Join Jasper for Vista Lights this Thursday - featuring Lisa Alberghini, Adam Corbett, Karen Sargent, Candace Catoe, Carla Damron, and Valerie Lamott

by Cindi Boiter

In my heart I’m just now switching over from sandals and sundresses to blue jeans and boot weather, but in my brain the calendar tells me that the holidays are sneaking up on us and I think I have to believe it. Unless we’re deep in the darkest timeline, which isn’t out of the question, numbers don’t lie. This Thursday is November 21st and that means Vista Lights is happening this week. Already.

Luckily, the Jasper Team has been at the planning table and we have an evening of local art and festivities planned for you when you join us on Thursday, November 21 at 6 pm at Coal Powered Filmworks at 1217 Lincoln Street in Columbia’s historic Vista. As usual, we’ll have a fun roster of local artists who will be sharing their wares – ornaments, jewelry, small art, surprises!

Among our featured artists are Lisa Alberghini, Adam Corbett, Karen Sargent, Candace Catoe, Carla Damron, and Valerie LaMott!

We’ll have some light snacks, friendly faces, and loads of good cheer as we pretend our political world is still on its axis and we take refuge in the reciprocated pretense of joy on all your smiling faces.

There may be booze.

Join us!

An Evening of Art – Opening Receptions for Exhibits by Janet Swigler and Christina Clark at the Koger Center

By Emily Moffitt, Visual Arts Editor, Jasper Magazine

Join us on Friday, November 22, from 5:30 – 7 p.m. for two art receptions at the Koger Center for the Arts. In the Nook on the second floor of the Koger Center, Jasper Galleries welcomes Janet Swigler. On the ground floor of the Koger Center, walls will be adorned with the work of Christina Clark. Both artists work with abstract forms and subject matter, yet in different ways that engage the viewer.

Janet Swigler moved around the United States often at a young age due to her Air Force family upbringing, but this had a beneficial impact on her adaptability, independence, and resourcefulness. She spent several of her pre-teen years living in Japan, which offered cultural aesthetics and philosophies that continue to influence her art and life. This, along with her musical training and experience in music education, created a synergy of artistic disciplines and ideas that transferred easily to the work she creates. Sewing has been a lifelong interest of hers, and her quilt-making studies under Nancy Crow helped her to reach where she is today.

Christina Clark, originally from Austria, descended from a family of artists and musicians. To this day, she surrounds herself with the joyous energy of visual arts and music through her own personal artistic endeavors and her philanthropic service to the University of South Carolina School of Music. Clark carefully considers the viewer’s experience when she starts to put pastel to paper. Recently, Clark created a series of pieces that served as companions to the Parker Quartet’s Beethoven Quartet cycle. Clark embraces the conversation that music can have with her work and is honored to be able to keep that conversation going through her donations.

Both receptions are free and open to the public. They precede the sold-out performance of Koger Center and ColaJazz present: Live in the Lobby Jazz: The Music of Miles Davis. There’s a lot going on in the Vista that night, including a concert at Colonial Life Arena, so be mindful of parking and get to the receptions early!

Jasper's First Thursday at Sound Bites Features Jarid Lyfe Brown

By Cindi Boiter

The Jasper Project is excited to welcome visual artist Jarid Lyfe Brown to our gallery space at Sound Bites Eatery as part of our First Thursday celebration this Thursday, November 7th.

A profoundly original artist, Brown’s technique has typically leaned toward surrealistic expression often by anthropomorphizing animals and visually annotating his subjects on the same canvas.

Born in Atlanta and raised in Columbia, Brown has lived in Gilbert for the -last 17 years. A construction worker by day for the past 30 years, Brown attended SCAD but is, for the most part, self-taught. His work has recently shown at both Soul Haus and Havens Gallery.

“About two years ago, life seemed to be unexpectedly and unusually busy and chaotic,” Brown says. “Between that and lazy excuses, painting and drawing started drifting because I was used to painting very large which can be time consuming. I grabbed a new sketchbook as a sort of documentation device for my current erratic thoughts and regular life experiences. Since a 10x7 book is a bit more portable, this would give me a chance to work anywhere. These small new works [in his Sound Bites exhibition] reflect about two years of sporadic expression, sometimes even forced so to not let go of something that means so much.”

Capturing Memories: Kristin Holzer at Jasper’s Tiny Gallery this November -- By Liz Stalker

By Liz Stalker

Kristin Holzer, a Columbia painter, has had a passion for paint, and its power of visual permanence since she was a child. “Ever since I was a little girl, I have loved to create,” Holzer, who is completely self-taught, says, “I have always used my art as a way of capturing my memories. I would paint my pets, places I traveled to, and local landscapes that I loved.”

Following her move to South Carolina in October of 2021, Holzer found herself drawing further into her landscape work. “When I moved to Columbia, SC, I began to paint local landscapes and landmarks as a way for me to explore my new home,” Holzer says. Holzer has already painted a number of iconic state sites, from the 200-year-old Poinsett Bridge in Landrum to the lush marshes of Charleston, to the USC Horseshoe here in Columbia. Each of these pieces, which feature vibrant natural greens, bright lighting, and sharp shadow work reflect a deep appreciation for the landscape and keen eye for detail. This literal and artistic exploration has culminated in her current goal of painting every single one of the 47 state parks in South Carolina.

In addition to this goal, Holzer has found fulfillment in her commission work, saying, “I have found a love for not only sharing my artwork with others, but also painting other peoples’ pets and memories[…] I have been blessed to receive so much support from my local community, and it has been an absolute joy sharing my artwork with people who love South Carolina as much as I do now.”

Holzer’s show at the Jasper Project’s virtual Tiny Gallery, which marks just over three years of her South Carolina residency, opens Friday, November 1st, and is available through the end of the month.

Jasper Partners with Black Nerd Mafia & Curiosity Coffee to Present the 3rd Annual Frightmare on Main Street 2024 featuring Autocorrect and Tyler Wise & So Much More!

We’re Back!

The Jasper Project is excited to partner once again this year with Black Nerd Mafia and our gracious host, Curiosity Coffee, to help kick off Halloween with one of our favorite and most fun events — Frightmare on Main Street!

Friday, October 25, 2024

5:00 PM 10:00 PM

Curiosity Coffee Bar — 2327 Main Street

The fun starts at 5 pm when you arrive and grab your bag(s) of votes for your favorite artisanally carved pumpkin, created for your viewing, voting, and purchasing pleasure by some of Columbia’s spookiest artists, including

Tennyson Corley

Devon Corley

Cynthia Bowie

Keith Tolen

Thomas Washington

Michael Krajewski

Regina Langston

Billy Guess

Artist - Olga Yukhno

5:00pm – Doors

$10 for all events and activities + 5 candy votes for the pumpkin carving contest.

Kids under 10 get in free!


5:30pm - Horror Movie Trivia

Bring your team and kick off the night with trivia hosted by Black Nerd Mafia.


6:30pm - Jasper’s 2nd Annual Pumpkin Carving Contest

These aren’t your everyday jack-o'-lanterns. Vote on your favorite pumpkins carved by local artists and bid in our silent auction to take one home. All proceeds benefit the Jasper Project and the winning artist takes home a fabulous prize!

Candy votes will be available for sale and 5 votes are included for free with the cost of admission.


Cosplay Costume Contest

Contest categories include Best Children's Costume, and Best Adult Costume.


Winners for the Pumpkin Carving and Cosplay Costume Contest will be announced around 8pm.

Pumpkin Bidding with close at 8:45pm


8:15pm – Autocorrect & Tyler Wise


Artist - Bohumila Augustinova

Artist - Kimber Carpenter

Celebrate Hispanic Heritage Month by Supporting Local Hispanic and Latino/a Creators by Christina Xan

National Hispanic Heritage Month runs from September 15 – October 15 and highlights and celebrates Hispanic and Latino heritage and identity in the United States. Hispanic (those from Spanish-speaking countries) and Latin (those from Latin America) culture is rife with history that enriches the communities we dwell in.  Columbia is one of these diverse spaces, and the art that emerges from this city, specifically, is inundated with a multitude of cultural perspectives. This Hispanic Heritage Month, Jasper encourages all patrons to seek out multidisciplinary art from Hispanic and Latino/a artists and to explore how the creators’ backgrounds affect their work.  Don’t know where to start? Jasper talked with six Columbia-based artists about how their cultural identity affects their creative process. Learn about them and their work below.

Daniel Esquivia Zapata

Daniel Esquivia Zapata – Visual Artist

 Describe the kind of art you make.  

Daniel’s work explores ideas about historical memory, official historical narratives, and what he terms the politics of remembering. He does this through life-size figurative drawings that combine historical texts, the human body, plants, and animals to generate strong spaces that work as poetic imagery, probing the dynamics of narratives in history and historical memory. This represents an exercise not only of why and what, but also of how we remember, especially in societies with conflicting narratives, obfuscated historical memories, and legacies of colonialism. He uses a combination of traditional figure drawing techniques, liquid charcoal and fragmented print and hand-written texts to draw on several layers of mylar, creating life size drawings that combine representations of the human body, plants, and animals to create news bodies that work as metaphors for political bodies intersected by history, newspaper articles and archives. With these drawings Daniel seeks to unveil the "place of memory" within our bodies amid intersecting discourses, making tangible the essence of our collective past and present. His work has driven him to create images that replace the common container metaphor of memory with one that understands memory as something dynamic and interconnected; something alive, inhabited by ideas, narratives, and discourses that live, age, die (or are killed); something like an ecosystem of memories and narratives, and ecosystem that is inhabited by beings of texts.  

Describe the role your cultural identity has in your work.  

In Daniel's life, a multiplicity of narratives and multinational experiences has made him think deeply about the dynamics of discourse and narratives in our societies, especially as an Afro-Latino in the Americas. For Daniel, the intersection of different identities has profoundly influenced his work. His experiences as the son of a human rights lawyer and a social worker in a multiethnic and multiracial family in Colombia; as a victim of forced displacement from his hometown in 1989; as an Afro-Colombian who studied at a HBCU in the US South [Benedict College]; and as a citizen living in Colombia and grappling with the legacies and present realities of its civil war; these experiences have all presented points of encounter with the forces of history’s multiple faces—unofficial, alternative, contested, surviving—that build and situate someone’s identity. 

Alejandro García-Lemos

Alejandro García-Lemos – Visual Artist

Describe the kind of art you make. 

Alejandro García-Lemos is a visual artist based in Columbia, South Carolina and New Orleans, Louisiana. He holds a MA in Latin American Studies from Florida International University in Miami, and a BA in Graphic Design from the School of Arts at the National University in Bogotá, Colombia. His work focuses on social issues, mostly on aspects of immigration, sexuality, biculturalism, religion, and community. His works have been shown mostly in the Southeast. Alejandro is a former member of the National Association of Latino Arts and Culture (NALAC), as well as the founder of Palmetto & LUNA, a non-profit organization promoting Latino Arts and Cultures in South Carolina since 2007. Lately his work has been shown in Colombia. 

Describe the role your cultural identity has in your work.  

For this particular question I had to look up the exact definition of cultural identity … Cultural identity is a part of a person's identity, or their self-conception and self-perception, and is related to nationality, ethnicity, religion, social class, generation, locality, gender, or any kind of social group that has its own distinct culture. Therefore my cultural identity is omnipresent in my work, as I had mentioned many times before, I am three times a minority, I am Latinx, gay, and immigrant, how could you avoid those aspects as an intrinsic part of all your art? 

Emily Moffitt

Emily Moffitt – Visual Artist

 Describe the kind of art you make. 

The type of art I create boils down to what I have the most fun with. I'm still trying to make my way in and have my foot in the door of the Columbia art scene! Like most Gen Z artists, I got into art from a young age via immense media consumption: video games, anime, cartoons, comics, and the list continues. As a result, the kind of work I create typically falls under the "illustration" category. I go back and forth between illustration and fine art, and sometimes I still think the distinction shouldn't even matter! As a recent college graduate who has now experienced the adulthood rite of passage that is working a 9-5 while still having time for hobbies, as long as I take even 10 minutes of my day to get my hands moving and draw something in my sketchbook, it's a successful day for me. 

Describe the role your cultural identity has in your work.  

The "fine art" I created started with a body of work that explored my heritage and connected to it more after my grandmother passed away in 2021, and I aim to continue it either by maintaining the "dreamscape" title or by starting a new collection. My goal in the fine art world is to create a body of work that I'm constantly thinking about, called "My Mother's Kitchen," since the closest ties I have to my Puerto Rican heritage stem from cuisine, my relationship with my mom, and the amount of time I spent growing up in and around the kitchen watching my mother make the recipes she grew up making with my grandmother. At this point, it's just a matter of me finding the time, and holding myself accountable, that's preventing me from following through! I do find that my mixed heritage sometimes feels like an obstacle when I do work, however, and that's an internalized hurdle I try to overcome when I create, too. Taíno symbology persists throughout my heritage-based work, and I wanted to also focus on the importance of my relationships with my mom and sister. My Puerto Rican heritage has been driven and shaped only by women in my life, and I wanted to pay homage to that, especially since my sister and I feel the same internalized obstacle of sometimes feeling "not Latina enough."  

Claire Jiménez – Author

Describe the kind of art you make.  

Claire Jiménez is a Puerto Rican writer who grew up in Brooklyn and Staten Island, New York. She is the author of the short story collection Staten Island Stories (Johns Hopkins Press, 2019) and What Happened to Ruthy Ramirez (Grand Central, 2023). She received her M.F.A. from Vanderbilt University and her PhD in English with specializations in Ethnic Studies and Digital Humanities from the University of Nebraska–Lincoln. In 2019, she co-founded the Puerto Rican Literature Project, a digital archive documenting the lives and work of hundreds of Puerto Rican writers from over the last century. Currently, she is an Assistant Professor of English and African American Studies at the University of South Carolina. 

Describe the role your cultural identity has in your work.

My writing is very much influenced by the work of past Puerto Rican writers, especially the Nuyorican poets. I am thinking of Pedro Pietri's "The Puerto Rican Obituary" and the work of Judith Ortiz Cofer. I remember reading Silent Dancing and "The Story of My Body" for the first time as a young person, who had a hard time finding books by any Puerto Rican authors in the bookstore in the nineties. These texts were inspiring to me as a young reader, and they definitely shaped me as a writer.

Loli Molina Muñoz

Loli Molina Muñoz – Author 

Describe the kind of art you make. 

I write poetry and fiction. I have just finished my first poetry chapbook manuscript in English, and I also have a feminist dystopia novella in Spanish, both of them searching for a warming publishing house.  

Describe the role your cultural identity has in your work.  

Being born and raised in Málaga, Spain, I grew up immersed in both Spanish and English language thanks to literature, music, and pop culture, which deeply influenced my work. However, I have also lived in Coventry (UK), Wisconsin, and finally moved to South Carolina in 2013. For this reason, my work explores themes of identity, feminism, migration, and the intersections between cultures.

 

[ALMA] SPANISH

Querida madre:

Estos días pienso mucho en usted.

Ayer me acordé de su guiso de 

carne y quise hacer uno yo. 

No me supo igual. 

Me faltaba el sabor añadido de sus 

manos y el olor de su delantal. 

Los niños dijeron que estaba muy 

bueno. Yo les di las gracias y sonreí.

Dos lágrimas que se escaparon 

disimulando para no ser vistas. 

Tampoco vieron las dos cartas del

banco avisando del desahucio. 

Les dije que vamos a pasar unos 

días en casa de Alejandra.

Les hizo ilusión pasar un tiempo 

con sus primos y eso me alivió. 

Luego recordé aquella vez que

usted me dijo que eligiera mi 

muñeca favorita.

Crucé el desierto de la mano de 

Alejandra con la muñeca pegada 

a mi pecho como un amuleto. 

Aún conservo mi muñeca.

Aún tengo a Alejandra. 

Voy a estar bien. 

No se preocupe. 

[ALMA] ENGLISH

Dear mother,

These days I think about you all the time. 

Yesterday I remembered your beef 

stew and I made one myself. 

It did not taste the same. 

It did not have that extra flavor from 

your hands or the smell of your apron. 

The kids said that they liked it. 

I thanked them and smiled. 

Two tears escaped trying not 

to be seen by them. 

They did not see the two eviction

 letters from the bank either. 

I told them that we are going to stay 

some days at Alejandra’s. 

They were happy about spending 

time with their cousins and that soothed me. 

Later I remembered that time 

you told me to choose my favorite doll. 

I crossed the desert holding Alejandra’s 

hand and the doll stuck

to my chest like an amulet. 

I still keep my doll. 

I still have Alejandra. 

I’ll be fine. 

Don’t worry. 

 

Giovanna Montoya

Giovanna Montoya – Ballet Dancer 

Describe the kind of art you make.  

I’m a professional ballet dancer, so my art is dance. Ballet is a theatrical art form that integrates music, dance, acting and scenery to convey a story, or a theme.

 Describe the role your cultural identity has in your work.

My cultural identity represents who I am; a dedicated, driven, disciplined, strong woman, which stands up for what’s right, and never gives up. I am always aiming to move forward, trying to do better every day, even if it is little by little, and working hard to achieve my dreams and goals. These have been imperative assets to possess, that have helped me to become a professional ballet dancer with 15+ years of experience. Ballet is a beautiful but difficult art form, which requires a lot of time, sacrifice, effort, love, endless hours of training, and a great deal of discipline and dedication. I would never have become a professional ballet dancer if it weren’t for the commitment, dedication, responsibility, and integrity that my parents showed and instilled in me from a young age. Coming into this country as an immigrant it’s very difficult, and you have to work very hard to achieve success. That’s something my parents made very clear to me from the beginning, and they led by example. Always working hard, never giving up and excelling in their fields. My dad is a statistician for the Mayo Clinic. My mom is a Veterinarian doctor and was a University Professor in my home Country Venezuela. I’m so thankful for my parents and my cultural identity that has shaped me, and played a pivotal role in the person that proudly I am today.

 

Jasper Welcomes Olivia Pope to Tiny Gallery by Emily Moffitt

Our newest resident artist in the Jasper Tiny Gallery is Olivia Pope, an artist with many hats who primarily works with stained glass. Pope is no stranger to visual arts – she has taught herself dozens of forms of art and creation over the years, such as watercolor, sewing, cosplaying, oil painting, crocheting, and more. Over the last four years, however, Pope fell in love with the art of stained glass.

 
 

“I was initially drawn into working with glass by an initial spark of inspiration from watching a game show where glassblowers compete with one another,” Pope says. “The hands-on nature and sheer intensity of the whole process is fascinating, and one I hope I get the chance to try one day. Shortly after looking into glass as a medium, I realized creating art with stained glass was more accessible than I originally assumed.” Pope got to collect the necessary tools to break into the foray of stained-glass work, all in the comfort of her own home.

The process of creating a new work of art with glass is both meditative and exciting for Pope. It is also extremely rewarding. The versatility and variations within each piece of glass provide unique challenges that she encounters every time she comes back to work on a glass project. Throughout a lifetime of working with various media, Pope typically would learn to create something by starting with the basics, then learning from mistakes, and eventually stopping when satisfied with the project altogether, keeping the medium in the back of her mind to return to for a potential future project. Working with stained glass felt different, however. “Every step of stained glass is its own challenge with varying difficulty levels,” Pope says. “No two pieces are the same, even if they are literally the same pattern. There is always something to learn, a trick to discover, an “a-ha!” moment.”

Pope’s life has been surrounded by the arts and she engages in them almost every day. If there was one moment to pinpoint as a catalyst for the arts continuing to shape her life, she recalls a moment from when she was an anchor vendor and artist in the former NoMa Warehouse. “I was chatting with a shopper who told me that the work that I was creating will become family heirlooms – valuable works of art that deserve to exist from generation to generation,” Pope says. “That comment struck me in such a way that completely reframed my thinking on so many levels. The reality that visual arts have become—and will become—the legacy of so many people, even me, is profound.”

Pope’s artwork is available for purchase through the rest of October. She also plans to donate 10% of her sales to hurricane relief.

Welcoming Jean Lomasto to Jasper’s First Thursday Gallery at Sound Bites Eatery

This Thursday!

After an abbreviated showing of her work in 2023, the Jasper Project is delighted to welcome back Jean Lomasto to our First Thursday celebration by featuring the artist and her work in the Jasper Gallery space at our beloved soup, sandwich, and salad home, Sound Bites Eatery at 1425 Sumter Street.

Visual artist Jean Lomasto was born in Brooklyn, New York, but  when she was 15 years old her father took a job in Greenville, SC and moved the family to the SC upstate area. After attending college at the University of South Carolina and pursuing Costume Design, two of her undergraduate teachers, Lyn Carroll (costume design) and Terry Bennett (scene design) encouraged her to go to graduate school.

Lomasto says, “Many principles of design transfer easily from theatre to painting or seemed to for me. I have a Master of Fine Art in Costume Design from UVA. I have taken a few introductory painting classes locally and in LA. I took drawing classes at the Art Students League in New York, when I was working there in the field of costuming.”

With an MFA in Costume Design and a cover piece in Theatre Design and Technology magazine, Lomasto traveled to NYC where she worked in many costume shops, including the Julliard School as well as for a few Woody Allen films designed by Santo Loquasto. She became wardrobe supervisor for Alvin Ailey American Dance Theatre and toured the world with the company, designing Dudley William’s finale costume for his performance at City Center.

Jean has two sons. While they were growing up, she taught elementary school in California for steady income and health insurance, occasionally doing some theatre work. They lived in Mestre, Italy for several years. 

She returned to Columbia, SC in 2014 and designed many shows for Trustus Theatre:  Peter and the Starcatcher, Marie Anntoinette, Appropriate, Marly’s Christmas Carol, among others.

 

“One of the greatest influences for my painting was Nicholas Wilton,” Lomasto says. “I signed up online at the start of COVID for a 10-week painting course. Design elements and using paint were important, but the biggest factor for me in this course was psychological.  ... meaning Nicholas Wilton encourages students to find what is in them and then paint. Locally, I find Columbia to be filled with amazingly talented people who support each other, but the following two take the cake for me: One day I was working in the library and Stephen Chesley walks up to me and says, ‘Hi, I like your work. Go bigger...just go bigger.’ I picked myself up off the floor and said, okay. I have had the opportunity to reconnect with Philip Mullen, who is kind enough to really look at my work and comment on it. This is such a generous thing to do on his part.” 

Lomasto says that she has “no official university training in painting. I was married to an art student as an undergraduate and hung around the art department a good bit, when I wasn't at the theatre.” Lomasto goes on to explain that “Philip Mullen was my husband's teacher in undergraduate school. I have always lived in places with easy access to art.”

1st Thursday w/ Sound Bites Eatery & The Jasper Project

featuring

Visual Artist Jean Lomasto

Thursday, October 3rd 5:30 - 8 pm

Sound Bites Eatery

1425 Sumter Street

Jasper Galleries: Ellen Yaghjian, The Newest Nook Resident by Emily Moffitt

As a member of the Vista Guild Association, the Koger Center for the Arts is proud to partner with the Jasper Project in Third Thursday Art Night. A different artist is featured every month in our rotating gallery, The Nook, with an opening reception on the month's Third Thursday. September 2024's featured artist is Ellen Yaghjian. The opening reception is on September 19, from 5:30 – 7 p.m. on the second floor of the Koger Center.

Ellen Emerson Yaghjian was born in Atlanta, GA, and grew up in Larchmont, NY. She received a BFA in sculpture from the University of Georgia and an MMA in media arts from the University of South Carolina. For ten years, Ellen worked in television production, first with South Carolina Educational Television and later as an Associate Producer at Turner Broadcasting. In 1990, she shifted her focus to sculpture. She began by designing commissioned based copper fountains for outdoor gardens and indoor offices across the southeast. In 2000, Ellen began creating figurative works with copper, hammering and heating the metal to produce sculpture reflective of the human body. She enjoys the warmth of copper and the colors that emerge through her process. During the pandemic Ellen took up painting in acrylic. Ellen resides in Columbia, SC with her husband, David.

Ellen’s Artist Statement:

“The focus of my art practice is to bring my attention to one place in time and to explore the ideas that come to mind. Reflecting on the grace and strength of the female form, I am drawn to the medium of copper. I use heat and my hammer to move and shape the metal into subtle lines of the human body. Observations of landscapes and natural elements lead me to my paints. I simplify 3 dimensional elements on paper and panels and in the process find gratitude and wholeness.”

If you can’t make it to the reception, the art will be up through mid-October, and can be viewed from 9-5 Monday through Friday, and an hour prior to any Koger Center event. You can follow Ellen’s work on Instagram (@ellenyaghjianart) and her website (ellenyaghjian.com).

About Last Night - A Magical Evening of New Theatre & Unique Visual Art with Chad Henderson & Nate Puza

L to R: Jon Tuttle - PRS director, Chad Henderson - playwright, Marybeth Gorman Craig - director, Kayla Machado - very pregnant actor, Libby Campbell - actor & Jasper Project board member, G. Scott Wild - actor

Last night was a wonderful night for the Jasper Project as we were privileged to celebrate two artists from two different disciplines at Harbison Theatre for a double dose of Jasper goodness. We opened the evening with a reception for our featured visual artist in the Harbison Theatre Gallery, Nate Puza and ended it with the premier staged reading performance of the 2024 Play Right Series winning play, Let It Grow by Chad Henderson.

Visual Artist Nate Puza offers and artist talk at the opening reception for hi exhibition at the Jasper Project’s Harbison Theatre Gallery

Nate Puza is a South Carolina based artist, designer, and illustrator with over a decade of experience working with some of the biggest bands and brands in the world including Jason Isbell, the Avett Brothers, Chris Stapleton, Phish, and more. Internationally known for his meticulous attention to detail and high level of craftmanship, Puza created the new design for the Columbia, SC flag. When not creating art for your favorite band Nate can be found playing music with friends, being outside, wrenching on his motorcycle, mowing the lawn, or drinking a beer on the back porch.

Chad Henderson is a professional theatre artist from South Carolina. He is known for directing contemporary plays, musicals and original works that mix music, movement, imagination and invention to create unforgettable works for the stage. Henderson served as the Artistic Director of Trustus Theatre (2015-2021) in Columbia, SC, and is the current Marketing Director for the South Carolina Philharmonic, where he most recently produced Home for the Holidays at Koger Center for the Arts. Selected Trustus Theatre credits include: The Brother/Sister Plays, Green Day’s American Idiot, Evil Dead, Bloody Bloody Andrew Jackson, The Curious Incident of the Dog in the Night-Time, The Last 5 Years, Assassins, The Great Gatsby, Next to Normal, and The Restoration’s Constance - an original musical for which Henderson also authored the book.

Libby Campbell and David Britt on the stage for Let It Grow!

L to R: Libby Campbell, David Britt, G. Scott Wild, Kayla Machado

Jasper expresses our sincerest appreciation to Kristin Cobb, executive director of Harbison Theatre at MTC and her team for welcoming us into their home and supporting our mission. Check out all the exciting performances coming up at Harbison theatre here and support this state-of-the-art performance space the way they support the SC Midlands performing artists!

Kristin Cobb, executive director - Harbison Theatre at MTC welcomes the crowd.

Announcing Jasper's Featured Artists in Our Meridian Sidewalk Gallery-- Richard Lund, Jennifer Hill, Trish Gilliam, and Debbie Patwin!

Jasper Project board member Kimber Carpenter has curated another exciting exhibition for our Meridian Sidewalk Gallery this season, featuring 2-D and 3-D artists Debbie Patwin, Trish Gilliam, Richard Lund, and Jennifer Hill. The Meridian Sidewalk Gallery is a 24/7 art experience nestled in the always-accessible windows of the Meridian Building along Washington and Sumter Streets in beautiful downtown Columbia. Patrons may view the featured art from all angles and make purchases just by scanning a QR code.

Welcome to our fall 2024 season of Meridian artists! Read more about them below!

Kelly Bryant Brings Anthropomorphic Animal Whimsy to First Thursday at Sound Bites

Kelly Bryant’s work is the kind that immediately sparks smiles, urging patrons to come in for a closer look: saintly opossums praying, koalas applying lipstick, and lemurs licking lollipops. 

Bryant is a Connecticut-to-South-Carolina transplant who works full time as a legal worker and fills any spare time she has not wrangling her girls and two cats crafting her art. Fully self-taught, Bryant found painting in an attempt to keep her kids occupied during the COVID-19 lockdown when a Pinterest search for mom activities turned up finger painting.

This activity, however, soon became a passion as Bryant brought “animals doing human things or wearing human attire” to life through bright colors and finger strokes. These soon turned to brush strokes as, post-YouTube rabbit hole, experience and joy alike blossomed. Then, and now, Bryant holds to the lesson that “everyone should do more of what makes them happy.” 

As the hobby solidified into a part of Bryant’s everyday life, she joined the Crooked Creek Art League. Since then, she found oils, which have become her go-to, and she has begun officially showing her work. Bryant showed at this past South Carolina State Fair and at Crooked Creek’s Still Hopes Art Exhibition—where she won a Patron Award. 

It has been a whirlwind of a journey that Bryant feels ever grateful for. She is “finding [her] style and solidifying it throughout everything [she] creates,” and she is continuously grateful that she gets to “watch other people smile when they walk by and see [her] animals.” 

Bryant’s work for this show is an amalgamation of her time as an artist thus far: work from her early finger-painting adventures to oil pieces dry just in time for hanging. It is a collection of bright, whimsical, yet comforting creatures that are effortlessly her own. 

“My art is a reflection of my journey—ever-evolving and always having a bit of fun along the way,” Bryant emphasizes. 

To see Kelly Bryant’s work, join Jasper for her Opening Reception during First Thursday at Sound Bites Eatery on 1425 Sumter Street THIS Thursday, September 5th from 5:30pm—8:00pm.

Emily Moffitt Bridges the Abstract and Illustrative for Jasper’s Tiny Gallery

Salted Heron - Emily Moffitt

Emily Moffitt has been a fundamental behind-the-scenes player for the Columbia arts community for years. A graduate of the University of South Carolina holding a BA in both Studio Art and English, Moffitt is both the marketing assistant and gallery curator for the Koger Center as well as the Secretary of the Jasper Project and the visual arts editor for Jasper Magazine. 

Beyond supporting the arts, Moffitt is herself a multimedia artist—an illustrator who works in primarily ink, gouache, and watercolor and whose work and art alike is “dedicated to developing the cultural landscape of Columbia.” 

Creating art as a mode of self-expression has been part of Moffitt’s roots from childhood, whether sharing melodies on her flute or crafting identities through cosplay. She grew up sketching characters and scenes from her favorite cartoons and video games—but in late high school and college, Moffitt began to realize how vital visual art was for her identity. 

Coral Cluster - Emily Moffitt

Specifically, visual art became a way for Moffitt to connect to her Puerto Rican heritage and, with this realization, she unlocked a path where she could create with intention and within overarching themes. These sinews keep her grounded as she explores the endless possibilities art allows, “combining [her] love for illustration and for abstract art in different ways, allowing [herself] to grow outside of the box and to experiment with different styles.” 

Though her first solo show, in a way, this Tiny Gallery serves as a way of coming home for the young artist. “This collection of work is a combination of getting back into the groove of creating, learning what works best for me, and work that I know I love to do,” Moffitt shares.

For this show, Moffitt has created a cast of characters in an almost visual linked-story collection. Here, fine line harpies gaze into the distance, mysterious jesters dance for an unseen audience, and fish sit in brightly colored tins and swim throughout thoughts alike.

“For this show I found myself drawn to comfortable colors like blue, and I wanted to use as many of my materials I already owned as I could,” Moffitt says. “I typically am the type of person who loves to control things, so using wet media like watercolor pushes me out of that boundary and makes me relax and let the medium work itself, rather than me overworking it.”

Fish for Thought - Emily Moffitt

Moffitt’s Tiny Gallery show will be up until September 30th and can be viewed 24/7 via Jasper’s virtual gallery page. Patrons can also follow her work on her Instagram @thewildflowermural.

SEPTEMBER 14th -- A Double Dose of Jasper

Mark your calendars for the evening of Saturday, September 14th, after the LSU/Carolina game, to come out to Harbison Theatre for a double dose of Columbia Arts. Help Jasper welcome renown graphic artist Nate Puza to the walls of our Harbison Gallery with a free drop-in opening reception starting at 6 pm. Enjoy meeting Nate and hearing about his art, sip a little something, have a little snack, and chat with friends until 7:30 when the curtain rises on more new art coming out of Columbia, SC!

Let It Grow, by Chad Henderson, winner of the Jasper Project’s 2024 Play Right Project series, will premiere as a staged reading  and offer us the right to say I saw it first when it inevitably moves on to other stages near and far. Directed by Marybeth Gorman Craig, and starring Libby Campbell-Turner, G. Scott Wild, Kayla Machado, and David Britt, Let It Grow is a sweet and poignant comedy that looks at the expectations we share about family-like relationships, what happens when players outside of those relationships insert themselves, and PLANTS! The Play Right Series is administered by SC playwright Jon Tuttle and is in its fourth cycle of midwifing new theatre art onto the stage exclusively from South Carolina playwrights.

Previous Play Right Series winning plays include Sharks and Other Lovers by Randall David Cook, Moon Swallower by Colby Quick, and Therapy by Lonetta Thompson. Lonetta Thompson’s Therapy will be fully produced by the NiA Company August 29, 30, 31st at the Trustus Theatre Side Door Theatre and Jasper strongly encourages you to come out and support this new art, too! Tickets for Lonetta Thompson’s Therapy are here.

 

NATE PUZA OPENING RECEPTION

6 PM – FREE

 

LET IT GROW by Chad Henderson

7:30 pm -TICKETS

 

And while we have you, check out Harbison Theatre’s exciting calendar of events for 2024 – 2025 including Ensemble Eclectica on August 24th, South Carolina’s own singer-songwriter Cody Webb on September 6th, and The Box Masters featuring Billy Bob Thornton with opening act The Capital City Playboys, Friday October 18th!

Large-Scale Urban Canvas Art Tapestry Unveiling at Todd & Moore Sporting Goods

A new Urban Canvas tapestry, a component of the Columbia Streams Art public art program is scheduled to unveil on Tuesday, August 20 at 11:30 am by Columbia Mayor Daniel Rickenmann, representatives from Todd & Moore, the host of the new piece of public art, and the artists themselves.

*The featured artists include:

Jennifer Bartell Boykin

Diane Condon

Wilma King

Tabitha Ott

Kristine Hartvigsen

Michael Cassidy

Lori Starnes

Michael Dwyer

Austin Sheppard

Anna Redwine

The tapestry measures 15 feet wide by 10 feet tall, and is comprised of images and artistic expressions by ten different local visual artists, poets, and jewelry designers.

The City of Columbia will also recognize the 20’ wide by 15’ tall Urban Canvas which was recently unfurled in the Columbia Metropolitan Convention Center, which mirrors the original 10’ by 10’ original canvas first exhibited outside of Art Bar in The Vista in November 2022.

*The Jasper Project Congratulates and Appreciates All the Artists Involved in this Project and Wants to Make Sure Your Names are Heard, Known, and Celebrated!

Todd & Moore Sporting Goods exterior

(Back of the building facing Blossom St.)

620 Huger Street

Alex Ruskell Creates Whimsical Friends for Jasper’s Tiny Gallery

Nighthawks by Alex Ruskell

Alex Ruskell is a man who wears many hats, serving as the Director of Academic Success for the University of South Carolina’s Law School by day and parading around stages with his band, the Merry Chevaliers, at night. 

All the while, strange little figures plague his mind, and fortunately for those who call Columbia home, those whimsical dudes materialize into joyful paintings patrons can hang on their own walls.

 

Crooner by Alex Ruskell

“When I started painting, all I really wanted to do was make people happy,” Ruskell shares. “I know that sounds dopey and saccharine, but that was it—along with making enough money per art show that I could take my family out to dinner without feeling guilty about it.” 

For his Tiny Gallery show (which has made his work available to those nearly as far-and-wide as the outer space dwellers he often paints), Ruskell has put together 8 new works alongside prints of 2 popular pieces.  

On the gallery site, patrons will see dinos and dragons floating in space (with astronaut helmets for their tails, of course); crooning, karaoke monsters; and kings and goths alike just trying to get by. Essentially? The usual.

Spaced by Alex Ruskell

“The painting thing has worked out better than I could hope for,” Ruskell says. “I've got paintings in my yard that the neighborhood children have named; I see my paintings in the backgrounds of college dorm photos; and I get asked to do commissioned paintings for family birthdays, baby nurseries, and wedding gifts.” 

Alex Ruskell’s Tiny Gallery show will be live until August 31st, so be sure to check out his funky friends filled with heart before then on Jasper’s virtual gallery space. 

“Life is wonderful, but everyone has their down moments,” Ruskell says. “I like to think that a person might buy an alien eating a slice of pizza, stick it on his or her wall, and get a chuckle out of it now and again."

 

CALL for Visual Artists -- Jasper is Accepting Applicants for the 2025 Jasper Galleries Series

We’re looking for a few good artists!

It’s already time for Jasper to plan our schedule for the 2025 Jasper Galleries Series and we want to hear from YOU! Just follow the instructions on the handy graphic above to let us know you are interested in sharing your work with the Jasper Project and your adoring fans.

In addition to our online 24/7 Tiny Gallery, Jasper has gallery spaces at Motor Supply Bistro, Sound Bites Eatery, The Nook at the Koger Center for Arts, the Lobby Gallery at Harbison Theatre, and at the Sidewalk Gallery in the Meridian Building Windows at Washington and Sumter Streets in downtown Columbia.

Application Deadline is October 15th.

We’re looking forward to hearing from YOU!

Special thanks to the good people at Motor Supply Bistro, Sound Bites Eatery, Koger Center for the Arts, Harbison Theatre, and the Meridian Building for supporting Columbia’s visual arts community by opening their walls to the Jasper Project for programming. We encourage you to support these businesses with your patronage. And if the walls need some love in your place of business, please contact our

Galleries Manager, Christina Xan at cxan@JasperProject.org,

to make plans for a Jasper Galleries arrangement custom created for you and your clientele.

Art Reception Double Feature at the Koger Center by Emily Moffitt

The Koger Center for the Arts underwent a large cosmetic upgrade during the summer months, including new carpet and the installation of telescopic seating in their large rehearsal room to create a black box theatre. Aside from the physical facelift of the building, the two gallery spaces now hold new exhibitions for patrons to enjoy before an event or any time throughout the day. The two new exhibits are “The Project 2023 Winners’ Exhibition” in the Gallery at the Koger Center, and in the Nook, one of our Jasper Galleries locations, Marius Valdes is the featured artist of August. A large-scale opening reception for both exhibits is scheduled for August 15, 2024, from 5:30 – 7 p.m. The event is free and open to the public.  

The Project 2023 Winners’ Exhibition features the winners of the Koger Center’s annual art competition. The 2023 iteration winners are Yvette Cummings, Roberto Clemente de Leon, Gerard Erley, Jo-Ann Morgan, and Susan Lenz. “The Project: A Call for Art” is a competition that began during the height of the COVID-19 pandemic and is dedicated to uplifting and featuring visual artists across the state of South Carolina.

A variety of media is included in this exhibit: from oil paintings to sculpture, from collage to quilting. Stop by the Gallery at the Koger Center and mingle with artist peers from across the state!

 

 As a member of the Vista Guild Association, the Koger Center for the Arts is proud to partner with the Jasper Project in Third Thursday Art Night. We feature a different artist every month in our rotating gallery, The Nook, with an opening reception on the month's Third Thursday. August 2024's featured artist is Marius Valdes.

Marius Valdes is an artist currently based in Columbia, SC. Valdes has been recognized by design publications such as Graphic Design USA, HOW, Print, Communication Arts, Creative Boom, Creative Quarterly, Step, and industry competitions including American Illustration, and The World Illustration Awards. In 2022, the UK's Creative Boom website named Valdes as one of its "20 Most Exciting Illustrators" to follow.

Valdes is a Professor at the University of South Carolina. He teaches graphic design and illustration in the GD+I program in the School of Visual Art and Design. He lives in Forest Acres with his wife, Beth, and their daughter Emma. Mary, the dog, is always around for a good laugh.

CALL for Visual Artists -- Society 1858 Prize for Contemporary Southern Art (Deadline August 30, 2024)

Deadline Extended!

The Gibbes Museum's Society 1858 Prize for Contemporary Southern Art is awarded to an artist whose work contributes to a new understanding of art in the South. Presented annually, the Prize recognizes the highest level of artistic achievement and welcomes applications from artist working across any media. 

Artists from Alabama, Arkansas, Florida, Georgia, Kentucky, Louisiana, Mississippi, North Carolina, South Carolina, Tennessee, Virginia and West Virginia are encouraged and eligible to apply.

Previous winners have subsequently received awards from the Joan Mitchell Fellowship, the Guggenheim Memorial Foundation, and the Pollock-Krasner Foundation Grant. Additionally, winning artists' work has been received into the permanent collections of The National Gallery of Art, The Metropolitan Museum of Art, The Art Institute of Chicago, and the Gibbes Museum of Art.

The extraordinary multi-disciplinary artist, Sherrill Roland was the recipient of the 2023 Prize, receiving a cash award of $10,000 and whose work is now on exhibit at the Gibbes Museum until 2025.

Applications are accepted exclusively through Slideroom. Rules for Submission are Here!

Apply Now.

Kara Virginia Russo’s Planetary Soul Sketches for Jasper’s Tiny Gallery

Kara Virginia Russo is an emerging visual and performance artist based in Greenville and Columbia, South Carolina, who creates intimate portraits of her own and others’ inner selves. For the month of July, she is Jasper’s featured Tiny Gallery artist. 

Russo is a multimedia artist who works in ink, drawing, embroidery, collage, and found objects, both on paper and in sculpture and assemblage. This variety of style and texture allows her to parallel the rich images that flow and intertwine in her mind. 

Though she went to art school, afterwards, she “didn’t make art for around 12 or 15 years,” feeling like it was “a language [she] didn’t speak.” When she finally started again, she naturally gravitated towards circles.  

“I made circles because they felt incredibly symbolic. Everything in my life was changing all at once during that period, and the circles stood in for all the feelings and questions and explorations I was having around my ideas and beliefs about God,” Russo details. “The perfection of the circle, and the inability to draw a perfect one by hand…there was a lot of things I was playing with that I could make sense of visually and let go of needing to think verbally for a while.” 

Russo shares that, “upon her adult diagnosis of Autism Spectrum Disorder, she embraced her inner imaginative world and her love of symbol, pattern, and repetition and developed a visual vocabulary and the mixed media techniques to support it.”  

“I began exploring an imaginary world of my own, in which the planetary landscape gave me a visual vocabulary for interactions with myself and with God,” she describes. “I've always just thought of this place as simply The Planet. I'm still playing with those things, which is why much of my work feels planetary.” 

Russo uses these skills to craft not only the visions within her own mind’s eye, but to gaze at the energy of those around her, taking what they cannot see of themselves and reproducing it. Beyond her solo work, she has collaborated on several musical projects, contributing visual art and experimental film, as well as live ritual-based performances.  

Her style has taken a distinct shape, one formed from “filling up sketchbooks as fast as [she] could.” Though many of her works start in a sketchbook as individual pieces, she has even begun mounting and framing entire sketchbooks behind glass. 

“It makes the pieces feel like museum artifacts or something. Explorer's notebooks, like I've gone to the planet, looked around at how things work and look and grow and move, and come back with my explorers notes and diagrams and drawings,” Russo shares. “And of course, the planet is just a stand in, a way of exploring reality that tries to get behind things and into the essence. Or, thought about another way, I make windows into reality. The reality we can't see. In this way my work functions a little bit like religious iconography.” 

Russo’s work has been shown in solo and group exhibitions in North and South Carolina and Germany, and responses to her work still overwhelm her: “I like to joke that if you make several thousand circles, eventually they become so interesting that people start wanting to pay money for them (which still amazes me. Every. Time.).” 

For her Tiny Gallery show, Russo has collected pieces from two of her series: Music of the Spheres and Tiny Sketchbook. Her Music of the Spheres series is a cacophony of shaded circles, given direct and relation by electric white lines. Her Tiny Sketchbook series expands these images with further texture and detail, as ink expertly bleeds and threads dip in and out of the paper. 

“Beauty has a way of putting things back together; my art practice is a way for me to throw open the windows of my interior and let the sunshine in,” Russo describes. “I'm always hoping that the finished art does that for other people too.” 

Virginia Russo’s work will be available to peruse and purchase via Jasper’s virtual gallery space until July 31st.