Announcing the Winner of the Inaugural Lizelia Augusta Jenkins Moorer BIPOC Chapbook Prize - Maria S. Picone

Maria S. Picone (photo courtesy of the artist)

It is with great joy that the Jasper Project announces that the winner of the inaugural Lizelia Augusta Jenkins Moorer Poetry Chapbook Prize is Maria S. Picone of Myrtle Beach, SC for her chapbook entitled, Sky Sea Edict.

Maria S. Picone/수영 is a Korean American adoptee who won Cream City Review’s 2020 Summer Poetry Prize. She has been published in Tahoma Literary Review, The Seventh Wave, Fractured Lit and Best Small Fictions 2021. Her work has been supported by Lighthouse Writers, GrubStreet, Kenyon Review, and Tin House. She is a 2022 Palm Beach Poetry Festival Kundiman Fellow and Chestnut Review and The Petigru Review's managing editor. 

Lizelia Augusta Jenkins Moorer (1868-1936) was a teacher and social activist in Orangeburg, SC. Born in Pickens, SC, she taught at the Normal and Grammar Schools at Claflin College for 40 years. Her published anthology of poems Prejudice Unveiled, and Other Poems (1907) examined the Jim Crow South’s propensity for lynching, racism, and social injustice. Moorer was also an advocate for women’s suffrage in South Carolina, especially in the Methodist Church. 

The purpose of the Lizelia August Jenkins Moorer Prize, affectionately called the Lizelia Prize, is to offer a BIPOC poet from SC a publishing contract with Muddy Ford Press to publish their debut chapbook under the guidance of an established poet. The inspiration of Dr. Len Lawson, who is a member of the Jasper Project board of directors and the author, editor, or co-editor of four books of poetry, Lawson will also serve as editor of Picone’s chapbook and will collaborate with them on the construction of the book. Picone will receive publication via Muddy Ford Press, a cash prize, and ten author copies of the book.

This year’s judge of the more than 10 submissions was Raena Shirali. Shirali is a poet, editor, and educator from Charleston, SC. Her first book, GILT (YesYes Books, 2017), won the 2018 Milt Kessler Poetry Book Award, and her forthcoming collection, summonings, won the 2021 Black Lawrence Press Hudson Prize. Winner of a Pushcart Prize & a former Philip Roth Resident at Bucknell University, Shirali is also the recipient of prizes and honors from VIDA, Gulf Coast, Boston Review, & Cosmonauts Avenue. She holds an MFA in Poetry from The Ohio State University and is an Assistant Professor of English at Holy Family University, where she serves as Faculty Advisor for Folio—a literary magazine dedicated to publishing works by undergraduate students at the national level. Her work has appeared in American Poetry Review, Academy of American Poets’ Poem-A Day, The Nation, The Rumpus, & elsewhere.

About Picone’s work, Shirai writes, “What does it mean to belong—to a country, to a culture, to oneself? Maria S. Picone’s work is defined by these questions, and her work joins a storied lineage of Asian American authors who have wondered the same. Dense, insistent, and endlessly rewarding, Sky Sea Edict studies loss through identity and identity through loss in poems overflowing with language and yet marked by their empty spaces. These poems defiantly experiment, crossing text out, attempting language by repeating, iterating, attempting, scrapping it all and trying, again, to learn a mother tongue. Sky Sea Edict is a glorious declaration of oppositional existence, a vibrantly musical exploration that—as Picone herself writes—“weigh[s] these lucks against the lacks.”

Lawson is also delighted with the outcome of the inaugural poetry competition, saying, “Maria S. Picone translates her experience as a Korean adoptee in the South into the language of poetry, filling in any gaps with compelling verse, connecting her timeline with her original and adopted tongues. She braves the unknown in her life with these courageous words, offering a free-spirited narrative we must observe from all angles of both sky and sea. Picone has a voice to remember going forward.”

Lawsone continues, “The legacy of South Carolina poets of color became the impetus of this project with the example of Lizelia Augusta Jenkins Moorer at the forefront. Her poetry and service to South Carolina presents a beacon for any artists of color seeking to make a permanent mark in their communities. My hope is for this project to endure as more gifted voices emerge from our state.”

For more information about Maria S. Picone please visit her website.

Announcing a new Jasper Project Endeavor -- the Lizelia August Jenkins Moorer Poetry Chapbook Prize for SC BIPOC Poets

In honor of the 20th century poet, Lizelia Augusta Jenkins Moorer, the Jasper Project is delighted to announce a new project, the Lizelia Augusta Jenkins Moorer Poetry Chapbook Prize for SC BIPOC poets.

Lizelia Augusta Jenkins Moorer (1868-1936) was a teacher and social activist in Orangeburg, SC. Born in Pickens, SC, she taught at the Normal and Grammar Schools at Claflin College for 40 years. Her published anthology of poems Prejudice Unveiled and Other Poems (1907) examined the Jim Crow South’s propensity for lynching, racism, and social injustice. Moorer was also an advocate for women’s suffrage in South Carolina, especially in the Methodist Church. 

The purpose of the Lizelia August Jenkins Moorer Prize, affectionately called the Lizelia Prize, is to offer a first-time BIPOC poet from SC a publishing contract with Muddy Ford Press to publish their debut chapbook under the guidance of an established poet. The vision of Dr. Len Lawson, who is a member of the Jasper Project board of directors and the author, editor, or co-editor of four books of poetry, Lawson will also serve as project manager as well as editor of the winner’s chapbook and will collaborate with the winner on the construction of the book.

SC BIPOC poets who have yet to publish a book of poetry are invited to submit 30-40 single spaced numbered pages in Times New Roman 12pt and include a cover sheet with your name and manuscript title. Your name should not appear on the manuscript. The winning submission will receive publication via Muddy Ford Press, a cash prize of $250, and ten author copies of the book. Submissions should be in the form of a Word doc and should be sent to lizeliapoetry@gmail.com no later than February 28th, 2022.

JIM CROW CARS.

by Lizelia Augusta Jenkins Moorer

If within the cruel Southland you have chanced to take a ride,

You the Jim Crow cars have noticed, how they crush a Negro's pride,

How he pays a first class passage and a second class receives,

Gets the worst accommodations ev'ry friend of truth believes.

'Tis the rule that all conductors, in the service of the train,

Practice gross discriminations on the Negro—such is plain—

If a drunkard is a white man, at his mercy Negroes are,

Legalized humiliation is the Negro Jim Crow car.

'Tis a license given white men, they may go just where they please,

In the white man's car or Negro's will they move with perfect ease,

If complaint is made by Negroes the conductor will go out

Till the whites are through carousing, then he shows himself about.

 

They will often raise a riot, butcher up the Negroes there,

Unmolested will they quarrel, use their pistols,rant and swear,

They will smoke among the ladies though offensive the cigar;

'Tis the place to drink their whiskey, in the Negro Jim Crow car.

If a Negro shows resistance to his treatment by a tough,

At some station he's arrested for the same, though not enough,

He is thrashed or lynched or tortured as will please the demon's rage,

Mobbed, of course, by "unknown parties," thus is closed the darkened page.

If a lunatic is carried, white or black, it is the same,

Or a criminal is taken to the prison-house in shame,

In the Negro car he's ushered with the sheriff at his side,

Out of deference for white men in their car he scorns to ride.

 

We despise a Negro's manhood, says the Southland, and expect,

All supremacy for white men—black men's rights we'll not protect,

This the Negro bears with patience for the nation bows to might,

Wrong has borne aloft its colors disregarding what is right.

This is called a Christian nation, but we fail to understand,

How the teachings of the Bible can with such a system band;

Purest love that knows no evil can alone the story tell,

How to banish such abuses, how to treat a neighbor well.

Raena Shirali will be serving as the adjudicator for the Lizelia Prize.

Raena Shirali is a poet, editor, and educator from Charleston, South Carolina. Her first book, GILT (YesYes Books, 2017), won the 2018 Milt Kessler Poetry Book Award, and her forthcoming collection, summonings, won the 2021 Black Lawrence Press Hudson Prize. Winner of a Pushcart Prize & a former Philip Roth Resident at Bucknell University, Shirali is also the recipient of prizes and honors from VIDA, Gulf Coast, Boston Review, & Cosmonauts Avenue. She holds an MFA in Poetry from The Ohio State University Shirali and is an Assistant Professor of English at Holy Family University, where she serves as Faculty Advisor for Folio—a literary magazine dedicated to publishing works by undergraduate students at the national level. Her work has appeared in American Poetry Review, Academy of American Poets’ Poem-A Day, The Nation, The Rumpus, & elsewhere.

Welcome New JASPER PROJECT Board Members - PREACH JACOBS & LEN LAWSON!

We are delighted to welcome two new members to the Jasper Project Board of Directors!

Preach.jpg

Preach Jacobs is a hip-hop artist, writer, SC Press Association Award Winner, and Cola-Con founder, the nation's only hip-hop/comic convention. His music has been featured on NPR and Okayplayer. He has a podcast, 'The Negro League' on his Mo' Betta Soul network that includes event programming in the southeast. His latest column is currently in the Columbia weekly Free-Times titled "Fight the Power," speaking about hip-hop, politics, and social awareness.

Len Lawson is the author of Chime (Get Fresh Books, 2019) and the chapbook Before the Night Wakes You (Finishing Line Press, 2017). He is also co-editor of Hand in Hand: Poets Respond to Race (Muddy Ford Press, 2017) and The Future of Black: Afrofuturism and Black Comics Poetry (Blair Press, 2021). Among his accolades, he won the 2016 Jasper Artist of the Year Award in Literary Arts, the 2018 NC Poetry Society Susan Laughter Meyers Fellowship in Poetry, and the 2020 SC Academy of Authors Carrie McCrary Nickens Fellowship in Poetry. He has received fellowships from Tin House Summer Workshop, Palm Beach Poetry Festival, Callaloo, Vermont Studio Center, and Virginia Center for the Creative Arts, among others. In 2021, Len will complete a PhD in English Literature and Criticism from Indiana University of Pennsylvania and will begin as Assistant Professor of English at Newberry College. 

While we welcome Len and Preach we sadly say goodbye to Raia Hirsch who served us as our attorney on board for two years. Thank you Raia for all your hard work and devotion.

Review: Trustus Theatre Presents Marcus, or the Secret of Sweet -- a Play for our Times

Marcus or The Secret of Sweet is the third installment of The Brother/Sister Plays by noted playwright Tarell Alvin McCraney whose work inspired the now Golden Globe-winning and Oscar-nominated film Moonlight. Marcus is a coming-of-age story for the title character Marcus Eshu who is haunted by dreams and memories of his father Elegba that lead Marcus on a path to discovering his secret of sweetness, or key to his sexuality.

 

The play begins with two powerful images. The first occurs when Marcus’ dreams are dramatized by the full cast and narrated by cast member Chris Jackson while he is showered upon symbolizing a storm soon to come either within Marcus or the impending Hurricane Katrina to his town in Louisiana. The second occurs at the dynamic funeral procession for Marcus’ father where the cast marches around the theatre singing a Negro spiritual to honor Elegba’s death.

 

The play takes risks as the characters themselves verbalize their own asides, stage instructions and emotions, to the audience. At times in the play, this is helpful and even humorous, and at other times, it can appear condescending. The play also narrates the history of homophobia within the African American community all the way back to slavery, purporting that homosexuality would have been unprofitable for plantation owners, thereby eventually unaccepted and discouraged by black people. There is, finally, the running motif of Marcus’ sexuality perhaps being inherited from his father, embracing the theory of the so-called gay gene.

 

Marcus’ mother played by Celeste Moore declares in the play, “Ain’t nothing sweet about having a soft son.” The word sweet is a colloquialism used in the town for gay. Marcus labors intensely to unearth his father’s sweetness leading him to long for the affection of his uncle played by Jabar Hankins. Marcus’ dreams intensify the closer he gets to this secret that somehow everyone knows but him.

 

The cast complements each other well. Katrina Blanding nails her performance as Aunt Elegua with the candor and humor of Tyler Perry’s Madea character. John Floyd as Marcus Eshu is believable and engaging.

 

Marcus or The Secret of Sweet at Trustus is an education in drama and black culture. The play teaches the process of weathering the storms of internal and external conflict within the paradigms of family and community. 

-- Len Lawson

Len Lawson is the co-editor of the poetry anthology, Hand in Hand: Poets Respond to Race, releasing on February 19th from Muddy Ford Press. https://www.facebook.com/events/398977450447357/