The Beat: Sports and Music Don't Mix--Or Do They? Tales of Sports Related Gigs Gone Wild By Kevin Oliver

Sports and popular music have a long, intertwined history, from Super Bowl halftime shows to the Beatles playing Shea Stadium, longtime home of the New York Mets and the New York Jets. (And who can forget the “Jock Jams” phenomenon?”) On a local level, the relationship tends to be one of competing for audience attention, as the screens in the bars got bigger and the stages got smaller. Being in a college town like Columbia makes it especially challenging for bands booking gigs on game days. On one hand, the venues are full of customers, drinking, eating, and a captive audience for the lucky band on the calendar. On the other hand, that audience is there for the game, not the music, usually, and that can present challenges that make it a less than great experience for the musicians just trying to do their job.

Kevin Pettit, currently of the band 48 Fables, has been around the local scene for years and originally gained some notoriety as a member of Celtic rockers Loch Ness Johnny, where he had his own memorable sports vs. music moment.

“We were playing at the Flying Saucer in Columbia on a college bowl game weekend, and it was packed–I think it was Florida playing someone I can’t recall,” He says. “The big screen television in the bar was facing us on the other side of the room from the stage, and somehow we were able to time several song endings to coincide with a touchdown being scored in the game. So, when the crowd went crazy because someone scored, we took a bow and thanked ‘the great audience.’ It was good, silly fun.”

Not much has changed, according to Chris Reed, who plays both cover gigs and original music with his band The Bad Kids. “I played during the last Clemson-Carolina football game,” He says. “There was definitely a lot of oddly timed applause, which is awkward as hell but in the end it’s all just part of the job.”

It isn’t just football fans who can initiate some great sports-related gig stories, though. Bassist and guitarist Darren Woodlief, who has played around town with numerous acts, remembers an early gig with his rock band Pocket Buddha as an especially memorable evening.

“The band was me, Dave Britt, and Zack Jones, and this was our first sort of out of town gig over in Camden for the Carolina Cup steeplechase race day,” he says. “We were at a bar downtown that was a welcome respite for many very drunk folks who'd been out in the sun all day, a good number of whom may not have actually seen a horse. We played all the cover songs we knew and at the end of our 3 hours a small group of equine enthusiasts were not ready for the party to be over. After some negotiation, we agreed to play another 30 minutes for $50 bucks each. Rejuvenated by the bonus and the chance to again play the songs we knew best, we did our thing and left feeling exhausted but grateful.”

Just like not every game can end in a win for your team, not every gig on a game day turns out great. Josh Roberts, who has toured with his band The Hinges for years throughout the southeast and beyond, can attest to how bad timing can ruin a gig.

“The Hinges were playing Tasty World in Athens, Georgia on the night of the Carolina/Georgia game, maybe 2008 or 2009. It was a solid lineup, all the other bands were from Athens, and everyone was having a good time, hanging around the venue all evening, excited about the show.  Then, what wasn’t supposed to happen did, and the Gamecocks beat Georgia in an ugly game. We watched it at the venue, and at the end you could feel all the air let out of the town. It felt bad everywhere. The show was totally deflated. Hardly anyone came, and that strange feeling in the air just stuck around.” 

The Hinges’ bad luck followed them home in 2010, he adds.

“During the 2010 SEC championship with Auburn and Cam Newton vs. the Gamecocks, the same thing happened in Columbia. We were playing The Five Points Pub, which we had been reliably packing full of folks. We sound checked early because of the game, went elsewhere to watch it, and when it was over we could just feel it then, too. City deflation. Very small turnout and a strange feeling over everything.”

It wasn’t all bad for the band in either case, however, as non-football fans who are fans of a band don’t really care who won or lost, they just want to see their favorite band play, Roberts notes. “I will say that in both those cases a bunch of serious music fans came late and had a good time. I got the feeling a lot of those folks were anti-sports in general, and were pointedly not going to let something like that mess with their show.”

And then there are the experiences that have nothing to do with the game outcome or the distracting televisions. Sometimes it’s just professional musicians trying to get things done, and they wind up improvising.

Fiddler Jim Graddick remembers a 2013 incident where he was invited to play the Carolina/Clemson halftime show at Williams-Brice Stadium with banjo legend Randy Lucas.

“It was Dick Goodwin’s idea to have a bluegrass band play ‘Dueling Banjos’ with the Carolina band,” Graddick says. “They let us in without tickets since we were with the marching band, and when I went out to use the restroom about halfway through the second quarter, security wouldn’t let me back in since I had no ticket. I explained that I was playing the halftime show, to which the guard flatly responded, ‘Yeah, sure–me too.’” 

Of course, there are many musicians who are also big sports fans–who can forget the famous line in Hootie & the Blowfish’s hit song “Only Wanna Be With You” where Darius Rucker namechecks his favorite NFL team with the line “You wonder why I’m such a baby, ‘cause the Dolphins make me cry.” 

Patrick Davis is a well-known Gamecock supporter, writing and releasing several classic song tributes to USC sports teams. His sound and production crew lead of choice, local audio engineer Wayne Munn, remembers how they would sometimes have to make allowances for those gigs that clashed with USC game times. “We did a show at (NASCAR driver) Michael Waltrip’s house the day of a Carolina/Clemson football game with Patrick and the band,” Munn says. “We set up iPads behind the edge of the two front walls of the stage, so the band could watch the game as they were performing.”

So, wherever you choose to watch the Super Bowl this week, or any other major sporting event, if there is a local band playing there at the same time you should at least try to applaud at the right time–and drop in an extra tip, as the musicians are working a little harder than usual to have a good gig.

Celebrating Jazz on Main Street - by Mike Miller

This First Thursday Jazz is the Main Event

main street jazz fest.jpg

     Thirty years ago, a Columbia restaurant owner named Veron Melonas and his trumpet-playing pal Johnny Helms decided that Columbia needed a cool jazz party right on Main Street. Melonas owned the Elite Epicurean, a top-notch eatery right across the street from City Hall, and he said, “Why don’t we put the stage right outside?” Helms knew a lot of jazz players in New York, so he got on the phone and invited several of them down to the South Carolina capital city. Just like that, a jazz festival was born.

     “Jazz on Main” as it was called was first staged in July of 1987, and it ran for 10 years. One of the festival’s first performers, pianist Marian McPartland, called it “a true happening,” and it was pretty special. Musicians who came to Columbia during those years included trumpeter Clark Terry, saxophonist Jimmy Heath, guitarist Bucky Pizzarelli, and bassist Milt Hinton, just to name a few.

     To celebrate the 30th anniversary of that first “Jazz on Main” show, November’s First Thursday on Main will become a jazz festival of sorts. But this will not be a nostalgic event. It will showcase many of Columbia’s current crop of talented jazz musicians, players such as Mark Rapp, Tony Lee, Amos Hoffman, and Sam Edwards. Columbia jazz veterans such as Dick Goodwin, Danny Boozer, Robert Gardiner, and Jim Mings will also be performing.  

     Festivities begin at 6 p.m., and there will be live music at several locations on Main Street. Trumpeter Mark Rapp is the prime mover on Columbia’s contemporary jazz scene, and his quartet will be performing in the Main Street Public House. The guitar duo of Mings and Monte Craig will be in front of Mast General Store, and a revolving array of local jazz stars, including guitarist Hoffman, bassist Edwards, trombonist Mitch Butler, and drummer Boozer, will play on a stage in Boyd Plaza outside the Columbia Museum of Art. Add trumpeter Goodwin and the Tony Lee Group to the mix on Boyd Plaza, and you’ve got one of the most impressive collection of jazz players to come together in Columbia in quite some time.

     Back in 1987, there was an impressive array of jazz artists playing around town as well. Goodwin’s big band played weekly shows in a club called Greenstreet’s. Guitarist Terry Rosen and bassist Frank Duvall could be heard often at happy hour in the Five Points restaurant Garibaldi’s. But the most adventurous jazz happening took place on Tuesday night in Pug’s, a Five Points bar named after owner Pug Wallace. Weekly jam sessions there featured players such as drummers Reggie Ritter and Ted Linder, guitarists Mings and Rosen, trumpeters Al McClain and Helms, keyboardists John Drake and John Emche, and saxophonists Hans Tueber, Roger Pemberton, and a teenager named Chris Potter. For Columbia jazz fans, those nights in Pug’s were not to be missed.

     Today’s Columbia jazz scene is just as vibrant, and truth be told, it’s more diverse and active than its counterpart from three decades ago. Jazz can still be heard in Five Points at Speakeasy’s on Saluda Street. But the epicenter for jazz has moved uptown to places such as Public House on Main, Gervais and Vine, and Pearlz in the Vista.

     Other Columbia nightspots are featuring jazz nights, and there are many other exceptional musicians playing around town than just the ones mentioned above. It’s a great time for jazz artists and fans in Columbia, and that’s why it seemed like a good idea to revive the spirit of “Jazz on Main” and celebrate this cool, complex, and free-flowing music in the capital city.