
Kelley Pettibone Opening Reception
Join us for a bite to eat, a drink and a chat with friends as we welcome Kelley Pettibone to First Thursday!
Artist Bio
Kelley is a proud native of South Carolina and a graduate of Irmo High School. She received her BFA, with concentration in drawing, and MFA, with concentration in printmaking, at the University of South Carolina. Kelley is a Studio Art Instructor for the School of Visual Art and Design at the University of South Carolina where she teaches printmaking and drawing. She has a home studio located in the Lake Murray area of Columbia where she lives with her husband, a retired Army Veteran, their daughter, and two dogs. Recent exhibitions include Annual Juried Exhibition, Union County Arts Council, Union, SC, “Dwell”, a solo exhibition, Union County Arts Council, Union, SC, “In the Mourning I Rise”, a solo exhibition, All Good Books, Columbia, SC, “Coffeehouse”, a group exhibition, Vista Lights, Columbia, SC, and “dwell.”, a solo exhibition, McMaster Gallery, Columbia, SC. Kelley has been featured in radio interviews, publications, and has served as a panelist for the SC State Museum’s Annual Artist Homecoming. Kelley has also served as Artist in Residence at Stormwater Studios in Columbia, SC. Upcoming events in 2025 include a magazine feature, an exhibition, Koger Center, Columbia, SC, and a solo exhibition, Lander University, Greenwood, SC.
Artist Statement
As an only child and following a decade of the losses of my parents and my grandparents I was left feeling orphaned and homeless. With many questions, much to process, and immense overwhelm I turned to my studio as a space of refuge. Within my studio I began to heal. My work became the visual vocabulary of my journey through grief.
Printmaking is primary within my practice. I enjoy woodcut relief, linoleum relief, and collagraph printmaking. When carving a matrix, such as wood or linoleum, it forces me to be mindful and present. Carving is a meditative process. Unlike grief, when carving, I am in control of what gets removed and what stays. The print is the result of the information that remains which is relative to learning to live with grief. In collagraph printmaking, I collect household materials such as butter boxes, food containers, dryer lent boxes, and wine boxes to use as the collagraph plates. This collection of repurposed materials explores the relationship between domesticity and grief. As my collected materials began to grow larger it was an indication that my daily life was becoming more active, and I was further into my journey of healing.
Mixed Media Collage and painting are both a playful distraction from the meditative work of printmaking. I often work simultaneously on pieces in my studio, bouncing back and forth between pieces and processes. I enjoy the fusion of inherited family ephemera within my work. I use items such as pages from inherited Baptist hymnals, piano music, collected documents, fabrics, buttons, and clothing. I have pulped my mother’s clothing to make handmade paper. I have made paper clay with my parents’ collected documents. This, to me, feels like a collaboration between the present and the past and is a self-guided lesson in learning to let go