ESSAY -- A Legacy of Greens: Cooking Memories with Birdie and Betty Jean, By Marcum Core

Special to Jasper Online

photo by Marcum Core

I can’t look at a bunch of greens without thinking about my grandmother, Birdie Shivers, and my aunt, Betty Jean Carlisle. Both were incredible cooks, the kind who could turn humble ingredients into meals that made you feel loved and full in every sense of the word. Spending time with them in the kitchen was a privilege—and a lesson in patience, humility, and flavor.

My grandmother, Birdie, was the queen of efficiency. She ruled her kitchen with precision, and if you weren’t actively helping, she wanted you out of the way. Watching her cook was like watching a master at work: her hands moved quickly, expertly rinsing, and seasoning greens with an ease that only comes from decades of experience. There was no measuring—just a pinch of this, a splash of that, and somehow, it always came out perfect. I had a dedicated spot in the breakfast nook that allowed me to see everything, soaking up her techniques like a sponge. My favorite was when she would mix turnip and mustard greens. Tender greens was the term she used for that combination.

I have always appreciated the regional and familial nuances in soul food cooking. Birdie, hailing from Detroit, MI by way of Sardis, MS was from the school of stem removal and would talk about people left “All dem stems” in their collard greens. Perhaps that’s why she enjoyed mixing mustards and turnips because the stems weren’t so robust and the whole leaf could be used. 

I always looked forward to being Aunt Betty Jean’s little helper in the kitchen. I was much younger when she looked after me, but old enough to help her shell peas and mix the cornbread batter. She’d hum a song while she was preparing the meal which typically (while I was in town visiting at least) included collards. The most rememberable thing about my Aunt Betty’s greens were how fine they were chopped. They were chopped before cooking and chopped even more after they were done cooking and not served with pot liquor versus my grandmother who left all of the liquid in the pot. Come to find the technique my Aunt Betty used is common in Eastern North Carolina, Goldsboro. I grew up eating their greens. Both are very different styles but with similarities. They both believed in removing the stems and cooking intentionally with love. 

The smell of simmering collard greens was like an embrace. It filled the house and signaled that something good was coming. By the time dinner was ready, the greens were tender and infused with a depth of flavor that only slow cooking can create. They were served alongside cornbread, black-eyed peas, and whatever else was on the menu, but for me, the greens were always the star.

Now, every time I make greens, I think of Birdie and Betty Jean. 

Their lessons weren’t just about cooking. They were about life: finding joy in the process, taking time to do things right, and sharing what you create with the people you love. Every pot of greens I make is a tribute to them, to their wisdom, and to the countless meals that brought our family together.

So, when I look at a bunch of greens, I see more than just a vegetable. I see my heritage, my family, and the women who showed me that food is love. And no matter how many times I make them, greens will always taste better when seasoned with their memories.

 

MIDIMarc, also known as MIDIMarcum, is a music producer and recording engineer from Hopkins, SC, with over 20 years of influence in South Carolina’s hip-hop scene. Renowned for his mastery of sampling, he has remixed albums by icons like Nas and Jay-Z, created tribute projects honoring Michael Jackson, The Notorious B.I.G., and Pimp C, and earned accolades such as Jasper Magazine’s 2018 Artist of the Year. A 5x Beat Battle Champion and creator of the instrumental series Prolific, he has collaborated with key South Carolina artists like Master Splnta and DJ Cannon Banyon, cementing his legacy as a pioneer and inspiration in the state’s hip-hop culture.

SC Writers Association 2024 STORYFEST Early Bird Registration Ends June15th

2024 STORYFEST EARLY BIRD PRICING ENDS JUNE 15

Early bird registration for SCWA’s 2024 Storyfest, set for Sept. 27 through 29 in Columbia, ends June 15.

Fees for the full three-day conference are $250 for members and $325 for nonmembers; those fees will increase by $30 on June 16, so register now and save! Student registration for the full conference is $140. A one-day ticket for Saturday-only sessions is available for $195. Masterclasses, manuscript critiques and query pitches are available for additional charges as add-ons to your registration.

Storyfest, SCWA’s biggest event of the year, will be held at The DoubleTree by Hilton in Columbia, with the added advantage of having the hotel and conference under one roof – and the rooms are less expensive this year, too!

In addition to amazing authors, editors, agents and screenwriters from outside of our state, some of South Carolina’s most prominent writers will be there to make this conference successful. We will have three pre-conference masterclasses and craft classes as well as the invaluable Queryfest, Slushfest, Speed Pitch Session and a “Publishing World Today” panel, which provides cutting-edge self-publishing assistance. Four keynote speakers will provide valuable insights, including information on artificial intelligence and how it will impact the writing world, and Storyfest has 20 other breakout and other presentations – something for every genre. A Saturday cocktail hour, open mic, exhibits, book signings and more also will be included.

We will highlight our keynote speakers and presenters in The Quill between now and September. We featured Lynn Cullen and Grady Hendrix in the May issue; see 2024 Storyfest Faculty bios on all of our fabulous speakers. Here are two more keynoters:

TIFFANY YATES MARTIN

Tiffany Yates Martin has spent nearly 30 years as an editor in the publishing industry, working with major publishers and New York Times, Washington Post, Wall Street Journal and USA Today bestselling and award-winning authors as well as indie and newer writers. She is the founder of FoxPrint Editorial and author of Intuitive Editing: A Creative and Practical Guide to Revising Your Writing. She is a regular contributor to writers' outlets like Writer's Digest, Jane Friedman and Writer Unboxed, and a frequent presenter and keynote speaker for writers' organizations around the country. Under her pen name, Phoebe Fox, she is the author of six novels. Visit her at www.foxprinteditorial.com.

She will offer a masterclass, “Mastering the Holy Trinity of Story: Character, Stakes and Plot;” deliver a keynote, “The Happy, Harsh Truths of a Writing Career;” and present breakout sessions. We are thrilled to have her for 2024 Storyfest.

ALAN ROTH

Alan Roth graduated from Fairleigh Dickinson University in New Jersey with degrees in history and English literature, then attended graduate school at Emerson College in Boston, where he received an MFA in creative writing. He is a member of the Academy of Motion Picture Arts and Sciences and serves as an adjunct professor of screenwriting at Fairleigh Dickinson’s School of the Arts. He is a winner of the coveted Nicholl Fellowship Academy Award for best original screenplay (Jersey City Story) and works with producers on developing projects for both film and TV.

He will present a keynote, “AI and Current Trends in Writing,” and a breakout session on “Book to Screen.” We are so pleased to have him as part of 2024 Storyfest.

REGISTER FOR 2024 STORYFEST

MORE ABOUT 2024 STORYFEST

The hotel room rate is $169 (plus tax & fees) for one king or two queen beds. For the SCWA discounted rate, reserve at the DoubleTree by Hilton Columbia; book by Aug. 29 for the discount.

RESERVE YOUR ROOM FOR STORYFEST

If you are not a member of SCWA, join now to enjoy the member rate for Storyfest as well as other SCWA benefits. Membership is $75 annually; go to Join Us.

For more information email administrator@myscwa.org

Announcing the Jasper Project's THE ART OF ONE BOOK 2024 CONTEST for Literary, Visual, and Musical Arts!

The Art of ONE BOOK 2024 – Cassie Premo Steele’s BEAVER GIRL!

Want to bring your own interpretation of 2024’s ONE BOOK  selection? The Jasper Project has an opportunity for YOU! Read Cassie Premo Steele’s Beaver Girl, then write a poem, paint a picture, or craft a piece of music with or without lyrics.

Entries

A panel of experts in the art of your entry will review submissions and choose winners in the following categories:

·         Poetry

·         Visual Art

·         Original Music

Winners will receive prizes, be featured in the Fall 2024 issue of Jasper Magazine, and be celebrated at the ONE BOOK 2024 Round-Up Party on Sunday, September 22nd at the One Columbia Co-op! DEADLINE JULY 1, 2024!

All submitted work must be original, family friendly, and capable of being performed or displayed in an outdoors setting. Both 2D and 3D work will be considered for the visual art competition.

Submission Instructions

Email your files to submissions@jasperproject.org. In the email please include your name, mailing address and phone number. Submissions are limited to 3 entries in each arts category.

Include the following attachments in your email:

·         Poetry – Word Document or PDF

·         Visual Art – Hi-res photos or scanned image of your work.

·         Music – MP3 or WAV (If files are under 150 mb you can attach them to the email). For larger files please send a Google drive, Dropbox or One Drive link. Youtube, Vimeo and Sound Cloud links are also fine.

Congratulations to the Accepted Contributors to Fall Lines - a literary convergence, volume X

On behalf of the Jasper Project, we’re delighted to announce that the following literary art was selected for inclusion in Fall Lines Volume X, releasing in spring 2024. These contributions were selected from several hundred poetry and prose submissions, and we couldn’t be happier to include them in this milestone tenth volume of Fall Lines – a literary convergence.

In early 2024 we will announce via the same website where and when we will hold our annual Fall Lines reading and awards ceremony, as well as the winners of the Saluda River Prize for Poetry, the Broad River Prize for Prose, and the Combahee River Prize in Poetry and Prose for a South Carolina Writer of Color.

Until then, congratulations and thank you for sharing your talents with the Jasper Project and allowing us to share them with the world.

Paul Toliver Brown – Digging to China

Allen Stevenson -- Shep’s Story

Bryan Gentry – Some People Never Change

Ruth Nicholson – The Red and Blue Box

Suzanne Kamata – Community Building

Evelyn Berry – Home Party

Randy Spencer – Next Day Now

Liz Newell – Red Hill Fans

Debra Daniel – Eve Purchases an Apple Watch

Shannon Ivey – As I Went Down to the River to Pray

Eric Morris – Straight Down Shadows

Lonetta Thompson – The Differences

Napoleon Wells – The Court of Thieves

Tshaka Campbell – Pews

Ann-Chadwell Humphries – Urban Eagle

Jacquelyn Markham – The persistence of limited memory  & Storage

Brian Slusher – *Improv 101 & What else for you darlin?  

Worthy Evans – *Blue Song for Bringing the Body Home & Blues Song for Never Having What I am Relative to Everybody Else

Rhy Robidoux –*Whereas

Nadine Ellsworth-Moran – *Nasturtium grows lush

Susan Craig – Migration & Treating our mother's last living friend

Heather Emerson – Divorce & Ceilings  

Joshua Dunn – Clearing House

Candice Kelsey – Chainsaws  & Renewable Energy

Terri McCord – Following a Blast

Randy Spencer – *Reading Ann’s Poem & In Passing

Debra Daniel – *Studies in Reproduction

Loli Munoz – Liminal

Frances Pearce – Strawberries

Ann Herlong-Bodman – One More

Jo Angela Edwins – A Neighbor Calls a Cool June Evening a Miracle

Kristine Hartvigsen – What I’ll pack for the apocalypse  & Inagaddadavida

Al Black –*Meditations on the Lawh-i-Aqdas & Midnight Call to Prayer

Tim Conroy – Journeys

Jessica Hylton – Space

Amanda Warren – Divination Road

Danielle Ann Verwers—How was your day

Libby Bernardin – Ode to the Santee Delta & Ramble of thought as I read an article in the New York Times

Ellen Blickman --The Mystery of Pomegranates

Allison Cooke – Whippoorwill Elegy

Julie Ann Cook --  Into blue

Bryan Gentry – Hail, Fuse

Kelley Lannigan – Aubade

Gilbert Allen -- T**** IS PRESIDENT

Jane Zenger – Choices

Anna Ialacci – Ruined

Nicholas Drake – The Space Beside Her  

Graham Duncan --  Exceptionalism

(* indicates finalists for the Saluda River Prize for Poetry)

Fall Lines - a literary convergence is made possible through a partnership between the Jasper Project, One Columbia for Arts and Culture, Richland Library, and the Friends of Richland Library.