REVIEW: A Heartfelt and Hilarious Start: Second Samuel Kicks Off Columbia Soda City Theatre’s First Season by Jane Turner Peterson

Second Samuel is the kind of show that reminds you why community theatre matters. It makes you laugh, makes you think, and makes you feel connected — to the characters, to the town, and to each other. -JTP

Columbia’s newest theatre company has officially arrived — and what a debut! Located inside Brookland United Methodist Church in West Columbia, Soda City Theatre launches its very first season on a high note with Second Samuel, delivering a show that’s both laugh-out-loud funny and surprisingly moving.

Directed by Jeff Sigley, Pamela Parker’s Second Samuel takes us to a small Georgia town in the 1940s, where life seems simple… until it isn’t. When a beloved resident, Miss Gertrude, passes away, her friends and neighbors discover a secret that rocks their little community to its core.

This play may be set in another time, but its themes are as relevant as ever. One of the cast members, Ripley Thames, summed it up perfectly — Second Samuel touches on “the trifecta” of issues that still challenge us today: homophobia, racism, and prejudice toward people with disabilities. And somehow, the show manages to explore all of that with humor, warmth, and a whole lot of heart.

Sigley’s direction really shines here. He uses the stage cleverly to create three locations — the Bait and Brew, the beauty salon, and Miss Gertrude’s front porch — and the smooth scene transitions, supported by smart lighting, keep things flowing beautifully. The set design makes great use of the space, and the period-appropriate costumes and props (kudos to Joanne Shaw and team!) really help transport the audience to the 1940s.

Now, let’s talk about this cast — because hats off here.

First, keep an eye on Cash Conroy. His performance as B Flat, the young autistic man who narrates the story, is simply stunning. He brings so much heart and honesty to the role, guiding the audience through the story with charm and depth. It’s no surprise he’s already been in several local youth productions — this young actor is definitely going places.

The rest of the cast is just as strong. Debra Leopard is a joy as Omaha Nebraska — her timing is impeccable, and it’s wonderful to see her back on stage. Nathan Wright had the audience in stitches as June Cline, the town caretaker, with his expressive reactions and storytelling flair. Ripley Thames made Mr. Mozel perfectly intolerable (in the best way), and Bill Arvay brought a grounded, easy energy as Doc.

In the beauty shop scenes, Gayle Stewart (Marcella) and Ginny Walker (Ruby) were a hoot, trading zingers, and sass with Tammy Smith as the bigoted Jimmie Dean. And rounding out the Bait and Brew gang — Roderick Haynes (U.S.), Mark DiNovo (Frisky), and Barry Smith (Mansel) — each added their own spark to the mix.

All in all, Second Samuel is the kind of show that reminds you why community theatre matters. It makes you laugh, makes you think, and makes you feel connected — to the characters, to the town, and to each other.

If this production is any indication, Soda City Theatre has an exciting road ahead. Here’s to a fantastic start and many more stories to come!

Catch Second Samuel at Columbia Soda City Theatre before it’s gone. Performances run November 8, 13-15 at 7:30 pm and on Sunday, Nov. 9 at 3:00 pm. For tickets and more information, please visit their website at sodacitytheatre.com.

 

REVIEW: Village Square Theatre Offers a Magical Experience in Freaky Friday

By Jerry Crouch

Freaky Friday  is a Disney-style musical that opened last weekend at Village Square Theatre about a controlling mother and a rebellious teenage daughter who magically trade places for a single day. It is about how a magical hourglass that, when pulled wide open, creates a dazzling couple of hours in the actors' lives on stage, and at Sunday’s matinee, the audience was transported on a magical, musical trip complete with fabulous leading performances, a trove of talented teens, a beautiful, evolving stage set, energetic choreography, and a lively orchestra. The lesson learned from the production is that if we stopped to see the world through each other’s eyes we would discover true understanding within our modern, frantically busy families. 

That ever-changing quest first appeared in Mary Rodgers’ 1972 book Freaky Friday and in the subsequent four film adaptations, and is now captured again as this spunky musical from Disney Theatrical Productions, aiming its target in laser focus on the teen market. 

Served at a bright, spunky pace by director Robert Harrelson, Freaky Friday has a relentless pop score by Tom Kitt and Brian Yorkey (Next to Normal) and by book writer Bridget Carpenter.

Thanks to Harrelson and his capable stage designers, husband and wife team Raymond and Jacqueline Elling, scenes switch briskly between the household’s kitchen, a wedding reception prep area, outdoor locations, as well as various high school locales, and are ably aided by beautiful projections against the back scrim. The Ellings do double duty by also playing roles on stage throughout the show with Raymond playing the mom's intended beloved delivering a solid vocal solo in Act Two.

As the personality-switching mom, Katherine and her spunky daughter Ellie, local theatre veterans, Leighton Creed Mount and Eliza England, definitely have the vocal goods to deliver with multiple heartfelt duets and solos. Mount, in particular, is a theatrical force to be reckoned with in scene after scene poignantly conveying the mother's love and concerned commitment.

But the uber talented teens owned this Sunday matinee! Village Square Theatre veteran youths – Cash Conroy, Jack Carlton, and Mackenzie Bruder shone brightly as true professionals as boyfriend Adam, little brother Fletcher, and resident mean girl Savannah. For added coolness, boyfriend Conroy slickly and confidently rides the stage on a blinking hoverboard in a piece of choreography like a young matinee idol.

What fun it was to see Village Square Theatre adult veterans steal their well-deserved moments in the supporting roles spotlight – Kristin Ferrante, Carissa Ferro, Tammy Smith, Amanda Scott, Kory Taylor, Robin Saviola, Teresa McWilliams, and John Fetner! In particular, Smith, Ferrante and Ferro made each of their moments count in roles as Grandma Helene, Torrey, and Ms. Meyers.

No community theatre musical can succeed without its orchestra, choreographer, and backstage crew, so I also salute Music Director, John Norris, and his musicians; Choreographer, Krista Haidle, and her dance captains; and Stage Manager, Lindsay Brown, and her crew.

Village Square Theatre is located at 105 Caughman Road, Lexington, 29072 (803) 359-1436 — click here for reservations.

Remaining Village Square Theatre Performances
Friday, September 19 @ 7:30 PM (Cast Freaky)
Saturday, September 20 @ 7:30 PM (Cast Friday)
Sunday, September 21 @ 3:00 PM (Cast Freaky)
Friday, September 26 @ 7:30 PM (Cast Friday)
Saturday, September 27 @ 7:30 PM (Cast Freaky)
Sunday, September 28 @ 3:00 PM (Cast Friday)

Jerry Crouch is celebrating his onstage and directorial credits for 107 productions in Columbia, Atlanta, and Asheville over the last half century.