Colleen Critcher is a Florence, South Carolina based artist who finds inspiration in consumerism, Tyrannosaurus Rex, and all things kitschy and gauche. She describes herself as a “painter at heart,” her favorite being oil painting, though she’s worked with a variety of mediums. She also finds herself turning to printmaking often, a process that matches much of her work thematically in the way that it, according to Critcher, “mimics the industrial production model in a completely inefficient way.”
Critcher has known she wanted to be an artist since she “learned that it could be a profession” in Kindergarten. She’s always felt called toward it, and always found herself admirably aware of its capabilities. “I’m also addicted to the basic alchemy aspect of art making,” she says. “Making something from nothing feels like magic to me.”
And make something from nothing she does, over and over again. Critcher’s recent series, entitled Consumed, is a scathing commentary on the American consumerist obsession with excess and features a series of pieces in which the subjects literally consume multicolored plastic dinosaurs.
“I love the fact that decades after I collected them, the T.Rex remains a pop culture icon,” Critcher says. “People are still obsessed with this dinosaur who was once the “ultimate consumer. It’s a bizarre cultural phenomenon.”
“Beyond the connection from childhood toys and popular culture, I’m also interested in the fact that Rex was once the apex predator. It’s a reminder that humans pretend their dominance is somehow guaranteed to be permanent. There is also a sad irony to the fact that the remnants of dinosaurs (as petroleum) are what we make plastic with, and plastic is slowly killing everything. Yikes.”
There is something to be said for the deadly consumerist infatuation with plastic, especially considering Critcher’s idea that our induction into consumerism starts with childhood– “I think for most of us it starts with toys.”
Relatedly, Consumed also includes several pieces with children as the subjects. What A Good Little Consumer and Pretty Please both feature the full body images of children, a girl and a boy respectively, with T.Rex masks on their heads, dressed in what appears to be play costumes. Something about the way the children stand, the way the little girl in What A Good Little Consumer cradles the T.Rex toy in her arms, feels eerie, more sinister perhaps. Is there something to be said here about consumerism eating us back?
Critcher answers this question with more questions: “I’ve been making work about American consumer culture for a decade now and I’m constantly asking questions about our participation. Are we passively implicated in the process? Are we fully engaged with both feet in this complex system? Are we consuming the things or are they consuming us? What are the benefits and what are the negative effects of a culture built on the necessity to constantly buy more things? When I had children it made me recognize that they, we, become consumers almost immediately.”
Another unique facet of Critcher’s work is its ability to be self-referential–she puts the literal image of herself into her paintings. Within Consumed, she can be seen chowing down on a purple dinosaur in Devouring Her T. Rex and a neon green one in Keeping Up With The Joneses (Suburban Mom). Perhaps this is a nod to her own participation in consumer culture, a reminder of its inescapable impact on all of our lives. It certainly adds to the uncanny aesthetic of the series.
Critcher received her MFA in painting from the Savannah College of Art and Design. Since then, her work has been shown at numerous galleries, including The Southern, Redux Contemporary Art Center, Kai Lin Art, Gutstein Gallery, and 701 Center for Contemporary Art, and she has taught several arts foundations courses at Coker University, Coastal Carolina University, and Francis Marion University.
Critcher is the featured artist in the Jasper Project’s First Thursday Series at Sound Bites Eatery at 1425 Sumter Street. Join us on Thursday, March 2nd as we celebrate the opening reception for her work which will hang throughout the month of March.
For more information about Critcher and her projects, and to check out her delightfully bizarre series Consumed, visit her website, colleencritcher.com.
