Jasper's Sidewalk Gallery at the Meridian Building Features Trio of Local Talent -- Christopher Lane, Emily Wright, and Marion Mason

By Christina Xan

The Meridian Sidewalk Gallery is Jasper Galleries’ most unique space. While patrons cannot enter the gallery, the sidewalks are accessible to all 24/7. Lining both Sumter and Washington Streets around the historic Meridian Building, the gallery prominently features two 2D artists and one 3D artist each quarter.  

For the first quarter of 2025, Jasper Galleries has paired the bright, dynamic paintings of Christopher Lane and Emily Wright with stunning wooden sculptures from Marion Mason. The differing shapes and forms wrap and snake around each other, each piece telling its own part of a grander story together. 

Patrons have until the end of March to stop by and view the works, all of which are purchasable via scanning a QR code at the end of each window or contacting jaspergalleries@gmail.com. Learn more about each artist below.

Christopher Lane - artist

Christopher Lane, born in Minnesota in 1968, drew inspiration from notable artists such as Thomas Hart Benton, Andy Warhol, Georgia O’Keeffe, and Roy Lichtenstein during his formative years.  His artistic development was further influenced by a period spent in Cairo, Egypt where the architecture, sculpture, symbolism, hieroglyphs and vibrant colors of Egyptian art left a significant mark on his work.  Diagnosed with dyslexia, he attended the GOW School in South Wales, New York, which provided him with educational support. Following this, Lane lived in Paris for a year, enriching his creative pursuits.  He pursued an art degree at Eastern New Mexico University but left to support his young family while serving in the United States Navy as a submariner.  Now residing in South Carolina, Lane focuses on creating visual stories that encourage viewers to reconsider divisive subjects through a gentler perspective. He is actively involved in various group exhibitions nationwide and recently showcased his work at ArtFields. 

Lane employs striking imagery to transform life experiences into visual narratives that center on individuals and their interpersonal relationships.  He is deeply committed to social justice and environmental protection, illustrating the interconnectedness of these themes in his work.  His paintings frequently include elements of nature and often convey historical, political, or spiritual stories, reflecting his enthusiasm for these topics.  As a modern surrealist and storyteller, Lane’s artworks can typically be analyzed in multiple scenes while maintaining a unified theme.  Using vibrant colors, rich symbolism, and layered imagery, he addresses complex issues, encouraging viewers to perceive them through a new, perhaps softer lens. 

Marion Mason - Artist

Marion Mason writes the following:

I am a visual artist who taught high school Art for forty-two years. 

I earned the Bachelor of Arts Degree in studio art (sculpture concentration) from the University of South Carolina, and the Master of Fine Arts Degree (in sculpture) from the University of Georgia. In addition, I earned the Master of Education (adult & community education) from Carolina.  

Prior to my teaching career I served as an officer in the U.S. Navy for 9 years (5 on active duty) and am a veteran of the Vietnam War.  

I began my 42-year HS Art teaching career as the artist-in-residence, and on-site coordinator, at the former Richland District One Artistically Talented and Gifted (ARTAG) High School Program. Many years ago, I was a member of the design and implementation team of the original Tri-District Arts Consortium (Tri-DAC), and I have taught sculpture there for 15 summers. Also, I had the privilege of teaching three summers in the three week Honors Program at the SC Governor's School for the Arts and Humanities. I have conducted many art workshops for school, district, community, and state-wide groups, from middle schoolers through adults. In 1982 I was awarded Teacher of the Year recognition at C. A. Johnson High School and was also honored as the Richland District One Teacher of the Year. Currently I teach various visual arts courses and serve as the Fine Arts Department Head at White Knoll High School. 

Since retiring from teaching in January 2019, I am now a full-time professional artist again, and exhibit and sell my sculpture, pendants and earrings. Over the years I have shown and won awards at many local, state, regional, and national competitive and invitational exhibits.

Emily Wright - artist

e.lois wright, known by friends and family as Emily Wright, is a lover of Life with all of its small details and rich hues of color that spill into our every day.  Emily’s first love is the written language.  She began an early love affair with poetry, prose and the theater arts, earning a BA in English with honors at Lander University.  With a desire to express the vibrant facets of Self, she discovered her passion for creating visual art and started a journey toward understanding its cathartic impact on her holistic health.  Emily, first, was drawn to decoupage with art journaling and, later, engaged all of her free time in jewelry making.  A means of “balancing the distractions”, she found solace in piecing together unique and bold wearable art from discarded found objects, taking the broken and making them beautiful, again. 

In 1999, Emily began selling her original, up-cycled jewelry under the name “Balanced Distractions”, finding that her patrons connected with her pieces on a very personal, emotional, and, even, spiritual level, which stands true, today.  Over the last twenty-five years, hundreds of friends, family, and strangers have donated the fragmented and unwanted—glass, pottery, metal and jewelry—all to this shareable, artful healing. A pivotal point in Emily’s artistic journey appeared with the cresting of Columbia’s “Thousand-Year Flood” (2015).  Simple, surprising treasures were unearthed from surrounding Midland rivers, allowing Emily to feel, deeply, the flow of inspiration and creative potential, “taking the broken and making them beautiful, again”. 

Emily’s choices of medium and forms of expression continue to expand and unfold before her, as she is fully immersed in the art of authentic self-expression with a “fresh eyes” perception.  From tapping mantras into canvases to mindfully transforming watercolor blots into faces to molding faux flowers out of old water bottles and shotgun shells, she is present to create from the heart. Most favorite mediums include acrylic/oil/chalk/pastels on canvas/wood/metal, and her time is lovingly spent on making decor and yard art, up-cycled furniture, handmade paper journals from recyclable goods, photography, and learning more and more about costuming and stage make-up.  

Her love for all arts is echoed in her role as “Artist in Residence” (2019-Present) for “Swamp Sessions—‘Off the Grid’ Sustainable Energy Project” in Awendaw, SC, alongside South Carolina’s “Low-Country Hall of Fame” singer/songwriter, Danielle Howle.

Columbia Open Studios April 2nd & 3rd -

By Emily Moffitt

48"x60" oil on canvas, Walking a Tightrope by Christopher Lane

Columbia Open Studios returns on April 2nd and 3rd! The event is a “self-guided, weekend-long, free tour of artists’ studios in the Greater Columbia, South Carolina area, including all of Richland and Lexington Counties” and gives South Carolinians an opportunity to check out some of the most prominent inventive minds Columbia has to offer.  

It is a free event that offers time to meet with the participating artists individually at the Preview Party, and the event aims to create a direct connection between the artists and audiences both in person and on the web through social media promotion and interpersonal marketing.  

Patrons get to have a sneak peek into the individualized studio life of their favorite local artists by touring their studio spaces.  

Many artists who participate in COS are repeat participants; 2022 will be the fourth year that Christopher Lane participates in the event. A highly successful artist with a passion for making large format paintings that make large statements and one who finds beauty in every inch of landscape that South Carolina offers, Lane finds great value in being a part of the COS artists. “I enjoy it immensely as it allows patrons to observe my work in a more intimate setting and connect in a way we can’t always do in galleries.”  

This sentiment is surely shared amongst the other participants, both on the part of the artists and the audiences. The participant roster features a wide variety of artists from multiple disciplines, with painters, ceramicists, and everything in between, creating lots of chances for visitors to find a new artist’s body of work to fall in love with.  

The event will be free to the public and last from 10 AM to 6 PM on Saturday April 2nd, and from 12 PM to 6 PM on Sunday April 3rd.  

For more information, you can check out their website columbiaopenstudios.org and subscribe to their newsletter! The participating artists with pertinent information about their work and locations are all featured on the website.

In His First Show Since COVID, Christopher Lane Considers the Necessity of Unity in Dividing Times - by Christina Xan

 “A lot of people feel desperate out there,” Lane says. “And on a humanistic level, I get an idea of why people feel the way they do—they just feel helpless.”  

It’s unusual for Modern Surrealist painter Christopher Lane to take such a large break from exhibitions.  

Lane is no stranger to sharing the stories he weaves together on his canvases. In fact, 2020 started with a show in Minnesota, followed by acceptances to Art Fields in Lake City and Spoleto in Charleston.  

Then, the pandemic hit.  

Since the start of COVID-19, the painter has stayed mostly at home, quarantining with his partner, Lisa, and dogs, Loki and Samson. But that doesn’t mean he stopped painting. So, when friend and gallery-owner Rob Shaw asked Lane to do a show in his space, the fragments of United We Stand formed quickly.  

The collection is a mix of pieces old and new, and either way, ever relevant. The 52-year-old artist has been painting in response to social and political events for decades, both as a way of working through his own mind and of sharing those inner workings. In recent months, this has only become truer.  

“You know, I look around and ask what’s the disconnect,” Lane says. “I don’t understand the disconnect.” 

Originally, Lane had titled this most recent collection Divided We Fall as he responded to this increasing disconnect in our country. However, as he continued to paint and watch, which he often does as he watches the news, his mindset shifted. 

“I want to emphasize a unity amongst us, regardless of party, ethnicity, race, religion, and gender,” Lane shares, “My work observes the pitfalls of allowing division to thrive and grow amongst a people.”  

This body of work builds on top of seeds sewn in his Resist Division exhibition last year, new vines and tendrils wrapping around sensitive and poignant issues.  

“It’s election year, we are in the middle of a world pandemic, and we are so busy fighting amongst ourselves that we are no longer paying attention to them,” Lane says, “that small, yet powerful group of people who control our world.” 

Lane has always spoken for those small individuals, held an eye in his head and his heart for those details in both people and their surroundings.    

“A lot of people feel desperate out there,” Lane says. “And on a humanistic level, I get an idea of why people feel the way they do—they just feel helpless.”  

These concerns have pervaded not only Lane’s work but his life, the product of a military household whose father served in three wars and a veteran of the navy himself.  

“My greatest desire is that my paintings reflect the one truth, we are all the same. We are all one.  And United We Stand.”

Some fights exist within physical places, but this fight traverses boundaries. With this exhibit, Lane desires to speak to all, to promote inclusivity and share humanity regardless of the lines that often separate. 

“I like to paint to where someone in another country can look at my work and enjoy it,” Lane says. “You know, they don't need to speak English. They don't need to understand my colloquial behavior to get it.” 

“The Grifters”, a featured piece from the show, conveys this desire in a Tower of Babel-esque push and pull of color, conversation, and performance—a struggle we all suffer the repercussions of.

The Grifters by Christopher Lane

The Grifters by Christopher Lane

“My greatest desire is that my paintings reflect the one truth, we are all the same. We are all one.  And United We Stand,” Lane concludes. 

United We Stand opens this Friday, November 6th, and runs until December 1st.  The opening reception Friday evening begins at 6pm at the Rob Shaw Gallery in West Columbia. Masks, social distancing, and safety precautions will be in place. 

To follow Lane’s work during and after the show, follow his Facebook page, “Christopher Lane Art,” and check out his website for available works and prints: https://www.laneartworks.com/

Artist, Christopher Lane's Exhibition Resist Division Opens December 7 at Frame of Mind

chris lane 1.jpg

“Collectively, what I’m trying to say is we throw away 2/3 of what we produce because we’re in such a hurry to produce it,” local artist Christopher Lane passionately speaks on his upcoming art exhibition, “I would like to take 1/3 and give it to the people … there shouldn’t be any reason why anybody is hungry in this country.  There should be no reason why some kids not getting an education.”

 

50-year-old, full-time artist, Christopher Lane, relinquishes a collection of work that reflects on the individual and delivers a message that contains the true form of who we are as a whole, as a community: we are one.  Lane’s exhibition, “Resist Division,” opening Friday December 7, 2018 from 6 p.m. to 9 p.m. at Frame of Mind and lasting through January 28, 2019, expresses the desire to accept one another as one in the same and to reach a point of complete equality rather than the cruel reality that we often face: division.

 

“I don’t know if it’s because my family is so diverse.  I don’t know if it’s because I’ve made every mistake and I need a break sometimes.  You know, you can throw Winston Churchill in there, ‘divided we fall,’” the artist describes his ideas behind this collection of work, “So, I think it’s just, we’re better together.  We’re all the same, basically.”

 

Lane is aware that we are separated by aspects such as beliefs, race, and geography; however, through his collection, “Resist Division,” he takes notice that we are separated by our unique individuality but we should not be divided.  We all have the same basic rights and we all have needs and desires.  The things that separate us should not also divide us.

 

“ … I went back through Arlington, you know, I went through all the monuments and if you look at all the tombstones it’s like, men and women in there.  And it’s every religion, people that don’t believe in religion, gay people, straight people, whatever,” the artist softly laughs as he describes the monuments he saw coming back from a DC trip, “It’s like, they’re all on there and to me, you know, you’re an American.”

 

Lane studied art at New Mexico University and minored in photography.  He began painting as a child, where he found the trade therapeutic.

 

“I have dyslexia … so, I guess I would paint to kind of escape,” Lane speaks on painting at a young age.

 

Though he began painting at a young age, this collection shows the passion and desire he has developed to create a world where we decide not to let our physical appearances or personal mentalities separate us.  Where we accept the truth, and come together as one.

 

 The artist often paints dreams that he has had, but he gets much of his inspiration from simply watching the news and seeing what’s going on globally.  Though he doesn’t always understand it, he studies it and learns from it, until he can create artwork to represent his discovery.  Here is what Lane passionately describes when asked about the process of creating this collection:

 

“… watching this,” Lane eagerly points to the news running on the TV screen, “… everything’s the same basically… I watch this and it’s like the run off and I’ll see something and I don’t understand it, and I’ll dig into it.  Normally, my first opinion on something when I first see it and I’m really passionate- I’m completely wrong, you know?  And then, if I look at it for a while, then start maybe taking it aside, I realize, ‘well, I understand where they’re coming from and, well, this is what I think,’ and then we talk and then that person goes, ‘well, I didn’t know that was that.’  And when I try to paint, it’s all of that.’  He continues to eagerly express his ideas, “And I don’t know if I’m smart enough to do it …  I don’t know if I can change anybody but I can at least speak and send a message, and maybe it will make the other person think.”

 

As the veteran and current artist describes one of his paintings found in his “Resist Division” exhibition, you can see the fire within him to really send a message and to bring the division that has become our society to one:

 

“That one was like a year ago and they were kind of questioning what a real American is,” Lane points at a painting hanging on his studio wall, “ ... but I was just like, well, what is that?  You know, it’s like, I’m Norwegian.  I’m all Norwegian except for Iroquois Indian, and that’s what that painting is.  You know, am I good enough for you?  Do I qualify?  And it just really made me mad.”

 

 

Lane’s work isn’t just a lovely painting for you to admire.  It is a striking collection of paintings that send a passionate message that not only needs to be heard, but understood.  That is Lanes desire with this exhibition: to share his thoughts through his craft, to share the one truth and to bring a divided world together.

 

“Resist Division,” is an exhibition that all should come together for.  It is a collection that will make you think, make you question and make you reflect.  Reflect not only on the division of our society, but on the constant rush that we seem to live in.  How did things end up this way?  How can we resist division? 

 

 As best said by Christopher Lane, ask yourself this: “What led us here?”