Tapley’s work always falls into the category of being socio-political in some aspect. She sees the art scene as a proper catalyst for change, with their art being a factor in facilitating it.
Jasper is once again proud to participate in the 2025 Vista Lights celebration and, this year, our featured artist is ceramicist Megan Tapley. A resident artist at Gemini Arts, Tapley will be setting up shop at Coal Powered Filmworks (home of Jasper’s filmmaker extraordinaire and board of directors president Wade Sellers) offering some great items to help you tackle your Holiday gift-buying list. The festivities get under way at 6 pm and Coal Powered Filmworks is located at 1217 Lincoln Street, a couple down from Mike Brown Contemporary and across the street from the Blue Marlin.
Read our article below about Megan Tapley, written by Emily Moffitt, which originally appeared in the fall issue of Jasper Magazine which is on newsstands now.
An Unconditional Approach to Life with Megan Tapley
By Emily Moffitt
Following a traditional lifestyle has never been in the cards for Megan Tapley. Living life to the fullest for them means living a bit unconventionally, but that never stood in the way of them pursuing their own aspirations: making a career out of art.
Megan Tapley, pronouns she/they, graduated from Clemson University in 2024 with a B.F.A. in Ceramics. This was not always their medium of choice, though. “I grew up in many accelerated art programs, which introduced me to ceramics at a young age,” says Tapley. “However, I did not pursue ceramics until college.” Tapley finds that her artistic practice is best when they balance their time between multiple disciplines, so they also engage in collaging, filling out their sketchbook, and building sculptures when not focusing on their ceramics. They are inherently driven to be creative, and as such they find any outlet they can to express their creativity.
However, regardless of the medium, Tapley’s work always falls into the category of being socio-political in some aspect. She sees the art scene as a proper catalyst for change, with their art being a factor in facilitating it. Much of Tapley’s portfolio revolves around femininity, thus leading to a body of work that focuses on the female form, reproductive rights, and the role of women in the South. Tapley says, “I feel led to make this work because of my own personal identity as a woman in the South, but I also feel led to make this work to open the conversation up.” The conversations she references are meant to be inviting rather than polarizing, especially among women. Her senior exhibition included a wide variety of vessels that represented different female forms and the desire for bodily autonomy, in a socio-politically charged statement. These differences in form, shape, and size are all meant to bridge gaps and spark up conversations of intersectionality and change as according to Tapley, “I chose to make my work inviting rather than polarizing in hopes that we can all find common ground amongst the issues we face as women.”
Tapley was born and raised in Irmo and found themself returning to the Midlands after finishing their undergraduate degree. The excitement of being a Gen Z artist in a growing community allured her, creating in them a sense of confidence in seeking out a “riskier” life, separate from the stable, 9-to-5 lifestyle other generations seem to encourage the next generation to pursue. “I think being a young artist in a growing community is a good thing,” says Tapley. “I’ve been able to gain a lot of opportunities in the last three months by being willing and able to help grow and foster the arts community here.”
Despite just starting their post-grad career, Tapley has already made great strides by becoming a resident artist at Gemini Arts and has been elected as the inaugural Gemini Arts President. The position comes with a heavy workload but is an optimal role to produce cool opportunities for her fellow artists in the studio. Making the effort to involve themself in the community is the kind of advice that Tapley offers any other young artist trying to participate in Columbia’s creative landscape. “My biggest advice is to apply to everything,” says Tapley. “The worst someone can tell you is no, and you never know where an opportunity will lead you.” Of course, Tapley also warns of the problems with saying “yes” to everything, and that it is okay to only pursue chances that are in your best interest and push your career further forward.
Tapley knows that the path of an artist is not always the easiest to take. Facing the reality of the “starving artist” narrative that many peers still harbor helped Tapley understand the importance of having true allies in your corner, ones that do support you and your craft unconditionally. Tapley says, “I feel that having people around me who question my career choices is just something that will always be an obstacle, so my way of overcoming this has been to unconditionally believe in myself.” Adopting an unwavering sense of confidence is key advice for anyone trying to break into the art scene, especially younger artists. Tapley has proven through their growing role at Gemini Arts and consistent booking of arts exhibitions that they have internalized key experiences and connections and utilized them to further their career.
In-progress art from Megan Tapley
They say, “I have learned to take feedback from those who have pursued a career in the arts, rather than giving too much attention to those who do not understand the life and career I have chosen to lead.”
Tapley is an active member of the Gemini ceramics community, and a staple in bringing awareness to the power of political commentary through art, especially for women of all ages.
