REVIEW: A Deadly Good Time - Over My Dead Body Delivers Laughs at Town Theatre By Jane Turner Peterson

Town Theatre’s production of Over My Dead Body by Michael Sutton and Anthony Fingleton is a delightful throwback to some of Agatha Christie’s murder mysteries. While it takes place in the 1990s, it evokes the feel of old-school whodunit plays. Skillfully directed by Allison McNeely, Over My Dead Body is a comedy-mystery that borders on farce, with some wonderful physical and situational comedy moments. There are several great twists in the plot that make the production even more fun. The entire cast was fun to watch.

The story is set in England and revolves around three elderly founding members of a mystery/crime writers’ literary club: Dora Winslow (Kathy Hartzog), Trevor Foyle (Bill DeWitt), and Bartie Cruikshank (Clayton King)—collectively known as the “Murder League.” A new, young writer, Simon Vale, has joined their ranks, and they are not fond of him. Vale makes fun of their old-fashioned style of writing, while the League mocks his inappropriate language used to describe his murders. The play spoofs the whodunit genre as the three members of the “Murder League” attempt to plan and execute the perfect crime to boost their careers—only to have their old-fashioned methods go comically wrong.

As the married couple Trevor Foyle and Dora Winslow, DeWitt and Hartzog bring their wonderful chemistry to full force. Having played opposite one another many times over the years, the pair are always a delight to watch. Their timing and delivery are spot-on. Clayton King’s Bartie adds a delightful dose of eccentric energy to a character who is shrewder than he first appears.

Wayne Wright’s portrayal of Vale strikes just the right mix of snobbery and cockiness to make you distrust—and dislike—his character. The club’s butler, played by Steve Reeves, adds another layer of comedy to the production. His slow-moving, dim-witted portrayal of the aging servant is fun, and even more commitment to the character would have been welcome. The murder victim—Simon Vale’s utterly despicable American literary agent, Leo Sharpe—is played by the imposing Sam Chamberlain, who dives into the role with great enthusiasm and makes you dislike him from the moment he appears.

Rounding out the production is the star-struck detective, Chris Kruzner, whose portrayal of the slightly dim-witted investigator, reminiscent of Jacques Clouseau (The Pink Panther), is spot-on. His self-assured partner, Sergeant Trask, portrayed by Chavous Camp, is also fun to watch. Together, the two make a strong comedic pairing.

Big kudos to the entire set, costume, and prop crew—Nathan Jackson, Jeremy Hansard, Julian Harley, Shannon Willis Scruggs, and Jodie Harris—whose work was very well done and served the production beautifully. Town Theatre is lucky to have such a wonderful space. A few technical elements could be tightened up, but it is live theatre, after all.

If you’re looking for a fun, lively evening at the theatre, this one is for you. Over My Dead Body runs Thursdays through Sundays until Feb. 1. For tickets or more information, visit towntheatre.org.

REVIEW: The Comeuppance Delivers a Fearless, Ensemble-Fueled Night By Jane Turner Peterson

Trustus Theatre’s Side Door production of The Comeuppance, by Branden Jacobs-Jenkins, is a modern-day dramedy set in Washington, DC. It’s an intense evening of angst, truths, secrets, and lasting friendships, as a group of five diverse millennials gather for a pre–20th high school reunion party for their “gang” of misfits—known as MERG (Multi-Ethnic Reject Group). Think of the play as a grown-up The Big Chill. This particular group of friends has faced a lot in their lifetimes so far, including 9/11 and COVID, to name just a couple. Some of these friends see each other on a fairly regular basis; others have not been together in nearly 13 years.

While alcohol—and a little pot—soothe some, others find themselves stuck in the past with doubts, unrequited love, anger, and regret. Each character has been shaped by history and by time itself. The group’s anchor, Ursula, has lost an eye due to diabetes and has endured tremendous loss; Kristina, a doctor and vet, numbs herself with alcohol to escape the pressures of being a mother of five stuck in a suffocating marriage; Emilio is a bitter, brilliant artist who has self-exiled to Europe; and Paco, a veteran suffering from PTSD, is treated as an outsider and haunted by abuse from his high school years. Each character breaks the fourth wall, speaking directly to the audience about mortality and the stories they tell themselves to survive.

Be prepared: the play runs two and a half hours with no intermission. Yet it never feels indulgent or slow. The momentum of the piece is part of its power, and it is difficult to imagine where an intermission could even exist without disrupting the emotional current. Ginny Ives’ direction honors the depth and complexity of this script. Her fluid use of the intimate Side Door Theatre at Trustus (a 50-seat space) allows the audience to feel like silent members of the group, fully immersed in their reunion.

Patrick Dodds delivers a riveting performance as Emilio, capturing both the character’s caustic wit and profound ache. His opening monologue—where he reveals that we may know him as Death—is haunting, intimate, and immediately pulls the audience into the world of the play. Dodds sustains this emotional precision throughout the evening with a richly layered performance.

Jessica Francis Fichter shines as Caitlin, bringing emotional clarity and vulnerability to a character torn between nostalgia and disappointment. Her performance is filled with subtle shifts that reveal Caitlin’s longing, regret, and unresolved affection, grounding the play with honesty and heart.

Tashera Pravato brings warmth, strength, and a deeply human gentleness to Ursula. As the emotional center of the group, she radiates compassion and quiet resilience, giving the production its moral and emotional anchor.

Ellen Rodillo-Fowler fully commits to the chaos of Kristina, delivering a fearless performance that is at once biting, funny, and heartbreaking. Her portrayal captures both the bravado and the devastation of a woman unraveling, making Kristina’s pain impossible to ignore.

Mario Haynes gives Paco a moving sense of restraint and inner conflict. His performance thoughtfully conveys the weight of PTSD and long-held wounds, allowing Paco’s vulnerability and dignity to emerge with authenticity and care.

Jonathan Adriel adds resonance and gravitas as Simon, the friend who is only heard on the phone and who cancelled on them at the last moment. His rich voice and grounded presence bring an unexpected depth to the ensemble and underscore the themes of erasure, reinvention, and accountability.

The chemistry among the cast is exceptional. Their relationships feel lived-in, volatile, and deeply rooted, creating an ensemble that is emotionally transparent and compelling from start to finish.

The set, designed by Trustus company member Dewey Scott Wiley, is ideally suited to the space and supports the storytelling beautifully. Costumes and props are equally strong and specific. I highly recommend seeing this powerful and affecting production. The Comeuppance runs Thursdays-Sundays through Feb. 1 at the Side Door Theatre. Showtimes are at 7:30 p.m. Tickets are available at trustus.org or by calling 803-254-9732.

 

 

Columbia-based Artist MICHAEL KRAJEWSKI Partners with CORIN WIGGINS to Present METAPLASIA: A CONTEMPORARY PERFORMANCE OF BUTOH & PAINT

The Jasper Project is excited to help spread the word about a new project presented by Columbia-based visual artist Michael Krajewski and theatre/performance artist Corin Wiggins, who returns to Columbia, SC after a ten-year absence. METAPLASIA: A Contemporary Performance of Butoh and Paint – A Ten Year Homecoming will be presented on Saturday, February 7th, at 7:30 PM at Gemini Arts, in Columbia, SC.

Krajewski, who has earned a reputation as a bravely experimental artist, has a history of engaging in painting as performance, often partnering with dancers and other performing artists. This time he will be partnering with Corin Wiggins who has mastered the Japanese art of Butoh Dance. According to the Butoh Institute of New York, “Butoh is an avant-garde art form born in Japan in the 1950s. Butoh developed at the height of the Japanese Counter Culture Movement and was influenced by surrealism, neo dada, French mime techniques, ballet, flamenco, Neue Tanz (German Expressionist dance) as well as French and European literature.”

Traditionally performed in white body makeup, butoh is considered an avant garde dance form and typically involves hyper-realized, grotesque imagery, and “slow and arrhythmic body contortions expressing a confluence of anguish and rapture, and a dedication to form and improvisation that is deeply connected to the nature of being.” https://japanobjects.com/features/butoh) Many practitioners and patrons of the artform consider butoh to be more of a dance experience than a performance, often saying the experience is undefinable.

In the press release for this event Wiggins states that, “METAPLASIA represents more than just a performance; it is a compelling fusion of visual and performing arts. Following a decade-long journey away from his hometown, Wiggins returns to Columbia for this significant homecoming event. Notably, this performance is poised to be the first professional butoh performance in South Carolina’s history, showcasing the depth and evolution of this unique art form.

“The term "Metaplasia," derived from Greek, signifies "change in form," reflecting the transformative processes that occur in nature and art. The performance will delve into themes of nonconsensual existence, chaos and control, cryptobiosis, and mindfulness in contemporary society. Accompanying the performance will be an original musical soundscape, meticulously crafted by Wiggins, enhancing the immersive experience for the audience.”

Krajewski will paint as Wiggins performs.

Don’t miss this rare opportunity to enjoy thought-provoking performance art ephemerally created amongst the visual art exhibited at Gemini Arts. Tickets are only $10 and may be purchased in advance via Eventbrite. Doors open at 7:10 and the performance begins at 7:30.

For more information about what to expect, please visit the Eventbrite site.

Click here to learn more about Butoh.

About Michael Krajewski: Michael Krajewski is an artist-in-residence at Gemini Arts Collective. He is a self-taught artist described as neo-expressionist, although he is less concerned with labeling than with creating from an authentic, mindful space and expressing what he is feeling and experiencing in the moment. He works in various mediums including painting, drawing, clay, and video.

Krajewski has been commissioned to provide artwork for film and art festivals, set design for Trustus Theatre, and art for the Columbia City Ballet. He painted a mural in the Greenville Children’s Museum, and a mural in the Columbia Museum of Art, one of only two artists ever invited to paint on the walls there.

Of his many contributions to the culture of Columbia and greater South Carolina is Michael’s freehand composition on the walls of Black Rooster, a restaurant in West Columbia, where he is using the entire restaurant as his canvas to create a one-of-a-kind installation that so far is four years in the making.

About Corin Wiggins: Corin Wiggins is an actor, director, and deviser of theatre. Their training and performance experience encompasses forms from the entirety of theatre history, with particular emphasis on classical verse, contemporary realism, commedia dell’arte, butoh (舞踏), and new devised work.

Raised in Columbia, South Carolina by a family of civil engineers, Corin first discovered the stage at age eight through the Columbia Children’s Theatre. Growing up in community musical theatre and child actor film agencies, including work undertaken on and off stage at both Town Theatre and Trustus Theatre, Corin began their professional actor training at the South Carolina Governor’s School for the Arts and Humanities Drama program. They hold a B.F.A. in Physical Theatre from a joint program between Coastal Carolina University and the Accademia dell’Arte in Arezzo, Italy.

Alongside a national presence, Corin has lived and travelled extensively outside the United States and has created and performed in Italy, Switzerland, Austria, Czechia, Kazakhstan, and for audiences from all over the world via numerous international festivals. To date, they have contributed to well over one hundred projects, collectively seen by tens of thousands.

The liberation of the human is the primary goal behind Corin’s work. Corin’s original performances generally concern themselves with humans and human relationships, the conscious vs. subconscious vs. superconscious mind, and dark psychedelia.

Corin has booked work throughout the United States in 2026, as well as a butoh performance tour of Japan in the latter half of the year.



Call for Sponsors of Jasper's Degenerate Art Project II - Please Spread the Word

 

The Jasper Project is in search of sponsors for our upcoming Jasper Degenerate Art Project II exhibition at Stormwater Studios, February 11 – 28, 2026.

We are asking for sponsors to help us defray the costs of facility rental, promotions, refreshments for attendees, performing artist stipends, and a cash prize for the juried Zeitgeist Award which will be given to the artwork that “most accurately represents the socio-political spirit of the times while also being technically well executed, engaging, and highly original.”  We are in need of a total of $2000 in contributions of any size.

To show our appreciation, sponsors and their guests will be invited to join us for Jasper’s Degenerate Art Project II Preview Event for Sponsors, Jasper Guild members, and Participating Artists. Our Preview Event will take place February 12 from 5 – 6:30 prior to the official opening reception from 6:30 – 8:30 the same evening. This puts you first in line to see and purchase all the art included in the exhibition as well as to toast and chat with the artists themselves.

With your permission, we will also show our appreciation at all events with a public thank you and you, or the name/logo of your business, will be listed in the following locations:

·         The Jasper Project Website

·         The printed Degenerate Art Project II Calendar of Events which will be distributed throughout the city

·         and, in a special Thank You Ad in the spring 2026 issue of Jasper Magazine. You, or your organization, may also remain anonymous if you prefer.

To serve as a sponsor for the Jasper Project’s Degenerate Art II Project please email Cindi Boiter at cindiboiter@gmail.com or by visit the Jasper Website and click on DONATE.

Thank you for your consideration.

We are happy to answer any questions you may have.

 

Kudos to Richland Library and Angela Gallo!

photo credit to fotosbyfranco

Kudos to  the Richland Library for expanding their arts horizons by bringing in a nationally recognized Dance Artist as their Artist-in-Residence!

From our friends at Richland Library :

Richland Library is pleased to welcome nationally recognized dance artist, choreographer, and educator Angela M. Gallo as the Spring 2026 Artist-in-Residence, with a residency running January 5 through June 12, 2026.

Gallo brings decades of experience as a dynamic artist and arts educator whose work explores themes of identity, transformation, memory, and resilience. She is the Artistic Director of Sapphire Moon Dance Company and serves as Dean and Professor of Dance Emeritus at Coker University. Her extensive teaching career includes work with the Joffrey Ballet Summer Intensive in Miami, Peridance Center, New York Dance Center, Hartford Ballet School, Greater Hartford Academy for the Arts, the University of Michigan, and Southeastern School of Ballet.

During her residency, Gallo will maintain office hours on Tuesdays and Sundays from 2:00 to 4:00 p.m., offering opportunities for community members to connect, ask questions, and engage in creative dialogue.Throughout the residency, Gallo will present a robust lineup of workshops and movement-based experiences designed for participants of all ages and abilities. These offerings will integrate dance, somatics, Pilates, and creative exploration to support physical, mental, and emotional wellness while fostering creativity and self-expression. Planned programs include yoga and creative movement for children and adults, as well as “Choreographing Our Stories,” a workshop focused on creating short dances inspired by personal experiences.

The residency will officially kick off with Meet the Artist: Angela Gallo on January 22, 2026, held in the Richland Library Theater. This introductory event will give attendees the opportunity to learn about Gallo’s artistic journey, creative process, and vision for the residency, followed by an informal conversation with the artist.


Chad Henderson Named Executive Director of Arts Center of Kershaw County

Exciting new from our friends at the Arts Center of Kershaw County …

The Arts Center of Kershaw County has hired Chad Henderson as the new Executive Director. Henderson, the former Trustus Theatre Artistic Director and SC Philharmonic Marketing Director, will begin on January 12th , 2026. The Executive Director provides overall artistic and administrative leadership to the Arts Center, achieving the Arts Center’s goals for artistic excellence, audience development, fundraising, sponsorship and business relations development, financial sustainability and community engagement.

Henderson succeeds Dolly Patton, who resigned from the position in summer of 2025.

The Arts Center of Kershaw County serves as the cultural hub for the region, offering visual arts exhibitions, performing arts events, and educational programming that enriches the community and attracts visitors from across South Carolina.

Chad Henderson, a Spartanburg native and current resident of Columbia, SC, has spent more than 18 years in the non-profit arts sector. At Trustus Theatre, Columbia’s professional theatre, Henderson served as the Marketing Director from 2007 to 2015, and the Artistic Director from 2015 to 2021. He has served as the Marketing Director for the SC Philharmonic from 2021 to 2026.

Known in the SC arts community as a visionary theatre director, Henderson has been awarded the 2018 Founders award from the SC Theatre Association for his work as an arts leader, and the 2012 Artist of the Year in Theatre from the Jasper Project. As a filmmaker, his work took top honors at the Jasper Project’s 2nd Act Film Festival in 2017 and 2024.

Henderson is also an accomplished playwright—his play Let It Grow won the 2024 Jasper Project Play Right Series and is available for purchase on Amazon. He has completed three residencies with the Studios of Key West in Key West, Florida.

Visit his website to learn more about previous projects.

“We are excited to welcome Chad Henderson as the new Executive Director of the Arts Center of Kershaw County,” said Board President Lee Inabinet. “Chad brings tremendous enthusiasm along with extensive experience in nonprofit leadership, marketing, and the arts. We are confident his vision and energy will strengthen the Center’s impact and support its continued growth in our community.”

The appointment also represents an important milestone in the ongoing partnership between the City of Camden and the Arts Center of Kershaw County. “Chad brings a wealth of experience from his work with the Columbia Philharmonic (sic), and we are confident his leadership and vision will strengthen the arts within our community and build and even stronger partnership between the City and the Arts Center” said City Manager Matt DeWitt.

Henderson shares the board’s enthusiasm. “The Arts Center of Kershaw County is a truly special organization in this state, and I couldn’t be more honored to become its next leader.” said Henderson. “I look forward to working with the artists and stakeholders of Kershaw County and beyond to deepen the organization’s impact and to grow the Arts Center’s unique capability to serve the community’s cultural appetite.”

Congratulations to Chad Henderson and The Arts Center of Kershaw County!

Announcing The Jasper Project's 2026 Gallery Schedule

Artist - Patrick Parise

For those of us here at The Jasper Project, one of our most satisfying ongoing projects is the monthly and quarterly rotation of artists and their work through our gallery spaces across town. Through the generosity and hospitality of restaurant owners, leadership at the Koger Center and Harbison Theatre, and the management at the Meridian Building downtown, we have been able to arrange for the showing of hundreds of Midlands area artists over the years. For some of our artists, The Jasper Project has guided them through their very first showing. This is a wonderful thing to have the privilege of experiencing and we appreciate our artists trusting us with this honor. And once an artist has shown their work with us, it seems we always become dear friends with both them and their entourage, whether it be family members, longtime supporters, or old friends who come out to cheer them on. Yes, programming, promoting, and handling all the paperwork involved in putting art on walls about town is time-consuming and arduous work. But it’s all worth it when we see the joy and pride on the faces of artists once their exhibition is open and on view.

For 2026, our team has assembled another 40+ individual artists who will exhibit their work in our designated galleries. (This does not include the visual artists we work with in our one-off projects, such as Degenerate Art II and the Peter Lenzo retrospective, coming up this spring at Gemini Arts and Stormwater respectively.)

Without further ado, we are delighted to announce The Jasper Project’s 2026 schedule of exhibiting artists!

Artist- Sonya Diimmler

The Nook Gallery at The Koger Center for Arts

January - Najee Reese

February - Easel Cathedral

March - Cait Maloney

April - Sarah Scruggs

May - Kathryn Morganelli

June - Ginny Merett

July - Sonya Diimmler

August - Isaac Udogwu

September - Patrick Parise

October - Keshoan Johnson

November thru December - K Wayne Thornley


Artist - Harry McFadden

Motor Supply Co. Bistro

February - Harry McFadden

April - Thomas Crouch

July - Katie Chandler

October - Kelley Pettibone


Artist - Clayton King

Jasper’s Tiny Gallery

January - Clayton King

February - Amy Kuenzie

March - Becci Robbins

April - Lucy Bailey

May - Tracey Seibert

June - Betsy Halford

July - Sarah Hilton

August -  Faith Mathis 

September - Jana Willis

October - Wendy Diaz (Inti Eclectic)

November - Megan Tapley 

December - TBD

Jasper’s Tiny Gallery, begun in 2019, is a virtual gallery open 24/7 where you can shop online at your convenience. Tiny Gallery art cannot be larger than 15” in any dimension and must be priced les than $250, with the majority of pieces in the less than $100 range. We developed Jasper’s Tiny Gallery as an entry level space for new collectors and working folks who want to build an art collection on an artist’s budget. By limiting the size of the art we are often able to program some of the area’s most high profile artists who create smaller, more affordable work specifically for this gallery.


Artist - Wilma Ruth King

Harbison Theatre Gallery

Spring - Walker Canada

Fall - Wilma Ruth King


Artist - Lucas Sams

Sound Bites Eatery*

January - Anna Herrera

February - Anna Herrera

March - Lucas Sams*

April - Jessica Ream*

May - Barry White*

June - Michael Morris*

July - JJ Burton*

August - Terri Birthday Show

September - Jackie Bobo*

October - Bonita Strickland*

November - Cam Moore*

December - Emily Moffitt*

*Jasper was disappointed to learn that our gracious host at Sound Bites Eatery has made the difficult decision to close their doors effective February 6, 2026. We can’t thank Terri Mac and her team enough for making all of us at Jasper, and all the artists we represent, feel so at home (and well-fed!) since the very beginning. While we all mourn the loss of this home-base gathering space for artists and arts lovers, we are delighted to celebrate our final artist on the Jasper wall who, coincidentally, is Anna Herrera, the owner’s daughter and a fine artist! (Ironically, we had scheduled Anna’s exhibition as part of the 2026 lineup prior to hearing the news that she would be our final First Thursday artist at Sound Bites Eatery.

We are currently in search of other public walls on which we can show the fully-programmed 2026 roster of Sound Bites artists, so we are announcing that roster with our fingers crossed that the proprietors of a future space will make themselves known. We’d love to hear from you!

** The Jasper Gallery Sidewalk Gallery in the windows of the Meridian Building downtown is currently being developed. We look forward Making the announcement of our first artist roster very soon!


A Message of Appreciation from the Jasper Family

Gratitude is not the only the greatest of virtues, but the parent of all the others. – Cicero

Let’s face it. There’s a lot about American Thanksgiving that is bupkis. From opposing (and propagandistic) theories of the origin story, to “traditional” dishes based on cans of Campbell’s BPA-laden soup, to little kids dodging those creepy uncles who bid them to sit on their laps after dinner, not everything about Thanksgiving is as wholesome and good as subjective history would have us believe. But science shows us over and over that being both thankful and grateful is good for our own mental health as well as the health of the relationships we foster. 

To that end, I asked the Jasper Project board of directors to share the things for which they are all thankful, in their personal lives and in their lives as public servants to the arts. 

I ask you now to indulge us as we share these thoughts with you. 

pictured - Kristin Cobb, Meeghan Kane, and Bekah Rice

I'm so thankful for the creative minds and tender hearts that continue to make this city better, and I'm particularly grateful for the Jasper team for welcoming me with open arms. It has been such a pleasure working with these talented folks. - Meeghan Kane

I am thankful for grace. For friendships that last and those that do not. For having my parents still with me. For my children who continue to make me proud of their choices to live life on their own terms and with an open heart. For the ability to get up every day and brush my teeth, go to the gym, eat a yummy meal, and breathe. For getting to work in the arts… and manage the coolest venue…It really is all a gift. - Kristin Cobb

I’m thankful for my husband, Adam Corbett, and all the other board spouses and partners who support us and work their butts off to help out at events and the wonderful artists we have worked with this year (and previous years)! I appreciate their patience with and kindness toward our board member volunteers, and the opportunity to show their work! The Jasper board for dedicating their time and talents and working so hard to make everything we do happen. I'm excited for the new folks we have joining next year as well and can't wait to see how much we accomplish! - Bekah Rice

pictured - Keith Tolen with family & friends

I’m thankful this year and every year for being a part of this amazing arts community that continues to thrive and contribute to our culture with generous positive energy. I am also grateful to be a part of the Jasper Family! - Keith Tolen 

I’m thankful for creativity - the soul of connection and overcoming differences. - Pam Bowers

I’m thankful for the new, young creative talent that is making Columbia a brighter city to live and create in. - Wade Sellers

pictured - Dick Moons leading a drum session at Jasper’s Degenerate Arts project, June 2025

I am thankful for living in a place that has such a vibrant, diverse & active arts community. I am constantly amazed & grateful for the wealth of talent in this relatively small city. I don't think many of our citizens realize just how fortunate we are. I'm also thankful for my kids,  my beautiful friends and for still being here to appreciate it. - Dick Moons

I am thankful for family and friends. I’m also thankful for the opportunity to share my ideas with the world. - Kwasi Brown

Fish for Thought by Emily Moffitt

I am thankful for my dear friends, family, and my partner-in-crime Dylan! I am also extremely grateful for all of the artists who have allowed me to work with them at Koger or through the Jasper Project. It makes me very happy to think about how we are all improving and contributing to the arts here in Columbia. - Emily Moffitt

pictured - Stan Conine

At this point in my life, I realize how thankful I am for my families (plural): Of course the really close biological one that calls me “Stanley” or ”Dad” or ”Pops.” But also my close family of Vista neighbors and friends who sometimes call me “(censored).” Or just call me. And I am especially thankful for my family of artists and fellow art lovers who helped me realize that I’m not just an art lover, I am also an “artists lover.” - Stan Conine

I have accidentally contrived the perfect retirement, having surrounded myself with visual, graphic, musical, literary,  theatrical and other kinds of artists and can proudly count them as my friends. These are the rewards of a lifetime. I was worried I'd spend my dotage playing pickleball and watching reruns of Barney Miller until I was dead. Instead, I get to write and listen to and watch and celebrate the artists with whom I cross paths on a regular basis. Barney Miller is great and all, but it can wait awhile. Oh: family and food. Those things matter too. Perhaps I take them for granted because they've always been there, which is more than enough to fill a fella's heart. - Jon Tuttle

pictured - Libby Campbell with members of her beloved “thruple” - Becky Hunter and Ellen Rodillo-Fowler

I’m thankful to live in a community which has such a thriving arts community; my closest friendships have evolved from that community. I’m also thankful for the bunch of weirdos who make up the Jasper Board and for  Cindi & the good Doc  who see that a light shines on Midlands artists who might otherwise not be recognized. And ambrosia. - Libby Campbell

pictured - Cindi’s grand-monkeys

Among the many things I’m thankful for, including family and friends and my home at Muddy Ford, I’m also thankful for the talented and committed friends who serve on the Jasper Project board of directors. We have a magazine and a film project and a playwright project and SIX galleries because these devoted people give their time, energy, and talent to a dream I had almost 15 years ago – and they’ve kept that dream alive! I’m also especially thankful this year for the newest member of our family, our fur-baby Jane. And, of course, my grand-monkeys, Sarge and Bobby. - Cindi Boiter

pictured - Janie enjoying my favorite Thanksgiving tradition - the nap!

Two Events Coming Up Celebrating GENERATIONS: 100 Years of Arts at the University of South Carolina

The University of SC’s School of Visual Art and Design is having a birthday - and it’s a big one!

Established in 1925, USC’s School of Visual Art and Design (SVAD) is celebrating it’s 100th birthday this year with two events coming up next week at Columbia Museum of Art’s The Loft, as well as at McKissick Museum on the campus of USC.

On Friday, December 5th you’re invited to help celebrate this auspicious occasion by attending a reception in honor of the museum’s exhibition of art from alumni and professors, current and contemporary, titled Generations: 100 Years of Arts at The University of South Carolina. Curated by students under the direction of Susan Felleman and Lana Burgess last spring. The reception is from 4 - 5:30 and is free.

Later, you may join celebrants at our Columbia Museum of Art’s The Loft (1515 Main Street) for an even bigger bash from 6:30 - 9:30. The evening includes live music, food, drink, opportunities to purchase art, and a short talk by Deborah Solomon, New York art critic and authorized biographer of the artist, former Lake Murray resident and USC student Jasper Johns, the artist for whom our little magazine was named. Tickets are required for this event and may be purchased by clicking this link. Please note: there is a sizeable reduction in ticket prices for artists who are self-employed. (Kudos to the event planners for giving this much-appreciated financial break to working artists!)

Jasper congratulates and honors all the members of the SVAD family!

Congrats to Columbia's Koger Center for the Arts - A Grantee of the Levitt Music Series!

Huge Congrats to the Koger Center for the Arts for being a Levitt Music Series Grantee! The Jasper Project is proud to be among the SC organizations that partner with the Koger Center to make it more than just a performance venue, but a true center for the arts. Every Third Thursday patrons can join Jasper on the center’s second tier at our Nook Gallery space where we feature the work of a Midlands-area visual artist as part of The Vista’s regularly scheduled Third Thursday programming. The intimate space offers patrons the opportunity to meet and chat with our featured artists, share a snack, and often hear our artists speak about their work. This is always a free event and we typically go from 5:30 - 7 pm, but it’s always a good idea to check the Koger Center calendar to be sure a performance doesn’t result in a change in time.

While the Koger Center has been offering a program of free events in the lobby and on the outdoor stage for a while now, director Nate Terracio says this is the first time the organization has been awarded a Levitt Music Series Grant. “The grant provides 3 years of support for free outdoor concerts in 2026, 2027 and 2028,” Terracio says, explaining that, “We have hosted both local talent such as: Longtooth, Prettier than Matt, The Ramblers, CammWess, David Rodriguez, and members of the Black Nerd Mafia,” as well as regional and national acts including Claudette King, Clap Your Hands Say Yeah, J Roddy Walston, John Hollier, She Returns From War, and Indianola.

“The Koger Center for the Arts is beyond excited that Columbia has been chosen as the first city in South Carolina to be recognized and funded by a Levitt Music Series Grant and we are thankful to the community and individuals that supported our efforts and took the time to vote for us,” he continues. “We look forward to expanding our free outdoor concert series through this grant to include spring and fall concerts.  As Columbia’s center for the arts, we want everyone to feel welcome and hope to bring the whole community together through music both inside and outside.”

For more about the grant please refer to the press release issued by the Levitt Foundation: “The Levitt Foundation, a national social impact funder supporting the largest free outdoor concert series in America, today announced the largest number of Levitt Music Series grant recipients in its history—providing 66 communities with multi-year grants, up to $120K each.

Levitt Music Series Grants are an exciting, multi-year matching grant program bringing the joy of free, live music to towns and cities across the country. Each Levitt Music Series location presents 7-10 free outdoor concerts per year, injecting new life into underused public spaces and creating joyous, inclusive community destinations. Reflecting the Foundation’s commitment that all Levitt projects be community-driven, the top 50 finalists were selected through public voting in September 2025 (via online and text to vote). The Levitt Foundation then conducted a comprehensive review process of all finalists to determine the Levitt Music Series grant recipients.

The Levitt Foundation will be awarding over $7 million dollars over three years to the nonprofits presenting Levitt Music Series, supporting 34 new grantees and 32 returning grantees to bring free outdoor music to their communities in 2026, 2027, and 2028. Also new this grant cycle are funding partnerships with state agencies—in Tennessee and Mississippi—to bring even more free outdoor concerts to their communities.

“The Levitt Foundation is thrilled to announce the communities across the country receiving Levitt Music Series grants, and we congratulate all the new and returning Levitt grantees. We know from decades of supporting free concerts in public spaces how the power of free, live music brings friends, families, and neighbors of all ages and backgrounds together, strengthening the social fabric and economic vitality of communities,” said Sharon Yazowski, President & CEO of the Levitt Foundation. “We are also excited that our partnerships with Tennessee and Mississippi are supporting additional communities in those states—a model we hope will inspire other states throughout our nation for future collaborations to bring free, outdoor concerts to their towns and cities.”

From the print issue -- DEGENERATE ART PROJECTS I & II

“We proudly reclaim our art—protest art in defiance of the current administration’s attempts to remove, censure, and redefine art and its purpose—"Degenerate Art” in solidarity with both historical and contemporary artists who work or have worked to maintain our first amendment rights of freedom of speech and expression.”

Degenerate Arts—Entartete Kunst—I and II

By Cindi Boiter

 

Sometimes you just have to say what you’re thinking. You have to get it out there, one way or another. You have to express the fire of frustration, anger, and disappointment that can rage within you, as well as those still-hanging-on, deep-rooted beliefs that it can be better. It has been better. Our country has been better and can be better again. These sensations are complex and difficult to manage for all of us.

Luckily, we have artists.

Art is the tool we humans use to attempt to reconcile our profound and complicated responses to a world that doesn’t always give us the peace we crave. The peace we once took for granted. The process of creating art, be it dance, theatre, or music, visual art, or the written word, not only soothes the artist but it helps the recipient of the art, the viewer, the reader, feel seen and heard as they wrestle with the same conflicts an unbalanced world stirs inside them. It helps the recipient to better comprehend where we are right now, as a culture, and it helps us know that they we not alone.

This is why the Jasper Project originated the Degenerate Art Project in the summer of 2025 at Stormwater Studios, and it is why we’re bringing this unique project back in January 2026 at Gemini Arts.

Degenerate Arts II offers an open call for visual artists as well as performing or written word artists who want to propose programs that they would like Jasper to help implement.

Why do we call it “degenerate art?” In his essay printed in the current issue of Jasper Magazine, professor and Jasper Magazine poetry editor Ed Madden identifies the similarities between Hitler’s purge of art that did not represent the cultural ideology he promulgated—an ideology we now recognize as fascist—and the current administration’s attempts to dictate, control, and suppress art via a “politics of culture.” As Madden writes, in July 1937, “Nazi culture warriors had searched 32 of Germany’s public museums, determined to purge them of any work they considered undesirable because they were incompatible with Nazi values.” Hitler and Goebbels called the exhibition of this “undesirable” art “Degenerate Art,” or “Entartete Kunst” and juxtaposed it against an exhibition of predominantly representative art, of which he approved, and titled “Great German Art” or Grosse Deutsche Kunstausstellung.

We proudly reclaim our art—protest art in defiance of the current administration’s attempts to remove, censure, and redefine art and its purpose—"Degenerate Art” in solidarity with both historical and contemporary artists who work or have worked to maintain our first amendment rights of freedom of speech and expression.

CALL FOR ART FOR DEGENERATE ART PROJECT II EXTENDED UNTIL MIDNIGHT SATURDAY NOVEMBER 22ND!

I’ve always maintained that we don’t fully know the history of an event or a period of time until we know how the artists interpreted it. To that end, we created the first iteration of our Degenerate Arts project to provide a concerted platform for Columbia’s artists to express their responses to our country’s current socio-political situation. We also wanted to bring our local arts community together both physically and in spirit during this challenging time in order to support and encourage one another. And we hoped to preserve for posterity the SC Midlands’ artistic interpretation of this unique and disturbing time in history.

More than twenty visual artists participated in the Degenerate Arts Project in June. It was exciting to see the work, some of it satirical like Robert Airial’s cartoons of the president as a present-day Mussolini and  the same man removing the letters M and E from the word America to simply spell ME. Some was jarring and foreboding, like Eileen Blyth’s found art sculpture of a child’s old doll in a rusty oven. And some of it was incisive and incredibly current like Marius Valdes’ huge painting of a masked ICE agent with a word bubble reading “Just Following Orders.”

Pictured - poet Ed Madden stands before Marius Valdes’s painting “Just Following Orders” during a protest poetry reading in June 2025

Eileen Blyth - Artist

Portrait and assemblage artist Kirkland Smith says, “Being part of the Degenerate Arts project reminded me how powerful art can be in shaping the way we see one another.” She continues, “I appreciated the opportunity to portray a polyamorous group of four beautiful transgender women with quiet dignity, reclaiming a narrative that has been twisted for political reasons. The exhibition created a space for empathy in a world that is forgetting how to listen.”

Kirkland Smith pictured with her painting and her daughter at the Degenerate Art Project I in June 2025

While our first project focused on visual arts, poetry, a little music, and activism opportunities, we plan for our 2026 project to include additional arts disciples and we are excited to hear from dance, theatre, and more literary artists about what you’d like to contribute.

While the 2025 project lasted less than a week, the 2026 project will last three weeks, giving all of us ample time to be seen and heard.

And while the first project was structured as an invitational exhibition, Degenerate Arts II offers an open call for visual artists as well as performing or written word artists who want to propose programs that they would like Jasper to help implement.

For more information on how to submit a proposal for Degenerate Art II please see our CALL FOR ART at the Jasper Project website.

CALL FOR ART FOR DEGENERATE ART PROJECT II EXTENDED UNTIL MIDNIGHT SATURDAY NOVEMBER 22ND!

This article previously appeared in the fall 2025 issue of Jasper Magazine, on newsstands now.

Alex Ruskell & Les Merry Chevaliers Invite You to THE WORLD'S MOST HANDSOMEST ART RECEPTION

Join visual artist Alex Ruskell on Wednesday December 3rd at 6 pm at The Hallway: Community Art Gallery at 701 Whaley for the opening reception of his exhibition.

Special LIVE performance by Les Merry Chevaliers!

The artist Alex Ruskell with Les Merry Chevaliers

Southern Exposure New Music Series Concert Presents Scenes from PERFECT LIVES

The Southern Exposure New Music Series’ second concert of 25-26 presents scenes from Robert Ashley’s quirky 1980s “TV opera” Perfect Lives, a multi-media show led and with music by USC faculty composers

Greg Stuart and David Kirkland Garner

featuring Ed Madden as the Narrator

Greg Stuart and David Kirkland Garner

From our friends at The USC School of Music —

Experimental composer Robert Ashley’s seminal work Perfect Lives, an “opera” (of sorts!) about bank robbers, cocktail lounges, and reincarnation (sort of!), was first produced for television in 1984. Since then it has gained a cult following and been called “nothing less than the first American opera, written within an American language using various American attention spans …” (Fanfare).

Southern Exposure’s special presentation of three scenes from Perfect Lives is led by USC faculty composer-performers Greg Stuart and David Kirkland Garner, who contribute the music (the sometimes-inscrutable text is by Ashley) and play alongside USC’s New Sounds Quartet. USC English language and literature professor Ed Madden, former poet laureate of Columbia, [& Jasper Magazine Poetry Editor!] is featured as narrator.

This multi-media program also features a video by Greg Stuart, and includes a related visual art display by Columbia painter [& previous featured artist in Jasper Magazine & Jasper Galleries] Mary Ann Haven.

This FREE concert – no tickets or reservations required, general admission seating – is on Friday, November 14 in the USC School of Music Recital Hall, 813 Assembly St., Columbia.

For more information, visit/contact: Southern Exposure New Music Series

Help Celebrate the Fall 2025 Issue of Jasper Magazine with a Scorpio Party at Gemini Arts!

You’re invited to join the Jasper Project on Saturday, Nov. 8th at Gemini Arts for a  Celebration of the Release of the Fall 2025 Jasper Magazine.

It’ll be a night of music, poetry, prose, visual art, and just hanging out with other like-minded Soda Citizens who believe the arts give us hope, solace, and joy! Plus we’ll be fulfilling a little wish that Cindi and Wade have had for a long time—bringing as many of Columbia’s Scorpio Babies together as possible to celebrate the exhilarating madness of being born a Scorpio!

The evening will start with poetry and prose readings by Carla Damron, Ivan Segura, Rhy Robidoux, and Naya Lanai Jackson, many of whom will be signing and selling their newest books. There’s a rumor that there will be a theatrical performance – we’ll keep you posted. And our musical guest for the evening is JB SamSon!

JB SamSon

And, of course, there will be cake and plenty of freshly baked Jasper Magazines!

Scorpios are invited to wear Black and/or Red and to find Cindi or Wade at the party to get your Official Scorpio pins.

We can’t wait to see you at 6pm at Gemini Arts at 2847 Commerce Drive. And Stay tuned – we have more surprised in store for you as the celebration continues to develop!

Palmetto Luna Presents Dia de los Muertos THIS SATURDAY -- FREE & WONDERFUL!

 

From our friends at Palmetto Luna Arts

 

Join Palmetto Luna Arts on Boyd Plaza to celebrate Day of the Dead (Día de los Muertos). This FREE annual event includes a Day of the Dead altar, arts and crafts, live music, folkloric dances, Latino artists market, a live painting session, and other cultural activities.  

Day of the Dead is a Mexican tradition to honor those who have departed before us. Within Mexican culture’s complex fusion of customs including Aztec, Mayan, and Spanish traditions, death is merely one part in the wider cycle of existence. The Day of the Dead celebration is the result of the ancient ritual venerations and offerings to the goddess Mictecacihuatl (“Lady of the Dead”) for deceased children and adults as well as the Spaniards' desire to accommodate these festivities within the Catholic celebrations of All Saints' Day and All Souls' Day.  

Organized by Palmetto Luna Arts. Sponsored by The City of Columbia, the Gaylord and Dorothy Donnelley Foundation, and the South Carolina Arts Commission, which receives support from the National Endowment for the Arts.

TRAVEL GURU RICK STEVES COMES TO COLUMBIA NOV. 10 FOR SPECIAL CONCERT WITH SC PHILHARMONIC

Rick Steves in Cinque Terra

From our friends at the SC Philharmonic —

The South Carolina Philharmonic presents Rick Steves’ Europe: A Symphonic Journey on Monday, November 10, at 7:30 PM, at Koger Center for the Arts. Audiences will embark on a multimedia journey across Europe with Rick Steves live and in-person as the SC Phil performs sweeping anthems of the Romantic era while also examining the modern spirit of unity and freedom that defines the continent. The program features works by such luminaries as Johann Strauss II, Edvard Grieg and Giuseppe Verdi. This is an especially rare opportunity for Midlands audiences to witness one of travel’s most beloved voices on stage with a major symphonic ensemble.

The experience of Rick Steves’ Europe: A Symphonic Journey will be a unique one for Midlands audiences. Rick Steves himself will take patrons on a personally led journey through Europe, with stops in Austria, Germany, Italy, England, France, Norway and the Czech Republic. For each country, Rick has personally curated a program that features anthemic works by the Romantic Era’s celebrated composers which will be performed by the SC Philharmonic. In addition to the music, Rick provides entertaining insights and cultural examinations for each country, as well as the work that is being performed. A large screen positioned over the orchestra will display beautiful footage that will accompany each work – bringing the joy of travel into the concert hall.

Rick Steves is a popular public television host, a best-selling guidebook author, and an outspoken activist who encourages Americans to broaden their perspectives through travel. But above all else, Rick considers himself a teacher. He taught his first travel class at his college campus in the mid-1970s — and now, more than 40 years later, he still measures his success not by dollars earned, but by trips impacted.

Rick’s hit program Rick Steves’ Europe continues to run on public television stations across the country including SC ETV. Rick’s book, "On the Hippie Trail," has been named a New York Times Bestseller, and is about his 1978 journey from Istanbul to Kathmandu along the popular overland backpacker route of the 1960s and 1970s. 

Rick is the founder and owner of Rick Steves' Europe, a travel business with a small-group tour program that brings more than 30,000 people to Europe annually. Each year, the company contributes to a portfolio of climate-smart nonprofits, essentially paying a self-imposed carbon tax.

Single tickets are $37-$69, and can be purchased at scphilharmonic.com or by calling the Koger Center

Box Office at (803) 251-2222, Mon-Fri. 9AM-5PM.

Congrats to the Winners of Jasper's Frightmare Pumpkin Carving Contest!

Last night at Curiosity Coffee, the Jasper Project and Black Nerd Mafia teamed up with our hosts at Curiosity Coffee for our traditional pumpkin carving contest among local artists. Participants included Gina Langston, Roxanne Mockabee, Sean Krumbolz, Keith Tolen, Ija Charles, Billy Guess, and Cynthia Bowie. We’re excited to announce the winners:

PEOPLE’S CHOICE - CYNTHIA BOWIE

FIRST VIEW, BUT LOOK A LITTLE CLOSER …

~~~

FUNNIEST - ROXANNE MOCKABEE

~~~

MOST INNOVATIVE - REGINA LANGSTON

~~~

SCARIEST - SEAN KRUMBOLZ

Congrats to all our pumpkin carvers and thanks to our partners in mayhem, Black Nerd Mafia and the always cozy Curiosity Coffee!

And BIG Thanks to the Businesses & Organizations that donated this year’s awesome prizes!

Black Nerd Mafia

Hoot Columbia

The War Mouth

City Art

Koger Center for the Arts

South Carolina State Museum

Happy Halloween from All of us!

Congratulations to our 2025 2nd Act Film Project Winners!

Last night, Thursday, October 23rd, the Jasper Project celebrated the 9th iteration of one of our favorite and most long-lasting projects, the 2nd Act Film Project. Having grown out of our previous venues, it was thrilling to see an almost-at-capacity 400-seat Harbison Theatre full of rowdy, mutually-supportive SC filmmakers who had traveled from throughout the state to be together and screen this year’s films. “We were excited to have filmmakers from all regions of the state this year,” says project director and Jasper Project board president Wade Sellers. “Spartanburg, Greenville, Aiken, Charleston, and Columbia independent filmmakers showed why the independent film community in our state as is as strong as ever.”

With 16 filmmakers participating this year, in addition to the 84 films produced in previous years, we can officially announce that, since the beginning of the 2nd Act Film Project in 2013, the Jasper Project has produced a total of 100 films by independent South Carolina filmmakers!

“This year, we named our best film award, previously the Producer’s Award, after a close friend of the Jasper Project, Tom Hall,” Sellers announced to the audience last night. A documentary filmmaker, visual artist, and musician, Hall had worked closely with Sellers on a number of films, including Compromised, a 2015 film  that examined and rejected the argument for the Confederate flag flying above the SC Statehouse. Hall died unexpectedly on January 20, 2024, leaving behind a shocked community and devastated family and friends. According to Sellers, “Tom’s passion for filmmaking, music, and supporting artists in our  community was unmatched. The Tom Hall Indie Spirit Award is awarded to the Filmmaker whose film best exemplifies this passion.” 

The winning films are as follows:

“Our Audience Award this year went to William Clay for his film, The Beautiful Confusion,” Sellers continues. “It’s a beautiful and complex, short film, and the type of project that sets the bar very high for what filmmaker’s should strive for as part of the 2nd Act Film Project.” The Audience Award is selected by the attendees at the screening, all of whom are issued one ballot per person.

Group Shot of 2025’ 2nd Act Film Project Filmmakers at Harbison Theatre with Audience Members - photo by Perry McLeod

Other awards were pre-selected by a panel of judges who, this year, included Tamara Finkbeiner, Chad Henderson, Patrick Rutledge, and Chris White. The first and third act script lines were written this year by award-winning filmmaker Robbie Robertson along with award-winning writer, Julia Liz Elliott, both from Columbia, SC. 2nd Act Project filmmakers were charged with writing the 2nd act of the screenplay and then filming the script in its entirety. The 2nd Act Film Project is the only project of its kind of which we are aware. 

“One of the 2nd Act’s missions is to amplify the diverse creative voices that are in our state,” Sellers says. “This year‘s group of filmmakers was our most exciting group yet!”

Congratulations to all of our filmmakers and winners! And special thanks to the Harbison Theatre Crew for hosting us and to Chef Joe Turkaly for filling our stomachs with yumminess and our hearts with love!

16 Brand New Films by SC Indie Filmmakers -TONIGHT @ Jasper's 2nd Act Film Project

There is so much to be proud of about this project that it is hard to know where to start. So, in no particular order, let’s just jump in!

#1 - What about our fabulous poster from local artist extraordinaire Cait Maloney — How Cool is That? Check out Cait’s other work at the link above and hit her up if you ever want graphics that rock the socks off your audience! (You’re barefoot now, aren’t you?)

#2 - Having already produced 84 films from some of SC’s most talented and creative indie filmmakers, Jasper’s 2025 2nd Act Film Project raised the number of accepted entries this year to 16, bringing our total number of films produced across the years by our 2nd Act Film Project to 100!

#3 - In keeping with the Jasper Project’s policy of NEVER charging any artist a fee to submit or show their work, not only is it FREE for filmmakers to enter our 2nd Act Film Project, but Jasper gives all participating filmmakers a modest, but meaningful, $100 stipend to use freely at their own discretion. Need a new piece of equipment to make your film? Use this stipend to help you rent or buy it! Want to make your film punch higher with cool props or costuming? Here’s a hundred bucks to help out! Want to treat your cast & crew to dinner or celebrate with a wrap party? The pizza is on us!

#4 - Thanks to our generous sponsors, Jasper is able to award $2250 in cash prizes to our winning filmmakers in the following categories:


$500 PRODUCER’S AWARD

$250 BESTSCRIPT

$250 BEST DIRECTION

$250 BEST CINEMATOGRAPHY

$250 BEST ACTOR

$250 BEST EDITING

Plus, we bring the folks who come out and support the project with their ticket purchases into the action by giving them a voice in who takes home the big bucks via the

$500 Audience AWARD

(Each audience member is issued one ballot to cast on the film of their choice!)

#5 – Speaking of our Generous Sponsors, we are incredibly proud of the trust they have placed in us to use their funds wisely and for the good of the Arts. Thank you so much for making tonight possible to

Precision Garage Door

Bill Schmidt

FIT Columbia

Rikard and Protopapas

Marketing Performance

And, of course

Coal Powered Filmworks

#6 - Finally, we are still dismayed to have received an unsolicited financial award of $5000 from our sisters & brothers in the Krewe de Columbi-Ya-Ya! We thank you. We love you. We honor you.

And to that end, we are immeasurably proud that, more than a year ago, we decided to rename our TOP film award for the 2nd Act Film Project to the

TOM HALL INDIE SPIRIT AWARD!

There are still a few seats left in the 400 seat Harbison Theatre, but if you don’t have your ticket yet, you should get one now by CLICKING HERE!