Meet Clayton King -- One of the Stars of Busted Open, Jasper's 2025 Play Right Series Winning Play by Ryan Stevens

We’re introducing the cast of Jasper’s 5th annual Play Right Series winning play, Busted Open, directed by Jane Turner Peterson. You’ve met Ella Riley, Zanna Mills, Beth DeHart, Kristin Cobb, and Allison Allgood already. Now meet Clayton King who plays the role of Phil in this brand new play written by SC playwright Ryan Stevens.

Join us at Columbia Music Festival Association on Sunday afternoon, September 14th at 3 pm for the premiere staged reading of this fresh new theatre art! Tickets are only $10 and are on sale now!

Clayton King (Phil) is excited to be part of the Jasper Project play Busted Open. He is a Texas transplant, calling Columbia home for more than a decade. Both a producer and performer, Clayton has more than 75 stage credits to his name and has performed with Midlands Light Opera Society, Broadway Bound Vista Theatre Project, Chapin Community Theatre, Town Theatre, Trustus, Village Square, and Workshop Theatre. Some credits include Pirates of Penzance (Major General Stanley), Secret Garden (Neville), Shrek (Shrek), Into the Woods (Baker), She Loves Me! (Mr. Maraczek); Mamma Mia! (Harry Bright), Arsenic and Old Lace (Teddy), You Can’t Take It With You (Kohlenkov), The Addams Family (Gomez), Guys & Dolls (Nathan Detroit). Clayton was voted Best Actor in the Free-Times Best of Columbia who noted “[Clayton is] a vocal powerhouse who can handle both comedic and dramatic roles with aplomb.”

Before leaving Texas Clayton appeared on stage in productions of Damn Yankees and Chicago at Galveston’s historic The Grand 1894 Opera House, A Fiddler on the Roof at the historic Strand Street Theatre and The Wind and the Willows at Houston’s Theatre Under the Stars. 

In addition to character roles on stage, Clayton is a prolific cabaret performer in venues along the Texas Gulf (of Mexico!) coast and across the Midlands. He cut his teeth in this medium while attending the University of Houston and developed his artistry with small venue performance in such notable cabaret spots as Houston’s Baha Sams and the unlikely-named Million Dollar Dump. When not in a production or working at his “day job” as Parish Administrator at St. Martin’s-in-the-Fields Episcopal church, he balances his dual alter egos: 1) a singer as one of ten cabaret artists who perform in The Monthly After Dinner Cabaret, a series he and Vicky Saye [Henderson] produce under the banner of King Henderson Productions, which will relaunch in October, 2025. 2) A jewelry and home accessory designer. Both feed his soul and provide a certain type of therapy in these trying times.

 

Meet Ella Riley and Zanna Mills - Two of the Stars of Busted Open -- Jasper's 2025 Play Right Series Winning Play!

As the Jasper Project moves closer to celebrating the premiere staged reading of our 2025 Play Right Series winning play, Busted Open by Ryan Stevens, we invite you to meet and learn more about this exceptional cast of actors who will be performing for you. You’ve previously met Allison Allgood, Kristin Cobb, and Beth DeHart. Today we’d like you to meet Ella Riley and Zanna Mills.

And mark your calendars for Sunday afternoon, September 14th at 3 pm, at the Columbia Music Festival Association (914 Pulaski Street) and join us for the first ever staged reading of Ryan Jenkins’ Busted Open.

Tickets are on sale now!

Ella Riley

Ella Riley is 21 years old and is currently pursuing a degree in Special Education at UofSC. She is a teacher with the CAPA program at Chapin Theatre Company and serves on the CTC Board as Advertising and Social Media Manager. Ella has been acting in Columbia since the age of 7 and has an ever-increasing resume of stage productions, including Amorous Ambassador (Debbie), Into The Woods (The Baker’s Wife), and Descendants the Musical (Audrey). Ella has recently discovered a love for the backstage and front of house as well, recently working on Barefoot in the Park and Once Upon a Mattress at Chapin Theatre Company. In her free time (as if), she loves to take her younger brothers on adventures and watch local drag (shout out to Capital Club and The Venue)! Ella is so excited to be a part of Busted Open and so grateful for the opportunity to work with the Jasper Project to help create and push out original works of art!

Zanna Mills

Zanna Mills has been performing in the Columbia community theatre scene for the last 15 years. She also grew up dancing with her mother’s dance studio, SC Music and Dance Academy. Memorable roles include Izzy (Stilt Girl), Joy (Cinderella), Corie (Barefoot in the Park), Shelby (Steele Magnolias), Annie (The Play That Goes Wrong), Rumpleteazer (Cats), and Mary Ann (Gilligan’s Island: The Musical). Zanna is honored and grateful to be a part of the Jasper Project’s 2025 Play Right Series!

Introducing the Cast of Jasper's 2025 Play Right Series Winning Play - Busted Open by Ryan Stevens

Ryan Stevens - Jasper’s 2025 Play Right Series Winning Playwright & author of Busted Open

As we move toward July 20th and the first meeting of the Jasper Project’s 2025 Play Right Series Community Producers, we’re excited to announce the cast for Ryan Steven’s brand new original play, Busted Open!

Directed by Jane Turner Peterson, the cast of Busted Open includes the following —

Sunset: Ella Riley

Artemis: Kristin Cobb

Amy Bell: Maggie Baker

Jane Richmond: Allison Allgood

Painkiller: Beth DeHart

Rachel “Victory” Vance: Zanna Mills

Phil Kirkland: Clayton King

Trevor Richmond: Josh Kern

We’re still assembling our 2025 roster of Community Producers and we’d love to have you join us!

On select Sunday afternoons this summer you are invited to join with the cast, crew, and fellow Community Producers for an enlightening and entertaining session that pulls back the curtains of theatre development and illuminates how a stageplay goes from page to stage. Your first session will offer you a private viewing of the first step in a play production, the Table Reading – the first time the cast of the winning play will read their parts together.

Subsequent sessions will focus on essential ingredients in the production of a successful staged reading, such as the stage manager’s job; props, lighting, blocking, and sound; unique insights from the director; how the actors prepare for their parts; playwright perceptions from this year and past projects; and an invitation to the dress rehearsal. In addition to your invitation to gather with the cast and crew every Sunday in July, each session will also feature exciting snacks and beverages. And many more surprises each week!

Finally, you’ll take your reserved, best-in-the-house seats to a ticketed staged reading.

But there’s more.

Your name will be included as a Community Producer on programs, posters, press releases, and other promotional materials as well as in the perfect bound book published by Muddy Ford Press and registered with the Library of Congress, and you will take home your own copies as a souvenir of your experience.

What is expected of Community Producers?

We hope you can make it to every exciting Sunday afternoon meeting, but we understand if you have to miss some. Each session will last from 90 – 120 minutes.

The financial commitment for a Community Producer is a minimum of $250 per person, but other sponsorships are also available and appreciated.

Our hope is that you will be so enlightened and inspired by this experience that you will become a diplomat of live theatre, fresh playwrights, and the Jasper Project and encourage your friends and colleagues to participate in live theatre themselves!

Play Right Series 2025 Community Producer Schedule

SUNDAY, JULY 20: Introducing Ryan Stevens and Busted Open
Meet the 2025 Play Right Series Winning Playwright Ryan Stevens and witness the Inaugural Table Reading of Busted Open

SUNDAY, AUGUST 3: The Art of Stagecraft
The cast & crew of Busted Open explain the process of preparing for a role and tricks of the trade to demystify some of the magic of the theatrical arts   

SUNDAY, AUGUST 17: The Playwright's Craft
Learn about the processes of 4 award-winning playwrights including Ryan Stevens, Chad Henderson, Lonetta Thompson, and Colby Quick with your host Jon Tuttle, author of South Carolina Onstage, The Trustus Collection, and more

SUNDAY, AUGUST  31:  Sneak Peek Week!
Be a fly on the proverbial stage wall among an intimate group of guests to watch a working rehearsal of Busted Open – see how far the cast has come since the first ever Table Reading just six weeks earlier

SUNDAY: SEPT 14: The Big Event – Staged Reading of Busted Open
Take your reserved seat for the Premiere Stage Reading of Busted Open by Ryan Stevens at Columbia Music Festival Association and enjoy a post-show champagne toast to the cast, crew, and creator of Busted Open!

Purpose of the Play Right Series

Empower and enlighten audiences by allowing them insider views of the steps and processes of creating theatre art by

  • Offering limited open table and stage readings of theatrical works as well as rehearsals of theatrical works to community members

  • Offering Community Producer opportunities to the community members by keeping production costs low and involving community assets already in place. In exchange for an established minimal financial contribution, Community Producers are invited to attend designated open readings and rehearsals, informal presentations by cast and crew, and opening night performances with producer credits. The result: Community Producers learn about the extensive process of producing a play and become invested personally in the production and success of the play and its cast and crew, thereby becoming diplomats of theatre arts.

Increase opportunities for theatre artists to create and participate in new art without the necessity of being attached to an existing theatre organization by

  • Offering a space and arts engineering for playwrights to workshop their plays and one-off theatre arts experiences and potentially have them produced

  • Putting out calls for new works of theatre art from new and existing playwrights, as well as work opportunities for on-stage and backstage theatre artists.

Provide more affordable and experimental theatre arts experiences for new and emerging theatre artists and their audiences; thereby expanding cultural literacy and theatre arts appreciation in the