REVIEW: A Heartfelt and Hilarious Start: Second Samuel Kicks Off Columbia Soda City Theatre’s First Season by Jane Turner Peterson

Second Samuel is the kind of show that reminds you why community theatre matters. It makes you laugh, makes you think, and makes you feel connected — to the characters, to the town, and to each other. -JTP

Columbia’s newest theatre company has officially arrived — and what a debut! Located inside Brookland United Methodist Church in West Columbia, Soda City Theatre launches its very first season on a high note with Second Samuel, delivering a show that’s both laugh-out-loud funny and surprisingly moving.

Directed by Jeff Sigley, Pamela Parker’s Second Samuel takes us to a small Georgia town in the 1940s, where life seems simple… until it isn’t. When a beloved resident, Miss Gertrude, passes away, her friends and neighbors discover a secret that rocks their little community to its core.

This play may be set in another time, but its themes are as relevant as ever. One of the cast members, Ripley Thames, summed it up perfectly — Second Samuel touches on “the trifecta” of issues that still challenge us today: homophobia, racism, and prejudice toward people with disabilities. And somehow, the show manages to explore all of that with humor, warmth, and a whole lot of heart.

Sigley’s direction really shines here. He uses the stage cleverly to create three locations — the Bait and Brew, the beauty salon, and Miss Gertrude’s front porch — and the smooth scene transitions, supported by smart lighting, keep things flowing beautifully. The set design makes great use of the space, and the period-appropriate costumes and props (kudos to Joanne Shaw and team!) really help transport the audience to the 1940s.

Now, let’s talk about this cast — because hats off here.

First, keep an eye on Cash Conroy. His performance as B Flat, the young autistic man who narrates the story, is simply stunning. He brings so much heart and honesty to the role, guiding the audience through the story with charm and depth. It’s no surprise he’s already been in several local youth productions — this young actor is definitely going places.

The rest of the cast is just as strong. Debra Leopard is a joy as Omaha Nebraska — her timing is impeccable, and it’s wonderful to see her back on stage. Nathan Wright had the audience in stitches as June Cline, the town caretaker, with his expressive reactions and storytelling flair. Ripley Thames made Mr. Mozel perfectly intolerable (in the best way), and Bill Arvay brought a grounded, easy energy as Doc.

In the beauty shop scenes, Gayle Stewart (Marcella) and Ginny Walker (Ruby) were a hoot, trading zingers, and sass with Tammy Smith as the bigoted Jimmie Dean. And rounding out the Bait and Brew gang — Roderick Haynes (U.S.), Mark DiNovo (Frisky), and Barry Smith (Mansel) — each added their own spark to the mix.

All in all, Second Samuel is the kind of show that reminds you why community theatre matters. It makes you laugh, makes you think, and makes you feel connected — to the characters, to the town, and to each other.

If this production is any indication, Soda City Theatre has an exciting road ahead. Here’s to a fantastic start and many more stories to come!

Catch Second Samuel at Columbia Soda City Theatre before it’s gone. Performances run November 8, 13-15 at 7:30 pm and on Sunday, Nov. 9 at 3:00 pm. For tickets and more information, please visit their website at sodacitytheatre.com.

 

REVIEW: Steel Magnolias Shines with Heart and Humor at Town Theatre By Jane Peterson

Steel Magnolias, written by Robert Harling, running Thursday through Sunday, February 13-16, at Town Theatre, is not to be missed. While matinee tickets may be sold out, seats are still available for evening performances, so I highly recommend reserving your tickets now. And as a bonus, this show marks the debut of the theater's new, incredibly comfortable seating, which is sure to enhance your experience.

Based on a true story, playwright Harling based the play on his sister. He grew up in Natchitoches and based the characters on some of his mother's friends. He believed that the women in his community were witty and clever, and that the juxtaposition of strength and fragility was typical of Southern women.

A big shout-out to director Allison McNeeley for her expertly crafted direction of this play, bringing a smooth and authentic portrayal of the story to the stage. The staging worked well keeping the characters alive within the set at all times. This is a cast of real people, and you’ll find yourself loving every one of them.

The play centers around a group of six women who gather at Truvy’s Beauty Salon in a small-town in Louisiana to prepare for the wedding of Shelby Eatenton (Zanna Mills) and her beau, Jackson Latcherie. M’Lynn Eatenton (Debra Kiser), Shelby’s mother, is at the heart of the story. Joining them are Truvy (Syhaya Aviel), who runs the salon, a newly hired assistant named Anelle (Emily Clelland), and longtime friends Clairee Belcher (Gayle Stewart) and Ouiser Boudreaux (Kathy Hartzog). These women share a deep bond of friendship, supporting each other through thick and thin. You will laugh and cry with them as their stories unfold.

The chemistry between the cast members is real. Emily Clelland, as the naive and innocent Annelle, brings humor and charm with her well-timed comedic moments and expressive and sincere performance. Syhaya Aviel shines as Truvy, infusing the character with warmth and authenticity, making her incredibly relatable and endearing. Gayle Stewart nails her portrayal of Clairee, delivering her lines with perfect timing, and Kathy Hartzog’s hilarious Ouiser is a character we all know and love.

But the standout performances for me were Debra Kiser as M’Lynn and Zanna Mills as Shelby. Their on-stage relationship is full of heart—both tender and tense, with every moment feeling true to life. Zanna’s portrayal of Shelby radiates a love for life, while her performance through Shelby’s health decline is heartbreakingly real. Watching Zanna grow as an actress over the past few years has been a pleasure—she’s one to watch. And Debra Kiser? Prepare yourself for an emotional rollercoaster. Her performance is nothing short of breathtaking, especially in the final moments of the play. Trust me, bring tissues—Kiser’s performance will leave you in tears.

The creative team also deserves a round of applause. The set design perfectly captures the essence of a beauty salon, while the period-appropriate props and costumes further immerse the audience in the world of the play.

This production is a beautiful blend of humor, heart, and poignant moments, making for a wonderfully entertaining evening at Town Theatre. Don’t miss it!

Tickets are available by calling Town Theatre at 803-799-2510, Tuesday to Friday, 12 noon to 5 pm, or online at towntheatre.com/tickets/.