REVIEW: Chapin Theatre Company's Once Upon a Mattress -- A Royal Treat for All Ages

by Jane Turner Peterson

Grab your kids, grandkids, aunts, uncles—and of course, moms and dads—and get your tickets now! Once Upon a Mattress is a hilarious, heartwarming musical that’s perfect for all ages, and Chapin Theatre Company’s production is one you don’t want to miss. With just one weekend left at Harbison Theatre at Midlands Tech, this charming retelling of The Princess and the Pea promises big laughs, catchy songs, and plenty of fun.

Originally debuting on Broadway in 1959, Once Upon a Mattress introduced audiences to the unforgettable Carol Burnett as Princess Winnifred. With music by Mary Rodgers, lyrics by Marshall Barer, and a book by Jay Thompson, Dean Fuller, and Barer, the show has rightfully earned its place as a musical theatre classic. Chapin’s version stays true to the spirit of the original while adding its own lively flair and fresh energy.

The plot takes us to a whimsical kingdom “long ago and far away,” where King Sextimus has been mysteriously struck mute, and his domineering wife, Queen Aggravain, has taken control. She’s decreed that no one in the kingdom may marry until her son, Prince Dauntless, finds a princess who can pass her ridiculously unfair test. This causes chaos for young lovers Sir Harry and Lady Larken, who have urgent reasons to wed.

Enter Princess Winnifred the Woebegone, found in a swamp and brought to court by Sir Harry. She’s bold, brash, and unlike any princess the kingdom has seen. But Queen Aggravain is determined to sabotage her son’s romance, leading to a series of uproarious schemes and surprises.

Maggie Baker is delightfully bold and brassy as Princess Winnifred, with a perfect mix of comedic timing, crystal-clear vocals, great dance moves, and a natural stage presence that lights up every scene she is in. Tyler Zanga charms as Prince Dauntless, nailing both the humor and sincerity of a young man struggling to grow beyond his mother’s grasp. Their chemistry is funny, sweet, and wonderfully genuine.

Queen Aggravain, played by Debra Kiser, literally stole the show as the irritatingly chatty and bossy Queen. Her comedic timing was impeccable, and the scenes with Prince Dauntless were hysterical. The pair was delightful to watch as the overpowering mother and son duo. Be sure to watch out for her “traveling” beauty mark!

Abigail Williams, in her first Chapin Theatre role, impresses with her powerful voice as Lady Larken, making it clear she is a rising star to watch in town. Frank Thompson as the Minstrel, Joel Yarborough as the Wizard, and Billy McNeill as the Jester are a comedic trio in the best sense—playful, sharp, and totally in sync, like a medieval version of the Three Stooges. Lonnie Owen is a commanding Sir Harry, with strong vocals creating wonderful harmonies with Williams’ Larken. And Jim DeFelice nearly steals the show as the silent King Sextimus, relying entirely on physical comedy to earn big laughs—he does it masterfully.

The creative team behind the scenes pulls it all together beautifully. Director Mary Jo Johnson and musical director McCall Bethurem, both Chapin summer show veterans, guide the production with confidence and care. Choreographer Meredith Boehme brings the stage to life with clever, energetic movement—especially in the showstopping “Spanish Panic” number, which earned rousing applause.

Everything from Queen Agrivan’s outrageous costume to the royal court's vibrant costumes to the whimsical set design adds to the fairy tale magic. And yes—the giant bed lives up to the hype!

With just one weekend left, Thursday, August 24 through Sunday, August 27—this production of Once Upon a Mattress is not to be missed. Evening performances begin at 7:30 pm, with matinees on Saturday and Sunday at 3:00 pm.

Don’t miss your chance to enjoy a delightful night at the theatre. This musical proves that fairy tales—and community theatre—are alive, well, and absolutely worth celebrating.

Tickets are available now at chapintheatre.org.

Chapin Theatre Company’s Stilt Girl Representing SC at Southeast Theatre Convention Competition

Chapin Theatre Company recently participated in the South Carolina Theatre Association (SCTA) Community Theatre Competition with a production of Act I of Stilt Girl, an original comedy written by Lou Clyde, CTC’s Playwright in Residence. The result? Stilt Girl was selected to represent South Carolina in the Southeast Theatre Convention (SETC) in Baltimore in March 2025!

The SCTC convention is the nation's most comprehensive theatre where theatre practitioners unite to spark creativity and collaboration. Stilt Girl will be competing with eight other community theatre productions from across the Southeast United States.

Jamie Carr Harrington will be directing Stilt Girl, and the cast includes Debra Kiser, Jane Peterson, Zanna Mills, Josh Kern, and Jacob Cordes.

There will be a send-off dress rehearsal fund raising event on March 19 at 7:30 PM at Chapin Theatre Company. Tickets for the event are $20, and include a beverage (soda, wine, or coffee) and can be purchased at Stilt Girl goes to Baltimore Tickets | Chapin Theatre Company. Limited tickets will be available at the door.

Can’t make in to the March 19th event but want to support Chapin Theatre Company as they travel to Baltimore? Donate here!

REVIEW: Steel Magnolias Shines with Heart and Humor at Town Theatre By Jane Peterson

Steel Magnolias, written by Robert Harling, running Thursday through Sunday, February 13-16, at Town Theatre, is not to be missed. While matinee tickets may be sold out, seats are still available for evening performances, so I highly recommend reserving your tickets now. And as a bonus, this show marks the debut of the theater's new, incredibly comfortable seating, which is sure to enhance your experience.

Based on a true story, playwright Harling based the play on his sister. He grew up in Natchitoches and based the characters on some of his mother's friends. He believed that the women in his community were witty and clever, and that the juxtaposition of strength and fragility was typical of Southern women.

A big shout-out to director Allison McNeeley for her expertly crafted direction of this play, bringing a smooth and authentic portrayal of the story to the stage. The staging worked well keeping the characters alive within the set at all times. This is a cast of real people, and you’ll find yourself loving every one of them.

The play centers around a group of six women who gather at Truvy’s Beauty Salon in a small-town in Louisiana to prepare for the wedding of Shelby Eatenton (Zanna Mills) and her beau, Jackson Latcherie. M’Lynn Eatenton (Debra Kiser), Shelby’s mother, is at the heart of the story. Joining them are Truvy (Syhaya Aviel), who runs the salon, a newly hired assistant named Anelle (Emily Clelland), and longtime friends Clairee Belcher (Gayle Stewart) and Ouiser Boudreaux (Kathy Hartzog). These women share a deep bond of friendship, supporting each other through thick and thin. You will laugh and cry with them as their stories unfold.

The chemistry between the cast members is real. Emily Clelland, as the naive and innocent Annelle, brings humor and charm with her well-timed comedic moments and expressive and sincere performance. Syhaya Aviel shines as Truvy, infusing the character with warmth and authenticity, making her incredibly relatable and endearing. Gayle Stewart nails her portrayal of Clairee, delivering her lines with perfect timing, and Kathy Hartzog’s hilarious Ouiser is a character we all know and love.

But the standout performances for me were Debra Kiser as M’Lynn and Zanna Mills as Shelby. Their on-stage relationship is full of heart—both tender and tense, with every moment feeling true to life. Zanna’s portrayal of Shelby radiates a love for life, while her performance through Shelby’s health decline is heartbreakingly real. Watching Zanna grow as an actress over the past few years has been a pleasure—she’s one to watch. And Debra Kiser? Prepare yourself for an emotional rollercoaster. Her performance is nothing short of breathtaking, especially in the final moments of the play. Trust me, bring tissues—Kiser’s performance will leave you in tears.

The creative team also deserves a round of applause. The set design perfectly captures the essence of a beauty salon, while the period-appropriate props and costumes further immerse the audience in the world of the play.

This production is a beautiful blend of humor, heart, and poignant moments, making for a wonderfully entertaining evening at Town Theatre. Don’t miss it!

Tickets are available by calling Town Theatre at 803-799-2510, Tuesday to Friday, 12 noon to 5 pm, or online at towntheatre.com/tickets/.