Poetry of the People: Dale Bailes

My sixth Poet of the People is Dale Bailes. Dale is a long-time icon in the Columbia literary community and an encouraging mentor and friend to many. His poetry is expressive, and you feel his kindness throughout his work. Read his work and become his friend.

Bio: As a poet, Bailes helped design and participated in the Poets In The Schools
Program for the South Carolina Arts Commission. He edited seven anthologies of
student poetry for that program. His poems have appeared in journals and little magazines,
including SOUTH CAROLINA REVIEW, GREAT SPECKLED BIRD, and
CREATIVE CRAFTERS JOURNAL. The poems have been gathered in the
collection CHERRY STONES and in three chapbooks.

Recent publications include poems in Columbia lit mag FALL LINES and
Texas based AMERICAN WRITERS REVIEW.

Bailes holds an MFA in Professional Writing from the University of Southern
California, He has taught college writing and creative writing classes in such
diverse backdrops as state prisons, Navy aircraft carriers, community colleges,
and both USC east and USC west.

He continues his interest as an educator as a part-time Standardized Patient
at the University of South Carolina School of Nursing in Columbia.

____

 

VIGIL

 

First sunlight in tops

Of towering green trees.

How is there no music?

 

THE TRICK

 

Thinking of you in terms

of two-over-light was easier.

That way you shared

my morning rite and left me

to the idle pleasure

of my day. Now, having

seen you trundle from

a lonely man-filled bar

your shoulders slouched

against the weight of darkness

I know you more than I care 

to; know your crumpled

single bed and barren room

know why your ten-hour-day

is comfort to you.

Now instead of leaving me

to my own tight rare existence

you take me trembling with you

into your lonely night.

 

(from ST. ANDREWS REVIEW)

 

THE GENTLEMAN CALLER

 

No need to keep him waiting

fifteen anxious minutes; no stately

staircase has to frame her entrance.

Cordelia sits quite calmly at the table

saucered cup untouched and slowly colding

 

Her mind commands a sunny day, with horses

she smells the Spring and smiles

at mustached men. A storm can rage there

now, or suns go setting; white-haired

gallants still tip crisp hats and court her,

 

What matter if those days she lives

are twenty-five or fifty years divided?

This day alone will mean most to her heart

stout friend through all and keeper

of the great loves she has known.

 

Now he has come, the quietest caller

she has yet received. “Madame?” “oh yes.

I am quite ready. You are right on time.”

Cordelia, rising, bids a host of friends adieu.

Whispers gaily, “It was always you.”

 

(from MISSISSIPPI REVIEW)

 

THE JESTER

 

The Jester on your wall grins

at you. His hand has been, will be

poised to pluck the lute.

 

You pull yourself from sleep

or death, recall some sound

that scared you to the fading point

 

where sleep and death are one

and come or don’t come

as your left eye struggles open

 

and your right eye simply won’t .

He has waited while you slept

while you crept through

 

the other room of the dream

and out. He has grinned as

a black cat crossed the street

 

to avoid crossing your path,

as ladders crashed around you

that you wanted to walk under.

 

He will watch you tumble from

the bed, return from all that pain

awake, stumble to another room

 

to wet your trembling hands.

His hands will tense, prepare

to play the chord to match

 

the sound your pleading eyes

will make, as you watch the mirror

drop you and you shatter.

 

(from SANDLAPPER)

 

 

Poetry of the People Featuring Adam Houle

My fifth Poet of the People is Adam Houle. Adam's voice is nuanced and immediately relatable; he is refreshingly unpretentious in communicating what he sees.

Bio: Adam Houle is the author of Stray (Lithic Press), a finalist for the Colorado Book Award. His poems have appeared in AGNI, Shenandoah, The Shore, and elsewhere. He co-edits 12 Mile Review with Robert Kendrick and is an assistant professor at Francis Marion University.

Hearing About the Wreck

Now I’m off the phone and pacing while my wife,

seven states away, waits in the smashed car

to relay the incident’s specifics to a bored cop

at the intersection of two wide and busy roads.

It’s a sunbaked Texas town where, I imagine,

the woman who t-boned her sizes up

the grill guard with her pea-patch husband,

both of whom are already scum of the earth,

idiot scum of the earth. Inattentive texting

while driving scum of the earth, who were posting

driving selfies or twitter polls seeking counsel

on which fast food value meal they should shovel

down their maws, chewing with their mouths open

in the living room of what I’m sure is the saddest

half a duplex in all the republic of Texas

while SVU airs and they rubberneck a gruesome case.

In another world, my wife is dead, her body

wrecked in the wreck, and that world chaffs too close

and though she’s fine, alive, shaken but fine fine fine

I’m crying and say aloud, I’d kill them both,

and in that moment, when just moments before

I debated alone paint shades for our kitchen

and asked the dogs what would be the ecological fallout

if a barred owl fell in love with a red-tailed hawk,

I’m pretty sure I mean it, which scares me

in the way it must scare the tv star

who tilts a conversion van off a crushed friend

or rushes back for an heirloom when the foundation beams

have already burst, flames rising from the floor

like geysers, the expected feats of fear and rage,

who realizes there’s another self

that sleeps and, when it wakes, is more terrifying

and courageous and, I see, more cruel, with a drill bit heart

that turns faster and with more bite the more it hurts.

Is he a necessary self? Sometimes, love is the right spring

babbling, bubbling over moss, feeding meadow reeds.

Sometimes, it’s an errant left turn and the sun burning

down the westbound lane fracturing light through a windshield’s

sheen of dead bugs. I sat there a long time,

I made a fist, I released a fist. I breathed.

A fist. I breathed. This fist. My heart’s modeled after it.

Open, it’s to hold or offer.

Closed, oh god of the plains, and I am your vicious club.

 

(First appeared in Baltimore Review, Winter 2019)

~~~

It’s an Empty-Headed Move I Love the Most

 I swear I’ll leave your ass in Tennessee

with the trumpet vines and BarcaLoungers

slumping under carports. Maybe at a BP

near the bottom of a hill, where a state road

curves that way and a sandy one cuts back.

 

Maybe there next week, I’ll leave your ass.

You can throw your hands up all you want,

cinematic like, dramatic, your rage so quick

to bloom you’ll smash your phone to bits

before you’ll call me. You can be happy

 

in the injustice of all that balance:

a thought forms and then rejects itself, lizards grow

by eating the gray skins they have outgrown.

The dog, Caesar said, is cat. The jelly jar is cracked

and that your one good glass. Alas, I guess,

 

is a thing you’d say. Cross a river. Then another

or the oxbow bend of the same. It doesn’t matter.

The world reaps what the world repeats.

It’s natural as nature to always feel afraid,

to keep playing, even when you’ve been outplayed.

 

(First appeared in Phoebe, 52.1)


In Service

Bless this moment before the hydraulic door

sighs open. Bless the tamped heel click

on the low knap carpet. Bless the medicine

cart its quiet wheels. Bless how it feels

to watch your face attenuate as the glass

levers inward. Bless its disappearance

and the hall that takes its place. Bless this:

mylar balloons taped to temporary name plates

along the corridor. Bless late comforts. Bless night

nurses ending another shift. Bless their laughter.  

 

(First appeared in Chattahoochee Review, Spring 2020)

Epitaph

the sky my mind

my heart an ocean

here’s an antidote

go find the poison

Poetry of the People featuring Michal Rubin

My fourth Poet of the People is Michal Rubin. What attracts me to Michal's poetry is the unadorned integrity, honesty, and humanity of her voice.

Michal Rubin moved from Israel to Columbia, SC 32 years ago.  A psychotherapist, a Cantor, and an emerging poet, her work was published in Psychotic Education,  The Art and Science of Psychotherapy, Wrath Bearing Tree journal,  Rise Up Journal, Topical Poetry,  Fall-Lines,  The Last Stanza Poetry Journal, Waxing & Waning: A Literary Journal, and South Carolina Bards Poetry Anthology 2023.

In a secret dark spectacle

after Ada limon

I saw the twirling gust of dust

moving into the distant

world of pain I remember

and I flew there to be

with kin I have not met

come! they said

and I sat in their midst

huddled underneath their wings

they fluttered, the wings,

and the chill of history penetrated

my sheltered space

I breathed it in 

the chill

and the chains weighty

on my wrists

as I was dragged by the power 

of the dead

into the land


~~~~~

In Gaza

tomorrow’s touch

through the settling dust

will remind you of

love

unhidden in the rubble

behind the corner

forbidden moment

fused with desert breeze

salted droplets we carried

home

or what was home

~~~~~

Exploits

I write with no address

or neighborhood

letters that belong to

the smoke of burnt homes

or piles of old shoes

I try to stitch words 

so they become 

an embroidery of unwanted

stories

we live them

the stories

we spit them as hulls  

discarded shells of seeds

we feasted

I, the betrayer of dogmas spread

stained uniforms strewn on the page

I, the jailed soldier

braid sins into the chain of letters

words bathe in shame

each bullet finds a target

smoke of burnt homes fills the nostrils 

I, the one who left,

weave what you call art

with the exploits

remnants of our crimes

 


Poetry of the People with Al Black featuring Tony Pichof

Because I’ve planted a seed
That sparked a thought
And made them think

I chose Tony Pichof as my next Poet of the People for his earnestness and gentle unfrilly lyric quality. He represents the everyperson in each of us.

Al Black

Poet, Tony Pichoff (pee-shawf) retired from the Army in 2006 and has been working as a civil servant since.  He has been writing since his junior year in high school when his English teacher, Mrs. Magoo (yes, really!) accused him of plagiarism.  He has been awarded and recognized in several contests over the years and has self-published twelve collections* under the pen name, Tony Garrison (to honor his stepfather).  He is an active adult scouting leader.  He enjoys spending time with his family and working on his hobby farm.

The Best I Can 

Strangers on the street
Often ask me,
“How’re you doing?”
As they are passing,
Out of some unwritten
Rule of courtesy,
Not expecting an answer
When they acknowledge me.
“The best I can”
Is my standard reply.
Then I see them smile
As I walk by
Because I’ve planted a seed
That sparked a thought
And made them think
Just how they ought-
That everything
Will be okay
If we all do our best
Every single day.
And who knows,
I may just start a new trend
As everything, somewhere,
Sometime begins.
I sure hope it catches on
And becomes part of the plan.
But even if it doesn’t…
I’ll just keep on doin’ the best that I can.

~~~

Sick to My Soul 

We’ve all been there
In those moments we’d rather not be
When in the throes of illness
We feel helpless in our vulnerability
As nausea washes over us
And we know what’s coming next
When waves of sick crash into us
And leave us feeling the opposite of blessed.
Now, take that awfulness of being
And multiply it a hundredfold.
For only then will you be believing
How it feels to be sick to my soul,
With the difference being
There is no release to let it go
And it just keeps on festering
Way down deep within.
This smoldering betrayal
Is such a scorching sin
When I can no longer trust
Someone I once called, Friend. 


Poetry of the People with Al Black featuring Kelley Lannigan

Where is the map when we get lost inside ourselves? — Kelley Lannigan

I chose poet, Kelley Lannigan, as this week's Poet of the People because of the wonderful narrative flow of her poetry.

Kelley Lannigan grew up in rural Richland County and studied art and journalism at Columbia College. She spent her life curating art (most recently the Georgia O'Keefe Anniversary Exhibition at Columbia College) and as an editor and journalist for magazines and newspapers. She is retired and lives in Winnsboro with her cats writing poetry, painting, and taking on an occasional writing project.

 

Aubade

 The sun raises the red coin of its face.

            Morning, in her gown of light

                        dances among the trees.

 

A Cooper’s Hawk, the one we hear

            but rarely see, screams reveille.

                        Awake! Awake! Awake!

 

It rained so hard last night.

            Nipper Creek, dry for months,

                        runs like a marathon.

 

Trucks haul gravel from the quarry. Gears shift,

            grind, strain up the road’s steep slope.

                        Sometimes a SLAM! A BANG!

 

Soon, blasting will shake the ground.

            Trucks pass, their angry music fades.

                        Silence deepens like a dream.

 

Tops of pines, slow green brooms, sweep the sky.

            Old cat snoozes on the rough steps.

                        She chases something in her sleep.

 

She woke me earlier, pawed my chest in the dark,

reminded me that for now,

                        I am not alone.

 

  

Terra Incognita

(In memory of Steve, lost to dementia) 

 

He was the kind of man we were glad to see.

 

The kind who leaned over the fence to talk about his goats,

his chickens. A farmer, adding his link to the long chain

of Huguenots who husbanded the land. Their sturdy houses

still stand sentinel over the Santee, the Pee Dee, the French Broad.

 

A family man. Husband, lover, father, teacher.

A worldly man. Soldier, navigator, pilot.

A hunter who knew what passed by its scat,

a mark on a tree, tracks in the snow.

 

The kind of man we called at 3 a.m.

about strange noise by the barns.

His bobbing lantern across the dark fields

made us feel safe.

 

Snow melts. Tracks erode. Terrain shifts.

Where is the map when we get lost inside ourselves?

 

He was a man who disappeared before our eyes.

Forgot our faces, his children’s names.

Left the water running. Could not remember

his phone number. How to use the phone.

What a phone was for. Forgot to eat.

Lay in bed until told to get up.

Replied “yes” to every question.

Missed the turn to his farm, piloted his old Chevy

into the next county. Then across the next.

 

Or simply sat for hours behind the wheel going nowhere.



Kelley Lannigan will be our poetry feature this Wednesday, 08/16 - 7 pm for Mind Gravy Poetry at Cool Beans, 1217 College Street, Columbia 

 

 

 

 

Poetry of the People with Al Black featuring Jeff Bryson

Given his years of service to the poets of SC and beyond, Jasper asked board of directors member Al Black to curate a weekly addition to Jasper Online featuring some of his favorite local poetry. A Poet of the People himself, Al produces gatherings of writers and musicians both in Columbia and throughout the Southeast. He is the author of two collections of works, I Only Left For Tea, and Man With Two Shadows.

I have chosen W. Jefferson Bryson as our first Poet of the People, because of the unvarnished immediacy of his truths; no bells and whistles or other affectations; just his truths in his words.

I know Jeff as poet and sometimes musician who grew up in the upstate and spent most of his adult life in the midlands as a social worker and then twelve years as the State Ombudsman and still was able to retain his integrity and humanity.

PTSP: Post Traumatic Stress Poetry   1970

How it Was

Until it Wasn’t

  

Two years down

How quickly it happens

On a Wednesday

Walking a path

Crickets and comrades

Then little dark men

In black pajamas

With old AKs

As big as they are

Leap out ahead of us

And scream and fire

And their aim

So poor, so terrified

Of hulking, red-eyed

American Devils

Their shots tear apart

The jungle around us

We aim together

And render them

Red mist, mostly

Painting the foliage

And the ground

All around.

 

And suddenly

Wednesday, again

Tour over, discharge

A duffle-bag

Jeans and a work shirt

Commercial flight

DC-9 to San Diego

Teach Your Children

On the radio

 

And all I know

Is friendly

Or foe

And me, now

Without a weapon.

 

Flashback, With Soundtrack  

Listening to Creedence

Reminds me of the jungle

The sound of M-16 fire

Of helicopters, of brown water

Of 50 cals, of F-4 Phantoms

The smell of rice paddies

Hot in the afternoon

Or drowning in rain

The smell of Napalm

The smells of Saigon

Viet Nam.

 

My Brothers

My God

Where are they

What has happened

To us all.

 

Zero-Dark-Thirty, One More Time 

Three-thirty in the dark. Again.

And I’m awake. Again.

And I remember. Again.

All gave some. Some gave all.

And the elephant grass

Grows tall and thick

Through my memory

And I forget

Until I dream.

 

And the sound of M-16 fire

Suddenly returns in the deep night

And the thump of 50 cals

I feel them in my ribs

My own heartbeat

Even now, quickens

And I remember

The smell of Napalm

And screaming death

And I will sleep no more

Tonight.

 

Steppenwolf  

You hear

Magic Carpet Ride

I see fire

Blossoming, rising

Red and black

Mushroom clouds

Of Napalm

In forever-green

Jungle.

 

Hueys

Cobra gunships

F-4 Phantoms.

 

Burning villages

Cluster bombs.

 

It won’t hurt you

It only kills plants.

 

Mekong catfish,

Twelve feet long.

China Beach.

Saigon.

Vietnam.

 

Some of us

Never went.

 

Some of us

Never left.

 

Something As Simple As a Song  

Creedence

Steppenwolf

Blood, Sweat and Tears

 

Da Nang

Dok To

Long Binh

 

My Lai

Khe Sanh

Hue

  

Suddenly 

How can it have come to this?

To be a sick, sad old man

Alone in a small apartment

In a raging city of angry strangers

All my comrades

Lost or gone

Ghosts of memory

Living or dead

And the greatest tragedy of all

Not a trace of senility

Or forgetfulness

Or rest

Or peace

In me.

 

W. Jefferson Bryson is a retired Social Worker. He has spent a lot of time with Vietnam vets and heard a lot of stories. Sometimes they come back in bits and snatches in poems like these.