Help Celebrate the Fall 2025 Issue of Jasper Magazine with a Scorpio Party at Gemini Arts!

You’re invited to join the Jasper Project on Saturday, Nov. 8th at Gemini Arts for a  Celebration of the Release of the Fall 2025 Jasper Magazine.

It’ll be a night of music, poetry, prose, visual art, and just hanging out with other like-minded Soda Citizens who believe the arts give us hope, solace, and joy! Plus we’ll be fulfilling a little wish that Cindi and Wade have had for a long time—bringing as many of Columbia’s Scorpio Babies together as possible to celebrate the exhilarating madness of being born a Scorpio!

The evening will start with poetry and prose readings by Carla Damron, Ivan Segura, Rhy Robidoux, and Naya Lanai Jackson, many of whom will be signing and selling their newest books. There’s a rumor that there will be a theatrical performance – we’ll keep you posted. And our musical guest for the evening is JB SamSon!

JB SamSon

And, of course, there will be cake and plenty of freshly baked Jasper Magazines!

Scorpios are invited to wear Black and/or Red and to find Cindi or Wade at the party to get your Official Scorpio pins.

We can’t wait to see you at 6pm at Gemini Arts at 2847 Commerce Drive. And Stay tuned – we have more surprised in store for you as the celebration continues to develop!

TRAVEL GURU RICK STEVES COMES TO COLUMBIA NOV. 10 FOR SPECIAL CONCERT WITH SC PHILHARMONIC

Rick Steves in Cinque Terra

From our friends at the SC Philharmonic —

The South Carolina Philharmonic presents Rick Steves’ Europe: A Symphonic Journey on Monday, November 10, at 7:30 PM, at Koger Center for the Arts. Audiences will embark on a multimedia journey across Europe with Rick Steves live and in-person as the SC Phil performs sweeping anthems of the Romantic era while also examining the modern spirit of unity and freedom that defines the continent. The program features works by such luminaries as Johann Strauss II, Edvard Grieg and Giuseppe Verdi. This is an especially rare opportunity for Midlands audiences to witness one of travel’s most beloved voices on stage with a major symphonic ensemble.

The experience of Rick Steves’ Europe: A Symphonic Journey will be a unique one for Midlands audiences. Rick Steves himself will take patrons on a personally led journey through Europe, with stops in Austria, Germany, Italy, England, France, Norway and the Czech Republic. For each country, Rick has personally curated a program that features anthemic works by the Romantic Era’s celebrated composers which will be performed by the SC Philharmonic. In addition to the music, Rick provides entertaining insights and cultural examinations for each country, as well as the work that is being performed. A large screen positioned over the orchestra will display beautiful footage that will accompany each work – bringing the joy of travel into the concert hall.

Rick Steves is a popular public television host, a best-selling guidebook author, and an outspoken activist who encourages Americans to broaden their perspectives through travel. But above all else, Rick considers himself a teacher. He taught his first travel class at his college campus in the mid-1970s — and now, more than 40 years later, he still measures his success not by dollars earned, but by trips impacted.

Rick’s hit program Rick Steves’ Europe continues to run on public television stations across the country including SC ETV. Rick’s book, "On the Hippie Trail," has been named a New York Times Bestseller, and is about his 1978 journey from Istanbul to Kathmandu along the popular overland backpacker route of the 1960s and 1970s. 

Rick is the founder and owner of Rick Steves' Europe, a travel business with a small-group tour program that brings more than 30,000 people to Europe annually. Each year, the company contributes to a portfolio of climate-smart nonprofits, essentially paying a self-imposed carbon tax.

Single tickets are $37-$69, and can be purchased at scphilharmonic.com or by calling the Koger Center

Box Office at (803) 251-2222, Mon-Fri. 9AM-5PM.

What’s Going on at the Koger Center? Free Low-Cost Events Next Week & Jasper is Playing a Part!

The Koger Center is stacked with a wide array of free and low-cost events and happenings throughout the month of September! The first full work week of the month has plenty going on, so check out what they have to offer.

On Monday, September 8, we are co-hosting a free artist talk with Lori Isom in the Nook, where her artwork is currently on display. The Nook, for anyone who has not had the chance to check it out, is a gallery space located on the second floor of the Koger Center, adjacent to the Gallery at the Koger Center space, that is programmed by the Jasper Project. The talk will last from 6 – 7 p.m. All artwork in Lori’s exhibit is available for purchase.

On Wednesday, September 10, Preach Jacobs will host his second SoulHaus Session in the Gallery at the Koger Center. After the sell-out success of the first session, Preach is returning and this time, bringing renowned chef Amethyst Ganaway and artist Dogon Krigga in for a conversation. Tickets are available for purchase on EventBrite; doors open with a vinyl spinning session at 5 p.m., and the talk begins at 6 p.m.

The evening of Friday the 12th kicks off with another free concert in the “Koger Center Presents: Live Outside” series. Starting at 5 p.m., Charleston-based act She Returns from War will perform, with a to-be-determined opening act accompanying the evening. Hailing from the historically rich city of Charleston, South Carolina, She Returns from War is defining what it means to not only live in the modern south, but to be a trans woman and artist within this landscape. The full Live Outside series runs on Fridays in September and October; check out the whole series on the Koger Center website here. If the weather turns stormy, the concert will still happen, just inside on the Koger Center’s second floor lobby instead!

And mark your calendars for later this month when Jasper welcomes Photo-artist Jeff Amberg to the Nook Gallery —

Free Concert Series Returns to the Koger Center THIS FRIDAY with Black Nerd Mafia -- And What's Happening This Week at The Koger Center!

The Koger Center for the Arts is bringing back its free outdoor concert series, Live Outside, for a third consecutive year. This time, as opposed to Sunday evenings, the concerts will be on Friday evenings starting at 5 p.m., allowing you to kick off your weekend with a lowkey yet exciting concert! All concerts will be on the Koger Center Plaza Stage.

The season starts on Friday, August 22, with a star-studded lineup of South Carolina-based talent curated by Black Nerd Mafia. The lineup features performances from Dem Boyz Good, Death Ray Robin, Milah, JB SamSon, Dooozy, Kuntry, and Kenya Spinz.

Come early and check out The Jasper Project’s Gallery Space — The Nook — on the 2nd tier of the Koger Center Lobby. The featured artist for August is Lori Isom!

The full season schedule includes the following performances:

        September 5: Longtooth, featuring an opening act from The Transonics

         September 12: She Returns From War

         September 19: John Hollier

         October 3: J Roddy Walston & The Automatic Band

         October 10: The Ramblers

         October 17: Indianola

Concessions will be available for purchase at each concert. Grab a bite to eat and bring your chair or blanket to the Koger Center front lawn, and start your weekend right!

For more information about the Live Outside series and the Koger Center Presents programming, visit www.KogerCenterForTheArts.com.

COLUMBIA REPERTORY DANCE COMPANY RETURNS TO THE KOGER CENTER BLACK BOX AUGUST 16TH AND 17TH

August 16th  at 7:30pm and August 17th at 3pm

in the

Koger Center Black Box Theater 

Ticket price: $35

Cola Rep Dance Co returns to the Koger Center Black Box Theater, bringing professional dancers and choreographers together to explore the journey of becoming our better selves through times of transition. Artistic Director and Resident Choreographer Stephanie Wilkins is joined by creatives Christopher Aldeguer, Angela Gallo, Amanda Ling, and Olivia Waldrop as they guide the audience through an evening of dance aimed at finding what we are made of.

The organization continues their partnership with Lauren Sherr of Sherr Productions for lighting design and will once again transform the downstairs space of the Koger Center for the Arts into a venue for dance.

The program features nine works from six choreographers performed by a company of eleven dancers and apprentices. One new work, choreographed by Amanda Ling, exists as a second part to the “Fire in the Belly” dance film produced in 2024 with the Power Company Collaborative, and features a sound score that is an original composition made in collaboration with Chris Johnson. The creation of the sound was funded in part by a grant from the SC Arts Commission who receives funding from the NEA.

Wilkins’s work “The Only Way is Through” will be featured in ArtsUp SC’s inaugural Storyline Series Prologue Performance: New Chapters on August 22nd in Greenville, SC and “The In-Between Place,” which premiered at this year’s Live on Lincoln  event, was performed by the company as part of the Piccolo Spoleto Festival in Charleston in June.

This program is supported in part by H-tax funding from the City of Columbia and by the South Carolina Arts Commission which is supported in part by an award from the National Endowment for the Arts and collaborates in its work with the National Assembly of State Arts Agencies and South Arts.
 
 


The Columbia Repertory Dance Company’s mission is to broaden the experience of
professional dance artists and patrons in Columbia, SC through multidisciplinary
collaborative performances year-round. We aim to retain the talents of South Carolina
dance artists and provide a spectrum of professional opportunities while inspiring and developing a broader and deeper understanding of dance in Columbia and surrounding
areas.


For more information and tickets, https://www.colarep.com/events  contact Managing Director Bonnie Boiter-Jolley; Phone: (803)622-6879 E-mail: colarepdanceco@gmail.com or follow on Facebook and Instagram
 

Ensemble Eclectica Brings Tapestry of Sound to Harbison Theatre Featuring Stan Gwynn, Clayton King, and Tracy Steele!

Classical Meets Bluegrass and Broadway in the new signature production by

Ensemble Eclectica

Tapestry of Sound:  Bluegrass to Broadway and More

Classical Meets Bluegrass and Broadway in the 2025 Ensemble Eclectica production: Tapestry of Sound: Bluegrass to Broadway and More... on  Saturday August 23rd at 7:30 at Harbison Theatre, 7300 College Drive in Irmo, SC

Celebrated local performers Stann Gwynn, Clayton King, and Tracy Steele, along with  Carolina Bluegrass Style, will join with Ensemble Eclectica to present a groundbreaking new signature production this year!

In keeping with our tradition, the production features music, dance, and vocals, including the award-winning dance duo of Roxana Marinoff and Cesar Davalos, renowned for their musicality and dance craftsmanship. Local performer, Mattie Mount, will share her award-winning tap dancing skills and, rounding out the dance selections of the evening is Columbia Classical Ballet. Three styles of dance on one stage and one night! 

Clayton King and Tracy Steele will also serve as co-emcees for the evening. And new this year, acclaimed Columbia’s Inaugural Poet Laureate for the city, Ed Madden, will take the stage to share one of his poems in a unique way, accompanied by live music. Throughout the evening, photography by Jim Guzel will be featured to further enhance the production. 

ENSEMBLE ECLECTICA  is a contemporary and innovative ensemble whose mission is to stimulate audience appreciation of the arts through exposure to a wide variety of artistic collaborations featuring local musicians, dancers, visual artists and media professionals and is led by Suzanna Pavlovsky. Dr. Pavlovsky is a former Associate Conductor in Residence of the Etobicoke Philharmonic Orchestra in Toronto, and Associate Conductor of the Lake Murray Symphony Orchestra in Columbia, SC. An Assistant Conductor at Michigan State University, she was also a graduate assistant at the Eastman School of Music, as well as a conducting and teaching assistant at the University of South Carolina

 

Reserve Your Tickets Here!

Jonathan Byrd at the ToL Coffeehouse October 28th

From our friends at the ToL Coffee House:

Jonathan Bryd has been one of the most the most dynamic performers we've drawn for the ToL Coffeehouse series. He writes with intense emotion, keen observation and a wry sense of humor. The musical range is astounding — from the "dark cowboy fairy tale" that is "May the River Run Dry" to the philosophicating whackiness of "Jimmy Says." And if you're really, really lucky you might hear his cover of Rob Vaarmeyer's song, "A Big Truck Brought It."

Jonathan Byrd is a preacher’s kid, Gulf War veteran, and award-winning songwriter with a near-cult following. With twenty plus years of touring and over a dozen albums, Byrd’s deceptively simple, working-class songs have become campfire standards and crowd favorites for artists like Sam Bush and Tim O’Brien. A Jonathan Byrd show will take audiences on a journey from hell-raising sing-alongs to heart-wrenching ballads and back across the backroads of his native North Carolina.

A lifelong collaborator and innovator, Jonathan Byrd’s latest project is Song Miners, a project to not only write and release new songs, but also to teach others how it’s done. Leading powerful online songwriting workshops and creating free songwriting education for social media, Byrd seems on a mission to fill the world with great songs — not least, his own. Not to be missed.

Here are the basics again: Jonathan Byrd performs Oct. 28 at the ToL Coffeehouse at the Tree of Life Congregation at
6719 N Trenholm Road, Columbia, SC 29206. Tickets are $27 online by Oct. 26 and $29 after online and at the door.


Harbison Theatre Kicks Off New Season with Jim Brickman

Harbison theatre kicks off it’s new season of diverse entertainment options with a concert by Jim Brickman on September 15th at 730 PM.

Best-selling solo pianist Jim Brickman has earned a name for himself with 21 number one albums, 32 Top 20 radio hits, and two Grammy nominations. His star-studded vocal collaborations have crossed genres to feature luminaries like Martina McBride, Donny Osmond, Kenny Rogers, Olivia Newton-John, Johnny Mathis, and Kenny Loggins. 

A true romantic by nature, Brickman tells stories through emotive ballads and sweet sounds. Harbison Theatre is the perfect intimate setting to enjoy his hit songs “Love of My Life,” “Valentine,” and “Angel Eyes.” Grab the ones you love and settle in for an uplifting evening that is sure to bring everyone together.  

*Student, senior (over age 60), or military personnel will receive a $5 discount on signature series shows at check out. Bundled discounts are available when you purchase tickets for three or more shows at a time. Please contact the Box Office at 803.407.5011 for more details. 

Tickets are $50 and are going FAST!

Get yours today!

South Carolina Philharmonic Kicks Off their Chamber Crawl Tuesday September 5th at Bierkeller

The SC Philharmonic's popular Chamber Crawl series kicks off the 23|24 Season at Bierkeller Brewing Company! Join us for this delightful evening at Columbia's long-anticipated riverfront biergarten!

This Chamber Crawl boasts a woodwind trio featuring Ying Liao (cello), Joeseph Eller (clarinet) and Hassan Anderson (oboe).

 The feeling you will get when stepping into Bierkeller Columbia is one of true community, with a relaxing view of the water and fresh German beer and food. Their goal is to bring you a full, authentic Biergarten experience where you can settle in with family and friends and stay a while.

Seating is first-come first-served, and capacity is limited for the performance. This event is already looking rather popular, so we recommend booking today.

Tuesday September 5th

Doors at 6 pm


Click the button below to reserve your spot!

BUY TICKETS NOW

Indie Artist TiffanyJ Presents a Premiere Night of Music and Film during Suicide Prevention Month

TiffanyJ is thrilled to announce her highly anticipated Album Release & Film Premiere event for "Solbird Sessions Live." This extraordinary evening promises a fusion of live music, cinematic artistry, and a unique ALL DENIM AFFAIR experience, all set to take place at Spotlight Cinemas Capital 8. 

The event will be a celebration of music, creativity, and community, showcasing the culmination of TiffanyJ's musical journey through her third album which was recorded live in concert at South Carolina ETV in May. TiffanyJ, a Columbia native, musical artist, and inspirational personality, has hopes to encourage those, like herself, dealing with mental health challenges through the power of her melodic artist expressions. This project has been successfully crowdfunded. 

Event Highlights:

  • Date: Wednesday, September 13, 2023

  • Time: 7pm

  • Venue: Spotlight Cinemas Capital 8, 201 Columbia Mall Blvd Ste 211, Columbia, SC 29223

  • Dress Code: ALL DENIM AFFAIR

  • Tickets: Starting at $10

  • Featuring:

    • Pink Carpet: Capture the essence of guests arriving in their denim best.

    • Live Music by Rod Foster & Company: Immerse yourself in live soulful, jazzy tunes that will set the perfect tone for the night.

    • Feature Film Presentation: Experience the captivating transformation of a live concert on the big screen, featuring exclusive behind-the-scenes and documentary footage. Witness the concert's power unfold before your eyes.

    • Album Merchandise: Exclusive album merchandise will be available for fans to take home a piece of the experience.

 

The event acknowledges support from the South Carolina Arts Commission and Every Black Girl, Inc. Solbird Entertainment invites music enthusiasts, cinema lovers, and all those seeking an extraordinary night of entertainment to join this exceptional celebration. 

Tickets are available at sslpremiere.eventbrite.com, and with limited seating, early reservation is recommended to ensure participation in this immersive musical and cinematic experience. The “Solbird Sessions Live” album will be released worldwide on all digital media outlets on Friday, September 15, 2023

Want to know more about TiffanyJ? Watch for Kevin Oliver’s feature story on her in the fall 2023 issue of Jasper Magazine!


About TiffanyJ: Indie Soul Artist TiffanyJ has one of the most unique and incomparable musical styles and sounds. Her powerful voice alone engages listeners both young and old. TiffanyJ is a singer and songwriter creating a soulful approach to melodic art that is guaranteed to uplift those who witness her gift.

 

ALBUM REVIEW: Decadence - Book of the Redeemed by Kevin Oliver

Decadence

Book Of The Redeemed

Self-released

 

There comes a time in the shelf life of a heavy rock band when the sum total of its experience and commitment adds up to a career defining moment, whether it’s that hit song that connects with a mass audience, or just an artistic statement that is so clearly above and beyond anything else they’ve done to that point. For Columbia’s Decadence, this new album Book of the Redeemed is the latter–an astounding, bracing listen that reveals more depth and meaning with every page that’s turned. 

The band has been a stalwart presence on the local and regional heavy music scene for a while, and this release was a long time coming–now we know why. Not only is the production and songwriting top notch, singer Scott McGrady’s lyrics are deeply personal. This had to be a difficult set of songs to write and record, not to mention let loose into the world for others to judge if they are worthy or not (They are.). 

Decadence straddles that line between commercial appeal and unapologetic, raw power better than most, and the production on the new songs showcases the intensity of the band’s sound, with stop-start arrangements that drop out completely, then blast back moments later with even more unrestrained fury. Drummer Ben Burris and bassist Ryan Wicker have played together long enough now they move and groove like a single unit, powering the monster riffs that cut through each tune. McGrady has a decent singing voice when the song calls for it, but most of these tracks require his most angst-laden, guttural near-screams. 

The content of the lyrics is as intense as the music, and McGrady has said online that there is an intentional running theme present, related to a friend who dealt with abandonment, pain, and anger, and moving on from that. “Abandonment” relates a story of being placed in foster care, inserting a line out of a childhood prayer to really drive home the innocence lost in the process:

 

Strangers tuck me in my bed

Shuffled through this castoff’s deck so

Now I lay me down to rest

Left alone through your abandonment

 

The most furious track is “Take Your Shot,” which addresses that person with a problem that won’t allow anyone to help, or even admit they need help in the first place. It’s like the band pours that frustration directly into the stacked guitar riffs of Dustin Welch, as McGrady sings: 

 

Tell me how to understand

Why you need to live this way

While I watch you take another shot at what this could have been

 

The somewhat title cut “Redemption” is the slowest, most melodic one of the bunch. McGrady channels Roger Daltrey of the Who, circa “Behind Blue Eyes,” as he sings the chorus in triumph: 

 

And now I see

A new dawn rising

I feel redemption

And I’ll leave

It all behind me

Won’t let it blind me

 

This is the sound of someone, or maybe some band, that’s gone through hell, come out the other side intact, now appreciating but not dwelling on the experience. Sounds a lot like they’ve been redeemed, doesn’t it? 

 

Decadence releases Book of the Redeemed officially this Saturday, with a release show at New Brookland Tavern that will also feature The Baldwin Massacre, Ozmyridis, and Sorrow Of Silence. 

 

UNBOUND Dance Company Presents UNBEING This Weekend

Unbound Dance Company, under the artistic direction of Caroline Lewis Jones, will present UNBEING its third annual show on Friday, August 25 and Saturday, August 26.at 7 PM. at Dreher High School, 3319 Millwood Avenue, Columbia, SC

 

UNBEING explores the process of stripping away the layers of our past to confront the raw truth of who we are--and furthermore, who we want to be. The show features narration by Columbia theater artist Jocelyn Sanders, and was written by Joanna Lewis Derrick, writer and sister of Caroline Lewis-Jones, who directs Unbound Dance Company along with Morgan Holton.

“On the heels of two successful shows, we’d like to thank our dancers, sponsors and patrons. We could not do this -- what we love -- without the support from our community,” says Lewis-Jones. “As Columbia’s art scene continues to grow, we remain steadfast in our mission to educate and inspire dancers of all ages. We are excited to collaborate with artists, creatives, and individuals of all kinds to continue producing thought-provoking work, and striving to connect within our community.” 

Tickets are $50 for Priority Reserved Seating or $35 General Admission and can be purchased at www.unbounddance.com.

Don’t Call It A Comeback: The Redemption of Shekeese Tha Beast

by Kevin Oliver

 

On Fat Rat Da Czar’s classic 2009 release Cold War 2, “Do Whud I Do” opens with DJ Shekeese The Beast shouting “Can you hear me out there? We back!” before Fat Rat intones, “If you knew what I knew, then you could do what I do.” The partnership between the two Columbia, South Carolina hip-hop artists made them a marquee act and flag-bearers for the genre across the southeast for nearly twenty years, before Shekeese, in his own words, “went dormant” and focused on other business pursuits. Last year, as Fat Rat Da Czar readied a new campaign of hip-hop shows and productions, he re-enlisted his former DJ to appear on stage with him again and just like that, Shekeese Tha Beast was back as hype man extraordinaire and hip-hop ambassador. In a recent conversation with Jasper, Sherard Shekeese Duvall opened up about his entry point into hip-hop, the other pursuits that have occupied his time, and how he has come full circle to reconcile his disparate, multiple pasts into a unified future with a mission to bring South Carolina hip-hop into a new generation. 

Before he was Shekeese Tha Beast, he was just a kid named Sherard, growing up in the neighborhood–but it was the formative experience of his life, he says now in retrospect.

“I grew up in Ridgewood behind Eau Claire High School, so it was a super, super black experience,” Duvall says. “The only time we saw white folks was when we went downtown.” It was a childhood surrounded by family, who shaped his worldview from an early age.

“My family was huge, and there were relatives on both my mom and dad’s sides who were into music, art, sports, politics, it was all there. I had an uncle who was political but also into Stevie Wonder, he gave me Malcolm X books when I was a kid. I had another uncle who played guitar, my grandfather played piano, so art, music, and all this stuff was all around me.”

It was a specific moment that led directly to hip-hop for Duvall, however, a purchase his mother made.

 “She bought me a 45 of LL Cool J’s ‘Candy’ and on the back side was ‘Go Cut Creator Go’ and it blew my mind, I didn’t know how they were making those sounds,” He says. “Prior to that it was seeing the video for Run DMC’s ‘Rock Box’, and I couldn’t figure it out, like was the band the DJ on top of the car? That’s what made me want to be a DJ.”

As an entry point into hip-hop, it turned out to be the right one for Duvall as high school turned into college and beyond. 

“After I got out of Columbia High, I met all the guys in Beat Junction Project, and around that time I also met Fat Rat Da Czar. The Beat Junction Project was doing its thing around Columbia, and he was doing his, and Streetside had put out a record that I was spinning at WUSC-FM.” As a student DJ, Shekeese Tha Beast was born and the show “Non-Stop Hip-Hop” put him on the airwaves weekly, featuring lots of local hip-hop talent in addition to his own DJ skills. His reputation grew, he hosted shows on Hot 103 and the Big DM, and Fat Rat came back around.

 “Fat was coming out with a mixtape, and they were looking for a DJ for it,” Duvall says. “Not sure that one ever came out, but shortly after that he went on to start doing his solo stuff and we ended up collaborating on the mixtape ‘Fat Rat Is Dead,’ which was the beginning of the whole Shekeese Tha Beast and Fat Rat Da Czar thing.”

 It was a perfect collaboration, Shekeese says, which explains the longevity of the relationship that endures to this day.

 “We have a lot in common when it comes to not only how we saw hip-hop but also how we thought about opportunities and hard work, it was just a similar perspective that clicked.”

There were multiple releases that flowed after that, from the “Cold War” series of traditional hip-hop albums with Shekeese as hype man and DJ while Fat Rat dispensed rhymes and wisdom using his instantly recognizable flow. For a time, the pair was synonymous with South Carolina hip-hop, and credit is certainly due to them for all they’ve done to promote and support the genre within the state. Then Shekeese Tha Beast went silent, at least as a performing personality. The reasons behind that dormancy were both personal and professional, he reveals.

 “Unintentionally, the separation with that part of me had to do with its popularity,” He says. “I was all over the radio, people knew me from that, from TV, doing the Love Peace and Hip Hop festival, all of that added to the notoriety and recognition.” What was happening behind the scenes, however, was that he was pursuing a professional career as a filmmaker and videographer, first with Genesis Studios and then with his own, still thriving operation as OTR Media Group. 

 “For the film stuff I felt like it needed to be different, so I was Sherard Duvall, not Shekeese Tha Beast, in that world,” He says. “When OTR came along I was still of the mind to keep things somewhat separate, because I didn’t want to enter rooms as Shekeese, I wanted to be Sherard, to be taken seriously as a business owner and not have it be like ‘Oh, the DJ is here.’”

For Duvall, the link between his hip-hop DJ persona and the work he was doing as a short film specialist and documentary filmmaker wasn’t immediately apparent, but it slowly dawned on him that he wasn’t doing anything all that much different after all.

 “Hip-hop is a storytelling form, and OTR Media Group is built around storytelling in everything we do, from media literacy to media strategy work, nonfiction, short and long form media content,” He says. “Hip-hop is incredibly dense, we’re able to use a lot of words, mesh a lot of styles together, and we’re able to connect with more people in more ways than you can with a lot of other forms of music.”

 In 2023, Sherard Shekeese Duvall, the filmmaker, husband, and father re-emerged as Shekeese Tha Beast on stage with Fat Rat Da Czar for several performances, something that Duvall says he’s enjoyed even more than he thought he would.

 “Stepping back into the Shekeese Tha Beast thing has been one of the most joyous times in my life,” he says. “It was weird when I put it down because there was an article in the paper about me quitting, people didn’t know what to call me anymore, I treated it like ‘that thing I used to do’--but I realized when I was back on stage that I had been neglecting a part of myself; I’m hip-hop through and through and it made me feel whole to be on stage again.”

 It’s the example and the role model, even mentor that he can be for the next generation that’s driving Shekeese Tha Beast now, he says–starting with his own son. 

“Until recently my son had never experienced Shekeese Tha Beast, he was too young to remember me taking him to meet KRS-One or Lauryn Hill,” Duvall says. “He’s eleven now and I took him to the show we did at the Music Farm in Charleston. Him seeing me do that might not register now, but he’s a creative, free spirit kid and it might matter later on when he’s thinking, ‘You know, it’s alright that I’m left of center, that I’m different, because my dad is super different.’” 

For now, Duvall says being “back” just means he’s whole, that his work in film and in the community will go hand-in-hand with his hip-hop persona and all that it entails.  

“I feel like Shekeese Tha Beast is back for all the right reasons,” He says. “Where I find comfort now is in being a hip-hop ambassador for South Carolina. It’s more beneficial to the culture of our state to celebrate the diversity instead of nitpicking what is and isn’t hip-hop. So, all I can tell you is that wherever South Carolina hip-hop is, that’s where you’ll find Shekeese Tha Beast.”

COLUMBIA REPERTORY DANCE COMPANY PRESENTS “IN OUR TIME” FOR TWO EVENINGS AT CMFA ARTSPACE

Professional dance company from Columbia, SC presents fourth annual concert on August 18th and 19th, 2023


The Columbia Repertory Dance Company will present a full evening of dance for two nights at the CMFA Artspace, 914 Pulaski Street, August 18th and 19th, 2023 at 8 pm.

IN OUR TIME explores the stages of life and addresses the human capacity for vulnerability, strength, and growth.

With IN OUR TIME, Columbia Repertory Dance Company presents their fourth annual summer concert and second as a nonprofit organization. Featuring South Carolina choreographers Angela Gallo, Erin Bailey, Dale Lam, Kiyomi Mercadante Ramirez, Jennifer Deckert and Andre Megerdichian, and Stephanie Wilkins, the organization will mount an evening of versatile and exhilarating entertainment that demonstrates the depth and range of talent in dance in Columbia, and follows their mission statement in helping to both employ SC dance artists and ultimately provide dance opportunities that will allow exceptionally skilled professional dancers the opportunity to call Columbia, SC their year-round home.

The company will present works that portray the unique perspective of each choreographer. By collaborating with local artists and organizations and blending the highly physical with the highly emotional, Columbia Repertory Dance Company aims to create an experience that draws people in and encourages them to make dance a regular part of their arts consumption.

Pictured front - Bonnie Boiter-Jolley, co-founder & managing director, formerly of Spectrum Dance Theatre (Seattle) and principal dancer with Columbia City Ballet

Left to right - Megan Saylors - who has danced with Joel Hall and Dancers and Innervation Dance Cooperative in Chicago

Olivia Timmerman - apprentice - currently pursuing a BFA in Choreography at Coker College

Lindsay Fallow - freelance artist

photos from “Two Vulnerable People” photo credit Meghann Padgett

In 2018, co-founders Bonnie Boiter-Jolley and Stephanie Wilkins founded the Columbia Summer Repertory Dance Company with a desire to offer dancers more options in a city focused heavily on ballet. They started with the financial sponsorship of the Jasper Project, a plan focused on summer performances (Columbia’s dance offseason) and a sold-out debut performance in 2019 which was followed by a sold-out concert in 2021. The company has extended their season length and become a 501c3 non-profit organization. The group’s popularity among Columbia natives comes from their commitment to exploring refreshing narratives and styles of dance in their work.

The Columbia Repertory Dance Company will perform IN OUR TIME on Friday, August 18th, 2023, at 8 PM and Saturday, August 19th, 2023, at 8 PM at CMFA Artspace (914 Pulaski St, Columbia, SC 29201). Admission is $30 for this event, and more info and tickets can be found at www.coladance.com  or https://donorbox.org/events/479213 for Friday and https://donorbox.org/events/479216 for Saturday.

Pictured left to right - Ashlee Taylor who performs with Moving Body Dance and the Johnson Company in addition to CRDC

Sakura Oka - 2017 World Ballet Competition Bronze Medalist who has performed with Columbia Classical Ballet, Ann Brodie’s Carolina Ballet, and Columbia City Ballet

This program is supported in part by H-tax funding from the City of Columbia and by the South Carolina Arts Commission which is supported in part by an award from the National Endowment for the Arts and collaborates in its work with the National Assembly of State Arts Agencies and South Arts. 

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The Columbia Repertory Dance Company’s mission is to broaden the experience of professional dance artists and patrons in Columbia, SC through multidisciplinary collaborative performances year-round. We aim to retain the talents of South Carolina dance artists and provide a spectrum of professional opportunities while inspiring and developing a broader and deeper understanding of dance in Columbia and surrounding areas.

 

For more information about the Columbia Repertory Dance Company, please visit www.coladance.com or follow on Facebook and Instagram

 

Music for All Ages–The Columbia Arts Academy Celebrates its 20th Anniversary

By Liz Stalker

Saturday, August 12th, the Columbia Arts Academy will be hosting open houses at all of their locations to celebrate their 20th Anniversary! The open houses will take place that day from 3-6 p.m., and the public is encouraged to stop by any of the three locations spread throughout the Columbia area: the Columbia Arts Academy (Rosewood Dr.), the Lexington School of Music (Barr Rd.), and the Irmo Music Academy (Lake Murray Blvd.). The festivities will include free food, tours, and an “instrument petting zoo” where guests can get a taste of the various instruments the school provides lessons for. As a part of the celebration, the school will also be giving away door prizes, including a grand prize of a year of free music lessons!  

Starting in 2003 as a small-scale studio with founder Marty Fort as the only instructor to 30 students, the Columbia Arts Academy has since grown into the largest private music school in the state of South Carolina. The journey has involved plenty of ups and downs. In fact, when Fort first acquired the Rosewood space, he had a lot of work to do to make it habitable for his business. “When I started Rosewood,” he says, “there were rats, there was broken glass, there was no carpet, no wall. It was $60,000 on a Visa and a MasterCard to get Rosewood off the ground.”  

But get it off the ground he did, with the school expanding into a second location just a decade later in 2015. This expansion was necessary as the Columbia Arts Academy had hit 500 students and counting, a huge milestone for the company, though it pales in comparison to the over 1700 students the school now serves.

 The school offers instruction for an incredibly wide range of instruments–piano, guitar, voice, bass, drums, banjo, ukulele, violin, and even mandolin. Fort himself is well-versed in most, if not all, of these instruments. In the spirit of modesty, he admits that violin would likely be his weakest instrument but notes that, “Once you really lock into music, there’s so much crossover.”  

The school also sees an incredibly diverse age range among its students, with the youngest of its pupils being just three and four years old and its oldest musical scholars approaching their eighties and nineties. This broad range of ages reflects the school’s highest purpose: to serve the musical passions of the community at large.

In addition to music lessons, the Columbia Arts Academy has provided opportunities for its students to perform at highly respected and admired venues and performance halls, such as the Rock and Roll Hall of Fame and the Guest House at Graceland. Most recently, students traveled to New York to perform at the Weill Recital at Carnegie Hall.  

Closer to home, the Columbia Arts Academy band, including Fort himself, performed alongside Kirk Hammett, lead guitarist of Metallica, at the Columbia Museum of Art, an opportunity that opened the school up to a massive platform.  

Fort is immensely proud of the growth and success his business has seen over the last two decades. He has such an obvious and enthusiastic love for each location he has been able to bring to life, describing them all as “kind of like kids–they all have their own personalities.” Their perpetuity within the community is a testament to not only his robust work ethic and the excellence of his staff, but the surrounding community’s love and appreciation for music.

“You know, most businesses don't make it five years,” he says. “20 years is a long time, I’m just so proud, and now, I think for me, it's a reset. High fives, we've got a great party planned.”  

Regarding this party, Fort says he’s most excited just to see the community turn out and show their support. “We love it when people come and check us out,” he says. “We work very hard to keep our places nice, clean, looking awesome, and what I'm looking forward to is people coming and saying ‘hi.’” 

For more information visit the Columbia Arts Academy website, or call or text (803)-787-0931.

Spend the 4th with the SC Philharmonic at Segra Park!

From our friends at the SC Philharmonic —

TUESDAY, JULY 4, 2023 | GATES: 6:30 PM
CONCERT: 8:00 PM |
@SEGRA PARK

BUY TICKETS NOW

DON’T MISS THIS EPIC 4TH OF JULY CELEBRATION!

Join us at Segra Park for Fireworks with the Phil 2023. Gates open at 6:30 PM and the orchestra will begin playing around 8:00 PM. In its third year, this patriotic program has become a new Independence Day tradition for Midlands families. This year’s fireworks display is even bigger than last year’s, and you’ll get to enjoy all of Segra Park’s fun ballpark food and drink.

Segra Park is a CASHLESS venue and is a CLEAR BAG POLICY venue.

Call 803-726-4487 ext. 1 with questions or to inquire about Club Seating / Suites and food packages.

Please Note: Our rain date is July 5th, 2023 at the same times.

BUY TICKETS NOW

VISIT OR SEND US SNAIL MAIL:
1704 Main Street, Suite 100
Columbia, SC 29201

GIVE US A CALL:
803.771.7937

Columbia Arts Academy to Perform at Carnegie Hall!

“How do you get to Carnegie Hall?

Excel as a student at Columbia Arts Academy!”

~~~~~~~~~~

On Saturday, July 8th, music students from the Columbia Arts Academy will perform at Carnegie Hall in New York City! The performance begins at 1 p.m.  

The students are invited to perform one acoustic piece each. Regarding what kinds of music they will be tackling, founder Marty Fort says, “I’m very excited for the program. We’ve got performers from age 7 to 65 performing piano, violin, voice, guitar, drums, and it’s a real eclectic mix. We’re performing everything from Chopin to KISS and that says it all.” 

He goes on to say, “Admittedly I’m a little nervous to perform at the Weill Recital Hall at Carnegie Hall. Being from Columbia, starting out playing in Five Points at the age of 15 at Rockafellas and now being on that stage in New York City, it’s pretty surreal. But I’m thankful for the experience, the staff, teachers, students, and parents for all being a part. It’s a key part and perfect way to help our 20th Anniversary for Columbia Arts Academy”. 

This isn’t the first time Fort has taken his students on exciting excursions. In fact, it is becoming part of his modus operandi. In the past Fort has taken students on the road to such iconic music locations as Graceland, the Rock ‘n’ Roll Hall of Fame, and Columbia’s own Koger Center for the Arts.

Columbia Arts Academy Student and Faculty Performing at Graceland

 

Columbia Arts Academy Student Shane Manning Performing at Koger Center for the Arts

Screen capture of Metallica’s Kirk Hammett social media post — performing with (pictured) Columbia Arts Academy Founder Marty Fort at Columbia Museum of Art, 2020

Family, friends, and supporters of all kinds are encouraged to attend if they are able, and tickets are $25 each. For more information about the performance, what audiences can expect, and to purchase tickets, visit the Columbia Arts Academy website.  

And watch this space as Jasper continues to celebrate the 20th Anniversary of the Columbia Arts Academy in the weeks to come! To give back to the community, the school is hosting a special 20th Anniversary celebration Friday August 4th through Sunday August 6th. The public is welcome and encouraged to stop by any of their locations in Columbia on Rosewood Drive, Lexington on Barr Road, and Irmo on Lake Murray Blvd.

 

By Liz Stalker

Make Music Day at the Koger Center for the Arts featuring USC School of Music, SC Philharmonic, Whiskey Tango Review and MORE!

On Wednesday, June 21, the Koger Center for the Arts will host Make Music Day, a free family friendly day of creating and listening to music. The Koger Center is presenting the day in conjunction with Rice Music House and the SC Philharmonic, as well as the City of Columbia.

From 12 to 8 p.m., every hour will bring musicians of all ages to the Vista for everyone to enjoy. Presented by the NAMM Foundation, Make Music Day is a worldwide celebration held in more than 1000 cities in 120 countries, with origins from France in 1982. The day is all about exposing communities to the power of music from all genres.

The early half of the day features an experimental “ruckus hour” where visitors can play around and make music with unconventional instruments--like boomwhackers--alongside percussive ones like steel drums. Varna International Music Academy, Rice Music House, SC Youth Philharmonic, and Rhodes Music Studio will have several students and affiliates perform recitals throughout the Koger Center lobby, stage, and Upstairs Gallery. The SC Youth Philharmonic will also host an instrument petting zoo, a perfect opportunity for aspiring musicians to learn a little bit more about different instruments.

At 4 p.m., Columbia Operatic Laboratory will perform excerpts from their production of Pirates of Penzance as well as give an announcement about their season. Afterwards, around 4:30 the duo Alexandra Fowler and Max Feltes will perform covers of hit indie songs for audiences.

The night concludes with outdoor events, starting out with a drum circle open for everyone to participate in. The circle will be led by Ashley Cobb, a graduate assistant at the University of South Carolina’s School of Music. There will be three bands afterwards performing on the plaza stage: Whiskey Tango Revue with Lauren Sherr, Martha’s Vault, and Sam & Illia. All stage performances are also free, and don’t forget your lawn chair or blanket!

Make Music Day Columbia is a yearly event that helps to make the slower summers of Columbia that much more musical. For more information on the complete lineup, visit the Koger Center website or the Make Music Day Columbia site.

Grammy-Winning American Songster DON FLEMONS at Columbia Museum of Art

From our friends at Columbia Museum of Art —

The Columbia Museum of Art presents More Than Rhythm: A Black Music Series Featuring Dom Flemons, the season two finale of the popular concert and conversation program, on Friday, June 23, from 7:00 to 9:00 p.m. The evening features The American Songster himself, Dom Flemons, GRAMMY Award winner, two-time EMMY Award nominee, and 2020 United States Artists Fellow. In the pre-show conversation, series host and ethnomusicologist Dr. Birgitta Johnson and Flemons discuss his passion for storytelling through old-time music, his experiences with the award-winning Carolina Chocolate Drops, and his current projects that champion the Black contributions to American folk music.
 
“For two years, the More Than Rhythm train has passed through a myriad of genres and celebrated the indelible impact of Black artists and musicians on the rich fabric of American music,” says Dr. Johnson. “From sacred music to the blues, soul to hip-hop, classical to jazz, we have experienced some of today’s most innovative and genre-expanding artists from around the country. For our season finale event at the CMA, we are pulling into our final stop and digging into the ebony roots of American folk music with The American Songster, Dom Flemons.” 
 
Flemons is a songwriter, multi-instrumentalist, producer, actor, music scholar, historian, record collector, and the creator, host, and producer of American Songster Radio Show on 650 AM WSM in Nashville, Tennessee. He is considered an expert player on the banjo, guitar, harmonica, jug, percussion, quills, fife, and rhythm bones. Co-founder of the beloved Carolina Chocolate Drops, Flemons left the group in 2014 to pursue his solo career.
 
In 2018, Flemons released a solo album titled Dom Flemons Presents Black Cowboys on Smithsonian Folkways and received a nomination for “Best Folk Album” at the 61st GRAMMY Awards. This record is part of the African American Legacy Recordings series, co-produced with the Smithsonian National Museum of African American History and Culture in Washington, D.C. In 2020, Flemons was selected for the prestigious United States Artists Fellowship Award for the Traditional Arts category, which was generously supported by The Andrew W. Mellon Foundation. Available now, Traveling Wildfire is Flemons’ first new album since Black Cowboys and second for Smithsonian Folkways. In it he turns to an important, overlooked voice that he's proudly rediscovered: his own. Flemons is on tour this year traveling across the country.

“Be it string band, old-time music or Piedmont blues, Flemons is a GRAMMY winning multi-instrumentalist and storyteller who has been a part of amplifying the often-erased contributions of African Americans to American roots music styles,” says Dr. Johnson. “As a founding member of the acclaimed Carolina Chocolate Drops and as a solo artist and board member of the Music Maker Relief Foundation, Dom is a leader in connecting people — young and old — to Black folk music pioneers in the blues and country music. His recent album Black Cowboys illuminates another hidden gem in American music and folklore — the songs and stories of the original cowboys of America’s westward expansion. Our season finale show with Dom will also be a time to thank our More Than Rhythm audience regulars who have helped the series grow and make a powerful mark in Columbia’s thriving art and music scene for the last two years.” 
 
Series host Birgitta J. Johnson, Ph.D, is a jointly appointed associate professor of ethnomusicology in the School of Music and African American Studies Program at the University of South Carolina. Her research interests include music in African American churches, musical change and identity in Black popular music, and community archiving. She has published articles in the Black Music Research Journal, Ethnomusicology Forum, Liturgy, Oxford Bibliographies in African American Studies, and the Grove Dictionary of American Music.
 
Dr. Johnson’s recent publications include a chapter about 21st-century gospel archiving in The Oxford Handbook of Musical Repatriation, a chapter about gospel remixes of Beyoncé songs in Beyoncé in the World: Making Meaning with Queen Bey in Troubled Times, and sacred themes in the music of Outkast in An OutKast Reader: Essays on Race, Gender, and the Postmodern South. She has been quoted or featured in media and news outlets such as Rolling Stone Magazine, NPR, Vox, Public Radio International, and South Carolina ETV. 
 
A multi-instrumentalist and singer, Dr. Johnson has performed professionally and/or recorded with artists and ensembles from a variety of genres including the Southeast Symphony Orchestra of Metropolitan Los Angeles, the Gospel Music Workshop of America, Francisco Aguabella’s AfroCuban Folkloric Group, and the ESPY Awards with Justin Timberlake, The O’Jays, Yolanda Adams, Talib Kweli, and BeBe Winans. At USC she teaches courses on world music, hip-hop, the blues, African music, Black sacred music, Beyoncé, and the history of ethnomusicology.
 
More Than Rhythm: A Black Music Series Featuring Dom Flemons
Friday, June 23 | 7:00 – 9:00 p.m.
Conversation at 7:00 p.m. | Concert at 8:00 p.m.
Galleries and bar open at 6:00 p.m.
Free admission

 
Presented by the Baker & Baker Foundation. This program has been made possible in part by the National Endowment for the Humanities: Democracy demands wisdom. This program is supported by a Connected Communities grant from Central Carolina Community Foundation.

Q&A with Cedric Umoja: Alchemical Change Through Art -Third Thursday at Koger Center by Liz Stalker!

This Thursday, May 16th, Third Thursday with Jasper presents a reception at the Koger Center for the Arts featuring the work of artists Cedric Umoja and Jarrett Jenkins. Umoja is a multidisciplinary artist based in Columbia who works in a wide variety of mediums, including painting, drawing, sculpting, filmmaking, installation work, and performance art. Jenkins (AKA Lefty Unz) is also a Columbia based multidisciplinary artist as well as a tattoo artist. He describes his art as “largely focused on majestic depictions of Black people, reimagining subjects from popular culture, and sociopolitical commentary on current events.” 

The art shown at the reception will have a focus on Black culture, Hip Hop culture, the tattoo scene, and the corresponding overlap of cultural attitudes and ideas.  

The event will also feature Fat Rat da Czar, current president Love, Peace & Hip Hop, the organization responsible for Hip Hop Family Day, who will deliver a special announcement about that upcoming event.  

Before the show, Jasper was given the opportunity for a virtual interview with featured artist Cedric Umoja.

 

Jasper: Your work takes on quite a variety of mediums! What was the first medium(s) you found yourself drawn to when you began to create art? And how would you characterize your progression as an artist? 

Umoja: Pencils, pens and printer paper were the most accessible as a child. These made me feel as if I had graduated from being just a child, especially since crayons and markers were more age appropriate.

 

Jasper: how would you characterize your progression as an artist?  

Umoja: I went from thinking I understood how to make Art to reimagining what the Art I make could be. These ideas and practices are worlds apart from each other. There was a time when I was just a painter, but the need to convey my thoughts and ideas expanded as did my practice. Since then I’ve been a multidisciplinary artist for over five years. I’m constantly expanding how I engage others through my work. I see it as being able to speak different languages. The more languages you can speak, the more people you can communicate with. My Art is about engaging and communicating with its participants.

 

Jasper: In your artist bio on your website, I noticed that you say you seek to "enact alchemical change," which is a really interesting and expansive concept. Could you explain a bit about what that means to you? 

Umoja: Enacting alchemical change when it comes to my work has to do with aligning my intentions to impact there for positive growth in themselves with the proper visual stimuli that conjures those conditions which cause emotion to arise. It’s through medium, intention and imagery that this becomes possible!

 

Jasper: It's really cool that this show seems to be a reflection on really neat elements of Black culture, like Hip Hop. I think it's really cool that there is this sort of duality intertwined in Hip Hop as the music and the culture sprung up as a reaction to state sanctioned disenfranchisement and strife, but much of the genre, both early on and in the present, is also able to demonstrate a certain lightheartedness and lively fun. I found your art, with all of its vibrancy and, in many places, its pointed political messaging, very similar in that way. How do you find yourself balancing severity with playfulness as you create?  

Umoja: The balance is found in life itself! The opening to one of my favorite anime flicks “Fist of The North Star” speaks to this. The pendulum swinging in one direction must eventually swing in favor of its opposite. So, playfulness is necessary as it allows those who participate with my work the space to deal with what I’m communicating without feeling all the heaviness of the subject matter loaded into my work. I took a page from my Granny’s book, put the medicine in the candy. This is how you can guarantee it will be consumed!

 

Jasper: Lastly, for what about the upcoming show are you most excited? 

Umoja: I’m most excited to hear what Love Peace & Hip Hop’s President, Fat Rat Da Czar aka Masta Splinta, has to say. I know it’s gonna be some great news!