A Message from Cindi: 37 Issues of Jasper Later and Thanks for Everything

Thank You!

This is the image that popped up in my Facebook memories this morning.

It’s a bundle shot of our second issue of Jasper Magazine released this week in 2011. The cover art is by Thomas Crouch and was designed by Heyward Sims, our art director when we started Jasper Magazine. A small magazine, it featured a piece on Crouch, one on Dr. Sketchy’s Anti-Art School—Ashleigh Rivers was the president of the Columbia chapter, our centerfold was Chris Bickel, articles on Dre Lopez, Caroline Lewis Jones, Bobby Craft, Lee Ann Kornegay, and a story about the 2011 Biennial written by Jeffrey Day. Mayor Steve Benjamin wrote a guest editorial at the back of the book in which he praised the opening of the new Tapp’s Arts Center on Main Street. His editorial was accompanied by an assemblage of the mayor created by Kirkland Smith.

Sigh.

Time goes by so fast.

When this mag came out I had just turned 53 and was realizing that my 50s might very well be the best decade of my life. It was. And for that I am grateful. I’m even more thankful that, 11 years later, someone stills needs me and feeds me now that I’m 64. And I’m particularly thankful for the artists, staff, board, readers, and supporters who made this most recent issue of Jasper—released on Friday night with a lovely little soiree at Kristian Niemi’s Bourbon Courtyard—possible.

This is a photo of artist Wilma Ruth King by Brad Martin holding the image our art director Brian Harmon made into the cover of the magazine we just released.

This is a big fat magazine full of stories about Columbia-based artists and the films they’ve made—Thaddeus and Tanya Wideman-Davis, Monifa Lemons, Dustin Whitehead and his USC crew, Arischa Connor and her list of TV credits, a big piece on jazz by Kevin Oliver, a centerfold story written by Will South about neighbor artist from Conway, Jim Arendt, and another by South on the Elizabeth Catlett exhibition at the CMA. There’s poetry by Monifa and Jonathan Butler, a review of Carla Damron’s new book by Eric Morris, smaller pieces on exciting people and innovative projects—like Amy Brower, Jamie Blackburn, Seitu Amenwahsu, Steven Chapp and Jerred Metz, and Libby Campbell, record reviews of Jump Little Children and Todd Mathis and really, too many subjects to mention here.

I am thankful for this issue of Jasper Magazine and all it represents. An evolving and maturing art community full of grown-ass people who are living the lives they always imagined they’d live, or better. Some of them are stars. Some of them go on brief rides on starlight. And some enjoy basking in the combined and accumulated glow they and their colleagues in the community emit when they make their art and see it received by their fellow humans.

All of this is good.

I’m also thankful for all of you who came out this week to help Jasper celebrate by joining us at Vista Lights.

Jasper Project Board President Wade Sellers at Vista Lights Columbia may, in fact, be Santa.

I’m thankful for all of you who joined us Friday night at Bourbon to welcome this new issue of Jasper to the world.

This is me with Kimber Carpenter and her mom Pat Gillam - both artists - at the Fall 2022 magazine release reception on Friday, November 18th.

I’m thankful for our sponsors, who so generously continue to support Jasper because they recognize it as a gift of art given to the community—not necessarily as just a method media to get the word out about what they alone have to offer. We had 16 sponsors back when issue #2 came out. This issue, we have only 6 — the Palmetto Opera, who have an upcoming concert of Madame Butterfly on January 29th; Harbison Theater who will welcome Tom Papa on January 20th along with a show of Michael Krajewski’s work and who are currently showing an exhibition of David Yaghjian’s work, both sponsored by the Jasper Project Galleries; Trustus Theatre, which opens Hurricane Diane on December 2nd and Mr. Burns, A Post Electric Play on January 20th; CMFA who hosted the Jasper Project’s Play Right Series performance in August; arts activist Eric Tucker’s KW Palmetto Realty, and our truly beloved Columbia Museum of Art who has advertised with us and sponsored us since the very beginning.

I’m thankful for our Jasper Guild Members who, with incredible generosity, trust the Jasper Project with their funding to create a magazine, a literary journal, a film festival, and more, knowing that every penny they give goes right back out to the artists, with no one on our end being paid for their volunteer talent and energy.

Thank YOU for indulging me in this lengthy message, and for reading Jasper Magazine and supporting the many facets of The Jasper Project. From all of our houses, to all of yours —

Happy Thanksgiving,

Cindi

~~~

Coming Up from Jasper

December 1st - First Thursday at Sound Bites Eatery with Lindsay Radford Wiggins - 6 pm

December 11th - Reception for David Yaghjian at Harbison Theater - 2:30 pm

December 15th - Santa Crawl with Jasper at the Art Bar - 7 pm

CALL for PLAYS - Play Right Series - deadline December 31st, 2022

A message from Cindi

Look at these amazing Jasper supporters! Every year for Mardi Gras the Krewe de Jasper Arts gathers to celebrate the arts. Like most of our Jasper projects, it costs very little — mostly just time and energy — but it delivers an incredible sense of purpose, community, and joy. Please plan to march with us in 2023.

Hi Friends!

I’m coming to you once again to ask for your help in bringing to fruition a project that I’ve devoted almost twelve years to–the publication of Jasper Magazine.

As you probably know, Jasper is a grass roots non-profit with no paid employees—including me! Every penny that comes into the Jasper Project goes back out to artists either in the form of promotion, sharing their work via events, or actually as remittance for their work. Other than insurance and a few cyber fees, we have no overhead that would suck up any money you might give. No office, no desks, no benefits.

But we do have an amazing working board of directors and helpers and a volunteer staff, made up of your friends and colleagues, all of whom have invested their energy and talent into the Jasper mission.

Mission Statement

The Jasper Project is a project-oriented, multidisciplinary arts facilitator serving the greater Columbia and South Carolina communities by providing collaborative arts engineering and community-wide arts communication.

~~~

The Jasper Project Priorities

The Jasper Project is committed to four integrated priorities:

• Process – illuminating the unique processes endemic to all art forms in order to provide a greater level of understanding and respect for that discipline.

• Community/Collaboration – nurturing community both within and between arts disciplines.

• Narrative – creating a more positive and progressive understanding of SC culture.

• Economy – being efficient stewards of arts funding committed to creating more with less.

But to be honest, because we’re small and facing greater and greater costs of publishing Jasper, we’re finding it harder and harder to keep Jasper free. Call us naïve, but we really hope we can continue to put Jasper into the hands of everyone, no matter what their ability to pay, for as long as we can.

So, I’m coming to you once again, our readers, supporters, colleagues, and friends, to ask for your help in continuing the work of the Jasper Project and publishing Jasper Magazine. The fall 2022 magazine is written and ready to go to the printer. We have stories about the Midlands beloved Jazz scene, artists Jim Arendt, Wilma King, Elizabeth Catlett, Jamie Blackburn, stories about three local films—two of which made it to the Tribeca film festival this year, poetry, book reviews, album reviews, and so much more!

Publishing this issue of Jasper will cost well over $10K. Please donate whatever you can at our website , on Facebook, or by joining the Jasper Guild.

I can’t thank you enough for your generous support over the past 11+ years. It’s because of donors and helpers and good-hearted people who believe in arts at the grass-roots level that the Jasper Project has grown to be the force that it is, impacting thousands of Midlands artists and arts lovers each year with our events, publications, and more than 20 active projects.

Thank you. And remember there is always a place for you at Jasper.

Take care,

Cindi

This is me at the launch of Jasper Magazine in 2011. I’m holding the first ever Jasper featuring one of my favorite artists, David Yaghjian, on the cover. Next month, Jasper will install David’s art in one of our captured galleries at MTC’s Harbison Theatre lobby. We’ve grown a lot in the 11 years since we started, but we’re still here for the arts and the artists we value so highly. Thank you for your continued support of the Jasper Project and Jasper Magazine.

Celebrating the Jasper Guild!

At the Jasper Project, we celebrate the community members who join us in our mission of promoting, supporting, and shining a bright and loving light on the members of the greater SC Midlands Arts community by joining the Jasper Guild.

Thank you to the newest members of the Jasper Guild and Welcome to the Jasper Family!

April 2022

Al Black                                               ALLY

Clark Ellefson                                      ALLY

Kimber Carpenter                               ARTIST PEER

John Casey                                          ADVOCATE

Pat Gillam                                           ARTIST PEER

Phillip Bush                                         FRIEND

 

March 2022

Bekah Rice                                          FRIEND

Jane Zenger                                         CHAMPION

 

Feb 2022

Gail Anastasion                                   ARTIST PEER

Terri McLaughlin                                FRIEND

Randy Spencer                                    ADVOCATE

 

Jan 2022

Susan Craig                                         ALLY

Richard Laymon                                  CHAMPION

Arthur Turfa                                        FRIEND

If YOU would like to join the Jasper Guild — or join the Jasper Family in some other role — please visit

the Jasper Project website

by the end of this week so YOUR NAME will be in the next issue of Jasper Magazine. releasing May 2022!

CORONA TIMES - Bonnie Goldberg Shares her Thoughts on Painting, the Pandemic, and Virtual Art Friends with Jasper

Photo by Anastasia Chernoff

I was born in Columbia so I have definitely been here a long time!  I received my degree in sociology from the University of South Carolina and got married shortly after graduation.  I definitely thought that I would be someone who would save the world! 

Being a part of the art world affords me the opportunity to meet and engage with so many people…and art is so healing and powerful…I do believe that artists have an impact on the world in a very positive manner.  The arts show us who we are…where we come from…where we want to go.  I have been drawing and painting for 30 years and feel that the journey is one that has enriched my life in so many ways.  I am so fortunate to have had this in my life and I know that art is something that I can always do and make and create and share.

I started painting when my children were teenagers. I knew that I didn’t want to be an empty nester with no direction and I had always wanted to start painting, so I took some courses at Columbia College. From there, I went on to study with some wonderful artists at workshops out of town. Art became an important part of my life and I have never looked back.  

I have always drawn and painted from life. I worked from a live model several times a week for 20 plus years, and although I also paint pure non-objective abstracts as well, figurative work remains my main focus. 

I now work from reference materials of my own work…reworking an old painting, repainting an old drawing, reimagining an old image…Alex Powers used to tell me to do 5 or 6 interpretations of the same  piece and this is how I work now. Different versions of the same subject yield new interpretations…more abstract, more color, more experimentation. This has allowed me a greater freedom in my work and has allowed me to continue working and growing during the pandemic. 

I have sold over 900 pieces of art over the last 30 years…drawings and paintings…and I have photographed them all.  So now I am able to take the work that I previously did and use the photo references to do new versions. Although the originals are long gone, the artist always retains ownership of the images, so I have lots of reference material to work from.  

I do occasionally hire a model (not during the last year since the pandemic) and I will do commissions from photographs of people who want to be the subject of my work so I have that as well. The pandemic has actually offered me the opportunity to work more…grow more…and reach more people. I use social media to promote my work and because people are home and on social media more than ever, I find that I am reaching a larger audience than ever.

My conversations with my artist friends still happen…we still share our work and talk about art…just not in person.   I look forward to the in person again…I really miss it…but it has not kept us from sharing and loving what we do.

I am also represented by galleries and interior designers, and they too, have found that the audiences for art have grown with the increasing use of social media. Art has sold really well this past year…the galleries and designers have sold my work as well.  I think the focus of being at home gave the art buying public more time to look and reach out to artists for work. I have had several commissions as well and I think my connections to people who love art have grown.

So, for me, the art has not suffered during this time.  I am so grateful for this and for the opportunity and the time to focus on this part of my life that I love so much.  

One of the great pleasures of my art is the friends that I make…both with artists and patrons. I often have repeat sales to people who collect my art and these people often become my treasured friends; but in the meantime, we have email and text, Instagram and Facebook.

And I find that I can deliver the art easily…by shipping or meeting at an outdoor space and delivering the art from the trunk of my car. Curbside art deliveries!

My conversations with my artist friends still happen…we still share our work and talk about art…just not in person.   I look forward to the in person again…I really miss it…but it has not kept us from sharing and loving what we do.

There is definitely a “magic” to painting someone in person…. “magic” to interact as artist and model…and “magic” to interact as artist to artist in a room full of working artists. But we have all had to adjust and I do believe that artists know how to adapt and grow in many different circumstances.

I see brilliant work on Instagram from artists all over the world. And they reach out and communicate with each other…I have artist connections all over the world now….someone in South America will like something that I post and reach out via private message and we share what we do.  I think it is an amazing thing that is happening right now in the art world.  I have always studied art and artists…people like Schiele and Modigliani and Picasso and Hoffman, Richter and Diebenkorn….I love their work…but the current artists are fantastic and creative and wonderful…and everyone shares their art on Instagram. So, we all learn and grow from each other.

I don’t have any shows coming up but I do show my work on Facebook, Instagram, and on my website plus I am represented by the Anne Neilson Fine Art Gallery in Charlotte and Meredith Christenberry  Designs in Columbia. I retain the right to represent myself and sell my own work in Columbia so people are free to call me and come by my studio in the Arcade on Main…1332 Main Street…Suite 221 upstairs. I am back working in the studio again after a year of working mostly at home. And I do insist on people wearing a mask in the studio until we are free of this virus, but I do have a lot of work on the walls in the studio and it is always visible whether I am there or not.

I would end by saying that this year has truly been a nightmare for all of us. We have not been able to spend time with the people we love most…children, grandchildren, friends, parents. My Dad died in June and my Mom and my family and I have had to navigate his loss in the midst of a pandemic, but we survived the struggle and for that, we are grateful.

So many people have lost so much…and the world has suffered so much…but hopefully, we have all grown and learned something about ourselves and our lives; and as we return to normality, perhaps we will take some good from the experience and move forward into our lives stronger, healthier, more knowledgeable, and perhaps, happier….knowing  that we did survive and now have more opportunities to live and laugh and love.

And of course, create.

~~~~~

  THANKS TO THE

2021 MEMBERS OF THE JASPER GUILD

Please support stories like this by

JOINING the JASPER GUILD today!

Join or Renew Your Membership in the Jasper Guild Today!

Dear Friends of Jasper,

I’m writing to thank you for your gracious support of The Jasper Project and invite you to join or renew your membership in the Jasper Guild.

Over the past year, The Jasper Project has

• published two issues of Jasper Magazine

• and our 5th volume of Fall Lines – a literary convergence;

• we’ve presented our 4th installment of the 2nd Act Film Festival;

• awarded Jasper Artists of the Year Awards in four disciplines;

• recognized career achievements for four Jasper-designated masters of arts;

• organized and managed the Jasper Arts Fairway as part of the City of West Columbia’s inaugural Kinetic Derby (and we’ve been invited back to expand the project);

• participated extensively in the 3rd annual Deckle Edge Literary Festival;

• hosted an art exhibit at Anastasia & Friends;

• and conceptualized and presented a multi-disciplinary celebration of Columbia’s unique place in last August’s solar eclipse, called Syzygy, during which six new plays were written, published, placed in the Library of Congress, and performed alongside an eclipse-inspired poetry invitational with some of SC’s most luminary poets, as well as an open poetry call for emerging literary artists.

All without one single paid employee.

As we enter our 8th year of collaborative arts engineering I couldn’t be prouder of our labors and how they have contributed to Columbia’s growth as an arts hub and destination point.

But I am mostly gratified by the talented lives we have touched and brought together. In a world where value sometimes seems arbitrary and worth is too often measured in clicks, views, and dollar bills, it is so meaningful to me that through Jasper we offer a reminder of what matters most in life – the people we impact and the contributions we make to our culture. And there is little more pure and given-from-the-soul than the art we make with our own hands, brains, and bodies.

If you agree with me that the work Jasper does is important to your life and the life of your community I hope you’ll decide to join or renew your membership in the Jasper Guild. We recognize that many of our supporters are artists themselves so we have also included a self-selected artist peer level of membership at only $25.

But if you can give more, I hope you will.

Jasper receives no funding from the city or state government and, being only a city-wide organization we do not deal with the kind of large volumes that make publication and advertisement cost-effective. We rely on our guild members and our sponsors/advertisers to pay for the printing costs of Jasper Magazine and the overhead on all our projects, like those you read about above.

And we see each copy of Jasper Magazine as our own work of art.

The work all comes from our hearts and we’re ok with not getting paid money to do it. Jasper is an homage, a shrine, it is our gift - but we do need money to pay for it.

Thank you for your kind attention. I hope you’ll visit www.JasperProject.org and join or renew your membership today.

Take care,

Cindi

PS. Join or renew by Monday, September 10th and receive a free bottomless Jasper souvenir cup at the release party for the Fall 2018 issue of Jasper Magazine on Friday, September 21st at 6 pm at Stormwater Studios. We’ll have music by Ethan Fogus and the Witness Marks, poetry from Ray McManus and contributors to Fall Lines, eckphrasis with USC’s MFA students, and much more.

Cindi Boiter is the executive director of the Jasper Project & the editor of Jasper Magazine