Southern Exposure New Music Series Concert Presents Scenes from PERFECT LIVES

The Southern Exposure New Music Series’ second concert of 25-26 presents scenes from Robert Ashley’s quirky 1980s “TV opera” Perfect Lives, a multi-media show led and with music by USC faculty composers

Greg Stuart and David Kirkland Garner

featuring Ed Madden as the Narrator

Greg Stuart and David Kirkland Garner

From our friends at The USC School of Music —

Experimental composer Robert Ashley’s seminal work Perfect Lives, an “opera” (of sorts!) about bank robbers, cocktail lounges, and reincarnation (sort of!), was first produced for television in 1984. Since then it has gained a cult following and been called “nothing less than the first American opera, written within an American language using various American attention spans …” (Fanfare).

Southern Exposure’s special presentation of three scenes from Perfect Lives is led by USC faculty composer-performers Greg Stuart and David Kirkland Garner, who contribute the music (the sometimes-inscrutable text is by Ashley) and play alongside USC’s New Sounds Quartet. USC English language and literature professor Ed Madden, former poet laureate of Columbia, [& Jasper Magazine Poetry Editor!] is featured as narrator.

This multi-media program also features a video by Greg Stuart, and includes a related visual art display by Columbia painter [& previous featured artist in Jasper Magazine & Jasper Galleries] Mary Ann Haven.

This FREE concert – no tickets or reservations required, general admission seating – is on Friday, November 14 in the USC School of Music Recital Hall, 813 Assembly St., Columbia.

For more information, visit/contact: Southern Exposure New Music Series

Southern Exposure New Music Series: Steve Reich’s Music for 18 Musicians

  Steve Reich

One of the most compelling parts of Columbia’s arts scene is the Southern Exposure New Music Series, a series of FREE concerts put on by the nonprofit each year that explore contemporary classical and world compositions as well as some of the masterworks of the 20th century. The shows are often standing room only affairs, largely because of the depth and quality of the performances, which have a reputation for being wildly eclectic and stunning in equal measure.

If you’ve never been, consider going this weekend to a performance of Steve Reich’s seminal Music for 18 Musicians. Reich is perhaps the definitive composer of the second half of the 20th century, and this is his most famous piece—a gorgeous work of pulsating musical minimalism that builds (and contracts) ever-so-slowly as melodies and harmonies are gradually added to create a mesmerizing, hypnotic effect that is best experience live. The 18 musicians comes from the fact that the piece requires at a minimum four pianists, six percussionists, four female singers, two clarinetists, a violinist, and a cellist—parts which will be ably handled by 18 of USC’s most talented students in the School of Music (many of whom will be also be tackling more than one instrument in the course of the performance). Directing the work is USC piano professor Phillip Bush (who is also performing—the composition is traditionally performed without a conductor), who has played the piece numerous times around the world with Reich himself. Bush will also be giving a short talk before each performance.

Here’s  a complete performance available on YouTube (you really have to see it live though):

http://www.youtube.com/watch?v=ZXJWO2FQ16c

 

And, in the tradition of the increasingly collaborative arts scene we have in Columbia, local painter Blake Morgan will have his paintings on exhibit in the gallery for both performances. His involvement is sponsored by Pocket Productions!

A note on composer: Reich’s music always feels like waves upon waves of sound to me—while the careful the listener can note the subtle, ceaseless shifts in rhythm, melody, and harmony, there is something visceral about the listening experience as well, that hits you in the gut. That’s likely the reason Reich’s music has enjoyed such popularity outside of traditional contemporary music circles as well. While his compositions are usually debuted in the finest concert halls at this point (a stark contrast from his earlier years, when his work was shunned by the elites), Reich still gets an audience outside of those confines, even at rock festivals. Check out this video, where Reich and Bang On A Can’s Dave Cossin perform to whopping audience at the rock-centered Bloc festival in east London.

http://www.youtube.com/watch?feature=player_embedded&v=lesDb9GsQm4

The series will be giving two performances of Music for 18 Musicians: on Friday and Saturday, April 12-13, 7:30pm, at the USC School of Music Recital Hall, 813 Assembly Street (next to the Koger Center), 2nd Floor. Admission, as always, is free.

 

K. Petersen, Jasper Music Editor

Correction: The original post incorrectly stated that Blake Morgan would be painting live during the performance. He will not be.