Q&A with Cedric Umoja: Alchemical Change Through Art -Third Thursday at Koger Center by Liz Stalker!

This Thursday, May 16th, Third Thursday with Jasper presents a reception at the Koger Center for the Arts featuring the work of artists Cedric Umoja and Jarrett Jenkins. Umoja is a multidisciplinary artist based in Columbia who works in a wide variety of mediums, including painting, drawing, sculpting, filmmaking, installation work, and performance art. Jenkins (AKA Lefty Unz) is also a Columbia based multidisciplinary artist as well as a tattoo artist. He describes his art as “largely focused on majestic depictions of Black people, reimagining subjects from popular culture, and sociopolitical commentary on current events.” 

The art shown at the reception will have a focus on Black culture, Hip Hop culture, the tattoo scene, and the corresponding overlap of cultural attitudes and ideas.  

The event will also feature Fat Rat da Czar, current president Love, Peace & Hip Hop, the organization responsible for Hip Hop Family Day, who will deliver a special announcement about that upcoming event.  

Before the show, Jasper was given the opportunity for a virtual interview with featured artist Cedric Umoja.

 

Jasper: Your work takes on quite a variety of mediums! What was the first medium(s) you found yourself drawn to when you began to create art? And how would you characterize your progression as an artist? 

Umoja: Pencils, pens and printer paper were the most accessible as a child. These made me feel as if I had graduated from being just a child, especially since crayons and markers were more age appropriate.

 

Jasper: how would you characterize your progression as an artist?  

Umoja: I went from thinking I understood how to make Art to reimagining what the Art I make could be. These ideas and practices are worlds apart from each other. There was a time when I was just a painter, but the need to convey my thoughts and ideas expanded as did my practice. Since then I’ve been a multidisciplinary artist for over five years. I’m constantly expanding how I engage others through my work. I see it as being able to speak different languages. The more languages you can speak, the more people you can communicate with. My Art is about engaging and communicating with its participants.

 

Jasper: In your artist bio on your website, I noticed that you say you seek to "enact alchemical change," which is a really interesting and expansive concept. Could you explain a bit about what that means to you? 

Umoja: Enacting alchemical change when it comes to my work has to do with aligning my intentions to impact there for positive growth in themselves with the proper visual stimuli that conjures those conditions which cause emotion to arise. It’s through medium, intention and imagery that this becomes possible!

 

Jasper: It's really cool that this show seems to be a reflection on really neat elements of Black culture, like Hip Hop. I think it's really cool that there is this sort of duality intertwined in Hip Hop as the music and the culture sprung up as a reaction to state sanctioned disenfranchisement and strife, but much of the genre, both early on and in the present, is also able to demonstrate a certain lightheartedness and lively fun. I found your art, with all of its vibrancy and, in many places, its pointed political messaging, very similar in that way. How do you find yourself balancing severity with playfulness as you create?  

Umoja: The balance is found in life itself! The opening to one of my favorite anime flicks “Fist of The North Star” speaks to this. The pendulum swinging in one direction must eventually swing in favor of its opposite. So, playfulness is necessary as it allows those who participate with my work the space to deal with what I’m communicating without feeling all the heaviness of the subject matter loaded into my work. I took a page from my Granny’s book, put the medicine in the candy. This is how you can guarantee it will be consumed!

 

Jasper: Lastly, for what about the upcoming show are you most excited? 

Umoja: I’m most excited to hear what Love Peace & Hip Hop’s President, Fat Rat Da Czar aka Masta Splinta, has to say. I know it’s gonna be some great news!

A Message from Cindi for Midlands Gives 2023

Jasper is an all-volunteer 501c3 with NO paid employees and NO overhead, so your donations go directly to the Columbia, SC arts community via events and publications.

Me with Jasper Project board president Wade Sellers and Elvis (aka Patrick Baxley) at Bernie Love 2023

Welcome to one of my favorite times of the year—the time for me to report back to you, our supporters, on how the Jasper Project has been using the funds you entrusted to us over the past year. It’s a joy to celebrate what we can accomplish together with your funding and the Jasper Project’s labors of love.

I always have a soft spot in my heart for Jasper Magazine, which was the seed of the Jasper Project and remains my favorite project of all. Last spring, we published a beautiful issue featuring Lindsay Radford Wiggins on the cover and Michael Krajewski as our centerfold artist. Kristine Hartvigsen wrote the piece on Lindsay, and I had the honor of writing about Michael who, actually, was the centerfold in the first ever issue back in fall 2011. This time, however, he is fully clothed!  We also featured a piece on Mike Miller’s new book, The Hip Shot, WOW Production’s first YouTube series,  Quincy Pugh’s Veteran’s Day Parade painting series, Carleen Maur’s experimental filmmaking, Artists for Africa, and two new books from Muddy Ford Press, (Jasper’s original underwriter before we became a non-profit under the leadership of Larry Hembree), including Night Bloomer by Jane Zenger and More God Than Dead by Angelo Geter. We wrote artist profiles on Lucy Bailey, Diko Pekdemir-Lewis, and Rebecca Horne; Music editor Kevin Oliver compiled a jam-packed article on 10 music artists to watch in the coming year; Will South wrote a piece on Tyrone Geter and his work and life in Gambia; and I had the honor of profiling David Platts, the ED of the SC Arts commission. Sadly, we also memorialized Wim Roefs and Mary Bentz Gilkerson.

Our fall 2022 issue of Jasper featured Wilma King on the cover and Jim Arendt in the centerfold. We wrote about Wideman-Davis dance, Baba Seitu Amenwahsa, Steven Chapp and Jerred Metz, Arischa Connor’s television successes, the Soda City jazz scene, Jamie Blackburn, poet Monifa Lemons and her stint as an actor on Lena Waithe’s film, Crooked Trees Gon Give Me Wings, Carla Daron’s new book The Orchid Tattoo, Amy Brower and the life of a casting agent, new theatre editor Libby Campbell, Dustin Whitehead’s new film Hero, Elizabeth Catlett, and included several poems and music reviews.

I don’t want to give too much away about the spring 2023 issue which is releasing on Saturday May 20th at the Artists Showing Artists event, hosted by Desirée Richardson of Death Ray Robin, but if you meet me that evening at the One Columbia Co-Op at 1013 Duke Avenue, you’ll get some fresh print featuring Philip Mullen, Olga Yukhno, Bohumila Augustinova, Katie Leitner, Dick Moons, Ivan Segura, Drink Small, Alyssa Stewart, and lots of surprises

Fall Lines volume IX - Cover art by Sean Rayford — https://www.seanrayford.com/

After the magazine my next favorite project has to be Fall Lines—a literary convergence. We just released our 9th volume and issued the call for our 10th. I’m incredibly excited to announce that, in addition to the Broad River Prize for Prose, which went this year to Tim Conroy, and Saluda River Prize for Poetry, which went this year to Jo Angela Edwins, that next year we will also be offering the Combahee River Prize to a SC BIPOC writer of poetry or prose. We’ve also formed an ad hoc committee, captained by poet Randy Spencer,  to study the best ways to grow Fall Lines as it moves into its 10th year.

Along the same lines we awarded the Lizelia Prize, named in honor of anti-Jim Crow poet-activist Lizelia Augusta Jenkins Moorer, to Myrtle Beach poet Maria Picone. Maria will have her poetry chapbook titled Adoptee Song, published by Muddy Ford Press through a sponsoring relationship with the Jasper Project. Board member Len Lawson managed this project.

We devoted a lot of our time last summer to the Play Right Series, a project managed by board member Jon Tuttle. The winner of last year’s Play Right Series was first-time playwright, Colby Quick. After spending the summer working with Community Producers Ed Madden, Bert Easter, James and Kirkland Smith, Paul Leo and Eric Tucker, Bill Schmidt, Wade Sellers, and myself, as well as the cast of Colby’s winning play, Moon Swallower, we presented a heavily produced staged reading, directed by Chad Henderson, at the Columbia Music Festival Association in August. We were also delighted to invite the public to the reading and, via our relationship with Muddy Ford Press, offer published copies of Moon Swallower for sale.

Jasper Friends Dick Moons and BA Hohman pose with our host, Clark Ellefson, outside the Art Bar

In December, Clark Ellefson and Andy Rodgers hosted the Jasper Project at the Art Bar on Park Street where we staged our first official Santa Crawl, inviting all comers to don their Santa suits and drink like it was Christmas. We had a fabulous time and enjoyed a delicious house-created cocktail list with a portion of each sale going to the Jasper Project. Thanks Clark, Andy, and everyone at the Art Bar!

In February, the good folks in the Capital City Playboys invited us to partner with them on the fundraiser concert event, An Evening with Bernie Love—A Tribute to Elvis. We themed the event around Valentine’s Day and welcomed more than 100 folks to the 701 Whaley Market space where Marty Fort, Jay Matheson, Kevin Brewer, and Patrick Baxley as Elvis! We also hosted artists Jamie Peterson, Gina Langston Brewer, Cait Maloney, and Lindsay Radford Wiggins who showed and sold their work. At the same time, and thanks to Lee Ann Kornegay, we had reserved the Community Hallway Gallery at 701 Whaley for the month of February to stage an art exhibit we called Love Hurts/Love Heals featuring K. Wayne Thornley and Wilma King.

In March, created a new event called Artists Showing Artists. Artists Showing Artists is an opportunity for established artists to share the spotlight with other artists who may be emerging, new to the area, or who they want to highlight. The project encourages collaboration within and between disciplines and enlightens the community about both the featured artists and the art curation process. Our first event featured Saul Seibert who invited poet Alyssa Stewart (we’re publishing her first ever published poem in the next issue of Jasper Magazine - thanks Saul!), visual artist Virginia Russo, and rapper Keith Smiley.

Our next Artists Showing Artists event will feature Desirée Richardson of Death Ray Robin as our Artist Host. I hope you can join us on May 20th to pick up a copy of the spring issue of Jasper Magazine and check out all the artists Desirée has invited to join us!

In fact, our various gallery spaces across town have grown considerably, helping Jasper to spotlight the work of artists in small, captured spaces. We do a First Thursday artist-in-residence rotation at Sound Bites Eatery on Sumter Street that has thus far included Michael Shepard, Alex Ruskell, Kimber Carpenter, Ginny Merritt, Adam Corbett, Quincy Pugh. Marius Valdes, Gina Langston Brewer, Lindsay Radford Wiggins, Lucas Sams, Colleen Crichter, and Keith Tolen.

Steven White speaking to theatre goers at Harbison Theatre

In January, the Koger Center opened a space on the second floor of their building just outside of the Donor’s Gallery for the Jasper Project to show the art of Columbia-based artists. We opened with Thomas Crouch, then Lindsay Radford, followed by Quincy Pugh. We’ve scheduled additional visual artists to fill out the remainder of 2023 and are already programming into 2024 at the Koger Center as well as at Harbison Theatre in Irmo, where we’ve shown David Yaghjian, Steven White, Michael Krajewski, Lori Isom Starnes, and are currently showing Olga Yukhno. We also keep a running gallery at Motor Supply Bistro and in the sidewalk gallery at the Meridien Building on Main Street.  

I’m actually thrilled to announce that the Jasper Galleries helped put almost $18,000 into the pockets of working artists in Columbia since last March!

Board Member Bert Easter staffs the kegerator at a Jasper Project House Party

As the Jasper Project board of directors has grown, we’ve done a bit of reorganization. Christina Xan, whose work on the Tiny Gallery continues to be so efficient that we tapped her to manage all our gallery spaces, is now also serving as our treasurer. Emily Moffitt was also elected board secretary in January, just after officially joining the board, and Wade Sellers and Kristin Cobb both continue as board president and vice president respectively. Bekah Rice is officially our digital manager as well as our operations manager and, typically, our events director. We welcomed new members to the board including visual artists Ginny Merett and Kimber Carpenter, and Jasper Magazine theatre editor Libby Campbell

I’m sure I’m forgetting an event, a happening, or a party.

Please remember, it is your support of Jasper’s passion for supporting, promoting, and validating Midlands-area artists that allows us to do what we love. Thank you for your continued support.

Cindi

April 2023

 

Please enjoy a few more photos from the past year of the Jasper Project below —

Carla Damron at Richland Library leading discussion on her book, The Orchid Tattoo, for Jasper’s Nightstand Book Club

Me judging the Mad Hatter Art Show

Featured Artist Wilma King talks with artist Gerard Erley at the Love Hurts/Love Heals art show that she shared with K. Wayne Thornley— a Jasper Project with 701 Whaley

Lisa Hammond served as the poetry judge for Saluda River Prize for Poetry in 2022’s Fall Lines

Jasper was invited by the good folks at Curiosity Coffee to arrange a pumpkin carving contest among the city’s artists — it was a huge success, a lot of fun, and we had some beautiful (and terrifying) pumpkins result!

Point person = Bekah Rice

We featured the art of the four artists on the board at Artista Vista this spring - Ginny Merett, Kimber Carpenter, Laura Garner Hine and Emily Moffitt

Olga Yukhno speaking to theatre goers at Harbison Theatre for her spring exhibit

Our 2019 project, The Supper Table, is still touring. Here it is at the Myrtle Beach Gallery of Art just after being on exhibit at the Morris Center for Arts and History

Michael Krajewski with his exhibit at the Jasper Gallery at Harbison Theatre

Koger Center Opens Colin Dodd Exhibition on Artistic Freedom and Expression

On Wednesday, April 12, from 6pm–8pm, the Koger Center is opening a new show in their Upstairs Gallery by local artist Colin Dodd. The show, titled Artists and Autocrats, explores the tension between those who have the freedom to create art and those who have limited the creation of art. 

Dodd was born in Northumberland and grew up in Newcastle upon Tyne in the Northeast of England where he lived and studied through college, but he decided to move to the United States in 1980 to attend the University of South Carolina for graduate school. Soon after, he graduated with his master’s degree in fine art with a major in painting and minor in printmaking.

From his graduation in the mid-80s until his retirement in 2018, Dodd taught a plethora of art classes at Midlands Technical College. While he, of course, enjoyed teaching painting, which is his normal medium, one of his favorite courses to teach was “Film as Art.”

“I enjoyed teaching the course titled Film as Art (because I am a film buff, cineaste, cinephile etc.),” he shares, “I could encompass as much of film history as I was able to in the time allowed and I could also concentrate on the works of some of my favorite directors.” 

Dodd enjoys a multitude of genres, actually, having published his “first (and perhaps only!)” novel in 2021: Elgin Lost His Marbles, a satire on returning the Elgin Marbles to Greece that he was inspired to begin writing on the plane after a trip to the Parthenon and the New Acropolis Museum. 

His main medium, painting, is similarly inspired by history and the journeys people make to return to themselves or express themselves. This goal is highlighted, specifically in this current exhibition. As he notes, while “Western liberal democracy has nurtured freedom of expression and an environment in which artists have been able to create without fear of persecution for their ideas,” artists who create in “states ruled by autocrats and dictators have consistently…had to fear for their very existence because their ideas did not align with those of the ruling authority.” 

Dodd acknowledges that there is still progress to be made when it comes to minorities and oppressed groups even in Western places of dwelling, asserting that “I think there has been significant change in terms of opportunities which did not exist until quite recently, that would appear to be progress, but it has to be fought for every day in the political sphere.” 

His work is part of this fight, which he enters by contrasting modernists who successfully expressed their life experiences through art with the depictions of autocrats and dictators who inflicted suffering and limited the fundamental right of citizens and artists by controlling their voices. When asked what he believes is a representative part of this exhibition and something he hopes people experience if nothing else, Dodd shared the following: 

The exhibition includes portraits of two film directors, Sergei Eisenstein and Sergei Parajanov, both of whom suffered the consequence of living in a totalitarian state. Eisenstein was prohibited from making films for a period of time because his work did not conform to the approved Soviet style. Parajanov was imprisoned in the Soviet gulag for four years (1973 - 1977) due in part to his Armenian/Georgian ethnicity and his nonconformist work.  Despite the efforts of the Soviet authorities to suppress, censor, punish and silence these individuals, they succeeded. How? Because their work has survived, and it is celebrated today by audiences around the world.  The creative act is a rebellious act, especially when it applies to those whose existence might be in peril for that very act of creation. 

Seeing this exhibition is a chance to not only experience this tension and fight for expression but to support a local artist who represents the voice of our state. Dodd just recently had a painting accepted in the State Museum’s permanent collection, a “gratifying acknowledgement of [his] working presence here in South Carolina,” and has shared his local voice abroad as part of travelling group show—the "Rainforest Art Exhibition" organized by Taiwanese born artist Marlene Tseng Yu that was displayed in both the Kaohsiung Museum of Fine Arts in Taiwan and the Las Vegas Museum of Art. 

Even if you cannot make it to the Opening Reception, you can drop by to see Dodd’s work any time before it comes down on July 2.