Poetry of the People with featuring Richard Garcia

This week's Poet of the People is Richard Garcia. Richard Garcia is one of the stalwarts of poetry in the low country of South Carolina. I knew of him long before I knew him. He is a wonderful advocate and mentor for other poets as well as a wonderful award winning poet in his own right.. I encourage you to buy his books and attend any of his readings in your area - he will not disappoint.

~Al Black

Richard Garcia's poetry books include The Other Odyssey, Dream Horse Press, 2014, The Chair, BOA 2015, and Porridge, Press 53, 2016. He has received a Pushcart Prize, and been in Best American Poetry.

Then 

A knock on the front door,

but no one is knocking. 

My mother is upstairs again

threatening to jump out the window.

 

And there is my best friend Tito.

The swish-swish of metal roller-skates.

Father Harris from All Saints Episcopal Church 

crosses the street holding my book

 

with two hands as if it were heavy.

He wants an inscription, something clever,

for his future granddaughter—should I tell him

that my book has not been written yet,

 

that he is dead now, and I am dead now,

that my mother's house

and All Saints Episcopal Church have taken wing

like two swans made of smoke,

 

swans that I might have imagined?

But that was now and this is then.

Tito says, Let's go back to Buena Vista Park,

let's go cardboard-sliding down the musical sand dunes.

 

 American Gothic  

My grandfather was the captain of a tall ship that sailed around the horn bearing rum and whiskey and always, just for me, a barrel of rock hard candy from the isle of Madagascar. My grandfather told me stories that made me dream of pirates, nice pirates that never hurt anyone. My grandfather waved goodbye to my grandmother as his ship sailed away with the tide. My grandmother and I waited for the sails of Grandfather's ship to reappear on the horizon. Tell me again, Grandma, What was the name of Grandpa's ship. It was called, she reminded me, The Constellation of Falsehoods. OK, I lied. I never knew my grandfather or my grandmother but I recall their picture on the wall. They appeared to be sad farmers. He was holding a pitchfork. She looked like she had just swallowed a large sour ball.


 

Message from Garcia 

 My brother was the rain.

He was also the sun.

My brother was a sun shower.

We used to sleep in the flames

of the gas fireplace when it was turned on.

but, since my brother was the rain,

the fire never harmed us.

My brother sang to make the moon come out.

He read to me from the pages of sand dunes.

Sad stories, always, sad stories.

Back in the olden days, television    

was not invented yet.

We would cut a hole in a box and stare at it.

My brother was the first Mexican-American

 basketball star. San Francisco

News Call-Bulletin—Headline:

message from Garcia:

He breaks the record for points in a game.

Next game, double, triple guards on Garcia.

Me, I was an expert at dying.

I would clutch my chest and slowly spin

to the sidewalk. I would lie there

for a long time, twitching spasmodically.

The players from the other teams

complained about my brother.

That Mexican, they said,

he slips through us like rain.

  

 

Freedom  

You are sitting up in bed reading a detective novel. Your eyes are open but you are asleep thinking you are awake. In this novel you are at Roosevelt Middle School with your girlfriend at your first sock hop.  You have never been to a sock hop, and don't know how to do the bop, the dance the white kids are doing.  So you do the steps taught to you by your Black friend, Felton, although at that time he was a Negro. The dance he taught you was called the Texas Hop. Soon all the white kids in the gym are dancing the Texas Hop. But your mind is flowing backwards. It's the case you are working on: The Case of the Missing Tar Baby and the Pillsbury Doughboy. Where they stolen, lynched, or did they run away together? The Tar Baby and the Pillsbury Doughboy have escaped from a chain gang. They have built a raft and are drifting down the Mississippi river toward freedom.

 

--

Poetry of the People with Evelyn Berry

This week's Poet of the People is Evelyn Berry. Over a decade ago, led by Evelyn Berry, an inspired group of Aiken High School students would pile in a car and journey to Columbia to attend Mind Gravy Poetry. I am fortunate to still know several of them through the wonder of Facebook—and Evelyn continues to lead and soar above us all. Some day, we will say we knew and were energized by Evelyn Berry on her way up and be grateful for the experience.

-Al Black

Evelyn Berry is a trans, Southern writer, editor, and educator. She's the author of Grief Slut (Sundress Publications, 2024). She's a recipient of a 2023 National Endowment for the Arts Poetry Fellowship and lives in Columbia, South Carolina.


Self-Portrait at Nineteen 

All summer, I worked shifts at Old Navy

& snorted molly from an iPhone screen

in the backseat of a car parked nowhere,

a happy heathen not yet grief-plundered.

 

Once, I was a boy unafraid to die.

I would swallow almost anything meant

to kill me if, at first, it got me high:

pills left over from surgery pilfered

 

from my parents’ medicine cabinet,

coffee cups of dark liquor, gas station

feasts, bounty of grease, sugar, cigarettes.

How else to parachute from the body?

 

Aliveness, this useless extravagance

I have wasted once before, but no more.


prodigal daughter 

what I know of sin, i learned in the sty

amid the swine, slurped mud and called it wine.

femme-fouled boy, faggot-spoiled sacrifice

offered at the altar and abandoned.

 

forgive my reckless want, lord, to belong

as more than soiled sacrament, fat sow

knife-split to gorge the prophets of gendered

violence. prayer, in their hands, a blade.

 

what do i know of penitence, patience,

except once the lord sent frenzied demons

into a drove of blameless pigs to drown?

how did we decide which beast to slaughter?

 

lord, i too am an impure animal.

i left home a son, return a daughter.


 

Eos 

After Mary Evelyn Pickering De Morgan

 

Once, the goddess of dawn cried out, forlorn,

her son cast into dirt beyond the walls of Troy,

Achilles’ sword drawn through his chest,

his soul gone, replaced with a feathered flock.

 

Her tears poured graceless as swans,

like a vase overflowing with morning dew

until grief bloomed new gardens.

Describe to me the weight of this.

 

Mourning replenishes the earth, ushers

Soil into rebirth, new river traced

from the boy’s doomed blue veins.

What is a song worth without its wound?

 

Let me, for once, taste paradise without the tinge of blood.

Let me glimpse the cusp of dawn without the flood of night.


 

The Decoy

            After John Collier

 

To be painted femme fatale, condemned fatal:

a woman’s beauty is a dangerous deception

in the hands of a man who demands

to own her like a plucked rose.

 

Let me be the decoy instead,

damsel in undress, glinting

luminescent like a knife

bound to my ankle.

Poetry of the People with Susan Craig

This week's Poet of the People is Susan Craig. I am unsure of when I first met Susan, but it was probably a decade or so ago at an event where she was supporting or assisting another poet. Like butter on warm toast; she never insists that she be the main focus of attention. Reading Susan's poetry is to know that when all else passes away, kindness will endure.

-Al Black

Susan Craig is a native Columbian, longtime poet, and former graphic design studio owner.  Her work has appeared in journals and online, including Jasper; Kakalak; Poetry South; Mom Egg Review; Twelve Mile Review; Poetry Society of South Carolina, and elsewhere. Through poetry, she mines the everyday, attempting to unearth the universal.


In the absence of touch

 

I ordered the puzzle mid-winter,

one with three thousand pieces—Van Gogh's

quaint room in Arles, his chunky saffron bedstead

& cane chairs, walls of cornflower blue,

forest-green window canted open, wooden floors

of foot-worn turquoise.

 

That April, native creatures of Yosemite ventured

out of seclusion, tiptoed onto gravel roads,

foraged pastures long-encroached by human voyeurs.

I thought of freedom—bear, coyote, deer, bobcat, promenading

through swaying ponderosa, fragrant fir.

 

It seemed even city air became cleaner, crisper;

streets & highways shone like unused silver,

phantom wheels of material solace begun to unspin.

 

Were night skies truly more star-spangled those evenings

we sat out front in dilapidated armchairs

watching children pedal by on the sidewalk

followed by pilgrim parents?

 

In the end, I only completed one-quarter of the puzzle,

left the others disconnected, inchoate

as a surrealist painting.

 

Van Gogh spent twelve months in the country asylum.

In isolation, his work grew prolific.

Scenes of nature—starry nights, olive trees contorted

below a blue, inexplicable sky.


Jacobson's Organ

            Our canine companions also have an additional

olfactory organ we humans simply do not have...

Jacobson's organ.—ellevetsciences.com

 Today the Dog

turns back on the trail

stands & waits for his Human /

this communion of sorts

borne of a decade of rebellion / Dog

at last taming his primal quest

to leap down-mountain

through winter-leaf hillocks

tracking every fleeing

miniscule essence /

Human calling his name

each time envisioning doom as he

bounds & crashes until there is

nothing but a whisper /

     yet these days they are a marriage

of desire & acquiescence

symbiotic trekkers in winter woods

above the mountain cabin

in a timeworn pact /

     Dog waits till Human

makes her way to the ridge / where

the log still lies for sitting

& leaves rustle like dresses / Dog

inhales an extravagance

the Human will never / Human

sits & imagines how the World

will come to an end


Ketamine 

            Paramedic gets 5 years in prison for Elijah McClain's death

—NY Times, March 1, 2024

They never saw your gentleness beneath the ski mask,

arms juking wildly to the music in your ear-pods.

An anonymous caller reported a man who looked 'sketchy'

happy-dancing on the sidewalk that dark night,

 

arms juking wildly to the music in your ear-pods.

It was August, nowhere near winter in Aurora,

you in a ski mask to ward off fumes and seasonal pollens.

            (Later, friends will call you peacemaker, spiritual seeker.)

 

This was August, nowhere near winter in Aurora;

officers slammed you against a wall because you resisted,

pleaded, I'm just different, I was just going home, I'm so sorry.

What kind of terror seized you

 

as officers slammed you against a wall because you resisted?

What kind of danger called for two carotid choke-holds,

you face-down like George Floyd gasping, I can't breathe,

paramedics pumping 500 mg of ketamine into your slight body?

 

What kind of danger called for two carotid choke-holds;

where were God's better angels that summer night in Aurora?

Three officers pinned your slight body to the concrete,

five-foot-six, champion of stray kittens, violin, healing touch.


Sunflower

 

           When

in the season of cicadas

 

Mississippi Kites

wheel in swooning circles

 

whistling their two-note song

         I picture my father

 

delta-child

of the Sunflower River

 

summer swelter

tannin black as southern tea

 

bare feet coated

in ruddy cotton-field dust

 

his young father stolen

by Spanish influenza

 

           I almost see him

youngest of three blue-eyed sons

 

bent cane pole propped

on one knee

 

even then a dreamer

the squiggling night crawler

 

he pierces with a rusted barb

forces his eyes

 

to bear witness

as if the whole world

 

hinges on his small measure

of courage

 

           it is then I want to tell him

every small harm

 

will be forgiven