Poetry of the People with Evelyn Berry

This week's Poet of the People is Evelyn Berry. Over a decade ago, led by Evelyn Berry, an inspired group of Aiken High School students would pile in a car and journey to Columbia to attend Mind Gravy Poetry. I am fortunate to still know several of them through the wonder of Facebook—and Evelyn continues to lead and soar above us all. Some day, we will say we knew and were energized by Evelyn Berry on her way up and be grateful for the experience.

-Al Black

Evelyn Berry is a trans, Southern writer, editor, and educator. She's the author of Grief Slut (Sundress Publications, 2024). She's a recipient of a 2023 National Endowment for the Arts Poetry Fellowship and lives in Columbia, South Carolina.


Self-Portrait at Nineteen 

All summer, I worked shifts at Old Navy

& snorted molly from an iPhone screen

in the backseat of a car parked nowhere,

a happy heathen not yet grief-plundered.

 

Once, I was a boy unafraid to die.

I would swallow almost anything meant

to kill me if, at first, it got me high:

pills left over from surgery pilfered

 

from my parents’ medicine cabinet,

coffee cups of dark liquor, gas station

feasts, bounty of grease, sugar, cigarettes.

How else to parachute from the body?

 

Aliveness, this useless extravagance

I have wasted once before, but no more.


prodigal daughter 

what I know of sin, i learned in the sty

amid the swine, slurped mud and called it wine.

femme-fouled boy, faggot-spoiled sacrifice

offered at the altar and abandoned.

 

forgive my reckless want, lord, to belong

as more than soiled sacrament, fat sow

knife-split to gorge the prophets of gendered

violence. prayer, in their hands, a blade.

 

what do i know of penitence, patience,

except once the lord sent frenzied demons

into a drove of blameless pigs to drown?

how did we decide which beast to slaughter?

 

lord, i too am an impure animal.

i left home a son, return a daughter.


 

Eos 

After Mary Evelyn Pickering De Morgan

 

Once, the goddess of dawn cried out, forlorn,

her son cast into dirt beyond the walls of Troy,

Achilles’ sword drawn through his chest,

his soul gone, replaced with a feathered flock.

 

Her tears poured graceless as swans,

like a vase overflowing with morning dew

until grief bloomed new gardens.

Describe to me the weight of this.

 

Mourning replenishes the earth, ushers

Soil into rebirth, new river traced

from the boy’s doomed blue veins.

What is a song worth without its wound?

 

Let me, for once, taste paradise without the tinge of blood.

Let me glimpse the cusp of dawn without the flood of night.


 

The Decoy

            After John Collier

 

To be painted femme fatale, condemned fatal:

a woman’s beauty is a dangerous deception

in the hands of a man who demands

to own her like a plucked rose.

 

Let me be the decoy instead,

damsel in undress, glinting

luminescent like a knife

bound to my ankle.

Poetry of the People with Susan Craig

This week's Poet of the People is Susan Craig. I am unsure of when I first met Susan, but it was probably a decade or so ago at an event where she was supporting or assisting another poet. Like butter on warm toast; she never insists that she be the main focus of attention. Reading Susan's poetry is to know that when all else passes away, kindness will endure.

-Al Black

Susan Craig is a native Columbian, longtime poet, and former graphic design studio owner.  Her work has appeared in journals and online, including Jasper; Kakalak; Poetry South; Mom Egg Review; Twelve Mile Review; Poetry Society of South Carolina, and elsewhere. Through poetry, she mines the everyday, attempting to unearth the universal.


In the absence of touch

 

I ordered the puzzle mid-winter,

one with three thousand pieces—Van Gogh's

quaint room in Arles, his chunky saffron bedstead

& cane chairs, walls of cornflower blue,

forest-green window canted open, wooden floors

of foot-worn turquoise.

 

That April, native creatures of Yosemite ventured

out of seclusion, tiptoed onto gravel roads,

foraged pastures long-encroached by human voyeurs.

I thought of freedom—bear, coyote, deer, bobcat, promenading

through swaying ponderosa, fragrant fir.

 

It seemed even city air became cleaner, crisper;

streets & highways shone like unused silver,

phantom wheels of material solace begun to unspin.

 

Were night skies truly more star-spangled those evenings

we sat out front in dilapidated armchairs

watching children pedal by on the sidewalk

followed by pilgrim parents?

 

In the end, I only completed one-quarter of the puzzle,

left the others disconnected, inchoate

as a surrealist painting.

 

Van Gogh spent twelve months in the country asylum.

In isolation, his work grew prolific.

Scenes of nature—starry nights, olive trees contorted

below a blue, inexplicable sky.


Jacobson's Organ

            Our canine companions also have an additional

olfactory organ we humans simply do not have...

Jacobson's organ.—ellevetsciences.com

 Today the Dog

turns back on the trail

stands & waits for his Human /

this communion of sorts

borne of a decade of rebellion / Dog

at last taming his primal quest

to leap down-mountain

through winter-leaf hillocks

tracking every fleeing

miniscule essence /

Human calling his name

each time envisioning doom as he

bounds & crashes until there is

nothing but a whisper /

     yet these days they are a marriage

of desire & acquiescence

symbiotic trekkers in winter woods

above the mountain cabin

in a timeworn pact /

     Dog waits till Human

makes her way to the ridge / where

the log still lies for sitting

& leaves rustle like dresses / Dog

inhales an extravagance

the Human will never / Human

sits & imagines how the World

will come to an end


Ketamine 

            Paramedic gets 5 years in prison for Elijah McClain's death

—NY Times, March 1, 2024

They never saw your gentleness beneath the ski mask,

arms juking wildly to the music in your ear-pods.

An anonymous caller reported a man who looked 'sketchy'

happy-dancing on the sidewalk that dark night,

 

arms juking wildly to the music in your ear-pods.

It was August, nowhere near winter in Aurora,

you in a ski mask to ward off fumes and seasonal pollens.

            (Later, friends will call you peacemaker, spiritual seeker.)

 

This was August, nowhere near winter in Aurora;

officers slammed you against a wall because you resisted,

pleaded, I'm just different, I was just going home, I'm so sorry.

What kind of terror seized you

 

as officers slammed you against a wall because you resisted?

What kind of danger called for two carotid choke-holds,

you face-down like George Floyd gasping, I can't breathe,

paramedics pumping 500 mg of ketamine into your slight body?

 

What kind of danger called for two carotid choke-holds;

where were God's better angels that summer night in Aurora?

Three officers pinned your slight body to the concrete,

five-foot-six, champion of stray kittens, violin, healing touch.


Sunflower

 

           When

in the season of cicadas

 

Mississippi Kites

wheel in swooning circles

 

whistling their two-note song

         I picture my father

 

delta-child

of the Sunflower River

 

summer swelter

tannin black as southern tea

 

bare feet coated

in ruddy cotton-field dust

 

his young father stolen

by Spanish influenza

 

           I almost see him

youngest of three blue-eyed sons

 

bent cane pole propped

on one knee

 

even then a dreamer

the squiggling night crawler

 

he pierces with a rusted barb

forces his eyes

 

to bear witness

as if the whole world

 

hinges on his small measure

of courage

 

           it is then I want to tell him

every small harm

 

will be forgiven