ESSAY: The Free Times 2024 Power List, A Response by Cindi Boiter

The yearly designation of the Midlands’ most powerful people, provided by our friends at the Post and Courier’s Free Times, always creates ambivalent feelings for me, as well as others, I’ve been told. This year, I was happy to play a small part of the nomination process and see recognition given to many of the folks I nominated. But, as always, I was perplexed by the concept of the project and what its purpose is.

The Free Times Power List 2024, published December 18th, seeks to recognize 30 of the Midlands’ most influential arts, food, and cultural leaders. The criteria for acknowledgement are growth, innovative programming, and bringing national attention to the area, like Lula Drake’s Tim Gardner whose rightful place on the list was established when he won Columbia’s first ever James Beard award and the Kiki and Tyrone Cyrus team at Kiki’s Chicken and Waffles, who also received acclaim in the James Beard competition. Robbie Robinson of City Limits Barbeque was recognized, as well.

Clearly, restaurant owners who frequently put their own financial livelihoods on the line are deserving of praise, especially those like Kristian Niemi who is committed not just to his patrons but also to the local farmers who provide the food for his restaurants. Restaurants are essentially small businesses but they can have a large impact on their communities by providing gathering spaces where we all feed both our appetites and our culture. The team at Transmission Arcade is a great example of a group seeing a city need and addressing it head-on with fun and innovative programming. But missing from this year’s list are the owners of coffee houses, like Greg Slattery and Sandra Moscato of Curiosity Coffee Bar, who provide places where patrons gather to scheme and collaborate on projects that make us better. Slattery and Moscato are absolute warriors for the health and care of their corner of Columbia. Jasper honors them.

Some of the most deserving recipients of this year’s honors were organization leaders like Nate Terracio (Koger Center for the Arts) and Kristin Cobb (Harbison Theatre) who have used their pivoting power to open their stages to local artists and arts organizations and they have done so without slapping their names on the logos of the organizations they represent. Of  late, we’ve seen free concerts and performances on Koger’s new stages and in their lobby. Harbison Theatre has welcomed many local artists and arts groups onto their stage. And both theatres are the homes to Jasper Gallery sites where we are privileged to present the work of exclusively Midlands area artists.

Kudos to Free Times for shining a light on the work and generous spirits of a nice handful of local artists like Ija Monet, Terrance Henderson, Michaela Pilar Brown, Sean Rayford, and the unofficial mayor of the Congaree Vista, Clark Ellefson. The list of powerful artists could have included dozens of names, but I am thankful for what we got and honor those recipients with pride and admiration.

It was also encouraging to read that Dr. Bobby Donaldson was included in this year’s list as perhaps the most deserving recipient of the honor. Donaldson’s accomplishments represent the best example of an individual working for the greater good without asking for anything in return. I’d love to see more folks like Donaldson recognized for their visions for a better Columbia and a better South Carolina.

But how does one separate and compare the work of rectifying history, like Donaldson does,  with that of making menus and making art? Food, arts, and culture, the three areas where Free Times looked for leaders, are overlapping zones in the Venn diagram of community life with food and art being among the most meaningful contributors to culture.

I have other questions.

Does a Power Person have to be well-paid or even paid at all for their work? Where does volunteerism come into play? I ask this because, and I’m only a little tongue-in-cheek here, I personally know an entire board of directors who work the equivalent of part-time jobs and more to support their organizations and the people they serve. I bet you do, too, and I bet you’re not even thinking of the same organization I am. (Yes, I’m unapologetically thinking of the Jasper Project team and how much I love to sing their praises for the tireless efforts they make to nurture the arts.)

Does the Power Person have to do the work themselves or does the work of the minions below them count as their contribution, too? I mean there’s a lot of dollar signs represented by some of this year’s power people. A lot of fur coats, fancy cars, and trips to Mexico, too. Can a Power Person do the exact same job year after year after year and still be recognized? Does it matter if the organization a Power Person represents is a frequent advertiser with the Post and Courier? I hope not, but I’ve heard that rumor, too. And while we’re at it, should a Power Person be recognized for essentially doing the job they are paid to do? How much money do some of these 501c3 Power People make anyway and how much of their salaries comes from the pockets of Soda Citizens?

Finally, what exactly is the point of the Power List? It harkens me back to school days when popularity was weirdly the goal for so many people. I know few people who didn’t suffer at least a little angst about whether they would be accepted or rejected by their peers. I’d like to think most of us have grown out of that by now. Singling out individuals who, if you followed the rules of the popularity pecking order, were even better than their peers via projects like “senior superlatives,” which I see as the seed of projects like the Power List, was an even more stark way of separating the bad from the good and the good from the better. That said, I married a “Most Likely to Succeed” high school senior superlative recipient and, what can I say? He was and is, so what do I know?

To those who deservingly found themselves on this ostensibly elite list of individuals, congratulations and keep it going. We are genuinely proud of and happy for you. To those who found themselves there whether they deserved to be or not, this means we’re watching you and what you do with your power even more. And to those who were completely overlooked, go forward with the knowledge that  your work matters if it matters to you. Arbitrary lists and accolades are less important than the people you affect with your talents, generosity of spirit, and good work.

~~~

Merry Christmas from all of us at the Jasper Project. We love what we do, and we’re trying to grow better without growing bigger so we can stay true to our mission to be public servants of the arts in the greater SC Midlands Community. Thank you for your support and thank you for reading Jasper Magazine and Jasper Online!

HAPPY HOLIDAYS!

(Full Disclosure: Kristin Cobb, executive director of Harbison Theatre at MTC is a board member of the Jasper Project Board of Directors. There is no financial exchange related to the profits made for artists or Jasper between any of Jasper’s Gallery sites and the businesses that host them. Also, this column was offered to Free Times as an installment in this writer’s regular column, Further Consideration, but was pleasantly and respectably passed on)

Dadaesque Exhibit at 701 CCA

dada If someone had told me ten years ago that Columbia would be hosting an international exhibit of Dada-inspired art tonight, like 701 CCA is in fact doing, I'd have have smiled and nodded before rolling my eyes enough to make me dizzy, not sure if many of us had even heard of  the Swiss-inspired Dada movement, much less have an appreciation for it.

But such is the caliber of arts interest in 2016 Columbia, SC.  And much of this interest is built on the backs of previous arts intensives provided by Columbia Museum of Art and Columbia College whose exhibitions and attached programs dedicated to the likes of Andy Warhol and Georgia O'Keeffe have stimulated and nurtured what is becoming a passion for arts history and arts appreciation in the city. We are growing in our desire for not only more challenging art, but for the ability to understand what it is that makes some art more challenging.

Kudos to  701 Center for Contemporary Art for presenting Dadaesque, which is the culmination of their 701 CCA's Dada Days in Columbia, a series of programs through which the center has been marking the one hundredth anniversary of the Dada movement, which many art historians recognize as the impetus for most of what we now perceive as contemporary art.

“The exhibition will surprise people in that it shows the scope of Dada’s influence on contemporary art,” says 701 CCA board chair Wim Roefs, who curated the exhibition. “It’ll be surprising to know, for instance, that Columbia mainstays such as Mike Williams and Clark Ellefson create works that are firmly rooted in the Dada movement. While, like many other artists in the show, they don’t see themselves as Dada artists, they would readily acknowledge that it was the innovations of Dada that informs and facilitates at least part of their artistic output.”

The group exhibition period will run from April 13 through June 5 and in addition to featuring Columbia-based artists Clark Ellefson and Mike Williams will also feature Jason Kendall of Columbia and Colin Quashie, whom we'd still like to call our own and Hilton Head's Aldwyth. Our artists will be joined by artists from throughout the US as well as sound poet and 701 visiting resident artist Jaap Blonk and Janke Klompmaker, both from The Netherlands. There will be a Gallery Talk at 2 pm on Sunday, May 15th.

What You Need to Know About Dadaism

Need to brush up on your Dadaism? Here's a very brief primer on how this strange arts movement, which was very much anti-arts movement, fits into the bigger picture.

"Dada was born out of negative reaction to the horrors of the First World War. This international movement was begun by a group of artists and poets associated with the Cabaret Voltaire in Zürich. Dada rejected reason and logic, prizing nonsense, irrationality and intuition. The origin of the name Dada is unclear; some believe that it is a nonsensical word. Others maintain that it originates from the Romanian artists Tristan Tzara's and Marcel Janco's frequent use of the words "da, da," meaning "yes, yes" in the Romanian language. Another theory says that the name "Dada" came during a meeting of the group when a paper knife stuck into a French–German dictionary happened to point to 'dada', a French word for 'hobbyhorse'."

-- Dona Budd, the Language of Art Knowledge

  • Dada or Dadaism was a form of artistic anarchy born out of disgust for the social, political and cultural values of the time. It embraced elements of art, music, poetry, theatre, dance and politics.

 

  • “The beginnings of Dada,” poet Tristan Tzara recalled, “were not the beginnings of art, but of disgust.”

 

  • For Dada artists, the aesthetic of their work was considered secondary to the ideas it conveyed. “For us, art is not an end in itself,” wrote Dada poet Hugo Ball, “but it is an opportunity for the true perception and criticism of the times we live in.”

 

  • Dadaists both embraced and critiqued modernity, imbuing their works with references to the technologies, newspapers, films, and advertisements that increasingly defined contemporary life.

KEY WORDS --> EXPERIMENTAL. PROVOCATIVE. UNORTHODOX.  SPONTANEOUS. IRREVERENT. READYMADE. RADICAL. SUBVERSIVE. VARIED.

 For more on Dadaism click here and here, too.

Have YOU Written Your Six Word Arts Essay Yet?

We did it for the third time last night. Gave people a slip of paper, a Sharpie, and two thumb tacks and asked them to write what the arts meant to them in the form of a six word essay then pin it up on a board. The first time we did it was last Saturday afternoon at Clark Ellefson's new studio space on Huger Street back behind One Eared Cow. (The space is pretty phenomenal -- I can't think of anything in the city that compares to it in quality of design. Look for an article on Clark and his space in the July issue of Jasper Magazine.) We were celebrating Artista Vista with a poetry reading conducted by Kendal Turner. Lots of lovely poets came out to share their words -- and we were all inspired by the display of Jen Rose's exhibition, Neural Foliage. (Jen's work, which involved three constructions of three large canvases, lit from within, is inspired by her work with and interest in mental illness -- fascinating and beautiful.) Congratulations to Jen, by the way -- this exhibition marked the completion of her her work for her MFA.

 

 

Back to the Six Word Art Essay Project -- We'd been interested in inviting the community to take part in something like this for a while, having heard about similar projects on NPR, so the time seemed right. We followed up our first session on Saturday afternoon with another one that night at the Indie Grits Closing Party in an old bank building on Main Street. (My condolences if you missed this party. It was one of those nights when the vibe was right and it was just a great event. Special thanks go out to Wade Sellers who put together a pretty tight little interactive film experience, as well as the good and godly gentlemen of the Greater Columbia Society for the Preservation of Soul who spun like mad for us.) Over the course of these two events we chalked up several hundred essays.

People seemed to like taking a moment and making a contribution, so we pulled the board back out again last night for First Thursday and I'll be damned if we didn't collect almost a hundred more essays. Some are serious and some are silly, but they're all worth reading so we'll be running them in the July issue of Jasper. And we may even collect more entries at our next event, the Jasper #5 Release Party in the Garden.

 

 

 

So, if you haven't submitted your are Six Word Art Essay yet -- or if you have and another brilliant insight has been visited upon you, feel free to comment in the spaces below. We'd love to hear what you have to say.

 

 

McClellan Douglas, Jen Rose, Kendal Turner, and EPHEMERA

A couple of months back, Jasper challenged local artists to, in the interest of both creativity and sustainability, come up with an idea for how to use the abundance of corrugated cardboard boxes we have left over after every magazine release. We called it the Creating Out of the Box (with a bunch of boxes) Contest. We're delighted to announce that McClellan Douglas came up with the best idea!

McClellan, who, as an artist does everything from portraits to murals, trompe l'oeil, photography and edible art, plans to create a massive paper mache model of a homeless person right on the streets of Columbia for the Artista Vista festival. McClellan is doing this in conjunction with the Jasper Magazine presentation of EPHEMERA: The Art of Multidisciplinary Improvisation -- which we're doing in conjunction with local artist and Vista pioneer Clark Ellefson.

Join us for This year's Artista Vista starting on the evening of Thursday April 26th -- and then close it out on Saturday afternoon with art by McClellan Douglas and Jen Rose, another fabulous poetry reading by Kendal Turner, and EPHEMERA: The Art of Multidisciplinary Improvisation. (We'll be talking more about EPHEMERA in an upcoming post.)