One of the activities artists and arts patrons report missing the most during the pandemic that we seem to be in the middle of, rather than at the end, is the opportunity to simply hear what’s up with our fellow artists. What are you working on? How’s that project coming along? Let me use you as a sounding board.
So, early on, Jasper began just checking in with various artists and arts admins to try to do our part to keep those important conversations flowing. We call this series Corona Times.
Today, Jasper film editor and Jasper Project board of directors president, Wade Sellers, caught up with artist Robbie Roberson to touch base with him about his 2018 film, Whistler’s Mother, which still seems to have legs two years later. Here’s their conversation.
JASPER: For those who aren't familiar, give us a quick recap of how the film, Whistler's Mother, came to life and what the film is about.
ROBERTSON: Whistler’s Mother was my first film as writer/director and it was funded by the SC Indie Grants program, an incredible funding opportunity from the SC Film Office. It’s a short film that gives a fictional backstory to the woman in the famous painting by James McNeill Whistler or, as I call it, a dark fable origin story. I wanted it to have the feel of a fairy tale while also paying homage to some of my horror inspirations like the original Dark Shadows TV show and Hammer Studio horror films from the ‘60s- ‘70s.
JASPER: What were your initial expectations and goals for the film?
ROBERTSON: My initial expectation was to simply get it made! As a first-time filmmaker, there were so many things to deal with on set on that I never anticipated, so it was an arduous but thrilling “trial by fire” experience. I felt we were making a good film, but you just never know until it’s all over. But once I saw the first cut (by my editor Tyler Matthews), I had the most thrilling level of satisfaction of any creative project I had ever worked on. I got weepy watching it and it’s not a weepy story! Because of my awesome cast and crew, we created something really magical and so I was then very anxious to get other people to watch it. After some educational previews, I continued to work on the film in post-production until it matched the original vision I always had in my head. From that point on, my only expectation was for people to see it on a big screen.
JASPER: It is a short film and short films typically have a short shelf life. Whistler's Mother has been riding a continued wave for a while now. Give us an overview of where the film has been seen and where it is screening now.
ROBERTSON: I feel so fortunate that I was able to get the film in some really great film festivals such as the Crimson Screen Horror Film Festival, the Charlotte Film Festival, the Philip K. Dick Film Festival in NYC and Screamfest LA where it screened at the former Grauman’s Chinese Theater in Hollywood. It even screened in Moscow.
With most film festivals having been canceled in 2020 due to the pandemic, I feel really fortunate to have experienced that festival ride. As the festival run was coming to an end, I had some inquiries about distribution but decided to put the film on Amazon where it’s available for rent or purchase.
The audience numbers have been pretty good on Amazon (both in the US and the UK) but I got a really big bounce when Rachel Belofsky, founder of Screamfest LA, asked if I was interested in putting Whistler on her Screamfest YouTube Channel. That was a real honor for me because Rachel is the queen of horror film festivals and Screamfest’s YouTube subscriber count is over 200 thousand people. Whistler’s Mother premiered on that channel in May and, in the last three months alone, it has been viewed nearly 120,000 times.
