetry Reading with Tim Conroy, Kate Daniels, Ray McManus, and Daniel Cross Turner, and Adam Vines in Beaufort; a Cool Beans Poetry Reading as the featured Poet with featured singer-songwriter Lang Owen; in Bones of the Spirit with poets Michael Murray and Nicola Waldron. Tim was interviewed by Clifford Brooks and the story was published in the Blue Mountain Review; by Emily Chavez in the Daily Gamecock; on Henry McCarthy’s radio show, Poets and Writers, at the 2017 Pat Conroy Literary Festival in Beaufort, South Carolina and again a year later. He enjoyed A Public Conversation with Cassandra King about Pat Conroy and by Margaret Evans, editor for the Low Country Weekly and on Walter Edgar’s Journal which originally aired on 1/12/17.

Monifa Lemons - Among Monifa’s many activities and contributions this past year we will find her work at Girltrek Storyteller, Poety vs Hip Hop Feature, a feature in Jasper Magazine, a feature on ETV classroom, and Typewriter Poetry at the Statehous…

Monifa Lemons - Among Monifa’s many activities and contributions this past year we will find her work at Girltrek Storyteller, Poety vs Hip Hop Feature, a feature in Jasper Magazine, a feature on ETV classroom, and Typewriter Poetry at the Statehouse. Monifa opened for MC Lyte at the Love, Peace and Hip Hop festival and she served on a panel and did a reading at Deckle Edge Literary Festival. She was the Coordinator and Host of The Watering Hole Winter Retreat, the Curator of Poetry Performances and Reader at the Brian Stevenson event at Township Auditorium, the Facilitator at Writer's Well Poetry Retreat for Teen Girls, a Judge for State Library Poetry Contest for teens, an Art Therapist SC Department of Corrections, and she published in Sinister Wisdom.

NOW IT’S ALL UP TO YOU —

GO TO

http://jasperproject.org/2018-jasper-artists-of-the-year

AND VOTE YOUR GUT!

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Jasper Artists of the Year -- JAY 2018 Nominations are OPEN

Call for Nominations for

Jasper Artists of the Year 2018

are Now OPEN

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Individual Artists, 18 and older, working in the greater Columbia arts community are eligible for the title 

Jasper Artist of the Year

based upon their artistic accomplishments during the period from

July 31, 2017 through October 31, 2018.

Nominations MUST be sent to JasperProjectColumbia@gmail.com with the subject heading “Artist of the Year” and MUST be accompanied by a numbered list of works or accomplishments produced or performed during the designated time period. (see checklist)

Upon closing of the nomination call, a panel of judges will select the top three candidates in each field, and the public will be invited to vote online for their top choices.

  • The category Dance includes:  performance, choreography, or direction of any form of dance including, but not limited to ballet, contemporary, jazz, tap, ballroom, folk, or dance-based performance art.

  • The category Theatre includes: directing, acting, or set design in one or more local performances.

  • The category Music includes: conducting, directing, writing, or performing any style of music in one or more local concerts or recordings; both individuals and groups are eligible.

  • The category Visual Arts includes: the completion & presentation of a form of non-performing or non-literary arts, such as painting, sculpture, ceramics, photography, print-making, mixed-media, etc.

  • The category Literary Arts includes: the completion, publication, and/or presentation of any form of prose, poetry, or non-fiction writing, as well as playwriting and the writing of executed screenplays.

Only individual artists may be considered for nomination. While arts groups, such as musical groups or arts troupes, are no longer eligible for consideration, individuals within those groups may be nominated. The purpose of the awards is to recognize artistic achievements accomplished within a calendar year. There is no fee to enter. Artists may nominate themselves. Artists should be made aware of their nomination before their official nomination and agree to participate in the competition.

Finalists will be announced by November 15, 2018 and voting will take place from November 15 through December 31, 2018.

Awards will be presented at the Jasper Artist of the Year Gala on

January 19th, 2019

at the historic Seibels House and Gardens in downtown Columbia.

——

Check list for nominating an artist for Jasper Artist of the Year:

1.    My nominee has agreed to be nominated

2.    I have included the nominee’s contact information (email and phone) in my nomination

3.    I have included a paragraph briefly explaining why I am making my nomination

4.    I have included a numbered list of accomplishments by my nominee

5.    All the accomplishments on my list will have occurred from July 31, 2017 through October 31, 2018

Send Nominations to

JasperProjectColumbia@gmail.com

Failure to check off all five items will result in disqualification for your nominee.

Meet New Jasper Intern Christina Xan and Read About a Favorite Poet Cynthia Dewi Oka

"...language is not fixed and is always moving. We, as people, are continuously evolving, and our poetry does have to not stay stagnant." - Christina Xan

Hi! I’m Christina Xan, and I’m a new intern here at Jasper for the 2018-2019 year. I’m currently a grad student at USC working on my MA in Lit. When I’m not busy taking and teaching classes, which is essentially never, I’m quickly grasping for time …

Hi! I’m Christina Xan, and I’m a new intern here at Jasper for the 2018-2019 year. I’m currently a grad student at USC working on my MA in Lit. When I’m not busy taking and teaching classes, which is essentially never, I’m quickly grasping for time to scribble down plays and poetry or to make a ruckus banging on my keyboard in my apartment. My favorite activities include screaming over how perfect my cats are to the point of getting noise complaints, wearing the same pair of jeans to paint in because they were *so* expensive but got ruined on the first day, and eating so many cupcakes and tacos in one sitting that I slide into a comatose state for at least a week.

Cynthia Dewi Oka

 

I’ve been reading and writing poetry since I was a little girl, and when I was in undergrad, I still had time to fit in reading poetry especially since I was a creative writing minor. However, once the first year of my MA rolled around, my time for any reading outside of class dwindled, and by the end of that first year, I realized I hadn’t read one new book of poetry in pretty much the entire time I’d been in grad school. So, I dedicated the beginning of this past summer to getting back to it. One of the first poets I stumbled across was Cynthia Dewi Oka when she was featured on Poets.org. I find poets through their site all the time, and I usually add them to my list of “Poets to Keep an Eye On,” but when I read Oka’s poem on that site (it kills me that I can’t remember which one), I became completely and wholly entranced. I basically flew to Amazon and bought both of her books of poetry, a decision I have not regretted once.

 

Oka’s work is far from unappreciated; she is a three time Pushcart Nominee who has two published books of poetry: Nomad of Salt and Hard Water and Salvage. Something that drew me to her right away was that her first work, Nomad of Salt and Hard Water, has come out in two editions, each of which are, to some degree, different from one another – I love this. While containing the same poems for the most part, Oka took the time between the publications of her first and second editions to reflect on what she felt the first publication lacked, editing poems for the second edition as well as adding new ones. While some people may criticize Oka for going back and changing her already published poems, for me this is just a demonstration that language is not fixed and is always moving. We, as people, are continuously evolving, and our poetry does have to not stay stagnant.

"Particularly, when Oka says at the end that “to wake will not mean betrayal, to be lost will not mean goodbye” I felt that she was speaking to all of us who have to lock part of ourselves away, that it is a call to all of us to not fear the light of our own suns."

Although Oka’s poems may be everchanging, for me, Oka’s poems pretty much boil down to one thing: identity. I suppose that if you break any piece of writing down to one thing you could say that it’s identity, that we’re always writing about ourselves in a way to understand ourselves. However, there’s something special about Oka, the way she writes about our struggle to take broken pieces of our identities to form something recognizable, something we can, as her aptly titled second book is called, salvage. What’s wonderful about Oka is that while her poems can be very specific in audience, I believe anyone can relate to them. Many times she writes to and about minorities, and her poems both speak to them and to others, partially by teaching those of us who are not minorities about their struggle. However, whether you’re a minority that has suffered a fracturing of your identity by a culture you’ve been unable to fight against or you’re just a human being whose biggest enemy against your identity is, well, you, there’s a poem for you in Oka’s work. One of my favorite poems from Nomad called “Soothsayer” is a perfect example of this. This poem is painfully relevant, a poem for those who look for refuge in a country that is not their own. However, even though I’m not an immigrant, this poem speaks to me in a personal way. Particularly, when Oka says at the end that “to wake will not mean betrayal, to be lost will not mean goodbye” I felt that she was speaking to all of us who have to lock part of ourselves away, that it is a call to all of us to not fear the light of our own suns.

 

While the content of the poem is obviously exceptionally important, the structure of a poem is equally so. I personally really appreciate people playing with form, trying something new, and speaking to an audience not just from the way a poem sounds but the way it looks. Oka has a perfect balance with form – she is able to break boundaries without alienating her reader. A poem in Salvage that I’ve particularly fallen in love with is “Winter Country,” and it’s mainly because of the form. Oka does something wonderfully unique with this poem. In her books, most of the poems are aligned to the left margin. “Winter Country” is split into two parts. One half contains the title and the poem, aligned to the right margin, while on the left margin appears a separate part of the poem in a different form, not under the title, and in different ink, only relating to the same subject. By putting half of the poem in a faded grey ink just behind the rest, Oka makes it appear almost as if the poem is haunting itself, something I personally haven’t seen done before.

 

In the end, I’ve fallen in love with Oka. She has a way of touching me with her words that I don’t find easily these days. On the cover of Salvage, Joy Harjo writes, “We are in the thick of the sludge of salvage, in an age of greedy locusts…when visionaries are bound to emerge. Cynthia Dewi Oka is one of these visionaries, a word prophet,” and I think if you take a few moments to read any one of her poems, you’ll agree.

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It's a great time to join or renew your membership in

The Jasper Guild!

We're raising money to pay for the publication of Jasper Magazine now!

Join today and get a free bottomless beer or wine cup at the Magazine Release Party on September 21st at Stormwater Studios!

And see your name in print in this issue of Jasper Magazine!

 

 

 

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Meet New Jasper Intern Hallie Hayes and Read her First Review of Foxing's New Album, Nearer My God

Hi! I'm Hallie Hayes, a new editorial intern for The Jasper Project. I am a Junior at The University of South Carolina majoring in Multimedia Journalism, where I hope to start a career in an entertainment editorial position post-graduation. Coming from the small town of Pamplico, South Carolina, I am proud to have found my way to the talented city of Columbia where local art is appreciated. My first true love is poetry, but my passion lies in the music, arts, and entertainment industries. You will be hearing a lot from me along these lines of subjects. I look forward to exploring the talent found in this city with The Jasper Project and sharing that with you!

Hallie Hayes

Hallie Hayes

       

For those who have followed the band Foxing through their first two albums, the wait for the third record has been long and highly anticipated. The indie-rock band from St. Louis, Missouri has a fan base that has hung onto their moody melodies, in-your-thoughts lyrics and most importantly, their experimental bravery. As the third album has released, there is one thing that is known for certain: experiment they did.

 

Nearer My God was released on August 10, 2018, and it is a far fetch from the bands prior records, The Albatross and Dealer. Foxing’s prior two records gave fans the self-proclaimed emo hits that the band would become known for. The unique rasp of lead singer Conor Murphy’s voice mixed with soft indie rock tones delivered track after track. The band keeps the moody undertones that fans love, mixing in their own versions of R&B and electro-rock, giving the album a unique twist. Unafraid to mix two genres into one track, in songs like “Heartbeat,” the band begins with a classic instrumental style and transitions into an electro-rock ballad.

 

While Foxing’s first two albums gave us first tracks that are slowed down; almost acoustic, listeners receive a much different take with this album. Nearer My God gives us a first track, “Grand Paradise,” that unexpectedly jumps right into the newly experimental electro-rock instrumental style. It is a bit of an initial shock, but that’s fine. It shows the diversity of the band and their attempt to open new sounds for their fans, while keeping old habits.

 

With their second track, “Slapstick,” the band gives us a sound that combines upbeat electro instrumental music with a low indie-rock tones. They continue to transition their songs in this manner throughout the album. Moving from upbeat, to ballads, to a mixture of R&B with a touch of post-rock. At the same time, however, fans are still given the moody, intimate lyrics that were first brought by the band in tracks such as “Trapped in Dillard’s,” “Nearer My God” and “Crown Candy.”

 

The one consistency throughout the album is that everything is different. The ability to experiment with multiple different resonances is what makes this album a masterpiece. It is like nothing that has been heard from the indie-rock band.

 

Foxing took chances with this album, and it was a chance that truly worked for them and their sound. This is an album for those seeking something new, different, and truly innovative.

 

 

 

Film & Book Reviewers Wanted

 

“The Phantom Thread was a sanctimonious exercise in smuggery!”

“The Shape of Water was a retelling of Splash with fewer fins!”

“Get Out is the best movie ever made and changes the playing field for films forever!”

 

Ever feel this way about a film (or book) and want SOMEone SOMEwhere to hear you out?  You’ve come to the right place!

The Jasper Project is looking for book and film reviewers for the What Jasper Said blog. Both new and classic subject matter is open for consideration. Reviews should be 600 words or less and sent to Jasper Magazine editor at cindiboiter@JasperColumbia.org. Feel free to query first at the same address.

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