Cola Rep Dance Company Presents KISS THE GROUND, Aug 1 & 2 at Koger Center

Columbia Repertory Dance Company Showcases SC Talent & Upholds Commitment to Innovation with

KISS THE GROUND

August 1st & 2nd at Koger Center

Columbia Repertory Dance Company presents Kiss the Ground at the Koger Center for the Arts on Saturday, August 1st at 7:30pm and Sunday, August 2nd at 3:00pm. The Company’s seventh season celebrates the extraordinary artists who are shaping the future of professional dance in South Carolina, and features a dynamic ensemble of professional dancers, emerging apprentices, choreographers, and designers whose work reflects the depth of artistic talent found throughout the Midlands and beyond. 

The beginning of the program highlights the company’s signature style, featuring repertoire by Angela Gallo, Christian von Howard, company artists Ashlee Taylor and Erin Bailey, and emerging choreographer Molly Allen, a recent graduate of the University of South Carolina’s Betsy Blackmon Dance Program.  

The second half of the evening premieres “The Weight of the World,” a new one-act work by artistic director Stephanie Wilkins that explores resilience, connection, and the shared human experience through sweeping, emotionally driven choreography. Representing a break with the company’s tradition of exclusively presenting mixed repertoire. The work, an expansion of 2025’s show closing “An Internal Growl,” consists of six movements of various configurations of dancers, each taking the audience along on a shared journey through the battles we fight to win our way to hope, says company co-founder and managing director, Bonnie Boiter-Jolley. 

Performed by ten professional dancers and five apprentices, and supported by a professional design team, the production exemplifies Columbia Rep's commitment to artistic excellence and multidisciplinary collaboration. “Together, these diverse artistic voices reflect Cola Rep’s mission to broaden the dance experience through innovative choreography and meaningful connections between artists and audiences,” Boiter-Jolley says. 

“I am really excited about this change from our usual format to premiere Stephanie’s new choreography,” she continues explaining that "The Weight of the World" consists of six distinct movements. “An Internal Growl,” the company’s show closer in 2025, “Wept,” which is a quartet that premiered at the Starlight Gala earlier this year; “One Step Forward and Three Steps Back,” which is a more angular and almost militaristic piece featuring mass ensemble movements and unison with individual breakaway moments; the fourth section, “Bleed” is a solo performed by Erin Bailey, embodying a sense of weariness familiar to many right now; the fifth section, which is also currently untitled, utilizes the full 14 dancer company in what feels like a united fight and is set to a piece of music composed and performed by Clinton Wilkins' band “Marmalade Knives;” and finally, “Unbroken,” a restaging of a work that deals with overcoming the idea of hopelessness to rebuild oneself and rediscover hope.

CRDC dancer Carrie Preus

“Though it is challenging to switch gears between each chapter, it makes the story much easier to tell,” Boiter-Jolley says. “The viewer will understand why the dancers are wiping away tears in the second section and grasping at the air, fighting to find their feet and endlessly running in the final section. I was in the cast of that final section, “Unbroken,” a number of years ago when I was still a part of Columbia City Ballet, and as soon as we began getting that movement into our bodies this time around the tears came. There is a definite catharsis that comes with sweating, laughing and crying in a room full of people you love and respect and also being able to end a journey joined hand in hand and looking toward the future.” 

Boiter-Jolley also says she is “very proud of how multi-generational the company is this year. I have two former students from USC in the company: Amy Brooks (who I taught for all four years and will be dancing with a local ballet company in the fall) and Megan Kelly (who graduated in 2025 and is now teaching in the public school system,) and Carrie Preus introduced Rylie Budnick (recent Converse College graduate) and Dylan Miller (current rising Junior at Converse) to the company as apprentices. Carrie, Erin Bailey, Ashlee Taylor and I all teach in the University system while Jack Thompson, Megan Kelly and apprentice Kaela Colemen are in public education. There is a huge amount of ‘passing it on’ happening  and it feels like what is being passed is valuable enough to make a difference both in an individual's journey and the dance landscape here in SC.”

According to Wilkins, this performance is inspired by the Rumi quote, “Let the beauty we love be what we do. There are hundreds of ways to kneel and kiss the ground,” as it “delves into extremely personal, yet universal themes, including grief, loss, love, community, feeling broken and beaten down, and then finding your strength and resilience again, rising up and refusing to be made small or to shrink, and reclaiming your power, both personally and as a people.” She continues, “It is a response to not only what has been going on in  my personal life, but in our nation during these turbulent times. Though not a political piece per se, it certainly touches on themes that we, as a country, have dealt with over the past few years. Ultimately, it ends with hope.” 

Show times: August 1st at 7:30pm and August 2nd, 2026, at 3pm in the Koger Center Black Box Theater.

Tickets are $35 & available here

For more information and tickets, https://www.colarep.com/events contact Managing Director Bonnie Boiter-Jolley

Phone: (803)622-6879 E-mail: colarepdanceco@gmail.com

The Columbia Repertory Dance Company’s mission is to broaden the experience of professional dance artists and patrons in Columbia, SC through multidisciplinary collaborative performances year-round. We aim to retain the talents of South Carolina dance artists and provide a spectrum of professional opportunities while inspiring and developing a broader and deeper understanding of dance in Columbia and surrounding areas.

FROM THE PRINT ISSUE - PART TWO IN OUR SERIES ON KOGER CENTER PROJECT WINNING ARTISTS featuring COLLEEN CANNON-CARLOS

Welcome to the second article in our series on the Koger Center Project’s Winning Artists. You can get the background on this series in yesterday’s article on Kate Timbes, and learn more about the project and the other winners from an earlier Jasper Online post. Today we’re featuring Colleen Cannon-Karlos and sharing the article by Emily Moffitt that appears in the spring issue of Jasper Magazine!

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Colleen Cannon-Karlos:

Left Brain, Right Brain – One Artist 

By Emily Moffitt

Photography by Perry McLeod

The intersection of art and science is sometimes explored only in name, particularly in academic settings. However, for Colleen Cannon-Karlos, the two fields are inextricably intertwined both in her art and her personhood.

Cannon-Karlos' upbringing took her across the country to both coasts—born in Los Angeles to native New Yorker parents, she ended up moving to New York after her parents divorced. During her school years, she excelled in all subjects, participating in gifted student programs and having a strong handle on both sides of her brain. The left brain seemed to dictate her path slightly more as she had not considered being an artist when she was younger. She still enjoyed creative endeavors, however. According to Cannon-Karlos, “I never had a formal art class growing up in school, and the gifted programs in the Bronx that I participated in had music as the cultural enrichment.” This did not stop Cannon-Karlos from pursuing artistic hobbies at home as her mother taught her how to knit, sew, and crochet. At home, she made her own art projects that combined her budding fiber arts skills with recycled materials like popsicle sticks and old fabrics. This resourcefulness has resurfaced years later in the Cannon-Karlos work we see today.

Even as the designated artist of the family, Cannon-Karlos still initially enrolled in schooling oriented toward a career in math or science. “I went to the Bronx High School of Science and had an affinity for math and physics,” says Cannon-Karlos. “There was a drafting class available if anyone wanted to be an architect or engineer, … I absolutely loved taking it. The precision, tools, and learning how to transfer schematic drawings into three-dimensions—I use these skills in my work today all the time.”

Precision is the key to much of Cannon-Karlos' artistic practices today. She developed these tools even further when she studied at Stanford University and worked in the physics lab. Her curriculum was strenuous and extremely scientific, but she always had art in the back of her mind. While in college at Stanford, the artist’s aunt asked her to make some art for her. This became an “a-ha” moment for Cannon-Karlos, whose time spent in the lab, identifying subatomic particles of smashed atoms, did not leave much time for creative hobbies. “I rediscovered my love for making stuff, using materials as simple as magic markers,” she remembers. It was time for her to find her path not only as someone with a knack for science, but also as an artist.

Cannon-Karlos decided to take a gap year from her Stanford studies and moved back to New York City to, hopefully, establish a career as an artist. She spent her days teaching herself how to paint, exploring museums and creative communities, and communing with playwrights, artists, and musicians. “This was during the 70s, so a lot of the community’s creative endeavors coalesced with different sociopolitical movements of the era,” Cannon-Karlos says. “There was this explosion of creative, dynamic energy that was so immersive and different from today.”

Working on her art career paid off early as she had her first gallery representation when she was 19-years-old. She began dabbling in photography and even convinced the staff photographer at the Studio Museum of Harlem to let her work with him in the darkroom. After spending the year building her portfolios in a variety of media, drawing, painting, and photography, she went back to Stanford and switched her major from sociology to art with a concentration in photography.

 She flourished in the field while also continuing to experiment with other media. The inquisitive Cannon-Karlos always had a knack for trying and learning something new and says that “some artists do the same thing for decades, but it is my nature to explore.” In her twenties, she began to bring back her fiber arts skills to simultaneously turn a profit and make some serious work; she was introduced to fabric design by her former husband, a fellow artist. She began to sell her handmade fabrics and clothing in flea markets, then boutiques and stores in New York. Eventually, Cannon-Karlos took the lessons she had learned practicing her art and began to apply them to something new: academia.

Throughout her career, Cannon-Karlos has instructed students of all ages, from elementary school through college. Since her methods of problem-solving combine both artistic and scientific approaches, she uses this thought process to her advantage in the classroom. She teaches her students that they may have analytic tools but they still need to be able to think outside the box.

The artist has also created curricula based around projects in which students can learn scientific concepts by making art. In Durham, NC, for example, she worked with the local art council and taught classes to elementary schoolers in which they studied ocean science through technical concepts but also had opportunities to create sculptures like jellyfish and tube worms with plastic bags, paper tubes, and other recycled materials that can, unfortunately, easily be found in oceans and bodies of water.

While she lived in Hawaii, she created curricula that truly captured the intersection of her interests. “I was finally able to make a proposal for an Art, Science, and Technology Class that collaborated with the marine science department,” says Cannon-Karlos. “We had a mix of art and science majors in the class, and we were allowed to use lab equipment, including their scanning electron microscopes. This allowed us to see the intricacies of the designs of a particular specimen at a microscopic level and beyond.” The designs found on the plates were only black and white, so the students would then learn how to use Photoshop to add color to their discoveries. While this was an art project in essence, Cannon-Karlos made sure that all students flexed both sides of their brains and wrote explanations of each step of their project, including why they dissected the image in a particular way, how they manipulated the image, and what they learned from the experience. The science-minded students loved the opportunity to express their inner creativity, and the arts students jumped at the opportunity to exhibit their talents on an academic level.

Thess lessons were among the many ways that Cannon-Karlos exhibited her proficiency in seeing things beyond the material plane and comprehending, on a deeper level, the use of an object or material for something completely different. Using recycled materials for creating artwork started in her childhood, and it has manifested contemporaneously as her preferred medium.

Piles of cardboard boxes inevitably piled up across Cannon-Karlos' cross-country moves. After collecting so many, but not wanting to throw them in the waste, she decided to express her resourcefulness by stripping, cutting, and tearing the boxes apart. “Being a science aficionado, I like to experiment with my materials and am always in that mindset of play,” says Cannon-Karlos. “I realized I could make some imagery with these strips.”

Cannon-Karlos had started to experiment with cardboard in 2019, but it was not until after the pandemic and a final move to Columbia that she seriously started to create with it. The cardboard allows Cannon-Karlos to work as a scientist again, finding ways to challenge herself and test new hypotheses regarding how she can use the cardboard and adapt the surface to do different things. One such test of skill was born out of observing sweetgrass basket weaving. “When I saw the weavers … I asked myself if I could simulate the weaving process with the corrugated cardboard.” This process also made Cannon-Karlos reflect on the resourcefulness of African artists, especially with recycled materials of their own. Her work is a constant conversation between culture and science, always looking to explore what that conversation could look like on a surface with one of the most accessible materials available. “A lot of recycled materials are brought over and dumped into Africa,” notes Cannon-Karlos. “The artists are very resourceful; they can go to the dump and pull fabrics, electronics, and other trash then turn it into the most amazing work. I am very inspired by people who look at things differently and turn them into something new.”

Like many other artists, Cannon-Karlos' career path did not follow a straight trajectory. The moves, twists, and turns provided great opportunities at each bend, but nothing necessarily consistent. “If I followed my trajectory out of grad school in the 90s, I may have become more prominent in the art world,” says Cannon-Karlos. “I have had to put my career aside working as a single parent. It is hard to be an artist when you are taking care of a family.” While working in Hawaii, she had first-hand experience with the exorbitant costs of shipping artwork, and the transience of teaching positions in higher education. Her trips across the country, while pursuing her dreams, created different bumps along the road. But when asked if she had the chance to do everything all over again, Cannon-Karlos admits that she may not change anything at all. Her life experiences and her way of approaching art, as both an academic and a creative, are what make her portfolios so alluring, with viewers waiting with anticipation to see what she’ll create next.

FROM THE PRINT ISSUE -- Jasper Writes About 5 of the 6 Koger Center Project Winning Artists (and we're adding the 6th to our story bank!)

At the Jasper Project we have nothing but praise and appreciation for the work the Koger Center for the Arts has done to bring more diverse arts disciplines to their halls. In addition to providing Jasper with a designated space called The Nook to offer monthly openings in conjunction with The Vista’s Third Thursday celebration (thanks Koger!), over the past few years they have elevated SC visual arts appreciation by sponsoring their own visual arts contest (sort of awkwardly) titled The Koger Center Project. Jasper has written about this year’s winners already via Jasper Online, but we were happy to find that we have already written about 5 out of 6 of the winning artists in the pages of Jasper Magazine. Let’s take a look back at these stories by visiting the Jasper Magazine archives.

Photo by Perry McLeod

Kate Timbes: Right Places, Right Times

By Emily Moffitt

Ten days after Kate Timbes graduated from Wofford University, she moved halfway across the world to Germany. This was a decision that became integral not only to her career, but to her life as an artist.

Timbes graduated from Wofford’s studio art program in 2023 with a minor in business and film. She grew up in a creative household, amongst a sister with an affinity for art and a father who worked as an architect. The creative spirit of her family spanned multiple generations; Timbes’ grandfather is an artist as well, and her mother often brought her to bead crafting shows growing up. “I credit my parents and their support and belief in me to be an artist,” says Timbes. “They never questioned my career choice.” Her parents were there to watch her artistic abilities flourish from coloring with crayons, to creating commissions for their family friends. Even now, Timbes’ studio where she perfects her craft is at her parents’ house.

Growing up, Timbes knew she wanted to pursue art after spending her childhood years painting and making jewelry, but she originally considered graphic design as a career. It was not until her undergraduate years at Wofford that she discovered and fell in love with studio art. While studying studio art, she got to explore with a variety of mediums and pursued as many opportunities as possible to learn what she could. “I accepted a work study at a school in Tennessee where I learned to spin my own wool,” says Timbes. “I saw so many other artists honing their craft, and they were all so encouraging and eager to share their knowledge with me.”

Photo by Perry McLeod

As her studies progressed, one of her professors at Wofford approached her and asked if she had any experience making paper. “I told her I had seen it be made, and I spent the next two months learning as much as I could about the medium,” Timbes says. “I was going to help lead a class on how to make your own paper. The next thing I knew, I could not get my hands out of paper baths.”

Awakened with a sense of wonder in how to push the limits of this newfound medium, Timbes started to see motifs from her existing practice reawakened. She found that she resonated with the low-to-zero waste practice of making paper from scratch and wanted to learn how to use plant fibers to make new sheets. Timbes says, “I felt very connected to a tradition that is starting to disappear in certain places around the world.”

At the beginning of her papermaking practice, Timbes would experiment with sheet pulling to see what would happen, figuring out if the sheet would be used for painting, sculpture, or just exist as a sheet of paper. Now, just a few years later, paper making is Timbes’ primary method of creating building blocks for her art in her daily routine. “When I am on the journey to find what possibilities exist within paper, and what it is going to do to push me...I find it to be a very conversational art practice.”

Photo by Perry McLeod

Conversation itself is integral to many of Timbes’ artistic endeavors. The paper that Timbes creates is made through a conversation of intention: what will a specific piece of paper be used for, what kind of fibers are needed for the sheet, and how will it react to the additives? Timbes even casts her own body in handmade paper for some of her projects. The resourcefulness of the artist is not reserved for making paper from scratch, however, as she is proficient in using fabric to create stunning installation and performance work. One notable medium that Timbes has visited multiple times in her career is a simple bedsheet. “In 2022, when I was working on my senior project, Roe V. Wade was overturned,” says Timbes. “I looked for an outlet for rage, and turned to tearing up bed sheets, weaving the strips into rage rooms.” The accessibility of bedsheets made the project’s foundation easy to start. Using leftover paint from a previous mural project, the rage room installation came to fruition by throwing the watered-down paint all over the stripped, cut, and torn bedsheets until they dried. Afterwards, she created circular installations with the strips by weaving them together to create a microcosm of rage and relief.

The experience with this project followed her from Spartanburg to Garmisch. In a setting with no formal studio or ample space to create like she had in college, Timbes made sure to immerse herself in the culture of the small ski resort town she worked out of. After spending time researching the local ecology and energy of the town, it prompted her to reflect on her own desires as an artist. “I had to ask myself, ‘What am I passionate about? How do I narrow everything down? Am I a sculptor, painter, or something else?’” She ended up cultivating all these thoughts and experiences with her surroundings into her notable performance piece/sculpture/photography series, “I Cut My Arms Off So That I Could Fly.” In her hotel room, Timbes found an ample number of bedsheets once again to be her canvas. “The piece is a fiber sculpture turned performance that was inspired by a glacier that melted off the top of the highest mountain in Germany,” says Timbes. “There were so many tours going up there, but no acknowledgment of the glacier itself. It was almost like a tourist attraction that did not exist.” Some church groups in the area hosted funerals for the glacier, which pushed Timbes to create a remembrance of her own. After tearing and dyeing the bed sheets, she wove them into a set of arms she could wear. It was not until right before the ski season ended that Timbes came up with the perfect idea: “I took the piece up into the mountain and decided to ski down while wearing it. That’s where the photos came from.” What resulted was a stunning coalescence of movement, reverence, and originality that has reappeared throughout Timbes’ portfolio.

Now in the present day, Timbes has taken all of her life experiences and creative endeavors and melded them into a path she is sure to take with aplomb. Timbes has joined an artist collective named Zerospace, participated not only in exhibits across South Carolina, but as far away as California and Denmark. Building a community and participating in one that exists amongst her artist peers is the most important thing to Timbes’ artistic practice. At Woven Studios, Timbes creates murals and takes commissions, emphasizing the importance of understanding her clients. Building relationships with clients fosters trust, while collaborating with other artists inspires creativity and new ideas, especially now that she's returned to South Carolina. “Within the last year, tapping into the Carolinas’ creative communities has really fueled my practice, and I have acknowledged how important creative spaces are,” says Timbes.

Photo by Perry McLeod

Upcoming projects for Timbes include participation in the Koger Center’s annual art competition exhibit, where a jury-selected panel of SC artists is featured and Timbes was awarded first place. Additionally, Timbes is developing a new collection of fiber and paper-based works inspired by German folklore. Timbes’ explores subject matter and artistic concepts with the originality and passion of someone who has given themself the grace to create without self-imposed boundaries: a tenet passed down from her father. “It is hard to navigate the world right now, let alone as an artist in her 20s,” says Timbes. “But I have to be okay with failure, comfortable with vulnerability, and just reiterate to myself that whatever happens, I got this.” With a knack for storytelling and working with intention, she is well on her way to fashioning herself as one of the young artists to watch in Columbia, SC or wherever her journey takes her.

 This article appears in the current issue of Jasper Magazine, Spring 2026.

Return to this space to read about Koger’s Featured Artists Anna Byars, Lori Isom, Wilma King & Colleen Cannon-Karlos. And to keep up with Jasper’s ALL-ARTS news & articles between print issues, go to JasperProject.org, find Magazine on the front page, then scroll down for Jasper Online. Recent articles have included local theatre reviews, news about Columbia Classical Ballet, calls for art, the SEPF, SCSM artist talks & everything about our current Big Thing,

Jasper’s Play Right Project.

Thursday Night at the Koger Center Brings You the Opening of Ginny Merritt's Exhibition, the Opening of the Koger Center Project Winners' Exhibition & the Closing of the Late Laura Spong's Show

Artist - Ginny Merritt

When we first saw the work of Ginny Merritt years ago at a Contemporaries exhibition at the CMA, we knew she had something special. That’s why Jasper awarded her the Best in Show prize (2018) and wrote a feature on her in the next issue of Jasper Magazine. In the years since, it’s been such a trip to watch this retired art educator pour herself into her own art, after decades of nurturing the art in her students, and grow and grow and grow.

That’s why we’re excited to welcome Merritt back to the Jasper Nook Gallery at the Koger Center this Thursday night from 5:30 - 7pm.

And we’re even more excited to invite you to her opening reception which will coincide with the Closing Reception for the Koger Center’s beautiful exhibition of the late Laura Spong’s work, as well as their Opening Reception for The Koger Center Project Winners’ Exhibition – all three happening at the same time!

About Ginny Merritt

Ginny Merritt was raised in Denver and settled in South Carolina in 1987. She graduated from the University of Georgie and has two master’s degrees from USC. She studied art education and taught art in public schools for 30 years, also teaching as an adjunct instructor at USC.

Her work is centered on mixed media collages inspired by the stylish women from her grandmother’s day which she recreates using vintage and contemporary papers. She has mounted exhibitions of her work all over town as well as  in Charleston, Lake City, Augusta, Brooklyn, NY, and a solo show at the Etherredge Center Gallery at USC Aiken, SC. Merrett published her book Tall Women in 2024, which offered a collection of ekphrastic poetry based on her art.

Ginny Merritt

About Laura Spong

Laura Spong (1926-2018) is remembered as one of SC’s leading Abstract Expressionist artists. Originally from Nashville, where she graduated cum laude from Vanderbilt University, Spong took her first drawing classes in 1948 before moving to Columbia, SC and studying under Gil Petroff among others. Spong was a favorite of the late Wim Roefs and Eileen Waddell of the former If Art Gallery, Waddell wrote of the artist, “Laura was a genteel Southern woman with a Tennessee accent whose ‘Coming Out’ party as an artist was on her 80th birthday.” Spong died at the age of 92, painting until the end of her days.

About the Koger Center Project Winners’ Exhibition

The Koger Center Project Winners’ Exhibition is a group exhibition in the Gallery at the Koger Center. The exhibit features the winning artists from their 2025 call for art sponsored by the Koger Center: Kate Timbes, Lori Isom, Anna Schumann Byars, Colleen Cannon-Karlos, Max Hardy, and Wilma King.

This opening reception coincides with Third Thursday Art Night featuring Ginny Merett.

About the Winners

Kate Timbes (1st Place) is a South Carolina based interdisciplinary artist whose work investigates the narrative and functions of materiality.  Working primarily in painting, video, and sculpture, she weaves mediums together, carrying objects, paintings, seeds, weavings, and sculptural handmade paper through physical, emotional, and digital landscapes. Timbes contemplates sourcing of resources, rethinking use as an individual effort to engage in a curious ecological practice. Timbes has exhibited her work nationally and internationally, with recent exhibitions at the Richardson Family Art Gallery, Greenville-Spartanburg Airport, the Spartanburg Public Library, and the DIS Student Hub in Copenhagen, Denmark. In addition to her studio practice, Timbes teaches papermaking workshops that have been supported by the Tri-State Sculptors Association and Wofford College. Timbes received her BA in Studio Art from Wofford College in 2023. (Read more about Kate Timbes in the current issue of Jasper Magazine, on newsstands now.)

Lori Isom (2nd Place) Artist Statement: It is fair to say that my life has been quite varied as an artist, and all around creative person. Years of my life were dedicated to working as a professional dancer, singer and actress in New York and Los Angeles, and I’ve had several interesting and fun entrepreneurial pursuits along the way, including owning and operating my own baking business! I am predominantly a self-taught artist, however, I studied illustration in high school, and later fine art and fashion design at Parsons School of Design. I would say that I walk the line between illustrator and fine artist. While I work to tell a story with my art, I also produce paintings that primarily express a particular emotion. Artists like Mary Cassatt, Andrew Wyeth, and John Singer Sargent were ones who greatly influenced my work early on. I suppose that’s how I came to love capturing people.

Anna Byars (Honorable Mention) is an artist based in Columbia, South Carolina. Anna grew up in Lexington, South Carolina, and received a BA in Studio Art and Art History at the College of Charleston. Her work has been shown in exhibitions at the Southern Graphics Conference, Sawtooth Visual Arts Gallery, and the Halsey Institute of Contemporary Art. Anna primarily focuses in printmaking and is currently exploring the idea of transcendence within her work.

Colleen Cannon-Karlos (Honorable Mention) was born in Los Angeles, raised in New York City, and currently resides in Columbia, SC after living in Hawaii for 20 years. Over the years she has worked in a variety of mediums including painting, drawing, photography and ceramics. Conceptually her work is based on quantum physics and ancient metaphysics exploring the illusive abstract nature of reality. Inspiration for her work includes indigenous African, Native American, Asian and Polynesian art forms. (Read more about Colleen Cannon-Karlos in the current issue of Jasper Magazine, on newsstands now.)

Max Hardy (Honorable Mention) Artist Statement: I’ve always loved to draw and paint and make things and have done so since I can remember. When I was in high school I took a few art classes but other than that I’m self- taught. Lately my paintings have been sculptural and deal with illusion in some way. My process is quite slow with visual art; I only produce a handful of pieces a year.

Wilma King (Honorable Mention) endeavors to combine her experiences of living in 11 states (including Alaska) with her educational background into a visual storytelling collaboration through her painting. Her pursuit and passion goes beyond a daily practice of technique and development. She believes that universality — seeking common ground — is what makes art purposeful. She taught public relations, communication studies, advertising design, publication design, and photography for more than 30 years in American universities in Kentucky, Tennessee, New York, Virginia, Texas, and South Carolina, and taught Study abroad courses in Italy several years. She was an associate professor of Public Relations at both Western Kentucky University (Bowling Green, KY) and Rochester Institute of Technology (Henrietta, NY), and served on faculty at Benedict College (Columbia,  SC), where she wrote the curriculum for, and taught the first courses in the college’s now defunct commercial art program; O’More College of Design (Franklin, TN); Texas Southern University (Houston, TX); The Art Institute of Houston (Houston, TX). (Read more about Wilma King in the Fall 2022 issue of Jasper Magazine.)

The Jasper Project Presents Cait Maloney in the Nook Gallery at Koger Center for the Arts

The Jasper Project is pleased to present artist Cait Maloney in our Nook Gallery at Koger Center for the Arts with an opening reception Friday March 20th from 5:30 - 7 pm.

From her engaging color pallet to her nostalgic and evocative imagery, Cait Maloney has made her mark all over Columbia, SC and beyond. The Jasper Project is thrilled to work, once again, with Maloney by featuring her in our Jasper-curated gallery space, The Nook, at the Koger Center.

Cait Maloney - photo by Cait Patel

In her Artist’s Statement Maloney writes, “I help businesses and individuals visually communicate through thoughtful, engaging and effective design.

I have had a passion for visual communication and carbohydrates as long as I can remember. Growing up in a small town in upstate New York, I was one of few with a serious interest in art and design, but I knew I could make a career of it when one of my early works were stealthily heisted from a maximum security bulletin board in high school. I went on to navigate the waters of art school and earned a BFA in illustration from Syracuse University.

I’m currently based in Columbia, South Carolina, working as senior art director for Flock and Rally while also doing specialty illustration, design and mural projects; creating new things every day and slowly sweating to death.

When I’m not brainstorming a new brand concept or inking a drawing, I’m working on art for myself, reading a magazine on the beach or seeing some live music.”

Maloney has worked nationally and internationally with clients like Abita Brewing Company, Diesel Fragrance, the YMCA, TD Bank and PGA Junior League Golf and locally with clients like the Central Midlands Council of Government, The City of Columbia, Charleston County, and the South Carolina Asphalt Pavement Association. Cait serves on the board of the Columbia Design League, an affiliate of the Columbia Museum of Art. Her mural, “Lady Vista,” was commissioned by the Congaree Vista Guild and is located on the east wall of 916 Gervais Street in downtown Columbia, S.C.

Join The Jasper Project at the Nook Gallery on the second tier of the Koger Center for the Arts for our opening reception where you can meet and chat with the artist, and view and purchase her work.

See you there!

Koger Center Announces Music Series Line-Up & Jasper Will Be There for All the Concerts!

The Jasper Project is delighted to partner with USC’s Koger Center for the Arts and all our amazing neighborhood arts groups on this lovely free concert series!

The Koger Center for the Arts has set the headliners for the first Levitt AMP Columbia Music Series, a series of free outdoor concerts sponsored in part by the LevittFoundation. The concerts will take place on the Plaza Stage on the Koger Center’s front lawn from 5 - 7 p.m., with the rain location being indoors in either the Black Box Theater or second floor lobby. 

The full lineup features ten concerts split between the spring and fall seasons. All concerts are free, open to the public and will have opportunities for off stage community engagement (that’s Jasper, y’all!) for the audience. The schedule is as follows: 

Spring

Saturday, April 18: River Shook Duo

Saturday, April 25: Sunny War

Saturday, May 2: Five OHM

Saturday, May 9: Carolyn Wonderland

Fall

Thursday, September 10: Admiral Radio

Thursday, September 17: Black Nerd Mafia

Thursday, September 24: Molly Martin

Thursday, October 1: Kuf Knotz & Christine Elise

Thursday, October 8: Sam Morrow

Thursday, October 15: Making Movies

Each concert will feature a local Midlands based opening act! The Levitt AMP Columbia Music Series is dedicated to uplifting Columbia as a cultural hub and destination for accessible entertainment. The series is supported by a variety of community partners, including the Jasper Project, ONE Columbia, ColaJazz, South Carolina Philharmonic, University of South Carolina Student Life, Black Nerd Mafia, the South Carolina Commission for Community Advancement and Engagement, the City of Columbia, the Columbia Chamber, and the Vista Guild. 

Geared to towns and cities with populations under 250,000, Levitt AMP grantees reflect the three goals of the LevittAMP Music Series program: Amplify community pride and a city’s unique character; enrich lives through the power of free, live Music; and illustrate the importance of inclusive and vibrant public Places. From rural Alaska to Appalachian Main Streets and Midwestern locales, Levitt AMP is a catalytic opportunity for towns and cities across America to realize a shared mission—building community through music to create a healthy and thriving future for all. Columbia is the only Levitt AMP location in South Carolina.

Columbia residents are encouraged to follow along with the development of the series over the next three years by visiting www.KogerCenterForTheArts.com, and following @LevittAmpColumbia and @KogerCenterForTheArts on Instagram.

What’s Going on at the Koger Center? Free Low-Cost Events Next Week & Jasper is Playing a Part!

The Koger Center is stacked with a wide array of free and low-cost events and happenings throughout the month of September! The first full work week of the month has plenty going on, so check out what they have to offer.

On Monday, September 8, we are co-hosting a free artist talk with Lori Isom in the Nook, where her artwork is currently on display. The Nook, for anyone who has not had the chance to check it out, is a gallery space located on the second floor of the Koger Center, adjacent to the Gallery at the Koger Center space, that is programmed by the Jasper Project. The talk will last from 6 – 7 p.m. All artwork in Lori’s exhibit is available for purchase.

On Wednesday, September 10, Preach Jacobs will host his second SoulHaus Session in the Gallery at the Koger Center. After the sell-out success of the first session, Preach is returning and this time, bringing renowned chef Amethyst Ganaway and artist Dogon Krigga in for a conversation. Tickets are available for purchase on EventBrite; doors open with a vinyl spinning session at 5 p.m., and the talk begins at 6 p.m.

The evening of Friday the 12th kicks off with another free concert in the “Koger Center Presents: Live Outside” series. Starting at 5 p.m., Charleston-based act She Returns from War will perform, with a to-be-determined opening act accompanying the evening. Hailing from the historically rich city of Charleston, South Carolina, She Returns from War is defining what it means to not only live in the modern south, but to be a trans woman and artist within this landscape. The full Live Outside series runs on Fridays in September and October; check out the whole series on the Koger Center website here. If the weather turns stormy, the concert will still happen, just inside on the Koger Center’s second floor lobby instead!

And mark your calendars for later this month when Jasper welcomes Photo-artist Jeff Amberg to the Nook Gallery —

Artist Talk with LORI ISOM - Jasper's Featured Artist for August at The Nook - FREE

By Emily Moffitt

The Koger Center for the Arts and the Jasper Project are excited to host Lori Isom for a free artist talk on September 8, from 6-7 p.m. The talk will take place in the Nook on the second floor of the Koger Center, where the audience will be surrounded by Lori’s captivating artwork as she discusses her artistic practices and the motivation behind her paintings. If you missed out on Lori’s opening reception, this is the perfect opportunity to learn more about her as an artist and engage with the exhibit!

Outside of the artist talk, the Nook is available for viewing at the Koger Center from 9 a.m. - 5 p.m., Monday through Friday, and an hour before shows during the weekends.

Lori’s Artist Statement:

“It is fair to say that my life has been quite varied as an artist, and all around creative person. Years of my life were dedicated to working as a professional dancer, singer and actress in New York and Los Angeles, and I’ve had several interesting and fun entrepreneurial pursuits along the way, including owning and operating my own baking business! I am predominantly a self-taught artist, however, I studied illustration in high school, and later fine art and fashion design at Parsons School of Design.

I would say that I walk the line between illustrator and fine artist. While I work to tell a story with my art, I also produce paintings that primarily express a particular emotion. Artists like Mary Cassatt, Andrew Wyeth, and John Singer Sargent were ones who greatly influenced my work early on. I suppose that’s how I came to love capturing people.”

Koger Center and SoulHaus Partnering for a Brand-New Artist Talk Series

By Emily Moffitt

The Koger Center for the Arts and SoulHaus Gallery are excited to bring new arts programming to the Columbia community within the walls of the Gallery at the Koger Center. SoulHaus Sessions with Preach Jacobs is an upcoming series that features local creative minds from a variety of artistic disciplines in conversation with Jacobs.  The first session with Nikky Finney and Dre Lopez is scheduled for August 20, 2025 at 5 p.m. The evening will kick off with Preach Jacobs spinning vinyl, followed by a conversation with Finney. Lopez’s artwork will be on display easels throughout the gallery, and available for purchase.

Preach Jacobs

Preach Jacobs is a prolific DJ and two-time South Carolina Press Association Award Winner for column writing for “Fight the Power,” his column in the Free Times and Post & Courier Columbia. He is the owner of SoulHaus Gallery, and aims to bring the SoulHaus experience out of the former brick and mortar into the community, sharing the wonder of art through affordable and accessible means. He is the co-curator of the new SoulHaus Gallery at the Koger Center, a rotating exhibit space on the third floor of the Koger Center.

Nikki Finney

Nikky Finney was born in Conway, SC and raised in Sumter. She left South Carolina after high school with her eyes and heart set on becoming a writer. After living and studying primarily in the south, she moved to Oakland, CA then Lexington, KY to teach at the University of Kentucky. In 2013, she became Professor Emeritus at the University of Kentucky and accepted the John H. Bennett, Jr. Chair in Creative Writing and Southern Letters here at USC. She has authored five books and is on the Board of Directors for the Ernest A. Finney, Jr. Cultural Arts Center in Columbia. She is the author of several poetry collections including Head Off & Split, and On Wings Made of Gauze.

Dre Lopez

Dre Lopez has been working as a professional in the illustration and graphic design field for 14+ years as both a freelancer and in-house designer. He is self-taught, versatile, and can adapt his skillset to just about any requirements, be it from the subject matter or the type of client. He has worked with clients from all over the country and in Europe. His paintings and illustrations have been published in magazines and papers as well as shown in art exhibitions across the United States: Columbia, Charleston, Greenville, Charlotte, Asheville, Atlanta, Detroit, L.A., and Chicago, just to name a few!

Tickets are available on EventBrite here. Get yours today and don’t miss out on this extraordinary lineup!

Emily Moffitt is the visual arts editor for Jasper Magazine, secretary of the Jasper Project Board of Directors, Curator of Art for the Koger Center for the Arts.

Gallery Exhibit Reception Double Feature at the Koger Center

The Koger Center for the Arts has been dedicated to rejuvenating its building with brand new art on the walls during the lull of summer break. On Thursday, July 17, from 5:30 – 7 p.m., they are hosting a large art reception for the newest exhibits: in the Nook in collaboration with Jasper, Virginia Russo will be exhibiting brand new work during the month of July. In the Gallery at the Koger Center, the winners of their annual call for art are exhibiting in the group show “The Koger Center Project Winners’ Exhibition.” This exhibition features Kelley Pettibone, Staci Swider, Jordan Dantzler, Jean Lomasto, and Marion Mason. The reception is free and open to the public.

To learn more about the featured artists in the Koger Center Project Winners’ Exhibition, visit the Koger Center website here. This exhibit will be on display through September 12, 2025.

Kara Virginia Russo is a mixed media abstract artist working with watercolor, ink, collage, pencil, and embroidery to create works with layers of meaning and symbol. After recieving her Bachelor of Fine Arts from Converse College in Spartanburg, SC, she lived in Asia and Europe before returning with her husband and two children to settle in Greenville, SC. Her work portrays the essence of things, bypassing realism and portraying what cannot be seen.

Q&A with Cedric Umoja: Alchemical Change Through Art -Third Thursday at Koger Center by Liz Stalker!

This Thursday, May 16th, Third Thursday with Jasper presents a reception at the Koger Center for the Arts featuring the work of artists Cedric Umoja and Jarrett Jenkins. Umoja is a multidisciplinary artist based in Columbia who works in a wide variety of mediums, including painting, drawing, sculpting, filmmaking, installation work, and performance art. Jenkins (AKA Lefty Unz) is also a Columbia based multidisciplinary artist as well as a tattoo artist. He describes his art as “largely focused on majestic depictions of Black people, reimagining subjects from popular culture, and sociopolitical commentary on current events.” 

The art shown at the reception will have a focus on Black culture, Hip Hop culture, the tattoo scene, and the corresponding overlap of cultural attitudes and ideas.  

The event will also feature Fat Rat da Czar, current president Love, Peace & Hip Hop, the organization responsible for Hip Hop Family Day, who will deliver a special announcement about that upcoming event.  

Before the show, Jasper was given the opportunity for a virtual interview with featured artist Cedric Umoja.

Jasper: Your work takes on quite a variety of mediums! What was the first medium(s) you found yourself drawn to when you began to create art? And how would you characterize your progression as an artist? 

Umoja: Pencils, pens and printer paper were the most accessible as a child. These made me feel as if I had graduated from being just a child, especially since crayons and markers were more age appropriate.

Jasper: how would you characterize your progression as an artist?  

Umoja: I went from thinking I understood how to make Art to reimagining what the Art I make could be. These ideas and practices are worlds apart from each other. There was a time when I was just a painter, but the need to convey my thoughts and ideas expanded as did my practice. Since then I’ve been a multidisciplinary artist for over five years. I’m constantly expanding how I engage others through my work. I see it as being able to speak different languages. The more languages you can speak, the more people you can communicate with. My Art is about engaging and communicating with its participants.

Jasper: In your artist bio on your website, I noticed that you say you seek to "enact alchemical change," which is a really interesting and expansive concept. Could you explain a bit about what that means to you? 

Umoja: Enacting alchemical change when it comes to my work has to do with aligning my intentions to impact there for positive growth in themselves with the proper visual stimuli that conjures those conditions which cause emotion to arise. It’s through medium, intention and imagery that this becomes possible!

Jasper: It's really cool that this show seems to be a reflection on really neat elements of Black culture, like Hip Hop. I think it's really cool that there is this sort of duality intertwined in Hip Hop as the music and the culture sprung up as a reaction to state sanctioned disenfranchisement and strife, but much of the genre, both early on and in the present, is also able to demonstrate a certain lightheartedness and lively fun. I found your art, with all of its vibrancy and, in many places, its pointed political messaging, very similar in that way. How do you find yourself balancing severity with playfulness as you create?  

Umoja: The balance is found in life itself! The opening to one of my favorite anime flicks “Fist of The North Star” speaks to this. The pendulum swinging in one direction must eventually swing in favor of its opposite. So, playfulness is necessary as it allows those who participate with my work the space to deal with what I’m communicating without feeling all the heaviness of the subject matter loaded into my work. I took a page from my Granny’s book, put the medicine in the candy. This is how you can guarantee it will be consumed!

Jasper: Lastly, for what about the upcoming show are you most excited? 

Umoja: I’m most excited to hear what Love Peace & Hip Hop’s President, Fat Rat Da Czar aka Masta Splinta, has to say. I know it’s gonna be some great news!

A Message from Cindi for Midlands Gives 2023

Please Consider Supporting the Jasper Project This Year During Midlands Gives.

Jasper is an all-volunteer 501c3 with NO paid employees and NO overhead, so your donations go directly to the Columbia, SC arts community via events and publications.

Me with Jasper Project board president Wade Sellers and Elvis (aka Patrick Baxley) at Bernie Love 2023

Welcome to one of my favorite times of the year—the time for me to report back to you, our supporters, on how the Jasper Project has been using the funds you entrusted to us over the past year. It’s a joy to celebrate what we can accomplish together with your funding and the Jasper Project’s labors of love.

I always have a soft spot in my heart for Jasper Magazine, which was the seed of the Jasper Project and remains my favorite project of all. Last spring, we published a beautiful issue featuring Lindsay Radford Wiggins on the cover and Michael Krajewski as our centerfold artist. Kristine Hartvigsen wrote the piece on Lindsay, and I had the honor of writing about Michael who, actually, was the centerfold in the first ever issue back in fall 2011. This time, however, he is fully clothed!  We also featured a piece on Mike Miller’s new book, The Hip Shot, WOW Production’s first YouTube series,  Quincy Pugh’s Veteran’s Day Parade painting series, Carleen Maur’s experimental filmmaking, Artists for Africa, and two new books from Muddy Ford Press, (Jasper’s original underwriter before we became a non-profit under the leadership of Larry Hembree), including Night Bloomer by Jane Zenger and More God Than Dead by Angelo Geter. We wrote artist profiles on Lucy Bailey, Diko Pekdemir-Lewis, and Rebecca Horne; Music editor Kevin Oliver compiled a jam-packed article on 10 music artists to watch in the coming year; Will South wrote a piece on Tyrone Geter and his work and life in Gambia; and I had the honor of profiling David Platts, the ED of the SC Arts commission. Sadly, we also memorialized Wim Roefs and Mary Bentz Gilkerson.

Our fall 2022 issue of Jasper featured Wilma King on the cover and Jim Arendt in the centerfold. We wrote about Wideman-Davis dance, Baba Seitu Amenwahsa, Steven Chapp and Jerred Metz, Arischa Connor’s television successes, the Soda City jazz scene, Jamie Blackburn, poet Monifa Lemons and her stint as an actor on Lena Waithe’s film, Crooked Trees Gon Give Me Wings, Carla Daron’s new book The Orchid Tattoo, Amy Brower and the life of a casting agent, new theatre editor Libby Campbell, Dustin Whitehead’s new film Hero, Elizabeth Catlett, and included several poems and music reviews.

I don’t want to give too much away about the spring 2023 issue which is releasing on Saturday May 20th at the Artists Showing Artists event, hosted by Desirée Richardson of Death Ray Robin, but if you meet me that evening at the One Columbia Co-Op at 1013 Duke Avenue, you’ll get some fresh print featuring Philip Mullen, Olga Yukhno, Bohumila Augustinova, Katie Leitner, Dick Moons, Ivan Segura, Drink Small, Alyssa Stewart, and lots of surprises

Fall Lines volume IX - Cover art by Sean Rayford — https://www.seanrayford.com/

After the magazine my next favorite project has to be Fall Lines—a literary convergence. We just released our 9th volume and issued the call for our 10th. I’m incredibly excited to announce that, in addition to the Broad River Prize for Prose, which went this year to Tim Conroy, and Saluda River Prize for Poetry, which went this year to Jo Angela Edwins, that next year we will also be offering the Combahee River Prize to a SC BIPOC writer of poetry or prose. We’ve also formed an ad hoc committee, captained by poet Randy Spencer,  to study the best ways to grow Fall Lines as it moves into its 10th year.

Along the same lines we awarded the Lizelia Prize, named in honor of anti-Jim Crow poet-activist Lizelia Augusta Jenkins Moorer, to Myrtle Beach poet Maria Picone. Maria will have her poetry chapbook titled Adoptee Song, published by Muddy Ford Press through a sponsoring relationship with the Jasper Project. Board member Len Lawson managed this project.

We devoted a lot of our time last summer to the Play Right Series, a project managed by board member Jon Tuttle. The winner of last year’s Play Right Series was first-time playwright, Colby Quick. After spending the summer working with Community Producers Ed Madden, Bert Easter, James and Kirkland Smith, Paul Leo and Eric Tucker, Bill Schmidt, Wade Sellers, and myself, as well as the cast of Colby’s winning play, Moon Swallower, we presented a heavily produced staged reading, directed by Chad Henderson, at the Columbia Music Festival Association in August. We were also delighted to invite the public to the reading and, via our relationship with Muddy Ford Press, offer published copies of Moon Swallower for sale.

Jasper Friends Dick Moons and BA Hohman pose with our host, Clark Ellefson, outside the Art Bar

In December, Clark Ellefson and Andy Rodgers hosted the Jasper Project at the Art Bar on Park Street where we staged our first official Santa Crawl, inviting all comers to don their Santa suits and drink like it was Christmas. We had a fabulous time and enjoyed a delicious house-created cocktail list with a portion of each sale going to the Jasper Project. Thanks Clark, Andy, and everyone at the Art Bar!

In February, the good folks in the Capital City Playboys invited us to partner with them on the fundraiser concert event, An Evening with Bernie Love—A Tribute to Elvis. We themed the event around Valentine’s Day and welcomed more than 100 folks to the 701 Whaley Market space where Marty Fort, Jay Matheson, Kevin Brewer, and Patrick Baxley as Elvis! We also hosted artists Jamie Peterson, Gina Langston Brewer, Cait Maloney, and Lindsay Radford Wiggins who showed and sold their work. At the same time, and thanks to Lee Ann Kornegay, we had reserved the Community Hallway Gallery at 701 Whaley for the month of February to stage an art exhibit we called Love Hurts/Love Heals featuring K. Wayne Thornley and Wilma King.

In March, created a new event called Artists Showing Artists. Artists Showing Artists is an opportunity for established artists to share the spotlight with other artists who may be emerging, new to the area, or who they want to highlight. The project encourages collaboration within and between disciplines and enlightens the community about both the featured artists and the art curation process. Our first event featured Saul Seibert who invited poet Alyssa Stewart (we’re publishing her first ever published poem in the next issue of Jasper Magazine - thanks Saul!), visual artist Virginia Russo, and rapper Keith Smiley.

Our next Artists Showing Artists event will feature Desirée Richardson of Death Ray Robin as our Artist Host. I hope you can join us on May 20th to pick up a copy of the spring issue of Jasper Magazine and check out all the artists Desirée has invited to join us!

In fact, our various gallery spaces across town have grown considerably, helping Jasper to spotlight the work of artists in small, captured spaces. We do a First Thursday artist-in-residence rotation at Sound Bites Eatery on Sumter Street that has thus far included Michael Shepard, Alex Ruskell, Kimber Carpenter, Ginny Merritt, Adam Corbett, Quincy Pugh. Marius Valdes, Gina Langston Brewer, Lindsay Radford Wiggins, Lucas Sams, Colleen Crichter, and Keith Tolen.

Steven White speaking to theatre goers at Harbison Theatre

In January, the Koger Center opened a space on the second floor of their building just outside of the Donor’s Gallery for the Jasper Project to show the art of Columbia-based artists. We opened with Thomas Crouch, then Lindsay Radford, followed by Quincy Pugh. We’ve scheduled additional visual artists to fill out the remainder of 2023 and are already programming into 2024 at the Koger Center as well as at Harbison Theatre in Irmo, where we’ve shown David Yaghjian, Steven White, Michael Krajewski, Lori Isom Starnes, and are currently showing Olga Yukhno. We also keep a running gallery at Motor Supply Bistro and in the sidewalk gallery at the Meridien Building on Main Street.  

I’m actually thrilled to announce that the Jasper Galleries helped put almost $18,000 into the pockets of working artists in Columbia since last March!

Board Member Bert Easter staffs the kegerator at a Jasper Project House Party

As the Jasper Project board of directors has grown, we’ve done a bit of reorganization. Christina Xan, whose work on the Tiny Gallery continues to be so efficient that we tapped her to manage all our gallery spaces, is now also serving as our treasurer. Emily Moffitt was also elected board secretary in January, just after officially joining the board, and Wade Sellers and Kristin Cobb both continue as board president and vice president respectively. Bekah Rice is officially our digital manager as well as our operations manager and, typically, our events director. We welcomed new members to the board including visual artists Ginny Merett and Kimber Carpenter, and Jasper Magazine theatre editor Libby Campbell

I’m sure I’m forgetting an event, a happening, or a party.

Please remember, it is your support of Jasper’s passion for supporting, promoting, and validating Midlands-area artists that allows us to do what we love. Thank you for your continued support.

Cindi

April 2023

Please enjoy a few more photos from the past year of the Jasper Project below —

Carla Damron at Richland Library leading discussion on her book, The Orchid Tattoo, for Jasper’s Nightstand Book Club

Me judging the Mad Hatter Art Show

Featured Artist Wilma King talks with artist Gerard Erley at the Love Hurts/Love Heals art show that she shared with K. Wayne Thornley— a Jasper Project with 701 Whaley

Lisa Hammond served as the poetry judge for Saluda River Prize for Poetry in 2022’s Fall Lines

Jasper was invited by the good folks at Curiosity Coffee to arrange a pumpkin carving contest among the city’s artists — it was a huge success, a lot of fun, and we had some beautiful (and terrifying) pumpkins result!

Point person = Bekah Rice

We featured the art of the four artists on the board at Artista Vista this spring - Ginny Merett, Kimber Carpenter, Laura Garner Hine and Emily Moffitt

Olga Yukhno speaking to theatre goers at Harbison Theatre for her spring exhibit

Our 2019 project, The Supper Table, is still touring. Here it is at the Myrtle Beach Gallery of Art just after being on exhibit at the Morris Center for Arts and History

Michael Krajewski with his exhibit at the Jasper Gallery at Harbison Theatre

Koger Center Opens Colin Dodd Exhibition on Artistic Freedom and Expression

On Wednesday, April 12, from 6pm–8pm, the Koger Center is opening a new show in their Upstairs Gallery by local artist Colin Dodd. The show, titled Artists and Autocrats, explores the tension between those who have the freedom to create art and those who have limited the creation of art. 

Dodd was born in Northumberland and grew up in Newcastle upon Tyne in the Northeast of England where he lived and studied through college, but he decided to move to the United States in 1980 to attend the University of South Carolina for graduate school. Soon after, he graduated with his master’s degree in fine art with a major in painting and minor in printmaking.

From his graduation in the mid-80s until his retirement in 2018, Dodd taught a plethora of art classes at Midlands Technical College. While he, of course, enjoyed teaching painting, which is his normal medium, one of his favorite courses to teach was “Film as Art.”

“I enjoyed teaching the course titled Film as Art (because I am a film buff, cineaste, cinephile etc.),” he shares, “I could encompass as much of film history as I was able to in the time allowed and I could also concentrate on the works of some of my favorite directors.” 

Dodd enjoys a multitude of genres, actually, having published his “first (and perhaps only!)” novel in 2021: Elgin Lost His Marbles, a satire on returning the Elgin Marbles to Greece that he was inspired to begin writing on the plane after a trip to the Parthenon and the New Acropolis Museum. 

His main medium, painting, is similarly inspired by history and the journeys people make to return to themselves or express themselves. This goal is highlighted, specifically in this current exhibition. As he notes, while “Western liberal democracy has nurtured freedom of expression and an environment in which artists have been able to create without fear of persecution for their ideas,” artists who create in “states ruled by autocrats and dictators have consistently…had to fear for their very existence because their ideas did not align with those of the ruling authority.” 

Dodd acknowledges that there is still progress to be made when it comes to minorities and oppressed groups even in Western places of dwelling, asserting that “I think there has been significant change in terms of opportunities which did not exist until quite recently, that would appear to be progress, but it has to be fought for every day in the political sphere.” 

His work is part of this fight, which he enters by contrasting modernists who successfully expressed their life experiences through art with the depictions of autocrats and dictators who inflicted suffering and limited the fundamental right of citizens and artists by controlling their voices. When asked what he believes is a representative part of this exhibition and something he hopes people experience if nothing else, Dodd shared the following: 

The exhibition includes portraits of two film directors, Sergei Eisenstein and Sergei Parajanov, both of whom suffered the consequence of living in a totalitarian state. Eisenstein was prohibited from making films for a period of time because his work did not conform to the approved Soviet style. Parajanov was imprisoned in the Soviet gulag for four years (1973 - 1977) due in part to his Armenian/Georgian ethnicity and his nonconformist work.  Despite the efforts of the Soviet authorities to suppress, censor, punish and silence these individuals, they succeeded. How? Because their work has survived, and it is celebrated today by audiences around the world.  The creative act is a rebellious act, especially when it applies to those whose existence might be in peril for that very act of creation. 

Seeing this exhibition is a chance to not only experience this tension and fight for expression but to support a local artist who represents the voice of our state. Dodd just recently had a painting accepted in the State Museum’s permanent collection, a “gratifying acknowledgement of [his] working presence here in South Carolina,” and has shared his local voice abroad as part of travelling group show—the "Rainforest Art Exhibition" organized by Taiwanese born artist Marlene Tseng Yu that was displayed in both the Kaohsiung Museum of Fine Arts in Taiwan and the Las Vegas Museum of Art. 

Even if you cannot make it to the Opening Reception, you can drop by to see Dodd’s work any time before it comes down on July 2.