THE JASPER PROJECT PARTNERS WITH THE SC PHILHARMONIC ON THE ART OF SYMPHONY

“Eyes closed, I listened to the piece and was surprised by the immediate imagery I experienced …” - Eileen Blyth

The Jasper Project is delighted to announce a collaborative project with the South Carolina Philharmonic – THE ART OF SYMPHONY.  

When Chad Henderson, marketing director for the South Carolina Philharmonic, first posited the idea for the Art of Symphony project to Jasper, they were immediately intrigued. As Henderson explained, the SC Philharmonic had scheduled an upcoming concert on April 27, 2024, at the Koger Center for the Arts, around which the SC Phil hoped to engage with local visual artists. The concert would feature: Karen Tanaka’s Rose Absolute, Tchaikovsky’s Variations on a Rococo Theme, Op.33, and Shostakovich’s Symphony Number 5 in D Minor, Op. 47 and be conducted by Morihiko Nakahara featuring guest artist Sterling Elliott on cello. Henderson proposed that the music be divided into 14 singular sections and the Jasper Project invite and work with 14 of the Midlands’ finest visual artists, who would each respond to a unique piece of music artistically.

The newly created art will be projected on screens during the live performance of each of the 14 sections of music, as well as presented as an arts exhibition in Jasper’s Nook Gallery on the grand tier level of the Koger Center for the Arts.

The Art of Symphony Art Exhibition will open on Thursday evening, April 18, 2024, with a reception that is open to the public from 5:30 – 7 pm. The Art of Symphony Symphonic Convergence of Music & Visual Art will take place on Saturday, April 27th with the concert at 7:30 pm and a Meet the Artist Reception in the Nook Gallery at 6 pm. 

In keeping with the Jasper Project’s founding priority of cultivating multidisciplinary collaboration, Jasper will also publish a book of the featured art, entitled The Art of Symphony, which will be available for purchase at both events. 

The 14 visual artists participating in the project include Fred Townsend, Wilma King, Lori Isom- Starnes, Eileen Blyth, Stephen Chesley, Thomas Washington, K. Wayne Thornley, Alejandro Garcia-Lemos, Anthony Lewis, Lindsay Radford Wiggins, Michael Krajewski, Keith Tolen, Regina Langston, and Laura Garner Hine. Garcia-Lemos created an animated short in response to his designated section of music which will be shown on monitors in the Koger Center lobby before the concert, during intermission, and at The Art of Symphony Art Exhibition opening on April 18th. 

Eileen Blyth, who created Overheard Overhead in response to the first movement of the Shostakovich Symphony No. 5, said, “Eyes closed, I listened to the piece and was surprised by the immediate imagery I experienced. I was eye level before a roof top. Bird-like objects dipped and soared. Buildings stretched tall and then wide, up and down, back and forth. Objects moved in harmony. I saw the Maestro in my painting directing the symphony of shapes, lines, and color.”

Wilma King, who painted in response to the third movement of the Shostakovich said, “This project, much like a symphony itself, goes deep into the hearts, minds, talents, and expressions of myriad artists, culminating the various parts and facets into this paramount event.”

For more information visit JasperProject.org or SCPhilharmonic.com.

May Peace Prevail on Earth -- The Vista Peace Pole by Eileen Blyth

“I was really pleased at how the work was accepted by the committee and the public. Everyone was very excited about the design and for such a large committee, they were delightful to work with. I think if anyone could do it, those people could make and sustain peace.” – Eileen Blyth

On Tuesday of this week, Columbia unveiled a new contribution to the Peace Pole project, an endeavor started in 1955 by Masahisa Goi in Japan after the bombing of Hiroshima. The Vista Peace Pole was funded by the Quaker community of the Columbia Friends, a committee of about thirty people who did all of the fundraising for the project and tapped visual artist Eileen Blyth to design and construct her unique version of an interactive Peace Pole.

The world-wide peace pole movement encourages the planting of poles on which the message “May peace prevail on Earth” is written in many languages. The Vista Peace Pole is located on the nine hundred block of Senate Street between Lincoln and Assembly Streets.

Blyth’s equally interactive drum-like sculpture, “Hanging” on Main Street adjacent to Drip coffee, sponsor of the installation, is already a local favorite among both children and adults.

Jasper spoke with Blyth about the opportunity to create this permanent addition to Columbia’s cityscape.

Jasper: How long did you work on this project?

Blyth: Probably one year start to finish with several bumps in the middle. Meeting with language experts, technical drawings. fabrication. Supply chain issues, and all the fun stuff that happens when doing a piece of public art.

Jasper: Can you tell us about the construction? 

Blyth: The body is Cor-ten steel and the letters are stainless steel. The body is formed around a rebar structure. It is 8”x8” at the base, 8”x22” at the top and 8’ tall. The bell is the cut off top of a gas C02 tank.

Jasper:  How deep is the pole in the ground? 

Blyth: About three feet below the surface and 8ft tall

Jasper: Did you have much freedom in your design?  

Blyth: The sculpture looks 100% like the original drawing. I had total freedom to come up with my own design within the parameters of what a peace pole is. 

Jasper: How did you make your Peace Pole unique to you as an artist? 

Blyth: I added the bell and the curve at the top. I wanted it’s to represent peace as a noun and a verb. The committee chose the languages. I met with each language expert several times to be sure I got every detail correct. The letters were cut out with a water jet and each piece was attached to the surface individually.  

An Interview with Board Member Bert Easter on the Jasper Project Galleries at Meridian

With the Street Gallery concept, the public can visit the Jasper Project Galleries windows and not have virus concerns.  Viewing artwork at these windows can be done safely from the sidewalk; someone could even drive by and take a peek at the artworks from their car. 

-Bert Easter

Board Member, The Jasper Project

Bert Easter - courtesy of Ed Madden

Last April, The Jasper Project opened a new gallery in a prominent downtown Columbia building. Though the Meridian Building opened its doors in 2004, it was built from the facade of the 19th century Consolidated Building. This coalescence of elements externally can also be found internally, through the art featured in the lobby and the display windows that line Sumter and Washington Streets.

courtesy Historic Columbia

I was able to chat with fellow board member Bert Easter, who started and organized the gallery, about what this first year has been like, what artists are currently being featured, and how the public can interact with this significant space and the art within it.

JASPER: It’s been just over a year now that you’ve been working on the Meridian. How has it been?

EASTER: I really have had great luck with the Meridian hosting and being very helpful with my little idea.  It’s actually been a lot of fun, and some work, pulling together artwork to offer in downtown Columbia. And we have been very lucky to develop a partnership with Virginia Scotchie of USC to show student work alongside her artwork.

JASPER: What made you first walk past this building and think, “This is the place for a gallery”?

EASTER: I saw the windows as a missed opportunity for both the city and the arts community.  When I approached the Meridian, I was pleased that they were excited with this idea and even offered the additional space of the grand lobby area to be opened up for local artists. 

JASPER: Did you have any specific goals for it then?

EASTER: I hoped then, and now, that at the Meridian we would have business folks who might see, connect with, and purchase local art.

JASPER: With such a great pool of artists in Columbia, how do you select artists to meet the gallery’s goals?

EASTER: Thus far I have contacted the artists and helped select artwork that I hope works well and complements the other artists’ work.  I try to also have a few pieces that challenge the traditional ideas of artwork – to offer abstract paintings or a brutalist sculpture or a pottery vase that you would never use for flowers.   

JASPER: Have you had any highlights in this journey of merging art styles and voices?

EASTER: Pulling together Assemblages by Susan Lenz, with plastic assembled work by Kirkland Smith, alongside found metal items sculptured by Andy White was one of my favorite window displays show in our first show.  I have also enjoyed showing pottery by Paul Moore with carved palmettos on the side of the vases placed by landscape paintings.  

JASPER: Well other than great art, what should people expect when going to the gallery?

EASTER: The windows are just like storefront windows for a department store.  They are lighted at night, and I actually tell folks that the windows look better at night from the street and sidewalk.  The lovely Main Street lobby is limited to weekday business hours (8-6) due to the security concerns of the Meridian. Currently, once you enter through the revolving doors on Main, you’ll find pottery on pedestals by Virginia Scotchie and USC students and paintings on canvas by Nikolai K Oskolkov.

 JASPER: Has COVID-19 impacted the way people visit the gallery?

EASTER: With the Street Gallery concept, the public can visit the Jasper Project Galleries windows and not have virus concerns.  Viewing artwork at these windows can be done safely from the sidewalk; someone could even drive by and take a peek at the artworks from their car. 

JASPER: You mentioned it briefly before, but if people want to stop in or drive by, what artists can they expect to find currently? And how long will the current artists be up?

EASTER: The current show has 10 different artists being offered with a large collection of paintings by Nikolai Oskolkov in each of the 3 galleries on this block. We have been switching out artwork every 3 months so that we would have 4 shows each year.  When the virus hit, we stopped, and the current show has been left up, but I plan to switch out the artwork after the virus is less of a concern. This show includes art by Nikolai K Oskolkov, Bohumila Augustinova, Michael Krajewski, Eileen Blyth, Virginia Scotchie, and USC students from the School of Visual Art and Design. 

JASPER: What should people do if they see one of these pieces of art and fall in love with it?

EASTER: The signage will provide the cost of the artwork and my cell number where folks are able to ask any questions, arrange for me to come to the Meridian and meet with them, or to arrange purchase of the artwork. As far as pricing, we have offered original artwork starting with prices at $200 and going up to $2,500.  

JASPER: Well, to round all this out, tell me: Columbia is a city full of artists & galleries — what makes the gallery at the Meridian special?

EASTER: We have established this partnership with the Meridian to offer artwork outside the gallery setting to bring local artworks to the people who might not visit galleries with the intention of purchasing artwork – in a hope that downtown folks might see, connect, and enjoy art by local working artists.  We think that the display window setting might allow someone just headed out to a meeting, dinner, or a local church service to view artwork in downtown Columbia.

The Jasper Galleries at Meridian is located at 1320 Main Street. If you’re feeling cooped up at home and want to feel inspired, take a drive down Washington or Sumter Street and see the selection of artists that Property Manager Amy Reeves stated “brought life to our windows”, and maybe even take a piece home to keep you company.

 -Christina Xan

Christina Xan is a writer, a doctoral student at the University of SC, and a member of the board of directors of the Jasper Project where she manages the Tiny Art Gallery Project.

The Jasper Project operates public space galleries at Harbison Theatre, Motor Supply Company Bistro, and the Meridian Building in downtown Columbia. If you’re interested in developing a gallery area in your public space, or you’d like to exhibit your art, please contact Laura Garner Hine, Bert Easter, Christina Xan, Cindi Boiter, or Wade Sellers.

To support the work of Jasper, including articles like the one above,

please consider becoming a member of the Jasper Guild at www.JasperProject.org

PREVIEW: Eileen Blyth Opens New Show - The Shadow Line - at Stormwater Studios

Cait Patel talks with Eileen Blyth about her show opening this week at

Stormwater Studios

Stormwater Studios is a community gallery and studio space housing 10 resident artists. Among those residents is Eileen Blyth, a staple in the Columbia art scene for close to 30 years. In her upcoming exhibition, she seeks to explore the relationship between line and shadow in her abstract paintings and sculpture. The Shadow Line, at Stormwater. Set to open Tuesday, January 21st, the show will display somewhere between 30 and 40 pieces of her latest work. The opening reception will be held at Stormwater on Wednesday, January 22, from 5-8 pm and the show closes on Sunday, February 2nd at 4:00 pm.

Who is Eileen Blyth?

Eileen graduated from the College of Charleston with a bachelor’s degree in Studio Art. Shortly after graduating, she moved to Columbia, where she pursued coursework at the University of South Carolina in graphic design and illustration. She worked for several years for a local typography company in Columbia. She has had many other exhibitions around South Carolina in galleries such as Gallery 808 in Columbia, Art and Light Gallery in Greenville, and Carolina Gallery in Spartanburg. You may also have seen her metal drum sculptures in Columbia as part of a public art initiative.

 What is the show about?

Her show, The Shadow Line, will display a variety of abstract sculptures and paintings that communicate with one another. Blyth’s sculptures are composed almost entirely of objects extracted from found pieces. She works primarily with wood, metal, and cement. The juxtaposition of the paintings and sculptures are quite visually interesting and leave the viewer wanting to know more. For her, the repeated reflection of shapes and lines throughout her work is almost a subconscious theme. Her paintings are colorful abstracts with fine, elegant lines that echo in her sculptures. The relationship between the two is clear and compelling. Blyth says she’s inspired by the way the light comes through the window of her studio and informs how she views her own work. She seeks to answer questions such as, “How does the lighting and shadow of a piece inform how it is understood?” and “How does the relationship between a painting and a sculpture affect the viewer?” Her goal is to intrigue the viewer to ask themselves what they are truly seeing, whether real or perceived. The simple lines, shapes, colors, and shadows of her work will do just that.

What is one of her favorite “found” objects in the show?

 A few of the sculptures in the exhibition were produced from molds she bought at a garage sale held by the SC State Museum. When asked how the molds were used originally, she says they were likely for small structural pieces of the old cotton mill such as nuts and bolts. She uses them to create castings in cement to fabricate simple and unique shapes that she can use as an individual piece, or in conjunction with metal or wood to create a finished work. The combination of the hearty cement shapes with a delicate metal line produces something that is truly visually fascinating.

How does this show differ from previous exhibitions?

 Blyth says this show could be considered in some ways less intentional than previous shows. She is largely influenced by the stimulus of her surroundings and says this affects how she starts to paint or sculpt from moment to moment. Often times, she may start with an idea that ends up changing and evolving as she goes through the creative process.

 What’s up next for Eileen?

Blyth says she isn’t quite sure what’s up next for her and that excites her. She wants to take a step back and look at the progression of her work over the past year and possibly go back to the basics of drawing and sculpting. She is also exploring the idea of taking time to travel and be open to where that may lead her next.

 by Cait Patel

For more about her show visit

https://www.stormwaterstudios.org/event/eileen-blyth

For more information about her work visit

http://www.eileenblyth.com/

Eileen Blyth Takes on Final Tiny Gallery at Tapp's This Thursday

While our Tiny Gallery Series at Tapp’s Arts Center will conclude on Thursday night, we are working to find locations for the interim month Tiny Galleries as we wait to move into our new home in 5 Points.

Jasper is excited to welcome esteemed sculptor and visual artist Eileen Blyth to the Tiny Gallery Series on Thursday, December 5, 2019 during our final Tiny Gallery show at Tapp’s Arts Center.

The Tiny Gallery Series, under the direction of Jasper Project board member Christina Xan, was developed in 2018 as a unique way to challenge artists to create smaller art pieces at smaller price points, consequently allowing for collection and appreciation of art by art lovers on more fixed budgets, including young folks who are just starting their careers, students, and artists themselves. During this time of year, it’s also a great time for Christmas shopping for your special friends.

We are particularly excited to host local sculptor and visual artist Eileen Blyth, whose work is typically large scale and sometimes sight specific.

2011

2012

Originally from Charleston, Eileen has always thought of herself as a painter. She earned her Bachelor of Arts degree from the College of Charleston where she studied under William Halsey and John Michel.

Halsey’s use of color, texture and humor was an influence on how she approached her work. She also studied graphic design at The University of South Carolina.

According to Blyth, “There are times when I have an idea in my head of how a painting or sculpture will go. Most always, as I work, a completely different thing happens, as if the paint or object had a plan of its’ own. Somewhere between building a structure or making and erasing marks there is a shift. It is that moment of knowing, of seeing that shape or line, of finding the composition that is the exciting thing for me.”

“On the Fence”

Blyth continues, “My head is full of thoughts, conscience and sub-conscience. I am in conversation, or meditating, over analyzing, or simply joyfully reacting to an environmentally inspired mood. Bold lines are followed by quieter thoughtful ones as if i am having a discussion; debating. Sometimes it amuses me. Sometimes it is frustrating. I am digging in, digging deep. It has to feel authentic. I am trying to discover, not just repeat the same words over and over. My mood may change from one day to the next so balancing the conversation, being consistent in thought; one conversation at a time, is impossible. I usually work on 4 or 5 pieces at a time, turning from a painting to a sculpture and then to yet another painting in one session. Starting on the floor, I may be moving paint and lines around. Then, I find myself in another corner of the studio playing with a piece of worn wood and rusted nails. It makes perfect sense that I see my lines in my sculpture and my sculpture in my drawings but it always surprises me. I like experiencing that same moment of surprise when a viewer, for just one second, isn't sure what they are looking at.”

Join us at the Jasper Project Studio #7 tomorrow (Thursday) night, December 6th starting at 6 pm for our final Tapp’s Tiny Gallery as we celebrate the work of Eileen Blyth.

Artist Eileen Blyth

Supper Table Spotlight: Eileen Blyth and Katly Hong

We’re featuring the artists from the Supper Table project throughout the summer. This is the 22nd in our series on Supper Table Artists!

Still from Katly Hong’s film on Althea Gibson

Althea Gibson was the first black athlete to break racial barriers of international tennis, specifically when she became the first black American to win a Grand Slam title. Additionally, Gibson was a golfer, a singer, and a black woman trying to have access to the same rights and activities as everyone around her, through doing what she did best – playing tennis.

Eileen Blyth is the visual artist who created a place-setting for Gibson. Blyth is a Columbia artist known for her paintings and found art sculptures. Originally from Charleston, Eileen has always thought of herself as a painter. She earned her BA from the College of Charleston and studied graphic design at the University of South Carolina. She is inspired by the moment of creation when there is a sudden shift into a space of knowing and composition falls into place. Blyth’s studio is located at Stormwater Studios in Columbia, and her work is represented by Carol Saunders Gallery in Columbia, Camilla Art Gallery in Hilton Head, and Art & Light Gallery in Greenville.

Eileen Blyth

Blyth’s place-setting is heavily inspired by Gibson’s tennis career, which is what brought her to fame, but also contains elements of Gibson’s other achievements. For example, the background of Blyth’s place-setting is modeled after a tennis court, and both the frame on her platter as well as the handle of her goblet come from disassembled found tennis rackets.

Blyth said that she “liked the metaphor for serving and service both on the court and at the clubs she was allowed to play in but not go in” that is represented by the frame on the platter as well as the glove holding the golf club.

The platter itself is engraved with Gibson’s name and the quote: “She was born too soon”.

Turning Gibson’s full life into a short film is Katly Hong. She is an interdisciplinary artist who regularly pivots between visual, media, and performance art. For the Supper Table, Hong was enthralled by the challenge of honoring Gibson’s incredible athleticism and her determination to be somebody in a time of segregation and open discrimination.

Katly Hong

Hong’s film uses animation and music to honor Gibson’s life. While the film’s animation mainly focuses on Gibson’s tennis accomplishments and accolades, the music in the background is Gibson’s own from the music career she embarked on later in life.

The Jasper Project Announces our 2019-2020 Tiny Gallery Season Line-Up by Christina Xan

Chris Lane Sabrina White Michael Krajewski

Mary Ann Haven Eileen Blyth

Bohumila Augustinova Vanessa Hewitt Devore

Mary Mac Cuellar Justice Littlejohn

Last year, Jasper launched its Tiny Gallery series. At the time, we didn’t know where this series would go, but it started with a hope that it would at least promote the art appreciation and accessibility and put some funds in the pockets of some of our beloved local visual artists.

The goal of Tiny Gallery is to provide accessible art from phenomenal local artists at a price most point folks can afford. We want people to see fine art and be able to take it home without breaking the bank. The art world in Columbia is vast and colorful, full of artists of different mediums and talents. Unfortunately, for many working people in our community, many of whom are students, artists themselves, or young adults just starting out, when they come across large, expensive pieces, they may fall in love with them, but they can’t bring them home.

At Tiny Gallery, we find a balance between ensuring artists are selling works worth their time, effort, and artistry with prices feasible to the average consumer. We also provide this in an intimate setting, where patrons can see the art and comfortably mingle with others including the artists themselves.

Our first year was a wonderful success, featuring artists such as Thomas Washington, Olga Yukhno, Kathryn Van Aernum, Will South, and Sara Cogswell. Now, we’re back for our new season. Our Tiny Gallery seasons run from August to June with breaks in January and July. We feature new artists every month, with shows on First Thursdays in our studio #7 at Tapp’s Art Center. The pieces the artists show cannot be larger than 15x15” or more expensive than $250, and they are encouraged to be smaller and less expensive.

Now, I’m so excited to share with you all our 2019-2020 season and the phenomenal 9 artists showing in the coming months, the first of which is this very evening.

Chris Lane

This month, for August, we’re kicking off the season with local painter Christopher Lane. Born in Minnesota in 1968, Lane spent his formative years inspired by regional artists Thomas Hart Benton, Andy Warhol, Georgia O’Keeffe, and Roy Lichtenstein. He has traveled all over the globe and he eventually settled down in South Carolina. Here, he continues to use fantastic imagery to turn his life experiences into visual stories that primarily focus on people and their relationships with one another. They often offer historical, political, or spiritual narratives — subjects Lane is passionate about.

Lane is also our only extended artist of the season—in September, we’re offering you Christopher Lane Extended. Here you will have a second chance to see work you may have missed out on the first time around and even see new pieces. Lane is also doing additional gallery events throughout the months of August and September that we will be announcing on social media soon.

Michael Krajewski

In October we have a special creepy show planned with artist Michael Krajewski, who is doing a Halloween themed show titled “Michael’s Monsters & Maniacs”. Krajewski is a self-taught artist who has shown in numerous galleries, collaborated on large commissioned pieces for museums, painted live at art events and been the subject of magazine and newspaper profiles. (Krajewski was Jasper Magazine’s first ever centerfold artist in 2011!) His style has been called neo-expressionist and compared to Jean-Michel Basquiat's, though Krajewski says he is less interested in defining, more interested in producing. He’s had solo shows at the HoFP Gallery, Frame of Mind and Anastasia & Friends in Columbia, SC, and participated in a two-person show at the Waterfront Gallery in Charleston and in a group show at 701 Whaley

Mary Ann Haven

In November we have Mary Ann Haven’s paintings. Haven works in acrylic paint, mixed media, collage, and photography. She has been an Open Studios artist with the 701 Center for Contemporary Art's annual studio crawl since 2011. In today’s hectic world, Haven says, the ability to find quiet can be a challenge. As an artist moving color across a canvas, she must be fully present listening to where her intuition guides her. She finds this is grounding, exhilarating, and peaceful at the same time. This art practice keeps her ever the explorer of the unknown and grateful for the opportunity.

Eileen Blyth

In December, we have a show just in time for the holiday season with artist Eileen Blyth, who will be offering art pieces perfect to give as gifts. Blyth is a Columbia artist known for her paintings and sculpture. Originally from Charleston, Eileen has always thought of herself as a painter. She earned her Bachelor of Arts from the College of Charleston and studied graphic design at UofSC. She is inspired by the moment of creation when there is a sudden shift into a space of knowing and composition falls into place. Eileen’s studio is located at Stormwater Studios, and her work is represented by Carol Saunders Gallery in Columbia, Camilla Art Gallery in Hilton Head, and Art & Light Gallery in Greenville

Bohumila Augustinova

We will take a break in January to celebrate the JAYS, but our February show will feature wire artist and ceramicist, Bohumila Augustinová. Augustinová was born and raised in communist Czechoslovakia, now Czech Republic. She has a degree in fashion design. She was always an artist. Bohumila came to the United States in 1998. After winning Runaway Runway, she quickly became part of the Columbia Art scene. In 2015, she took over Anastasia & Friends Gallery. Bohumila is a leader of Yarnbombers of Columbia and is the Curator of Art for Motor Supply Company. She works at the Columbia Art Center where she not only makes art, but also teaches art to others.

Vanessa Hewitt Devore

In March we are hosting potter Vanessa Hewitt Devore. All of Devore’s life she has enjoyed nature; in fact, some of her earliest memories are of her grandmother’s backyard.  Every day, she would help her plant and tend her flowers and she would point out to Devore all the different birds and animals that would visit her garden.  The memory of those times fills her with a sense of joy that she tries to convey in her artwork. Devore is not the only artist in her family; in fact, she is a fourth-generation artist.  Her great grandmother painted, her grandmother both made pottery and painted, her father is glass artist, Steve Hewitt and her my mother is the renowned artist and educator Mana Hewitt.. The wheel Devore uses every day belonged to her grandmother.

Sabrina White

In April we are featuring fine artist Sabrina White. White incorporates a wide variety of mediums into her mixed media work and creates everything from drawings to paintings to sculptures to fiber art and textiles. Born in Charleston, SC, White holds a BA in Studio Art and a M.Ed. from Columbia College. She is an instructor who teaches classes and workshops throughout North and South Carolina. Most of her small format work focuses on one of the following three subjects: eyes, portraits, and animals.

Justice Littlejohn

In May we have painter Justice Littlejohn. Littlejohn is an abstract painter and educator. He was born and raised in Columbia and received his BA in Art History from Wofford and his MA in Art Education from UofSC. He has previously taught at the SC Governor’s School of the Arts and Glenforest School in Columbia. He is a father and professional exhibiting artist who has shown works in the city before at galleries such as Anastasia & Friends

Mary Mac Cuellar

Finally, in June, 2020, we close out our 2nd Tiny Gallery season with painter Mary Mac Cuellar. Cuellar is a mixed media artist who resides in Columbia, SC. She recently showed her work at Kinetic Derby Day.

More about these artists, their work, and their shows will be posted on our social media as their events draw closer, but be sure to go ahead and mark your calendars for First Thursdays at Tapp’s now.

When Tiny Gallery started, I was just an intern, in my first month of working with Jasper. Our first show was Keith Tolen, who I interviewed about the show, and then I helped run the event. From the moment I met Keith to witnessing the interactions between artists, patrons, and Jasper members, I knew Tiny Gallery was special. I’ve grown closer and closer to it over the months, and now, I’m the Host of the series. 

For me, as both a graduate student and an artist, I’ve always wanted to bring the art I saw in galleries home, but often, I couldn’t. Now, I never leave a Tiny Gallery empty handed. It fills me with happiness and pride to not only bring home the work of artists so dear to me but to know I am part of creating that opportunity for others as well.

I am absolutely floored by the round up of artists we’ve been able to put together for you all this season. Each of them is bringing their completely unique perspectives to the table, and my heart swells knowing you will be able to witness their magnificence. There isn’t one of these you’ll want to miss.

Be sure to follow The Jasper Project on Facebook and Instagram for more updates on our Tiny Gallery series and more details about our upcoming show, and stop by Tapp’s Art Center tonight between 6 and 9 pm to see Christopher Lane’s fabulous work.

 — Christina Xan

New Film in Works -- "Rising" by Ron Hagell with Terrance Henderson

“Rising ”is a new contemporary dance film by Ron Hagell, with choreography by Terrance Henderson. It is being made for The Jasper Project as a part of the “Marked by the Water” commemoration of the first anniversary of the 1000 Year Flood on October 4, 2016.

Both Hagell and Henderson have felt strongly that the artists of Columbia need to “make artwork” in response to this major event that brought upheaval to so many lives in our hometown. To that end both artists, experienced in dance and filmmaking, came together to devise this new work.

The artists were close to some of those whose homes were engulfed on the night of October 4, 2015 particularly along Gills Creek in the Rosewood section of the city. In the aftermath many had lost a lifetime’s worth of treasured possessions and their homes but thankfully, with the help of neighbors and strangers, few lives were lost.

Talking through the disaster’s lead-up and with a good deal of knowledge of the community since the flood, both felt that there has been a change in our community and that a comment about this could be the starting point for new work.

If we think back to our state and town in the years and months leading up to this event it is clear that South Carolina has been in a socio-cultural slump for some time. There were many problems that came to a head prior to the flood. The Charleston shooting happened and this lead to the final chapter in the decades long struggle to remove the Confederate Battle Flag from the Statehouse grounds. While one negative incident led to a positive one, the economic and political plight of many blacks and other citizens of the state did not change. Old problems of inequality and racial division seemed as intractable as ever. The SC State Supreme Court ruling regarding basic education rights for all children showed us how serious the situation had become. But many still believed that, even with these news headlines, change would only come in the far distant future - if at all.

Then the flood came.

Since the flood came so quickly and waters rose to heights never before witnessed in living memory, those affected needed a great deal of assistance from across the whole community. In most areas the destruction was so great that normal services could not cope. In these cases many communities saw neighbors and stranger helping each other in a myriad of ways regardless of race or social standing. The flood brought down barriers and in their place we have felt a change that has stayed around. It’s a ripple on the surface of our town, where history runs deeper than the three rivers. But it’s there and we hope it will lead to a new beginning and a bridge to change.

Our dance film speaks to this hopeful future but rests in the arms of our Southern traditional/spiritual music. As with most contemporary dance, every element of the work is symbolic. The historic photograph stands-in for much that is lost – washed away by the waters. But still our victim is helped to rise from the flood into a new life with the help of others.

“Rising” Film Production Organization:

Production: Studio 53 – Contact: Ron Hagell or Shirley Smith

Telephone: (917) 216-2098 or (803) 609-0840

r.hagell@gmail.com

Filmmaker (script and direction) – Ron Hagell

Choreographer and Music Arranger – Terrance Henderson

Principal Vocalist – Katrina Blanding

Supporting Vocals – Terrance Henderson and Kendrick Marion

Art Director – Eileen Blyth

Auditions are currently underway for dancers and additional crew. The film will be completed in late September for screening on October 4, 2016.

This film is being produced under the auspices of the Jasper Project as a part of “Marked by the Water,” under the leadership of Cynthia Boiter, Ed Madden and Mary Gilkerson.

Drawing the Line with Eileen Blyth

 

Artist Eileen Blyth's upcoming solo art show “Drawing the Line”, does exactly as its title suggests. It drives us to decide at what point we've reached our limits, exhausted all possibilities, seen all there is to see.

With a nod to graphic arts icon Milton Glaser, the show encourages viewers to look closer, to examine the tiniest details and open their minds to new or unforeseen perspectives.

According to Glaser, no artist should stop exploring and discovering new prospects. Just because an artist has landed on something that resonates-that sells or is widely celebrated at one moment in time - does not mean that the artist is done and should be satisfied to produce within the confines of that success. “When you do something that basically is guaranteed to succeed, you're closing the possibility for discovery,” Glaser said. “The arts provide a sense of enlargement and the sense that you haven't come to the end of your understanding.”

An established painter, sculptor, and installation artist, Blyth is pushing herself to shift and mutate boundaries, to ensure that she is growing creatively. For many years, Blyth has alternated between two-dimensional paintings and three-dimensional sculptures, all falling under the abstract umbrella. Recently, she noticed that some 3-D effects were showing up in her 3-D work. "It was surprising to recognize the 3-D lines and shadows within the confines of the 2-D line and composition. There was an internal shift, a moment of playfulness that intrigued me." Blyth says. “It is not meant to be the purpose of the work; it is just the bonus. The viewer is invited to discover what he is actually seeing, a suggestion that transcends the natural world.”

With this in mind, Blyth decided to take stock, to look back at her purest origins. Last fall, she enrolled in a life drawing class. “I realized I hadn't picked up a piece of charcoal since college,” she explained. “I wondered whether I could still draw the human figure. I didn't forget how to draw, but I had to reconnect my eye and hand, my memory and reality. After a long while, an artist can forget how to actually ‘see’.”

“I was exploring the foundation and inspiration, the origin of my marks, penetrating lines that punctuate so many of my paintings. Was I saying anything relevant with the lines and shadows, or was I just repeating myself?”

Blyth’s new work reflects on the unspoken dialogue that takes place between artist and viewer. It seeks to reshape perspectives and connect with the viewer in new ways. “I want to convey something personal in every piece,” Blyth said. “I want to make authentic connections that are meditative and mindful of perpetuating circles we all naturally experience.”

There is playfulness in many of these paintings. They invite viewers to join visual puzzle pieces, to make their own discoveries within the lines.

“Drawing the Line” runs from February 13-24, 2015, at Vista Studios Gallery 80808 on Lady Street in the Congaree Vista. There will be an opening reception on Friday, February 13, 2015 from 6:00-9:00pm. For further details, visit www.vistastudios80808.com or email e@eileenblyth.com.

Jasper Announces 2014 JAYS

Jasper Magazine is delighted to announce the winners of the 2014 Jasper Artists of the Year awards. Winners were announced on Friday, November 21^st at a fundraiser gala for the magazine at Columbia’s historic Big Apple at Park and Hampton Streets, amongst a crowd of 150 guests.

Winners include Katie Smoak for dance, Darien Cavanaugh for literary arts, Greg Stuart for music, Kathleen Robbins for visual art, and Catherine Hunsinger for theatre.

The evening’s entertainment was provided by swing dance masters Richard Durlach and Breedlove, who are featured in the November/December issue of Jasper Magazine, and who demonstrated and taught attendees how to dance the Big Apple dance, made famous in 1937 at the historic Columbia location. Vicky Saye Henderson and the Apple Jacks, a new period musical ensemble comprised of Greg Apple, Christopher Cockrell, Chase Nelson, and Henderson, entertained with songs from the era, and Terrence Henderson emceed the event. Catering was provided by Scott Hall Catering. Rob Sprankle was the photographer.

Sponsors for the evening included Bourbon Columbia, City Art Gallery, HoFP Gallery, Peter Korper Realty, Coal Powered Filmworks, Burt Pardue, Billy Guess, Jody and Jeff Salter, Pura Wellness Spa, and an anonymous donor. The gala committee was comprised of Lauren Michalski, Bohumila Augustinova, Rosalind Graverson, Margey Bolen, Annie Boiter-Jolley, and Jasper editor Cindi Boiter.

Nominees for Jasper Artist of the Year (JAY) were solicited from the public early this fall based on individual artistic achievement from September 15, 2013 until September 15 2014. Committees of experts in each of the disciplines reviewed the nominations and narrowed the candidates down to three finalists in each field. The public was then invited once again to vote on their choices in each of the five categories. Finalists in dance were Smoak, Thaddeus Davis, and Caroline Lewis Jones; in literary arts, Cavanaugh, Julia Elliott, and Alexis Stratton; in music, Stuart, the Can’t Kids, and the Mobros; in visual arts, Robbins, James Busby, and Eileen Blyth; and, in theatre, Hunsinger, Robert Richmond, and Frank Thompson.

Outgoing JAYS for 2013 include Terrance Henderson for dance, Vicky Saye Henderson for theatre, the Restoration for music, Philip Mullen for visual art, and Janna McMahan for literary art.

For more information on Jasper and the 2014 JAYS visit www.Jaspercolumbia.net.

Jasper Announces Finalists for 2014 Artists of the Year - Time to VOTE!

Jasper and Muddy Ford Press and delighted to announce the finalists for

Jasper 2014 Artists of the Year

in Dance, Theatre, Music, Visual, and Literary Arts

Theatre

Catherine Hunsinger, actress

• Eponine, Les Miserables (Town Theater)
• Seven roles and cello, A Christmas Carol adapted by Patrick Barlow (Trustus Theater)
• Willowedane Poole, Constance [by the Restoration] (Trustus Theater)
• Fest 24 actor, Group 5 – Prom Night (Trustus Theater)
• Actress/Soloist in “The Orchestra Moves”, a South Carolina Philharmonic childrens’ concert series
• Actress/Soloist in the Americana concert of South Carolina Philharmonic’s pops series (St. Andrews Sisters)
• “Nasty” in Larry Hembree Bring Your Own Dinner Theater Fundraiser (Trustus Theater)
• Actress in First Citizens Commerical with Mad Monkey
• Actress in Pillar Awards short film with Larry Hembree
• Ensemble in Young Frankenstein (Workshop Theater)
• Veronica, Carnage (Living Room Theatre)
• Katherine, Blue Moon (Short film by Jeff Driggers)

Robert Richmond, director

• TEMPEST at the Warehouse in Greenville, SC
• FINDING RICHARD – USC  – Undergraduate female production of Richard III that exposed 26 students  and gender bended a Shakespearean history play, while exploring acting in a close up and personal arena.
• DREADFUL SORRY  – The winner of the South Carolina 2010 Film Commission grant was screened in the Orlando Film Festival. This movie gave on screen and behind the camera experience to over 45 students at USC.
• RICHARD III at the Folger Theatre, Washington, DC
• HAMLET USC – Set in an asylum the production focused on Hamlet’s madness and was inspired by America Horror Stories.
• Audio Book of RICHARD III – Folger Shakespeare Library – Continuing my passion to bring Shakespeare into the 21st Century this recording is the 6th fully dramatized production published by Simon & Schuster.
• WINTERS TALE at the Academy for Classical Acting, Shakespeare Theatre Company, Washington, DC
• A TALE TOLD BY AN IDIOT at Clark Studio, Lincoln Center, New York
• Audio Book JULUIS CAESAR Folger Shakespeare Library

Frank Thompson, actor and director

• September 2013: Thenardier in Les Miserables at Town.
• November/December 2013: Charlie Baker in The Foreigner at Town.
• November/December 2013: Directed Ho! Ho! Ho! at Columbia Children’s Theatre.
• March 2014: Directed Stand By Your Man at Town.
• May 2014: Igor in Young Frankenstein at Workshop.
• July 2014: Dialect Coach/Captain Hook in Peter Pan at Town.
• August 2014: Wrote/Directed A Night At The Previews fundraiser for Town.

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Music

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Can’t Kids

• This year we released Ennui Go which was a lot of hard work for us and many people who aren’t in Can’t Kids.
• We were the house band for the Indie Grits puppet slam where we collaborated with Bele et Bete.
• We put out ‘The Twist’ music video that was directed by Katherine McCullough.
• We released a song on the Tidings from the Light Purple Gam comp.
• We just finished our side of a split “7 record with Schooner out on Sit and Spin Records next year.
• We had a pet baby squirrel for about 3 weeks.
• We’ve obtained an early model Prius.

Greg Stuart

• 11/18/13 –organizes world premier of Los Angeles-based composer Michael Pisaro’s asleep, forest, melody, path (2013) for large, mixed ensemble and field recordings at the Columbia Museum of Art. Ensemble includes students from the USC Honors College, USC School of Music, and members of the greater Columbia music community. The field recordings used in the concert (i.e., environmental sound recordings) were made by Stuart and Pisaro in late 2012/early 2013 in Congaree National Park.
• 2/24/14 –Organizes a performance of the legendary Japanese percussionist Tatsuya Nakatani’s acclaimed Nakatani Gong Orchestra with 12 local musicians at the Columbia Museum of Art. The piece is an innovative, community-based ensemble consisting of large gongs suspended on custom hardware and played with handcrafted bows designed by Nakatani.
• 12/06/13 – Stuart plays a set at the Conundrum Music Hall concert of Mind Over Matter Music Over Mind’s (the brainchild of ethnomusicologist and eminent Sun Ra scholar Thomas Stanley). The piece is a collaboration with Columbia-based visual artist Nathan Halverson, Asleep in the watchtower (2013).
• 2/20/14 –Stuart’s USC-based experimental music performance group, the New Music Workshop, performs John Cage’s One7 (1992) at Conundrum Music Hall.
• 7/20/14 – Composes a new work for bowed bell and electronic sound, slab (2014) as a solo set opening for electronic powerhouse Jason Lescalleet’s July 2014 Columbia appearance at Conundrum Music Hall.
• Between 9/15/13 and 9/15/14 Stuart released the following recordings: Closed Categories in Cartesian Worlds Michael Pisaro/Matthew Sullivan, “Add Red” With Joe Panzner: Live at the Issue Project Room Joe Panzner/Greg Stuart + Jason Brogan/Sam Sfirri: Harness (Tape)

The Mobros

• handpicked to open for B.B. King on a few of his summer dates. July 23rd & 24th 2013
• on the road since January 17th traveling the east coast up to New York, through the Midwest to Chicago, and down through Texas going as far south as New Orleans. Having played 50 cities, The Mobros will finish their tour December 22nd in Charleston, SC.    January 17th- December 22nd 2014
• released their first full record February 25th  2014

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Visual Arts

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Eileen Blyth

• Juried in Vista Studios – Sept 2013
• Vista Lights – Group Show – Vista Studios – November 2013
• Big Paint Project – Jan-Feb 2014
• Volumes II – Women Bound by Art – group exhibition at The Curtis R. Harley Art Gallery- Spartanburg, SC, Jan – Feb 2014
• Artista Vista – Group Show – Vista Studios – April 2014
• Art Fields – Lake city – April 2014
• Big Paint Exhibition – Columbia College- August/October 2014
• One Columbia Public Art Installation – Sept 2014

James Busby

• James Busby, Figure 8, 701 Center for Contemporary Art, Columbia SC
• James Busby, New Paintings, Randall Scott Projects, Washington DC
• Slow is Smooth, Smooth is Fast, Kravets|Wehby Gallery, New York, NY
• Smoke & Mirrors, Randall Scott Projects, Washington D.C.

Kathleen Robbins, photographer

• Into the Flatland / Gandy Cultural Arts Center / University of Southern Mississippi / Long Beach MS (November 2013 – February 2014), University of Nebraska / Lincoln NE  (March – April 2014), Halsey Institute of Contemporary Art / Charleston SC (August – October 2014), University of Central Arkansas / Conway AR (September – October 2014),  Rebekah Jacob Gallery / Charleston SC (September – October 2014)
• The Kids are Alright: an exhibition about family and photography / Addison Gallery of American Art / Andover MA / (traveling exhibition) (September 2013 – January 2014)
• Photographers from the Permanent Collection, Ogden Museum of Southern Art / New Orleans LA /
• Somewhere in the South, Rebekah Jacob Gallery / Charleston SC  /
• CRITICAL MASS TOP 50: Color and Light, Southeast Museum of Photography / Daytona Beach FL /
• Sense of Place: Picturing West Greenville / Clemson University Center for Visual Arts – Greenville
• oxfordamerican.org, Borne, Eliza. “Interview: Kathleen Robbins on the landscape of the Delta,” oxfordamerican.org, September 19, 2014; Oxford American Magazine, Mar, Alex. “Issue 86: Sky Burial” Oxford American, Fall 2014; Oxford American Magazine, Brenner, Wendy. “Issue 82: Telegram” Oxford American, Fall 2013; Oxford American Magazine, Giraldi, William. Issue 84 / Oxford American, Spring 2014
• Lenscratch.com, Smithson, Aline. “Your Favorite Photographs of 2013 Exhibition”; Lenscratch.com, January 1, 2014 The Southern Photographer: Blog about Fine Art Photography in the American South
• Wall, John. “Kathleen Robbins at Rebekah Jacob Gallery” southernphotography.blogspot.com, August 12, 2014
• Artist Salon Series: Kathleen Robbins (October 2013) / Columbia Museum of Art, Columbia, SC
• Visiting Artist Lecture / Workshops (April 2014) , University of Nebraska, Lincoln, NE
• Artist Lecture (August 2014) / Halsey Institute of Contemporary Art, Charleston, SC
• Gallery Talk (August 2014) / Halsey Institute of Contemporary Art, Charleston, SC
• Patron Party Artist’s Talk (May 2014) / Halsey Institute of Contemporary Art, Charleston, SC
• Panel Discussion: “Southern Photography” (March 2014) / Rebekah Jacob Gallery, Charleston, SC

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Literary Arts

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Alexis Stratton, writer

• Published prize-winning fiction chapbook “Fratricide” (Dec. 2013) (published by BLOOM)
• Awarded 2nd Prize in Blue Mesa Review Fiction Contest (and publication) for short story, “The Ambassador’s Wife” (Dec. 2013)
• Wrote and directed short film, “Crosswalk,” which received the Audience Award at the Second Act Film Festival (Oct. 2013)
• Short fiction published in A Sense of the Midlands, ellipsis… literature & art, Fall Lines: A Literary Convergence
• Proposed and led the Imagine If project at Sexual Trauma Services of the Midlands, which was a collaborative, community-driven arts and anti-violence initiative asking community members to imagine a world without violence and show us what that world might look like through various arts media and genres. The project (which consisted of free monthly arts workshops at Tapp’s Arts Center and in community groups, an art exhibition in Tapp’s Arts Center in April 2014, and a kickoff event in April 2014 featuring musicians, spoken-word artists, dancers, and others) brought together local artists, musicians, activists, and others, connecting arts and community groups in the idea of envisioning a better world.

Julia Elliott, writer

• Book: The Wilds (short story collection) out with Tin House Book, Fall, 2014
• Book: The New and Improved Romie Futch (novel), Tin House Books, forthcoming
• The Wilds     receiving positive advance buzz,     including a starred review from Publisher’s Weekly, "The     International News Magazine of Book Publishing and Bookselling"
• Published short story “The Love Machine” on Granta.com,     September, 2014
• Featured in “18 Short Story Writers on Why They Decided     to Write a Novel,” BuzzFeed Books, August 15, 2014
• Interviewed by New York Times Bestseller Jeff     Vandermeer in “Julia Elliott and Jeff Vandermeer in Conversation,” Tin House     Blog, September, 2014
• Published short story “Caveman Diet” in Tin House     61: Tribes, Fall 2014
• Published short story “Bride” in Conjunctions: 62:     Speaking Volumes, Fall 2014

Darien Cavanaugh, writer and editor

• Founding director of The Columbia Broadside Project which pairs artists and poets from Columbia and throughout SC to work together to create an original “broadside” painting/image comprised of an original work of art and an original poem. The 2014 Columbia Broadside Project exhibit featured work from 28 poets and artists and was held at the Tapp’s Arts Center in downtown Columbia from February 6th to February 28th.
• Named as the recipient of the 2014 Arts and Humanities Award for Inspiration from the Cultural Council of Richland and Lexington Counties for work on work on The Columbia Broadside Project.
• Founding co-editor of The Frank Martin Review, a print and online literary journal.
• Poems published or accepted for publication in A Sense of the Midlands (Muddy Ford Press), Blue Earth Review, Burningword, Drunk Monkeys, Found Anew (USC Press), Coe Review, The Gap-Toothed Madness, Grievances, I-70 Review, Juked, Kakalak, Main Street Rag, San Pedro River Review, See Spot Run, and Sou’wester in the past year.

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Dance

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Caroline Lewis-Jones

• Oct. 2013 Vista Unbound Zombie Bar Crawl
• Nov and Dec 2013 Unbound performed at 3 different Christmas Events downtown
• Unbound performed at the Charleston Dance Festival
• Traveled every weekend to a different part of the country to teach on the dance Convention, Adrenaline and to choreograph at various dance studios. Cities visited were Dallas, Los Angeles, Salt Lake City, Detroit, Oklahoma City, Atlanta, Charlotte, Columbia, St. Louis, New York City, Kansas City, Houston, Phoenix, San Francisco, and more
• Caroline was off from May till the end of August having her first baby

Katie Smoak

• Over the 2013-2014 season Katie retired from the Columbia City Ballet after 16 Professional seasons, and 26 consecutive years of performing with the company-from childhood through professional career.
• Katie started off as a Junior apprentice as an 11 year old, climbed the ranks through the Corps de ballet, then Soloist, and spent the last 4 years of her career as a Principal Dancer.  Never missed a Nutcracker in 26 years — Alice in Wonderland was her final performance.
• the longest standing company member (never out with an injury, never missed part of a season) of any dancer

Thaddeus Davis – Wideman/Davis Dance Co.

Information to come

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After you view our finalists profiles, head over to the Jasper 2014 Artists of the Year Ballot and cast your vote.

The winners of Jasper 2014 Artists of the Year in Dance, Literary Arts, Music, Theatre, and Visual Arts will be announced on November 21, 2014 at the release of the November/December issue of Jasper at the Jasper Artists of the Year Celebration and Fundraiser at The Big Apple in Columbia, SC with a limited supply of tickets. Ticket info coming soon.

One Columbia Unveils New Public Art Piece on Main Street

Unveiling  on September 17 at 10:00am on 1400 Block of Main

 One Columbia for Arts and History and the City of Columbia are pleased to announce the installation and unveiling of the first sculpture resulting from the public art pilot program.

Commissioned with a generous donation from Sean McCrossin, owner of Drip coffee shops and Scoopy Doo gelato shop, the piece entitled “Hanging” was created by local artists Eileen Blyth and Mark Finley. As Blyth explains, “This sculpture is an invitation to play…to stop and sit and play, or just listen. One Columbia is the force behind the Main Street public art initiative. And without the city's support, this sculpture and many more to come would not happen. It is very exciting to be a part of.”

“I am very happy to be a part and help One Columbia, the City of Columbia and the Mayor in their endeavor to fill the streets with creative, inspired and inspiring art that will hopefully remind us of this colorful city in which we live,” says McCrossin.

The sculpture consists of five tank drums (also known as hank drums) fabricated from propane tanks mounted to painted seats. Each drum is tuned differently to allow for unique harmonies to be played. The piece will be installed in front of 1441 Main Street and will be publically unveiled on September 17 at 10am.

“Public art is inspirational, thought provoking and even more so when it’s interactive. ‘Hanging’ will give the public the opportunity not just to observe but to participate.” says Karel Givens, Vice President of City Center Partnership, the organization that manages the downtown Business Improvement District (BID).

“From increasing funding to our arts and cultural organizations to displaying local artists’ work in City Hall, we have taken several important steps this year toward realizing our vision of Columbia as a true City of Creativity,” said Columbia Mayor Steve Benjamin. “This sculpture and the new public art program it represents is a giant leap forward and I couldn’t be more proud.”

The public art program administered by One Columbia for Arts and History represents the joint efforts of multiple departments of the City of Columbia, the City Center Partnership, and the Community Relations Council who all contributed to make the process a success. The framework established by these partners will carry over to the creation of future pieces throughout the City of Columbia.

Lee Snelgrove, Executive Director of One Columbia for Arts and History explains, “Public art can define a place and give it a distinctive and inviting personality. Because of the relationships that have been made in establishing this formal process for commissioning public art, we’ll be able to continue bringing work to Columbia that will demonstrate the level of creativity and talent in this city.”

Artists interested in submitting their qualifications for consideration for future projects can find the call for artists on the One Columbia for Arts and History website at onecolumbiasc.com.

~*~

About One Columbia for Arts and History

One Columbia for Arts and History is a non-profit corporation that works to promote collaboration among citizens, the cultural community, and city government through celebrations of Columbia’s arts and historic treasures. Its goal is to enhance the quality of life for our residents, attract tourist dollars to our city, and further build our vibrant community. In short, it serves as the promotional arm of the City for Columbia’s cultural community. Visit the One Columbia website (http://onecolumbiasc.com) for a continuously updated master list of art and cultural activities occurring throughout the city.

volumes 2: women bound by art opens at the Curtis R. Harley Art Gallery

 

volumes 2: women bound by art, an altered book exhibition, will be on exhibit at the Curtis R. Harley Art Gallery, University of South Carolina Upstate (USC Upstate), at 800 University Way, Spartanburg, SC 29203 from January 17 - February 21, 2014. This show will be exhibited in conjunction with selected works from volumes: women by by art which was created in 2012 and was exhibited at the main branch of the Lexington County Public Library, Lexington, SC and at Portfolio Art Gallery in Columbia, SC.  The women featured in the exhibition will participate in a panel discussion at 4:30 p.m. on January 30, 2014, which will focus on their respective creative processes. A reception will follow the discussion.  All Gallery events are FREE and open to the public.

The art exhibition includes a collection of 17 altered books created by 18 women artists: Eileen Blyth (Columbia, SC), Cynthia Colbert (Columbia, SC), Jessica Cruser (Columbia, SC), Heidi Darr-Hope (Columbia, SC), Janette Grassi (Charlotte, NC), Tonya Gregg (Columbia, SC), Mary How and her young daughter Macy How (Columbia, SC), Doni Jordan (Columbia, SC), Susan Lenz (Columbia, SC), Susan Livingston (Orangeburg, SC), Gina Moore ((Columbia, SC), Yukiko Oka ((Columbia, SC), Kay Reardon (Columbia, SC), Liisa Salosaari Jasinski (Newberry, SC), Virginia Scotchie (Columbia, SC), Kathryn Van Aernum (Columbia, SC) and Katie Walker (Greenville, SC). The group includes art therapists, art professors, potters, fiber artists, graphic designers, illustrators, mixed media artists, painters and photographers.

Conceived and curated by artists Susan Livingston and Doni Jordan, each artist was given a volume of an encyclopedia and complete creative control.  volumes 2:women bound by art is the result of that creativity. The Standard International Encyclopedia,1954, was donated to the artists by Hal McIntosh, thanks to help of artist Cynthia Colbert. Encyclopedias, the forerunners of todays electronic search engines, where first written by an ancient Roman scholar and focused on grammar, rhetoric, logic, arithmetic, geometry, astronomy, musical theory, medicine, and architecture.

ABOUT THE CURTIS R. HARLEY ART GALLERY

The Curtis R. Harley Art Gallery is located at 800 University Way, University of South Carolina Upstate, Spartanburg, SC 29203 and is located on the first floor lobby of the Humanities and Performing Arts Center (HPAC). The gallery showcases nationally and internationally established artists and exhibitions that support the academic mission of USC Upstate. Most recently the University was the recipient of 5 original screenprints by The Andy Warhol Foundation for the Visual Arts to enhance the current collection of 150 Polaroid photographs by Andy Warhol. Hours: 9am-5pm /Monday - Friday.

Line-up for Jasper Volume 002, Number 001 Release Event this Thursday

If you've been hearing about the big shindig Jasper is planning to celebrate the release of the first magazine in VOLUME TWO of our little publication, then you know how excited all of us on the Jasper staff and in the Jasper Family* are. The event is this Thursday night at the Arcade Studios on Main and Washington Streets in downtown Columbia -- we'll start about 7 and proceed through the night with food, fun, adult beverages, and all kinds of art.

Here is a rundown of what to expect and when to expect it.**

7:00 -- Doors Open -- Open house in Jasper Studios #75 upstairs

7:30 -- World Premiere Film, THE CRICKET TRIAL, starring Scott Stepp and Trey King, directed by Jeff Driggers; Drew Baron, producer (Jasper Studios #75)

8:00 -- Don McCallister will be reading from his new novel, Fellow Traveler, coming in October from Muddy Ford Press   (Jasper Studios #75)

8:00 -- Countertenor Danny Jenkins will perform in the Arcade Atrium (Washington Street side)

8:30 -- Centerfold signing by surprise artist (Jasper Studios #75)

8:30 -- Marshall Brown performs (Arcade Atrium, Washington Street Side)

9:00 -- Don McAllister second reading (Jasper Studios #75)

9:30 -- THE CRICKET TRIAL second showing with repeat showings throughout the remainder of the evening (Jasper Studios #75)

9:30 -- Devils in Disguise band performs (Arcade Atrium, Washington Street Side)

Throughout the Arcade, please visit the following Arcade Studio Artists who will have their studios open at times of their own discretion during the evening:

Blue Sky     Bonnie Goldberg     Tish Lowe     Eileen Blyth     Beth West

Mike Spotts     Payton Frawley     Leah Avery     Walton Selig

Martha Thomas     Suzi Shealy     Page Morris

Bryce Dixon     Whitney LeJeune     Veronica Jeffcoat

Guest Artists from the September issue of Jasper will also be on hand showing samples of their work.

Chef Joe Turkaly will be serving up the results of the fine art of BBQ ($).

The Jasper EconoBar will be in full swing with cheap beer $3, decent wine $4, and big spender craft brew $4***

Paradise Ice will have their cart of cold sweet yumminess ($).

Artisanal jewelry and candles will be available via LA Ti Da and Southern Baked Candles.

Learn about upcoming arts events from Trenholm Artists Guild and the Rosewood Arts Festival, Columbia City Ballet, and more.

And here's one more thing --

Against the likely good advice of our friends and family, Jasper has decided to continue to put together these lovely celebrations free of charge. It's important to us that everyone be able to get in the door and experience this fascinating amalgam of performing and visual arts that we get to write about and photograph for Jasper Magazine on a daily basis.

At the end of our first year, we are delighted that issue No. 001, Volume 002 is the first issue that has paid for itself (before paying out commissions and honoraria to our talented staff of writers, photographers, and our heart-of-gold designer). We've come a long way in a year and we're very proud of the work we do.

That said, it's a labor of love.

If you love our labor and would like to pitch 10 cents or 10 bucks into the pot to help Jasper continue to grow healthy and strong, we'd like to help you do that -- and we'd like to publicly give you credit for having done so!

Please visit the Jasper Studios in the Arcade upstairs in suite #75 Thursday night and see one of our staff members about publicly supporting the arts magazine that supports your city's arts. We won't be able to put your name in lights, but we can put it in print. 

We're calling it the Jasper Guild and you can learn more about it Thursday night.

See you then!

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*We're an affectionate bunch. And sometimes when we meet another arts organization, or even an advertising client, that shares our mission of nurturing Columbia as the Southeastern arts destination it was born to be, we get all chummy with them. They become "Family."

**Please keep in mind that these times are represented (rather than in EST or DST) in CAT (Columbia Artists' Time). Our artists keep a chronograph all of their own making -- and Jasper loves this about them.

***The Jasper EconoBar is a fundraising arm of Jasper Magazine -- all prices are suggested donations. Please be prepared to show ID to partake of adult beverages.