One thing I always hope to do as a reviewer is to help boost ticket sales for local productions. Community theatres rely on us to keep their mission of bringing quality theatre alive. In this case, though, it is a true “snooze, you lose” situation—A Seussified Christmas Carol by Peter Bloedel sold out before opening night. It’s a shame Chapin Theatre isn’t extending the run for one more weekend, because this delightful production deserves to be seen by even more people. Drawing from the genius of two of my favorite authors—Charles Dickens and Dr. Seuss—this show blends the best of both worlds to retell the story of Ebenezer Scrooge and his transformation, complete with Marley’s ghost and the ghosts of Christmas Past, Present, and Future.
Before I go on, here’s a tip: jump on Chapin’s 2026 fall membership deal! It’ll save you some money and guarantee your seat for next season. You can find all the details at chapintheatre.org.
A Seussified Christmas Carol follows Scrooge—the meanest, stingiest man in town—as he discovers his heart and soul through encounters with the spirits. He’s forced to face his selfish ways and ultimately embraces love, family, and the true spirit of Christmas. All of this is told through the wacky rhyming couplets of Dr. Seuss, making for a charming and whimsical experience. A stage full of young actors, mixed with seasoned performers of all ages, worked together wonderfully to bring this magical story to life. I smiled from start to finish.
Directed by Bonnie Hill Lyon, the large cast is expertly anchored by Gerald McWilliams as Scrooge, whose facial expressions and comic timing fit this miserly character perfectly. And yes—it’s “The Scrooge,” as he was once a rock star in his youth! Narrators 1 and 2 (think Thing 1 and Thing 2), played by Leah Gilbert and Emma Lyon, brought terrific energy and agility to their roles, guiding us through the story. Lonnie Owen—who must be nearly seven feet tall—was a fantastic contrast as Scrooge’s determined nephew, Beadheaded Fred. His booming presence and the chorus of children mimicking his laugh made him a standout Seuss-inspired character. Other notable performances include Scott Anderson as poor, anxious Bob Crachett, father of Timmy Lou Hoo, and Abby Mathias, who showed wonderful comedic range as both the Ghost of Christmas Past and Mrs. Cratchet.
The minimal cubic set and props by Sandy Steffan, along with costumes designed by Abby Mathias, were a perfect fit for this playful production. Chapin also made excellent use of their projection system thanks to the smart design work of Chris Harre. Choreographer Meredith Boehme kept the large cast moving smoothly and magically through the intimate space.
This talented ensemble also includes Luke Anderson, Christian Banks, Meredith Boehme, Rilyn Boehme, Gigi Cunningham, Lauren Dawkins, Nathan Dawson, Perry Dawson, Caroline Futch, Leah Gilbert, Lindsey Kelso, Nicole Kingsley, Len Lesslie, Gabriel Lyon, Faith Magann, Garrett Martin, Leo Owings, Audrey Roberts, Charleston Stalker, and Beaux Tyler.
Chapin Theatre’s 2026 season will feature:
How to Supervise Women by Lou Clyde — Feb. 6–22
Nana’s Naughty Knickers by Katherine DiSavino — May 14–31
Mary Poppins by Julian Fellowes — July 16–26 (Harbison Theatre)
Holmes and Watson by Jerry Hatcher— Sept. 25–Oct. 11
Holiday Show — Dec. 3–13
For memberships or individual tickets, visit chapintheatre.org.