Line-up for Jasper Volume 002, Number 001 Release Event this Thursday

If you've been hearing about the big shindig Jasper is planning to celebrate the release of the first magazine in VOLUME TWO of our little publication, then you know how excited all of us on the Jasper staff and in the Jasper Family* are. The event is this Thursday night at the Arcade Studios on Main and Washington Streets in downtown Columbia -- we'll start about 7 and proceed through the night with food, fun, adult beverages, and all kinds of art.

Here is a rundown of what to expect and when to expect it.**

7:00 -- Doors Open -- Open house in Jasper Studios #75 upstairs

7:30 -- World Premiere Film, THE CRICKET TRIAL, starring Scott Stepp and Trey King, directed by Jeff Driggers; Drew Baron, producer (Jasper Studios #75)

8:00 -- Don McCallister will be reading from his new novel, Fellow Traveler, coming in October from Muddy Ford Press   (Jasper Studios #75)

8:00 -- Countertenor Danny Jenkins will perform in the Arcade Atrium (Washington Street side)

8:30 -- Centerfold signing by surprise artist (Jasper Studios #75)

8:30 -- Marshall Brown performs (Arcade Atrium, Washington Street Side)

9:00 -- Don McAllister second reading (Jasper Studios #75)

9:30 -- THE CRICKET TRIAL second showing with repeat showings throughout the remainder of the evening (Jasper Studios #75)

9:30 -- Devils in Disguise band performs (Arcade Atrium, Washington Street Side)

Throughout the Arcade, please visit the following Arcade Studio Artists who will have their studios open at times of their own discretion during the evening:

Blue Sky     Bonnie Goldberg     Tish Lowe     Eileen Blyth     Beth West

Mike Spotts     Payton Frawley     Leah Avery     Walton Selig

Martha Thomas     Suzi Shealy     Page Morris

Bryce Dixon     Whitney LeJeune     Veronica Jeffcoat

Guest Artists from the September issue of Jasper will also be on hand showing samples of their work.

Chef Joe Turkaly will be serving up the results of the fine art of BBQ ($).

The Jasper EconoBar will be in full swing with cheap beer $3, decent wine $4, and big spender craft brew $4***

Paradise Ice will have their cart of cold sweet yumminess ($).

Artisanal jewelry and candles will be available via LA Ti Da and Southern Baked Candles.

Learn about upcoming arts events from Trenholm Artists Guild and the Rosewood Arts Festival, Columbia City Ballet, and more.

And here's one more thing --

Against the likely good advice of our friends and family, Jasper has decided to continue to put together these lovely celebrations free of charge. It's important to us that everyone be able to get in the door and experience this fascinating amalgam of performing and visual arts that we get to write about and photograph for Jasper Magazine on a daily basis.

At the end of our first year, we are delighted that issue No. 001, Volume 002 is the first issue that has paid for itself (before paying out commissions and honoraria to our talented staff of writers, photographers, and our heart-of-gold designer). We've come a long way in a year and we're very proud of the work we do.

That said, it's a labor of love.

If you love our labor and would like to pitch 10 cents or 10 bucks into the pot to help Jasper continue to grow healthy and strong, we'd like to help you do that -- and we'd like to publicly give you credit for having done so!

Please visit the Jasper Studios in the Arcade upstairs in suite #75 Thursday night and see one of our staff members about publicly supporting the arts magazine that supports your city's arts. We won't be able to put your name in lights, but we can put it in print. 

We're calling it the Jasper Guild and you can learn more about it Thursday night.

See you then!

____________________________

*We're an affectionate bunch. And sometimes when we meet another arts organization, or even an advertising client, that shares our mission of nurturing Columbia as the Southeastern arts destination it was born to be, we get all chummy with them. They become "Family."

**Please keep in mind that these times are represented (rather than in EST or DST) in CAT (Columbia Artists' Time). Our artists keep a chronograph all of their own making -- and Jasper loves this about them.

***The Jasper EconoBar is a fundraising arm of Jasper Magazine -- all prices are suggested donations. Please be prepared to show ID to partake of adult beverages.

Hansel and Gretel: Columbia Marionette Theatre’s new production puts an emphasis on experimentation -- A guest blog by Lyon Hill

At Jasper, we hate spam. But what we hate even more than spam is when real messages -- important messages -- get mistakenly relegated to our spam file. Grrrr.

That's what happened last week when this important guest blog by local marionette genius Lyon Hill got lost in our spam file and never saw the light of day. We just found it. Like 5 minutes ago.

But rather than throw the wooden baby puppet out with the shredded pieces of blue paper that look like bath water, we're going to go ahead and run this guest blog anyway. (And when you get to the part where Lyon is inviting you to become a part of their almost-over kickstarter campaign -- don't freak out. It was successful!)

And now, for a few words from Lyon ...

Hansel and Gretel: Columbia Marionette Theatre’s new production puts an emphasis on experimentation.

The classic Grimm’s fairy tale of Hansel and Gretel has always been a favorite of mine and I yet rarely see it adapted well. The dark forest, the lost children, the gingerbread house, the sinister witch; all of these are potent images and they are perfect for our puppet stage.

Awhile back, I began experimenting with telling this story in a look inspired by early animation; particularly the cartoons of the Fleischer brothers. They created surreal and silly Betty Boop and Popeye shorts that are still intriguing today for their humor and ingenuity. My first take on the characters can be seen in the issue of Jasper in which I am interviewed.

Earlier this year, I had the pleasure of working with Wade Sellers of CoalPowered Filmworks (also featured in Jasper) to create a vignette for a ‘Playing After Dark’ event. We coupled these puppets with projected computer animation and it clicked. The puppets seemed to be moving through a deep and dark, dimensional forest.

At that point, I knew we had something and we decided to flesh out the concept and put it on CMT’s main stage. I knew music would be a key factor, so I contacted Dave Drazin, who scored my short film, Junk Palace. He is an accomplished silent film accompanist and well versed in the sound of the time.

We have been hard at work bringing these diverse elements together. While there is still much left to be done, I am excited by the progress so far. One of the things I am most pleased with is the warmth and humor. While we do deliver on a spooky forest and a nasty witch, the show has been written with a very young audience in mind. I think children will connect with the characters of Hansel and Gretel, and the whole family will find it enjoyable.

CMT traditionally creates almost entirely in-house, so we have created a kickstarter  fundraising campaign to offset the expenses of hiring collaborators. While we have had many generous offers of donations, we are only a couple of days away with more money to raise.

http://www.kickstarter.com/projects/1246949395/hansel-and-gretel-collaboration-creates-a-unique-p/posts

We have tried to make the rewards enticing, so please have a look and consider contributing to this unique project. In any case, please come see the show, opening September 22 and running through the end of the year. We have performances every Saturday at 11am and 3pm, as well as the third Monday of each month at 10 am.

Lyon Hill is the art director and puppetmaker at the Columbia Marionette Theatre.

www.cmtpuppet.org

803-252-7366

401 Laurel St

Columbia, SC 29201

info@cmtpuppet.org

Add your name (or your favorite artist's) to the nominees for Jasper Artists of the Year -- deadline = September 15th

Nominations for Jasper Artist of the Year are coming in regularly, so don't forget to file your favorite artist in among them - even if your favorite artist is yourself!

Deadline to nominate artists is September 15th -- then we'll throw the top three nominees' names and accomplishments back to the public so you can choose by voting on the Jasper website.

We'll announce the winners at the November/December release event on November 15th.

The top three artists nominated in each of the five categories below will also have an article written about them in the November issue.

We will not publish who nominated the artists -- even to the editorial staff at Jasper -- so feel no fear or embarrassment in nominating yourself. Hell, you worked hard and you should be proud of your accomplishments.

There is no limit to the number of artists you nominate or the number of categories in which you nominate them.

Here's the low down once again --

Jasper Magazine is accepting nominations for the title “Artist of the Year” in each of the following five categories:

• Dance
• Theatre
• Music
• Visual Arts
• Literary Arts

Artists, 18 and older, working in the greater Columbia arts community are eligible for the title based upon their artistic accomplishments during the period from September 2011 until September 2012.*

Nominations should be sent to editor@JasperColumbia.com with the subject heading “Artist of the Year” and should be accompanied by

1)   a single paragraph explaining why the nominee should be considered

2)   a brief, but comprehensive list of work produced, performed , published, or presented during the September 2011 – September 2012 time period

Nominations must be received online by midnight September 15, 2012.

Results will be announced in the November issue of Jasper Magazine.

Upon closing of the nomination call, a panel of judges will select the top three candidates in each field and, from these three finalists, the public will be invited to vote online for each of their top choices.

• There is no fee to enter.

• Artists may nominate themselves.

• Artists should be made aware of their nomination and agree to participate in the competition.

• Employees of Jasper Magazine and clients of Muddy Ford Press are not eligible for competition.

The category Dance includes:  performance, choreography, or direction of any form of dance including, but not limited to ballet, contemporary, jazz, tap, ballroom, or folk.

The category Theatre includes: directing or acting in one or more local performances.

The category Music includes: conducting, directing, writing, or performing any style of music in one or more local concerts or recordings; both individuals and groups are eligible.

The category Visual Arts includes: the completion and presentation of any form of non-performing or non-literary arts, such as painting, sculpture, ceramics, photography, print-making, mixed-media, etc.

The category Literary Arts includes: the completion, publication, and/or presentation of any form of prose, poetry, or non-fiction writing, as well as playwriting and the writing of executed screenplays.

*Jasper 2012 Artist of the Year Awards will not be awarded based on achievements accomplished prior to September 2011. The purpose of the awards is to recognize artistic achievements accomplished within a calendar year.

Album Review: Can't Kids - Brushes Touches Tongues

Full disclosure: I’ve always sort of been a fan boy of Can’t Kids co-founder Adam Cullum. From his heart-on-sleeve solo recordings in Falling off a Building to his multi-instrumental prowess and role as the energetic center of the literary-folk/pop group Magnetic Flowers, I’ve always considered him one of the scene’s finest assets. Whether you love or hate what he is doing on stage, it’s hard to deny the passion and instrumental power of his performances. And now, we have Can’t Kids.

The band was born as a duo, with Cullum and Jessica Oliver bashing out poppy tunes at deafening levels in the house they shared. The two frequently shared vocals and seem to (at least initially) take turns playing drums or guitar. White Stripes comparisons quickly followed, which is something the two found puzzling when I talked to Cullum back in July. At first I shared their confusion, but the more I’ve listened to this debut, though, I think there might be some logic behind the linkage, and it gets to the heart of what makes both groups tick.

We tend to think of The White Stripes as this primal blues-based monster, with the high octane riffs of songs like “Seven Nation Army” or “Fell in Love with a Girl” being exemplars of their muscular ferociousness. But this is also a group who made the largely marimba-based Get Behind Me Satan and featured such twee pop ballads as “We’re Going to be Friends” and “I Want to be the Boy to Warm Your Mother’s Heart.” These odd contradictions—of Son House and Burt Bacharach, The Sex Pistols and Belle & Sebastian—are actually what seem to capture the group the best.

Similarly with Can’t Kids, the initial reaction always seems to come from their loudest, most heavy-edged moments. The group’s sound seems frequently inspired by the pounding and propulsive electric guitars of 90s indie rockers like Modest Mouse or Pavement, with pounding drums and meandering, electric guitar riffs that often seem nearly unhinged. Correspondingly, there are maniacal shouts and misanthropic observations that also mark the best of Modest Mouse: see Oliver’s inflamed howl of “I wanna see this city burn/I wanna be Sheeeer-man!” on “Stab/Grab”  or  Cullum’s snarling, irony-tinged pronouncement that “If I had a nickel for every person that I hate/I could buy a fancy rifle and blow us all away” on “Dimes,” a line that’s a pretty direct rip from MM’s “Cowboy Dan.” They also, albeit less frequently, employ the sardonic non-sequesters of Pavement’s Stephen Malkmus (“Stab/Grab” is probably the best example).

But the group is also pulling from another set of less fearsome indie rock traditions—the literary grandiose-ness of something like “Ghost Killah” seems more Neutral Milk Hotel or Decemberists than anything else, and the frequent borrowing of commercial hooks (“maybe it’s Maybelline,” “line in shambles?/Try Campbell’s!”) or pointedly high-octane pop song structures (“It’s Yrs” or “Happy Hippie Songs”) seem to create similar sorts of contradictions that allowed The White Stripes to thrive.

The two members that Oliver and Cullum chose to add to the group emphasizes this odd dichotomy. (Formerly?) hardcore bassist Henry Thomas was brought into the fold to add a pummeling low end which frequently adds to the menace and mania of the sound, while cellist Amy Cuthbertson brings an obvious beauty and chamber-pop vibe to the proceedings. Of course, in a fitting irony, often times Thomas’ bass line propels a poppy tune like “It’s Yrs” and Cuthbertson provides a strong sense of foreboding with her dark string parts. So, either way, a sense of difference and discontinuity seems to be emphasized.

Still, for all that comparison does in fleshing out the conceptual appeal of the band, what really sells it is the obvious chemistry between Oliver and Cullum. The sense of friendship and community apparent from much of the lyrics, from inside jokes and a shared past to a sense of honesty and love among true partners, is evident from even a cursory experience with these tunes. In addition, their shared vocals, equal parts hooky melodies and shouted glee, have an infectious power that is one of the best illustrations of a band enjoying making music so much that you have no choice but to like it too.

If you can’t tell, this record gets two pretty damn big thumbs up from Jasper!

Can't Kids - Brushes Touches Tongues is available at Fork & Spoon records, here.

The Columbi-Arts & Music Show launches on WUSC 90.5 FM!

Hello Jasper Fans,

I just wanted to let you know about a new weekly radio show I'm launching this fall on our town's wonderful college radio station, WUSC 90.5 FM. The show is called The Columbi-Arts & Music Show (check us out on Facebook here) and will be broadcasting on Thursdays from 2-4pm each week. Each week I plan to talk about (and play music from) upcoming music shows as well as promote upcoming art gallery happenings, film screenings, dance performances, theater productions, etc. We'll be having special guests and DJs, live (mostly acoustic) performances in the studio, and will do our best to show off all this city has to offer.

So, if you like, please tune in, contact me with any arts-related events you have coming up, and enjoy having an anything-goes college radio station that dedicates 2 hours each week to talking about what's going on in the arts community.

Tomorrow will be our first show--tune in at 2 if you can!

Thanks,

-K. Petersen kpetersen@jaspercolumbia.com

Columbian Susanne Dillingham Competes on "Extreme Chef" on Food Network

Columbia native Susanne Dillingham, now an acclaimed chef based in Charlotte, NC, competes in the 2nd season of Extreme Chef, premiering tonight (Th. Aug. 16th) on the Food Network at 10 PM EDT. While her business The Tiny Chef is located in Charlotte, Dillingham grew up in Columbia, and performed in many Calvert-Brodie recitals and Workshop Theatre productions, often along with her older sister, Dorothy Dillingham Blue, and mother Candy Canter (a dedicated backstage production volunteer.)

Dillingham studied Italian cuisine and culinary arts at Apicius, The International School of Hospitality, in Florence Italy, and in 2007 opened her own business, The Tiny Chef, where she teaches cooking classes, conducts chef demonstrations, and cooks for private parties.  Her website is www.thetinychef.biz/.  From the press material for the competition:

Tonight, Food Network takes seven of America's most fearless chefs out of their kitchens and drops them into some of the most extreme locations in the second season of Extreme Chef.

Over the course of five episodes, from the scorching deserts of California to the exotic jungles of Thailand, the chefs test their physical prowess, mental toughness and culinary skills as they compete in grueling and seemingly impossible culinary challenges including pulling out needles from a cactus pad to create a tasty dish, and creating a meal in 60 minutes on a floating dock, while the chefs rescue their ingredients from a capsized fishing boat in the ocean. Hosted by TV veteran and seasoned world traveler Marsh Mokhtari, each episode features the chefs competing in challenges judged by a rotating panel of notable guest judges, with the bottom two chefs facing off in a final showdown challenge to determine which chef goes home. In the end, one chef is able to consider themselves the most Extreme while taking home a $50,000 grand prize.  Special guest judges this season include Simon Majumdar (Next Iron Chef  judge, food journalist), Ben Sargent (host of Cooking Channel’s Hook, Line & Dinner), and Troy Johnson (host of Crave, food critic and journalist).

Episodes include:

“Doomsday Survival” - Premieres Thursday, August 16th at 10:00pm ET/PT

Seven chefs begin their culinary adventure of a lifetime when a helicopter drops them into Salton City, California, an abandoned post-apocalyptic wasteland, where they’re left to scavenge for ingredients and tools. The chefs have only 60 minutes to raid a deserted tent village for non-perishable ingredients, build their own cooking stations, and use items like steel wool, batteries and tumbleweed to start a fire. After a tough round of judging, two chefs are sent into the Final Showdown, where they must create the perfect bite - only one will survive the apocalypse and advance to the next location.

Competitors: Scott Brandolini (Mass.), Susanne Dillingham (N.C.), Terry French (N.J.), Lance Knowling (N.J.), Viet Pham (Utah),  Isadora Sarto (Vt.), Tiffany Ward (Hawaii)

Wishing lots of luck to Susanne!

Jon Tuttle's "The Palace of the Moorish Kings" - A Review by Jillian Owens

Jon Tuttle’s new play, The Palace of the Moorish Kings (based on the short story by Evan S. Connell) makes for a powerful and thought-provoking night of theatre.  Tuttle is no stranger to  Trustus Theatre – he’s their Playwright-in-Residence.  You may remember him from such works as The Sweet Abyss, Holy Ghost, and The White Problem. It’s Thanksgiving Day, 1970.  Dave and Millicent, played by Gene Aimone and Christina Whitehouse-Suggs, are a seemingly happy upper middle class couple full of smiles with a lovely home (newly renovated!) and dear friends whom they’ve invited over for their traditional holiday feast.  But there’s more than a hint of worry behind their cheerful expressions:  there’s one guest that hasn’t RSVP’d.  Their son has gone missing in Vietnam, but traditions must continue.

As the guests arrive, we learn theirs is not the only family in concealed crisis.  Aileen and Art (played by Becky Hunter and Christopher Cockrell), have a marriage whose foundation is beginning to show its cracks.  Leroy and his daughter Junie (played by James Harley and Erin Huiett) seem to be a content pair, but why has Junie dropped out of college?  Barbara and Al (played by Kim Harne and Shane Walters) are still deeply in love after many years of marriage, but Barbara’s sporadically shaky right hand indicates trouble on the horizon.  This coming-of-middle-age story explores what this group of friends, who have known each other since high school, has given up in their quest for the American Dream.  They’ve all achieved their own levels of success, but still have become wistful and jealous when they hear from their friend J.D., a draft dodger who chose a life of travel and adventure over college, a job, and marriage.  They all live vicariously through his letters from around the world, which curiously never ask about their own, considerably more predictable lives.

All of the actors do an excellent job with their roles.  Huiett makes a wonderfully subtle Junie, which is perhaps the most important character in the play.  We see her asking all the questions the rest of the group wishes they had asked themselves at her age.  She’s not quite so easily sold on the idea of a marriage and a split level being the ingredients for happiness and fulfillment.  Hunter’s Aileen is spot-on and sassy, with unwavering energy and passion.  Aimone, Suggs, and Cockrell deliver powerful and dynamic performances. Other characters, however, seem to exist merely as sounding boards for their more fleshed-out counterparts.  James Harley does what he can with the role of Leroy, who doesn’t say or do very much, except get a little sad about his divorce, and worried about his daughter.  Harne and Walters also fall victim to being good actors with weak characters.  They make a convincingly loving couple, and Harne’s portrayal of a woman who is in the beginning stages of a serious illness is truly touching -- but it seems like Al only exists to provide exposition about the adventures of the well-traveled J.D.  Once again, Walters does what he can, but this script doesn’t give him anywhere to go.  As  director, Dewey  Scott-Wiley has gotten the most out of her cast with this demanding script.

A great deal of dialog is dedicated to how beautiful and amazing Dave and Millicent’s home is, and the set really needed to show the 1970's ideal of beautiful and amazing.  I wasn’t feeling it.  It seemed almost unfinished and quickly thrown together.  An implied set would have worked better for this production if budget or time constraints were the issue. 

The Palace of The Moorish Kings leaves you in a state of thoughtful contemplation.  I would like to see this show 20 years from now, to see if I still identify with the youthful idealism of Junie, or if I find myself agreeing with the older, more conservative Dave.  It’s a show I’d like to take my parents to see with me and discuss over dinner afterwards. Perhaps you’ll go see it with yours?

~ Jillian Owens

The Palace of the Moorish Kings  continues its run on Wednesday, August 15th, and runs through this Saturday, August 18^th.   The Wednesday and Thursday night performances  start at 7:30 PM, while Friday and Saturday nights begin at 8:00 PM.  Note that half-price student tickets are available 15 minutes prior to every curtain.  Trustus Theatre is located at 520 Lady Street, behind the Gervais St. Publix. Parking is available on Lady St. and on Pulaski St.  The Main Stage entrance is located on the Publix side of the building.  For more information or reservations, call the box office at 803-254-9732, or visit http://www.trustus.org .

The Twitty Triplets are back…and front and sideways -- a Guest Blog by Robbie Robertson

“It’s like doing acid while reading a Flannery O’Connor short story in a dark room, illuminated by the reflective light of a twirling disco ball.”

That was the description I recently heard by a much smarter man than myself as he summed up “The Twitty Triplets,” my upcoming musical creation presented by Trustus Theatre in the old Tapp’s Fountain Room. I think it's a compliment and plan to embrace it as such.

Yes, after their first performance 20 years ago, The Twitty Triplets are back— brassier, bossier and better than ever. For the uninitiated, I discovered the Twitty Triplets performing back in 1992. They were working girls, night shift operators at the old spork factory on Augusta Highway, simple triplets who dreamed of a glittery, musical future. They had just started to sing in public when I met them at the Triangle City Christmas pageant. You’ll recall town officials would transform the two-story Zesto ice cream cone into an overly large Christmas tree that served as a seasonal centerpiece for Triangle City, Gaston, and other citizens of South Carolina’s “Speed-dee” corridor.

I’ll never forget the Twittys when they took the stage and sang All I Want for Christmas is My Two Front Teeth wearing seasonal Bedazzled sweatshirts sponsored by Augusta Highway’s Dentures and More. It was a brilliant marketing move and I knew these girls were headed for bigger, brighter, and more legal venues. I took them on as clients right after the spork factory closed (about the time Kentucky Fried Chicken rebranded as KFC and started in house spork production).  With no day job distraction, the Twittys were free to concentrate on their music and we hit the ground running.

First off was an opening act for a city of Columbia Animal Shelter fundraiser, where dogs weren’t the only things howling that night. I’ll never forget when Aynor Twitty climbed up on the main dog cage to sing her rendition of  Diana Ross’ popular disco hit, Upside Down. The 13 audience members literally gasped when Aynor’s song culminated in an acrobatic move where she was indeed, held upside down, by fellow triplets Monetta and Cayce. Unfortunately, Aynor passed out from the head rush, blowing limply in the wind, until she was rushed to what was then known as Lexington Hospital and Lawnmower Repair. (She turned out fine but, to this day, Aynor cannot recall the lyrics to Upside Down and the name Diana Ross causes a severe eye twitch and throat flush.

But since that time, The Twitty Triplets have built a large and loyal following of nearly 36 bill collectors fans, performing their Happy Half Hour Show at Crockmeyer’s Again (the rebooted name after fire destroyed the original bar); The Blaney Drag Strip Concession Stand Show; and, of course, The Swansea Black and White Ball, (“Where ALL are welcome”).

The Twitty Triplets were described as a “musical melee” by late, great State reporter Jeffrey Day and, “A disco disaster that crosses the line of good taste,” by August Krickel, now the theatre editor for Jasper Magazine. And now, they stand proud, poised, and ready to perform for a brand new audience as they bring “Melodic tunes from a professional act in a casual atmosphere” to downtown Columbia in the Tapp’s Fountain Room.

With only six performances for a limited crowd of 60 lucky listeners per night, The Twitty Triplets invite you to open up a cold PBR and enjoy the musical ride, August 23, 24, 25, 30, 31 and September 1 at the Tapp’s Fine Arts Center. Cash bar opens at 7 pm each night and show begins at 8 pm. And on both Friday nights, August 24 and 31, enjoy a post show disco karaoke party. General seating for all shows! To purchase or reserve a ticket, call the Trustus Theatre box office, Tuesday – Saturday, 1-6 pm. Tickets are 15 bucks.

And follow The Twitty Triplets online at www.facebook.com/TheTwittyTripletsor on Twitter @TwittyTriplets.

(Robbie Robertson is a playwright and screenwriter, and a graduate of both the University of South Carolina as well as UCLA’s professional program in screenwriting. Robertson’s first play, Mina Tonight! was published by Samuel French Inc. and has been consistently produced in regional theatres across the nation. He brought 60s TV to life by directing a staged version of Gilligan's Island at Trustus Theatre and his screenplays have placed in several national contests. His latest—Sweet Child of Mine—was named one of the top 12 comedy scripts in the 2010 Austin Film Festival’s Screenwriting Competition. He recently completed a staged adaptation of the film Satan in High Heels and will revive one of his first theatrical productions—The Twitty Triplets—as part of Trustus Theatre’s New “Off Off Lady Street” series. He is currently developing several independent television and film projects in addition to his work as a marketing and communications consultant.)

Wanted: College Interns Willing to Work for Squat

Jasper Magazine is on the look-out for college interns for the upcoming semester.

We need students majoring in print journalism, english, advertising, photography, and creative writing who are willing to work (hard and for no cash) in exchange for being a part of the Jasper Family.

Interested students should send their queries, along with references and samples of their work, to editor@JasperColumbia.com.

(photo courtesy of Shannon Staley)

Have you entered your nominations for Jasper 2012 Artist of the Year yet?

Today seems like the perfect day to get your Jasper 2012 Artist of the Year nominations in. Here's the low down:

Jasper Magazine is accepting nominations for the title “Artist of the Year” in each of the following five categories:

• Dance
• Theatre
• Music
• Visual Arts
• Literary Arts

Artists, 18 and older, working in the greater Columbia arts community are eligible for the title based upon their artistic accomplishments during the period from September 2011 until September 2012.*

Nominations should be sent to editor@JasperColumbia.com with the subject heading “Artist of the Year” and should be accompanied by

1)   a single paragraph explaining why the nominee should be considered

2)   a brief, but comprehensive list of work produced, performed , published, or presented during the September 2011 – September 2012 time period

Nominations must be received online by midnight September 15, 2012.

Results will be announced in the November issue of Jasper Magazine.

Upon closing of the nomination call, a panel of judges will select the top three candidates in each field and, from these three finalists, the public will be invited to vote online for each of their top choices.

• There is no fee to enter.

• Artists may nominate themselves.

• Artists should be made aware of their nomination and agree to participate in the competition.

• Employees of Jasper Magazine and clients of Muddy Ford Press are not eligible for competition.

The category Dance includes:  performance, choreography, or direction of any form of dance including, but not limited to ballet, contemporary, jazz, tap, ballroom, or folk.

The category Theatre includes: directing or acting in one or more local performances.

The category Music includes: conducting, directing, writing, or performing any style of music in one or more local concerts or recordings; both individuals and groups are eligible.

The category Visual Arts includes: the completion and presentation of any form of non-performing or non-literary arts, such as painting, sculpture, ceramics, photography, print-making, mixed-media, etc.

The category Literary Arts includes: the completion, publication, and/or presentation of any form of prose, poetry, or non-fiction writing, as well as playwriting and the writing of executed screenplays.

*Jasper 2012 Artist of the Year Awards will not be awarded based on achievements accomplished prior to September 2011. The purpose of the awards is to recognize artistic achievements accomplished within a calendar year.

Thoughts on the The Jam Room Music Festival Lineup

In addition to drawing your attention to what is going to be an awesome free music concert in Columbia on October 13th (see the full lineup here), I also want to stop for a moment and recognize what is so different about this festival than what we typically see in our (mostly) beloved city.

Too often festival organizers in Columbia fall back on 90s rock radio mainstays or safe “classic” choices (I’m thinking George Clinton at New Years) rather than trying for anything remotely current. The upcoming Famously Hot Music Festival’s rock line-up is an extreme example (the country and electronic days don’t share these problems), as it’s stacked with a collection of bands that hasn’t been relevant in over a decade.

The Hold Steady and Justin Townes Earle, by contrast, are contemporary artists whose records and performances have been the talk of the music-loving world over the last few years. The Hold Steady have been championed as “the best bar band in America” with their heady mix of Springsteen and the Replacements, while Earle has emerged as a singer/songwriter with a powerful stage presence and the rare ability to move seamlessly in and out of a wide variety of roots styles without breaking a sweat.

Secondly, the festival’s careful selection of supporting acts astutely balances current local buzz bands (Can’t Kids, Say Brother) with group’s important to the history of the Jam Room (B.O.A, The Woggles) and some of the most critically-acclaimed regional acts around (Dead Confederate, Cusses).

In short, this is the kind of music festival Columbia needs (and deserves). Hope to see you out there!

The Hold Steady - Southtown Girls

Justin Townes Earle - Harlem River Blues

New Feature on Jasper website -- individual past articles open with ease

Thanks to the hard work of Jasper summer interns Chris Rosa and Austin Blaze, loyal Jasper readers can now access individual Jasper articles online independent of the "Past Issues" feature. How so?

Simple.

• Go to the Jasper Magazine home page and look in the upper right corner of the page for a friendly little note inviting you to "Search Here."
• Simply type in the name of the artist -- or even the genre of the arts -- you are interested in reading about and, shazam! -- you are instantly taken to the individual article -- or group of articles -- about which you are interested.

Of course you  can still view past issues of the magazine in their entirety by finding the current issue heading under the Jasper masthead, and then opening back issues below that.

Just another way of making your local arts magazine easier for you to use on a daily basis!

As always, thanks for keeping up with What Jasper Said.

Southern Baked Candle Company - “Have Your Cake and Burn It Too!”

by Austin Blaze, Jasper Intern "Have your cake and burn it too!”   It sounds like the catchphrase of some wild-eyed tv arsonist.  But it’s not some cheesy criminal mantra.  Far less illicit, far more original.  In fact, it’s the tag line for the Columbia-based Southern Baked Candle Company.

Candles have a somewhat intangible appeal.  Whether it’s the domesticated flame, the fragrance, or the nostalgia of a pre-electric past, they have a unique tendency to make a house feel like home.  But to owner and life-long candle enthusiast Debey Hancock, this wasn’t enough.

“There were several things about candles in general that truly disappointed me,” Hancock said, reminiscing about her childhood.  “They never smelled as good at home as they did in the store; when you burn it, you are left with an ugly hunk of wax or an empty jar, and finally you’re left with the same scent until it’s gone.”

The resolution to Hancock's candle conundrum came in the form of her other passion: baking.  After years of people expressing their wishes to preserve her intricate and beautiful desserts, she came up with the idea to merge baking and candle-making into an ambitious business endeavor.  For 10 years she researched and experimented, “set[ting] out to find out just what can be done with wax” and “tak[ing] the art of candle-making to a new level,” as she learned to craft ornate food-themed candles.

When asked to detail her process, she admitted that she attempts things that “most master candlers would never even consider.”  This claim seems lofty until you’ve seen her work.  All 100% wax, though you’d never guess it at first glance.  And when you consider that there “are only seconds between too hot to mold and too hard, and split seconds between frosting and cottage cheese,” her work is all that much more impressive.

Because the Southern Baked Candle Company not only accepts, but encourages special orders, Hancock has crafted everything from the majestic Eiffel Tower, to the all-American baseball, to the bizarre “pile of poo that smelled like roses.”  She’s created bottles and shoes for baby showers, cakes for weddings, and a cup of coffee for Good Day Columbia’s “Mugshot.”

Though some of her most impressive creations are custom orders, her stock repertoire is extraordinary in quality as well as variety.  Pies, milkshakes, stacks of pancakes, and her personal favorite, (although she admits it’s difficult to choose just one of her “babies”) a burger, fries, and a beer.    All of these candles burn straight down the center, so your cake or pie maintains its shape even after burning.  In  addition, Hancock's candles feature interchangeable inserts; if you grow tired of one scent, simply swap it out for one of Southern Baked Candle Company’s other 300 unique, quality “flavors.”

To truly appreciate the craftsmanship practiced by Hancock's company, you have to see these candles for yourself.  Visit http://www.thesouthernbakedcandlecompany.com to browse their collection, or to special order a one-of-a-kind candle of your choice.

Nickelodeon Celebrates New Home With 33 Films From 33 Years

by Christopher Rosa, Jasper Intern  

The movies are moving.  And it is causing a swirl of emotions.

The Nickelodeon Theatre, Columbia’s flagship local film theatre, and one of the most acclaimed in all of the Southeast, will be moving to a new home starting on August 31, 2012. The theatre will be taking a trip down Main Street, from its original 937 address to 1607. The move, according to Nick marketing director Isaac Calvage, has been in the works for several years now. “The Nickelodeon Theatre simply has needed to expand our offerings and capacity.  We currently have a maximum of 75 seats in an aging building, and we needed to expand. In our current location, we simply do not have space to grow.”

Physical expansion was certainly a top priority for Nick leaders as they planned this move; however, the new space will allow them to artistically expand as well. “The move will also allow us to delve deeper into experimental film, and also show more mainstream independent films. The Nick is also really excited that we'll own our space. We're currently just renting this building.”

The move from 937 Main to 1607 Main is quite the financial endeavor. What sealed the deal for the move were two generous donations from the Ford Foundation and the Nord Family Foundation. Both were integral to the Nick’s journey up the street. “We could not have been more excited to receive grants from such truly inspiring organizations. The fact that they really want to invest in creative place-making, further encourages us that this move is absolutely the next step for the Nick. These prestigious organizations are making it possible to make our move,” Calvage said.

Picking the spot to move was a difficult decision, but 1607 was eventually chosen for its already rich cinematic past. “1607 Main St. was the former home of the State Theater, and then later the Fox Theater.  It is also the only remaining theater that was left on Main St. All of the other spaces were either demolished, or completely changed into other spaces.  We want to save the cinema history of our city, and also provide a new space on Main Street to help revitalize downtown,” Calvage notes.

Calvage also believes that the new location will have a positive economic impact on the surrounding area. “When we open, we will be open 7 days a week providing a space that is open not only in the daytime, but also at night, and we're projecting that we'll welcome 60,000 unique visitors to Main Street each year, which means that those folks are also spending money in our downtown restaurants and shops.”

The new space is going to be innovative in both its interior and exterior. “We are expanding to offer media education and filmmaker services in the future.  Once the capital campaign is fully finished, we will also be opening a second screen, which has a capacity of 192 seats,  and which will allow us to offer two different films at one time. We have improved concession areas, bathrooms outside of the movie theater, and greatly improved offices for our ever-growing staff,” Calvage beams.

The new Helen Hill Media Education Center is of particular interest. Calvage cites the digital age as the primary reason for the center’s inception. “In this modern age, where media is thrust at us from every direction, it is important to be able to analyze and interpret these messages, and their roles in our lives.”

There is only a little over a month left in the old space. “We are feeling great, but are quickly realizing how little time is left here.  We are so proud to be offering the  33  films. 33 years retrospective at our current location, and we hope the community will use this as a time to say goodbye to this theater,” Calvage says.

The 33 films. 33 years event is a commemorative cinematic experience that pays tribute to the dozens of movies shown at the Nick.  One film from each year that the Nick’s doors have been open to the public will be screened. Titles and dates are as follows:

'79 - Sunset Boulevard - Friday, August 10 at 5:30pm

'80 - Casablanca - Friday, August 10 at 8:00pm

'81 - The Seventh Seal - Saturday, August 11th at 5:30pm

'82 - Annie Hall - Saturday, August 11th at 8:00pm

'83 - Breaking Away - Sunday, August 12th at 3:00pm

'84 - Rashomon - Sunday, August 12th at 6:30pm

'85 - Weekend - Monday, August 13th at 5:30pm

'86 - Monty Python's The Meaning of Life - Monday, August 13th at 8:00pm

'87 - Rear Window - Tuesday, August 14th at 5:30pm

'88 - Touch of Evil - Tuesday, August 14th at 8:00pm

'89 - Heathers - Wednesday, August 15th at 5:30pm

'90 - Do the Right Thing - Wednesday, August 15th at 8:00pm

'91 - Cinema Paradiso - Thursday, August 16th at 5:30pm

'92 - Slacker - Thursday, August 16th at 9:00pm

'93 - Like Water for Chocolate - Friday, August 17th at 5:30pm

'94 - Orlando - Friday, August 17th at 8:00pm

'95 - Three Colors (Blue/White/Red) - Saturday, August 18th at 3:00pm (Blue) 5:30pm (White) 8:00pm (Red)

'96 - Bottle Rocket - Sunday, August 19th at 3:00pm

'97 - Waiting for Guffman - Sunday, August 19th at 5:00pm

'98 - Smoke Signals - Monday, August 20th at 5:30pm

'99 - Buena Vista Social Club - Monday, August 20th at 8:00pm

'00 - Timecode - Tuesday, August 21st at 5:30pm

'01 - Yana's Friends - Tuesday, August 21st at 8:00pm

'02 - 8 Women - Wednesday, August 22nd at 5:30pm

'03 - Bowling for Columbine - Wednesday, August 22nd at 8:00pm

'04 - Lost in Translation - Thursday, August 23rd at 5:30pm

'05 - Junebug - Thursday, August 23rd at 8:00pm

'06 - The Squid and the Whale - Friday, August 24th at 6:00pm

'07 - Volver - Friday, August 24th at 8:00pm

'08 - Man on Wire - Saturday, August 25th at 2:30pm

'09 - Let the Right One In - Saturday, August 25th at 5:00pm

'10 - A Single Man - Saturday, August 25th at 8:00pm

'11 -  The King's Speech - Sunday, August 26th at 2:30pm

'12 - The Artist - Sunday, August 26th at 5:00pm

The last screening will be followed by a party on August 26^th to officially say goodbye to the 937 address. The new Nick will open its doors on August 31^st. “We cannot believe the success we have had. It is our goal to become more than a movie theater, and really be a community center, as well as a resource for filmmakers and film education in the realm of media literacy,” Calvage says.

Traveling (and filming) with Rick Steves

Thirty years ago, Bob and I took our first trip to Europe with packs on our backs and 50 bucks to spend per day on food, transportation, and shelter -- for both of us together. We spent many nights sleeping on benches or trying to sleep sitting upright on trains as we traveled to our next city via our Eurail passes. We stayed a month and, to say that the experience changed our lives would be an understatement. We were hooked on travel, and hooked on Europe. Not a lot has changed in the way we travel now and the way we traveled then. No, we don't sleep on park benches anymore, but in order to be able to afford to travel (almost) as frequently as we would like to, we keep costs down by shopping for inexpensive flights, picnicking as often as possible, and rather than staying in expensive American hotels, we opt for small locally owned pensiones and inns. A lot of what we've learned about how to keep costs under control we've learned from our travel guru, Rick Steves. You may know Rick from his travel series on PBS, or from his books that he's been writing for years and years. Or you may have visited his website.

To us, he is something of a celebrity.

So, when we checked into our room at the Hotel Kranenturm yesterday in the beautiful little Rhineland town of Bacharach, and Fatima, our host, asked how we had come to be there, we said we had read about the town and hotel in a Rick Steves book. "Oh," she said, "Rick is coming here today!"

We were hoping to catch a glimpse of our travel hero. But, much to our surprise, he approached us at dinner and asked if we would come out for a wine tasting with him later in the evening. He then went on to explain that he is filming a new show for his series and asked if we'd like to be a part of it.

Um, yes please.

So last night we found ourselves crowded into a small dining room at the Bastian Weingut here in Bacharach with nine other travelers, Rick Steves, and the Travels in Europe film team. There were three tables and each table was presented with a carousel of assorted wines from the region. Sharing glasses, we all tasted the 16 or so wines, chatted about what we liked and didn't like, and generally had a fabulous time. Bob and I were seated with a woman from Ohio and one of the camera guys. It was a hoot-- and all the time the cameras were rolling. So much fun to see the behind the scenes workings of the making of Rick Steve's show. I hope we don't end up on the cutting room floor, (yes, I know it's digital these days), but even if we do, we still had a wonderful experience. And we got our book signed by Rick Steves!

Pictured above -- Bob, Rick Steves, and me.

Arts & Draughts at Columbia Museum of Art, this Friday, August 3rd - Art, Drink, and Be Merry!

Art, drink, and be merry!  On August 3rd, the Columbia Museum of Art will host its seasonal Arts & Draughts night. The event, according to CMA Public Programs Coordinator Shannon Burke, "gives people the opportunity to experience the Columbia Museum of Art in an entirely new way." And what a new experience it will be!

On this night, attendees will get to experience an explosion of the senses as the event gears to "expand a visitor's way of thinking about what they can see, hear, and explore at the CMA," according to Burke.

The night is truly an event. Filled with live local music and tastings of a special beer - this time a naturally cloudy Hefeweizen from Widmer Brothers - the evening aims to  get people in the door, then entice them to stay through the exciting escapades that take place thereafter. "By combining great live music and beer tastings, the audience stays and experiences all the CMA has to offer," Burke says. Specifically, A&D night's activities include exclusive tours, performances, scavenger hunts, and art projects.

A&D's inception was in January 2011, where it was held the first Friday of the month. Then, the aim of the event was to "introduce the CMA to a young adult audience when we had extended hours," Burke says. Now, the A&D is a seasonal event, and while the target audience remains constant, the evening has evolved. "A&D is always changing, so in a way if you are planning on attending the event, you should expect surprises. Expect new music, new beers to try, new performances, and great new ways to explore and enjoy the Museum as you never had before!"

This August's A&D will include a collaborative drawing table and multimedia games among other exciting activities. Live musical acts include DJ Matt Porter, Elonzo, Brave Baby, and Whiskey Gentry. Tickets are $8 for non-members and $5 for members, but if you become a member that night you have free admission to the event. Doors open at 7 p.m. and the party ends at 11 p.m.

~ Christopher Rosa, Jasper Intern

Street art and busking -- it's all good even when it's bad

One of the joys of visiting European cities, as well as most larger American cities, is the abundance of artists sharing their talents on plazas and sidewalks throughout town. This guy above is a pretty typical performance artist, but his shtick is something I've not seen before. Or maybe he really is levitating? No matter, it was worth a few coins from my pocket just to watch and wonder.

Columbia is well on its way to being a city enhanced by random artists and performers via the busking movement taking place now. Sure, some of the art will suck -- some of it won't really be art, as fast and loose as we've been playing with that term lately. (Really, is playing with a children's toy art? Even if you're very good at playing with it? And also, just because you're the only person or group of people in town with the guts to do what you do, or present yourself the way you do, does that make you an artist? Even if you are only mediocre at doing that weird but wonderful thing you do? I've enjoyed this debate before with people who call themselves dancers just because they took a few classes. Having reared and paid for the education of a professional dancer who played at dance until she was about 10, then got serious enough about it to study it all over the world, giving up all of her free time and most of her childhood, I get a little tetchy about self-professed dance artists - I don't really care how esoteric your "art" might be. There are hobbies, and then there is art. Both have the propensity to make life joyous. But this is just my opinion, probably loosed a bit generously by the second glass of Pundericher Marienburg Riesling Hochgewachs Finherb I've enjoyed sitting by the Mosel in the little hamlet of Beilstein, Germany.

Having just left the ancient Roman town of Trier where both performance and visual artists inhabited most corners, I'm delighted by the prospects of this kind of casual entertainment becoming a part of the rich arts culture that is growing and thriving in my hometown.

This guy does some lovely, though crafty work -- and there's nothing wrong with crafty -- with wire. I probably would have made a purchase to take back home myself, but my suitcase will be full of several sneaky bottles of a semi-dry auslese. So have a little look at some of the goodies he was peddling. Inspiration maybe?

Amelia Mau to perform at Paradise Ice as part of First Thursdays on Main

Amelia Mau, daughter or Sandy and Frederic Mau, will be performing as part of Paradise Ice's celebration of First Thursday. Check out Amelia at 7 pm on Thursday, August 2nd at 1627 Main Street. Amelia Mau is a classical guitarist from the Columbia, SC area. From a young age she fostered a special place in her heart for all of the arts and eventually found her passion in music. In the spring of 2014 Amelia will graduate from Salem College with a Bachelor of Music degree in guitar performance. Amelia teaches individual and group lessons and performs in small venues in Winston-Salem, NC and Columbia, SC.

Here's a shot of Amelia when she played for us at the Jasper #006 Release Party a few weeks back.

And here's a shot of the whole dang Mau family.

Be sure to stop by Paradise Ice, grab a frozen custard or some other yummy icy treat, and have a listen to the beautiful musical stylings of the lovely Amelia Mau.

Garage/Rockabilly Band Capital City Playboys Are Throwing a Party This Saturday!

By: Casey White, Jasper Intern

The Capital City Playboys have been around since 2009, but its members have been playing in bands around Columbia for a number of years previously.  Marty Fort (guitar and vocals), Jay Matheson (bass and vocals), and Kevin Brewer (drums and vocals) are veterans of the Columbia music scene, and with CCP they hope not only to bring new music to the capital city, but also some of that classic rockabilly vibe . The group will be bringing their classic rock and roll party energy to the Art Bar this Saturday night, along with Buck Stanley, Dixie Dynamite, and Beach Day.

Although the band formed in Columbia, Brewer has since moved to Georgia, due to his obligations to the U.S. Army. Brewer joined in 2004, becoming an official Army musician in 2006. Although serving has forced him to relocate, he says that being an Army musician is the greatest day job he’s ever had.

“Keeping CCP going does take a lot of work and, for me, a bunch of driving,” Brewer says. Although it takes a great deal of effort, and is a 308-mile trip each way, Brewer knows that playing shows with Fort and Matheson is the thing he loves to do most.

Although he doesn’t mind driving to play shows with his band mates, Brewer says that the distance does making writing new material more difficult. The group sends ideas for songs to each other when they get them, fleshing them out when the band can get together, i.e.  when they all have the time. It is often difficult to find that time, because they all stay busy with their respective careers - Brewer in the military, Fort working for the Columbia Arts Academy, and Matheson working at the Jam Room.

Despite the distance, the Capital City Playboys plan to host a show that the people of Columbia will remember.  Brewer also sees the performance as a reunion with the friends and family he had to leave when he moved to Georgia.

“I'm really excited about the show Saturday,” said Brewer. “Not only will it be an epic line-up, but for my wife Gina and I, it will be a bit of a family reunion. Many of our closest friends will be under the same roof for the night. You can expect a stellar performance from every band.”

Buck Stanley is a band fronted by another veteran of the Columbia music scene, Stan Gardner, and features CCP bassist Jay Matheson as well.  The group plays what they describe as stripped down Americana, with pedal steel and fiddle players laying down healthy doses of twang-filled licks. Female-fronted Beach Day (hailing from Hollywood, Florida) will be performing their own compelling mixture of surf and garage rock, while Columbia’s Dixie Dynamite will be starting the night off with some old school country sounds.

The four acts make for a great bill, and promise a fabulous night of great music. Come on out to the Art Bar this Saturday, July 28^th, and experience it!

A Little Princess, Camp Rock, and Joseph and the Amazing Technicolor Dreamcoat all running through this weekend

As I type this, the temperature has passed one hundred degrees yet again.  Wouldn't this be the perfect time to relax inside a nice, cool, dark theatre and see a live show?  If so, you have lots of chances through this weekend, as three local theatre companies present the final performances of their  summer productions. Chapin Theatre Company (aka Chapin Community Theatre) is currently  performing in the Harbison Theatre at Midlands Technical College, located at  7300 College St. in Irmo.  Currently running is A Little Princess., adapted from the classic novel by Frances Hodgson Burnett, with shows tonight (Thursday, 7/26) Friday and Saturday, and a final Sunday afternoon matinee.   This production, directed by Debra Leopard,  features Molly Corbett in the title role, with Jeff Sigley, MonaLisa Botts, and Eliza C. Spence among the adults in the cast.    From their press release:

A Little Princess is the classic story of Sara Crews, a little girl born in India who is sent to a London private school after her mother dies. After word arrives that her father has lost his fortune and disappeared, she is banished to the garret where she must use her creative imagination and spirited optimism to overcome her circumstances. Ultimately, she becomes an inspiration for girls and boys everywhere. An uplifting tale for children of all ages, NewsDay said there is "a lot of magic in it."  Visit www.chapintheatre.org for ticket information.

Workshop Theatre meanwhile is presenting three more performances of  Disney's Camp Rock - The Musical, this Thursday, Friday and Saturday evenings at 8 PM. Read What Jasper Said about the show at  http://jaspercolumbia.net/blog/?p=1841 .

Town Theatre has four more performances scheduled for Joseph and the Amazing Technicolor Dreamcoat, Thursday through Saturday evening st 7:30 PM, and a final Sunday matinee at 3 PM.  Scott Vaughan plays the lead role of Joseph, Shannon Willis Scruggs directs and choreographs, and Lou Warth is the music director.   From their press release:

Based on the book of Genesis, this exciting musical follows the story of a young man with a knack for having prophetic dreams. He incurs the jealousy of his eleven brothers who sell him into slavery in Egypt where his talents eventually save the country from famine and secure him a position as Pharaoh’s right-hand man. In due time, he is reunited with his now contrite and guilt-ridden brethren.  Its catchy music by Andrew Lloyd Webber utilizes a variety of musical styles and genres including rock ‘n’ roll, country-western, reggae, disco and even a French art song. Music is by Andrew Lloyd Webber, and lyrics are by Tim Rice. Joseph… is a winning show that is ideal family entertainment. Prepare to enter a world of dreams, for – as Joseph learns – “any dream will do.”     Visit http://towntheatre.com for ticket information.