Where Photographer and Subject Become Artist Together: A Preview of Gerry Melendez’s Whole

“There’s power in photography.” - Gerry Melendez

In the coming weeks, Stormwater Studios will host Whole, a photography exhibition by award winning photographer Gerry Melendez. There will be an Opening Reception this coming Saturday, February 25th from 6–9 p.m., and a closing reception on Sunday, March 5th from 12–3 p.m. 

Melendez is a Salvadorian photographer and filmmaker with over thirty years of photojournalist experience under his belt. He has won numerous awards and accolades over the span of his career, including the honor of Photographer84 of the Year twice by the South Carolina Press Association and six times by the South Carolina New Photographers Association. Recently, he was awarded a Southeastern Emmy for his short documentary entitled Donna’s Story (2022). 

This exhibit is a stunning collection of black and white photography—stripped down portraits with a focus on the individual subject. With regard to his artistic vision, Melendez says, “The premise of the exhibition is really to bring everyone down to the same level in a technical way.”  

He establishes this base level through not just the choice to shoot in black and white, but through the simplicity of the background of the photographs, the lighting, and the literal “stripping down” of his subjects. In essence, Melendez wants to limit our ability as viewers to make assumptions about the subjects as much as possible, saying, “Here, all you get is this one black and white moment in time. That and bare skin.”

Interestingly, Melendez believes his subjects to be very much a part of the artistic process, almost as if they are artists themselves. “The magic or uniqueness is what each subject brings to the table during their shoot,” he says. “Their personality and pose. The energy they show. What they're feeling at that moment. How they want to be perceived. I try not to direct too much and just allow this to happen organically.”  

He gives his subjects freedom of expression, facial or otherwise. He believes in the power of their stories, and the ability of his camera, in collaboration with his subjects, to capture it effectively and provocatively. 

One of these stories is that of Mary, a woman who was diagnosed with non-Hodgkin’s lymphoma at 28 years old and had to have a tumor surgically removed from her chest. 

“It took a few years to be a proud member of the ‘zipper club,’” Mary says, “but the scar from the removal of that tumor is part of my story, my fight to be here, and it reminds me each day how strong I am and that it’s just one part of who I am.” 

As for Melendez’s general artistic attitude, he describes his driving force as such: “I want to create art that makes you feel something. Hopefully, it leaves you feeling good. Maybe it inspires you. Maybe it moves you to tears. Maybe it forces you to act. Whatever it does, I have this gift and I want to use it in the best way possible and hopefully leave this world in a better place. You know, Nick Ut's photo of the napalm girl helped end the Vietnam war. There's power in photography.” 

More information about Whole can be found on the Stormwater website.