BUY THE BOOK - Peter Lenzo: In Memory of his Memory (Pre-Orders are Open Now!)

By nurturing engagement between different arts disciplines we hope to not only grow the fan and patron base for all arts, but also to inspire artists from different walks to collaborate and/or adopt the methodology of another artistic endeavor.

At the Jasper Project, we try to engage as many arts disciplines as possible via our various projects. The theory behind this priority is that artists and their patrons too often find themselves in disciplinary silos, constructed and populated by the practitioners of those disciplines. In other words, music fans may not a miss a local concert but they do miss gallery openings, book launches, or dance performances that aren’t on their radar. Similarly, indie film aficionados may be hooked into the film scene but not necessarily aware of live music performances, theatre opportunities, or poetry readings that might scratch a different kind of artistic itch. By nurturing engagement between different arts disciplines we hope to not only grow the fan and patron base for all arts, but also to inspire artists from different walks to collaborate and/or adopt the methodology of another artistic endeavor.

For our upcoming project, PETER LENZO: A RETROSPECTIVE AND REMEMBRANCE, opening Friday April 3rd at 6 pm (5 pm for Jasper Guild members) at Stormwater Studios, we are including both a newly published art book and a newly created short film by Columbia, SC filmmaker, Wade Sellers, in the hopes of appealing to both book and film lovers.

The book, Peter Lenzo: In Memory of his Memory is now available for pre-order and may be picked up at the exhibition. The 120+ page full color book contains more than 50 images of Lenzo’s work as well as essays by the SC State Museum’s Paul Matheny and the late Wim Roefs. The book is $45 until April 1, 2026 after which the price will rise to $50.

The film, also titled Peter Lenzo: In Memory of his Memory, will screen at Stormwater Studios on Friday April 10th at 7 pm.

We look forward to seeing you at these events and throughout the weeks of this exhibition during Stormwater Studios regularly scheduled hours.

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The Jasper Project Presents PETER LENZO: A RETROSPECTIVE AND REMEMBRANCE

STORMWATER STUDIOS

OPENING RECEPTION APRIL 3 — 6 - 9 PM

Jasper Guild Members are Invited to Join Us at 5 pm for Early Entrance

The Jasper Project is honored to present PETER LENZO: A RETROSPECTIVE AND REMEMBRANCE at Stormwater Studios, April 3 – 12, 2026. In addition to exhibiting more than 30 rarely shown facejugs and reliquaries created by the late Peter Lenzo, the project also features the launch of a new commemorative publication entitled PETER LENZO: IN MEMORY OF HIS MEMORY and the premiere screening of an accompanying film by Columbia, SC filmmaker, Wade Sellers. 

The Jasper Project worked closely with Lenzo’s daughter, Roxy Lenzo Douthit, to curate this exhibition, which includes ceramic pieces from the last few decades of her father’s life, as well as intimate family reliquaries in which the artist preserved and annotated treasured artifacts and keepsakes going back to the artist’s family of origin. For Lenzo, his facejugs were a homage both to traditional Southern pottery practices and to the friends and family who inspired the work he so lovingly created. Lenzo, who suffered a head injury early in life that resulted in seizures, epilepsy, and ultimately dementia, used his art as a way of channeling his despair as well as his elation.  

The photographs of Lenzo’s face jugs and reliquaries reproduced in the new publication, PETER LENZO: IN MEMORY OF HIS MEMORY, many of which on the reverse side also bear the artist’s notated perceptions of the work itself, have been intimately annotated by his daughter. Lenzo Douthit also wrote an enlightening introduction and acknowledgments for this book which contains a foreword by the SC State Museum’s Paul Matheny and an essay by the late Wim Roefs. Peter Lenzo: In Memory of his Memory was published in April 2026 by the Jasper Project, which has an imprint via Muddy Ford Press, and is available for pre-order here.

PETER LENZO: A RETROSPECTIVE AND REMEMBRANCE opens at Stormwater Studios (413 Pendleton Street, Columbia, SC) on Friday April 3rd with an opening reception from 6 – 8:30 (early admission for Jasper Project Guild members at 5 pm).  

The film, In Memory of his Memory, will be screened on Friday, April 10th at 7 pm.  

Both events are free and open to the public. For more information, feel free to contact the above individuals or consult The Jasper Project or Stormwater Studios. 

About the Jasper Project – The Jasper Project is a project-oriented, multidisciplinary arts facilitator serving the greater Columbia and South Carolina communities by providing collaborative arts engineering and community-wide arts communication. The Jasper Project is committed to four integrated priorities: Process – illuminating the unique processes endemic to all art forms in order to provide a greater level of understanding and respect for that discipline; Community/Collaboration – nurturing community both within and between arts disciplines; Narrative – creating a more positive and progressive understanding of SC culture; and Economy – being efficient stewards of arts funding committed to creating more with less. For more information or to support the Jasper Project please visit JasperProject.org.

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Meet Jasper! Today featuring Roxy Lenzo Douthit- New to the Jasper Project's Board of Directors

MEET JASPER!

ROXY LENZO DOUTHIT

The Jasper Project is dependent upon its hard working board of directors to make our world go ‘round. In addition to sharing a wealth of information from their own experiences, the Jasper Project board is, what is called in the world of non-profits, a “working board.” Emphasis on the word WORK.

You’ll see our board members delivering Jasper Magazines, greeting and ringing up art sales at any of our gallery spaces, hauling bags of ice, cases of wine, and trays of food at our receptions and events, as well as planning, setting up for, and cleaning up after those events. Our board of volunteers also plan and program those events. They schedule art exhibitions, review plays, install art, make labels, read plays, screen films, program concerts, write checks, balance the budget, communicate with their unique contacts, and so much more.

Every board member is attached to at least one of Jasper’s primary projects (the magazine, galleries, Play Right Project, 2nd Act Film Project, or any of our one-off projects like the Degenerate Arts Project we just finished up or our upcoming Peter Lenzo retrospective and remembrance that will be opening at Stormwater Studios on April 3rd.)

New board members are officially elected into their seats at our annual board retreat in January, though when potential new board members come along throughout the year, we invite them “to date” Jasper until the next retreat. This gives the potential director time to learn how Jasper works and decide whether they can see themselves as part of our motley crew. And the reciprocal works for Jasper.

In January 2026, Jasper voted in 7 new directors to join our already existing board of 14 sitting members. Over the next few weeks we will be introducing these amazing people to you via Jasper Online. We invite you to check back here daily to MEET JASPER, and we will introduce you to the hard-working and talented individuals who make up the Jasper Project Board of Directors.

Roxy Lenzo Douthit is a Detroit native who spent her childhood going back and forth between Detroit and Columbia. Raised by artists, she rebelled by becoming a scientist and working for the man. She has her Bachelors and Masters in Environmental Science from USC and currently works as a consultant in Products and Technology. Despite the corporate day job, Roxy finds time to create art and get involved in the Columbia arts and activism scenes. Previously known for resurrecting a feminist southern magazine and making dresses out of trash (She won Columbia Design League's Bruce Bahr Award at Runaway Runway in 2013 for a dress made out of phone books), Roxy now spends her time showing her two young daughters as much art and adventure as possible. She's excited to help foster, promote, and expose even more art and adventure as a member of the Jasper Board.

Roxy sits in the Jasper Project’s Project & Planning Committee and she is the chair of our Membership & Development Committee. She is also heading up the next one-off Jasper project coming up April 3, 2026 at Stormwater Studios - PETER LENZO: A RETROSPECTIVE AND REMEMBRANCE.

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South Carolina Potter Levi Wright Brings Life, Art, and Storytelling to Cayce

“It’s special being able to show that pride in a non-selfish way that says, ‘I'm proud of these people—this is our art that we make in South Carolina.’” – Levi Wright

Levi Wright

Levi Wright, 32, is a South Carolina native and longtime art lover and maker, who, in the past several years, he has used his passion to breathe new life to Cayce’s art scene with gallery State of the Art. 

Before this though, Wright grew up moving between Lexington and Cayce, where his parents owned an adult daycare center. His first prominent experience with art happened in school when he made a sculpture based on a Native American tradition for an art class.  

“One Native American tribe had a tradition that when a great chief would die, they would have a sculpture made of his face, and they would put the ashes in there and throw it off the cliff,” Wright tells, “And that was their final goodbye.”  

This uniquely inspired piece was entered into the State Fair. Wright reveled in this praise, recalling that, not being particularly outstanding at school, this was one of the first times he received praise and felt accomplished in work he cared for—and he stuck with it. 

If you look around Wright’s work now, you’ll be setting yourself up for a lot of staring back—that’s because Wright’s work mostly involves sculpting faces, which started in his art class but blossomed when he encountered Peter Lenzo—prominent Columbia sculptor—while taking classes at Southern Pottery.  

“I would see him during my lessons, and the whole time I was thinking, ‘That's what I want to do,’” Wright recalls, “We ended up doing a private session, and it grew into an apprenticeship and then a friendship.”  

Their friendship continued, and a wall at Wright’s house is intermixed with pieces he made and pieces Lenzo made for him, a space that Wright refers to as a “reflection of himself.” Lenzo’s care pushed Wright to become a better artist and pursue different elements of pottery. 

“I really didn't know how to throw because I was just throwing a form big enough for me to put a face in it,” Wright remembers, “You need to learn your fundamentals better before you can grow as an artist.” 

Lenzo’s encouragement resulted in Wright going on to study pottery at the Piedmont Technical College in Edgefield where he received two certificates. While there, he also began teaching classes, something he quickly fell in love with. 

“When I see that smile a person who wanted to throw a plate gets upon successfully throwing a plate, it’s instant satisfaction,” he intimates, “I mean, who doesn't want to be a person to celebrate when people accomplish a goal? If you don't celebrate the small things in life, then life's going to be a big disappointment.”

Wright with Peter Lenzo-inspired art

Now, Wright offers classes at his very own gallery, one that came to be in 2019 after years of planning. As Wright dwelled in Cayce, he felt one thing was missing: bright, local art. Then, a friend—potter John Sharpe—approached Wright and Valery Smith—a local artist whose vision aligned with his—with the idea of opening a gallery. Together, Wright and Smith opened State of the Art.  

Soon after the birth of her first child, Smith left the gallery, and Wright has continued their initial trajectory. The gallery proudly shows only South Carolina artists and hosts around 20-25 artists at any given time, takes part in city events, has monthly featured artists, and offers pottery classes.  

“That's one thing I take pride in, in having a gallery that only carries South Carolina artists because I've always grown up a little bit of just a proud South Carolina boy,” Wright effuses, “It’s special being able to show that pride in a non-selfish way that says, ‘I'm proud of these people—this is our art that we make in South Carolina.’” 

When it comes to selecting work, Wright shows artists that he loves and brings in his family to add an external opinion and aid in selecting pieces he may not have picked on his own. Some artists are reached out to directly, and some walk right in the front door. 

“I've tried to ensure this isn’t a gallery where you go in and even though there are different artists, it all has an identical vibe or feel,” he shares, “I love the fact that you come in here and there is such different stuff.” 

As mentioned previously, Wright shares this love in part through offering community pottery classes at the gallery—one-on-one lessons, several-week courses, and group parties. His classes are for throwing, but another artist can be called in for people who request sculpting classes, and Wright hopes to include painting soon as well.  

Currently Wright is re-vamping the gallery’s website to make scheduling classes easier, but people can still book online or call Wright directly. As he says, “you should never be too old or too smart to learn.” 

If you want to support State of the Art, go by the gallery, share their posts social media, and spread some word-of-mouth love. Their next event will be the opening reception for July artist of the month, Will Pittman, on Thursday, July 8th from 3 – 6:30pm. 

If you want to support Wright and his work, of course support the gallery, take one of his classes, and maybe take one of his heads home too.

—Christina Xan

Opening at if ART: PETER LENZO & JOE SCOTCHIE–LENZO

The breakthrough for the ceramic sculptures for which Columbia artist Peter Lenzo now is known nationally came in 2000 from his then four-year-old son Joe. Lenzo was making face jugs steeped in Southern tradition when his son asked whether he could stick all kinds of stuff into Lenzo’s ceramic heads. He could and in the process set his father on a course that would result in highly embellished, at times frightening ceramic figures and faces adorned with found and created objects sticking in and out of bodies and faces that are at times unrecognizable as the face jugs from which they originate. The adornments range from ceramic shards to found or purchased porcelains dolls, animals, pipe heads, trains, shoes, roosters or Virgin Mary statues and snakes, leaves, sticks and other things that Lenzo makes himself. For its June exhibition, if ART Gallery will show 22 ceramic sculptures that Lenzo and his son, the now 19-year-old Joe Scotchie-Lenzo, created together in 2000–2002. The exhibition, Peter Lenzo & Joe Scotchie-Lenzo: Origins 2000–2002, will open June 5 and run through June 27. The opening reception is Friday, June 5, 6 – 9 p.m. A gallery talk by Lenzo and Scotchie–Lenzo will be Saturday, June 20, 2:00 p.m. The exhibition will be accompanied by a catalogue.

“I made my dad famous,” Scotchie-Lenzo used to say about his dad.

“He started saying that right away,” Lenzo says. In truth, Lenzo already had a considerable reputation with other kinds of work – cabinet-like altarpieces filled with found objects and personal mementos. But in the late-1990s, Lenzo no longer could make such pieces as brain damage from a bicycle accident in his youth had caught up with him, and he increasingly suffered from seizures. Working with a table saw and other power tools to create the altars was an accident waiting to happen. As a result, Lenzo had switched to clay exclusively, making Southern-style face jugs. While Lenzo loved making traditional face jugs, he also worried about abandoning the fine art world from which he came. The new work inspired by his four-year-old bridged the gap. “Working with Joe gave me a direction to go in when I didn’t know where to go. I wouldn’t say Joe made me famous, but he made me sane.” Peter Lenzo (b. 1955) is a widely recognized ceramic sculptor with a national profile. The New York City native, who grew up in Detroit, was selected for the 1995 and 1998 South Carolina Triennial exhibitions at the South Carolina State Museum in Columbia; the 2011 exhibition Triennial Revisited and the 701 CCA South Carolina Biennial 2011 and 2013, all at 701 Center for Contemporary Art in Columbia; and Thresholds, a 2003 exhibition of Southeastern art dealing with religion and spirituality that traveled extensively throughout the Southeast. Lenzo’s work is in several museum collections, including at the South Carolina State Museum, the Mint Museum in Charlotte, N.C., and the Renwick Gallery at the Smithsonian Museum in Washington, D.C. His solo exhibitions include those at the Spartanburg (S.C.) Museum of Art, the European Ceramic Work Center in Den Bosch, The Netherlands, Great American Gallery in Atlanta and Ferrin Contemporary gallery in Massachusetts.

Lenzo and his work have been featured in numerous books, exhibition catalogues and articles about ceramic sculpture and Southern art. They include the Threshold catalogue, 500 Figures In Clay (2005), Robert Hunter’s Ceramics in America (2006) and Poetic Expressions of Mortality: Figurative Ceramics From the Porter–Price Collection (2006). He holds an MFA from Wayne State University in Detroit and used to teach at the University of South Carolina, Columbia. Joe Scotchie-Lenzo (b. 1996) has been making and selling ceramic sculptures off and on since he was four years old, although he hasn’t produced any in three years. One co-production with his dad is in the collection of the Smithsonian’s Renwick Gallery. One of his individual works is in the South Carolina State Museum collection. Scotchie-Lenzo is a native and resident of Columbia, where he is a business major with an interest in retail and clothing at the University of South Carolina.

June 5 – 27, 2015

Artist’s Reception: Friday, June 5, 6:00 – 9:00 p.m. Gallery Talk: Saturday, June 20, 2:00 pm

Gallery Hours: Weekdays, 11 a.m. – 7 p.m.; Saturdays, 11 a.m. – 5 p.m.; & by appointment

For more information, contact Wim Roefs at if ART: (803) 238-2351 – wroefs@sc.rr.com

if ART Gallery, 1223 Lincoln St., Columbia, SC 29201