Artists for Africa Hosts 9th Annual PostCard Event in Support of Original Art and Kenyan Youth

When Cooper Rust traveled to Nairobi, Kenya, in 2012 as a volunteer dance instructor, she didn’t expect the experience to stick so strongly to her skin. It did, however, and soon after her return to the states, she founded Artists for Africa, a non-profit organization that supports and provides dance, new experiences, education, and shelter to Kenyan youth.

 In the past decade, the organization has grown, led by C. Rust (Executive Director) and her sister Brie Rust (President), and now hosts a plethora of events in both Kenya and South Carolina, such as bringing dancers from Nairobi to study and perform at the University of South Carolina. 

One of these events, almost as old as the organization itself, is the PostCard Art Event, an evening that pairs small, postcard sized art with drinks and finger foods for a collaborative, community-oriented experience. Next week, the 9th annual PostCard will be held at the Hilton Garden Inn. 

The evening begins with a cocktail hour and appetizers in the spacious lobby, and at 7:00pm, the ballroom will open to reveal the art donated from various established and emerging artists across the United States. Patrons can peruse the art for around an hour as they continue to enjoy drinks and snacks. 

Over 50 artists are included in this show, including some familiar Columbia names like Bonnie Goldberg, Bill Davis, Rob Shaw, Rebecca Lynn Horne, and the Honors Art Students at Dreher High School

The art is available first come, first serve, for $65 per 4” x 6” piece. While the artists sign each piece, these signatures are on the back. Thus, before purchasing, the artist remains anonymous, and patrons are able to select art based on individual desire and attraction. Beyond the small art, larger pieces will also be available, including jewelry and ceramics, each appropriately priced. 

PostCard Art is one of two major annual fundraisers for Artists for Africa, making it one of the organization’s vital events. “100% of the profit goes to support our mission of providing arts and educational opportunities to vulnerable children in some of the world’s poorest slums in Kenya,” B. Rust shares. 

The organization is particularly looking forward to this year’s event after having to move online during the pandemic. “We are very excited to see everyone and share the evening,” B. Rust says. “We have moved our event to the Hilton Garden Inn downtown and are really excited to share this newly renovated space with everyone.” 

B. Rust credits and thanks the group’s Board of Directors, plus their friends and family, for the time they have and will donate to “organize each detail, set everything up, and get it all wrapped up at the end of the evening.” Further, the expenses of the event are generously covered by sponsors, so all money from ticket sales will go directly to Kenya and C. Rust’s efforts in Nairobi. 

If you want to see unique art and support education and opportunity for African youth, be sure to attend this year’s PostCard Art. The event will be Wednesday, February 16th at 6:00pm at the Hilton Garden Inn in Columbia. Tickets are $30 in advance and $35 at the door and can be purchased here: https://www.brownpapertickets.com/event/5344995  

4th Annual Cottontown Art Crawl is Coming Up - Saturday, March 12, 2022, from 10 am to 3 pm

The fourth annual Cottontown Art Crawl will welcome 115 artists to show and sell their original work in the downtown Columbia neighborhood. The event will be held on Saturday, March 12, 2022, from 10 am to 3 pm with more art, more artists, more food and more fun for visitors.

In 2019, the historic neighborhood in downtown Columbia, S.C. held the first Cottontown Art Crawl. The event drew hundreds of people to explore the neighborhood and its businesses and garnered the 2019 Neighborhood Program of the Year from the Columbia Council of Neighborhoods. The event has seen significant growth since. The 2022 event will be the largest yet sponsored by the neighborhood.

“The Cottontown neighborhood is looking forward to supporting the Columbia arts scene on March 12th,” said organizer Julie Seel. “Artists will be selling their work throughout the entire neighborhood. Some of the artists are emerging, some are quite accomplished, and some are award winning, juried artists. So, we truly have something for every level of art enthusiast,” said Seel.

This event is entirely outdoors and spread over several city blocks, but social distancing and masks are encouraged. The organizers of the event are committed to creating a safe and welcoming environment for all and providing an opportunity for artists to showcase and sell their work safely.

Due to the success of the last three Art Crawls, this year boasts many more artists than previous years, as well as an accessibility and entertainment corridor on the 2200 block of Sumter Street with artists, food vendors and entertainment. While artists are located throughout the neighborhood, the corridor is intended to be more accessible to individuals with mobility issues. 

The event is FREE and open to the public and will also feature live music featuring local bands and performers at Indah Coffee’s outdoor stage. The main host station will be located at 2200 Sumter Street, where information and maps will be available. Maps will also be available at specially marked post boxes throughout the neighborhood.

For more information about CAC and to see work by artists, please visit the Facebook and Instagram pages, or email jseel1@sc.rr.com.


Fall Lines Volumes VII and VIII FINALLY Releasing on Sunday January 23rd, at 2 pm at Drayton Hall

After too many Covid-related postponements, the Jasper Project is delighted to release the combined Volume VII and VIII issues of Fall Lines- a literary convergence on Sunday, January 23rd at Drayton Hall on the campus of the University of South Carolina. The event will begin at 2 pm.

Strict Covid protocols will be in place. Masks are mandatory except when reading. Only vaccinated contributors and guests are invited to attend.

Contributors to the 2020 and 2021 issues of Fall Lines are invited to choose one piece of their own poetry or prose from the dual-volume journal to read to the public.

Drayton Hall is located at 1214 College Street. Street parking is available. The public is invited to attend.

~~~

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Zachary Diaz and the Recycled Parts of Life

“If you’re always following the recipe, that’s as good as it’s ever going to taste.”

Zachary Diaz’s upcoming Stormwater show started with a ball of paper.

Years ago, Diaz wrote (and quickly discarded) an emotional letter to an ex, only to find the wadded paper months later. Capturing the words he had written on the page in a still life, Diaz hesitantly included the drawing of the letter in an earlier exhibition at Stormwater Studios. 

Several people pointed out the piece to him in the show, and Diaz started to realize a point of connection. “If that’s one way that I can connect with total strangers, how many more ways can we connect with other people? What other experiences or memories or reflections do we have that coincide with how someone else has felt?” Diaz asks. From that moment, a residency was born.

Diaz’s residency at 701 Center for Contemporary Art expanded this idea of unsent letters by outsourcing writing. Participants wrote letters to people or experiences, which were published anonymously on Diaz’s website. Several were selected to be the subjects of drawings that will be featured in his upcoming exhibition, which shows at Stormwater Studios from October 8-17.

This show is a combination of work from this residency and an earlier show called Cloudwalker, both of which were partially released online due to the pandemic.

Cloudwalker features clouds, as its title suggests, birds, and varying figures hidden in the compositions. “I like creating narrative stories that the viewer can make up themselves… I sort of lay the groundwork — I give them all the accents— and they can kinda come up with their own imagination what’s really going on,” Diaz says. He likes making work that makes people think.

The Letters portion of the show is ongoing throughout the duration of the exhibition. Viewers will be invited to submit their own letters, all of which will culminate in an installation that will be featured in the show’s closing reception on October 17 from 6-8pm.

While Diaz is still conceptualizing how the installation will look, he plans on ordering the letters in a way that reflects their content, identifying themes such as love, forgiveness, and varying emotions.  

Since starting the Letters project, Diaz says he’s become a lot more interested in how he feels when he’s making. His earlier creative process involved stricter planning and reference sketching. Now, Diaz works more intuitively, which, in turn, has made projects go faster and made him more aware of what he’s creating.

Diaz tends to mix mediums in nontraditional ways, layering oil paint over gessoed paper and drawing on top with charcoal. “I don’t think there’s any concrete way to create something” Diaz says. “If you’re always following the recipe, that’s as good as it’s ever going to taste.”

By making the letters in this show anonymous, Diaz says that he gives people a shield to really be honest. This openness displays his belief that so many experiences in life are shared, whether you know it or not.

Diaz describes the exhibition as a dive into his mind. “If you’re interested in learning more about everyone around you through the eyes of an artist, then come to the show,” Diaz says. “It’s a story in two parts… Cloudwalker is about how I see the world and everything around me. Letters is about how you see the world and learning more about the people around you.”

The opening reception for the exhibition is October 9 from 5-8pm. Whether by attending the show or submitting an anonymous letter yourself, Diaz wants to help create connections.

“Artists are gardeners. We make roses from the recycled parts of life,” Diaz says. To see how one crumpled piece of paper turned into a show, stop by Stormwater Studios before October 17.

 - Stephanie Allen

Special Friends Free Concert Series Comes to Bourbon's Courtyard Saturday Night with Cap City Playboys

Free Concerts from the Chillest Place to Sip on Main Street?

Yes, Please

Capital City Playboys featuring l-r Kevin Brewer, Jay Matheson, Marty Fort

Capital City Playboys featuring l-r Kevin Brewer, Jay Matheson, Marty Fort

In keeping with his perpetual support of the city, restauranteur and hockey beauty Kristian Niemi is giving yet another gift to Columbia in the form of a free concert series in the swanky, yet comfy, courtyard of one of his prize restaurants and bar, Bourbon.

Located at 1214 Main Street, Bourbon is a whiskey bar with a menu that focuses on Cajun and Creole delights. Over the course of the pandemic, the intimate drinking restaurant expanded into its larger neighboring space, creating an adjacent bar and lounge with a partially covered multi-level courtyard, perfect for the city’s beloved shoulder seasons when breezes beckon us to sit outside and sip on something artisanal and, often, locally designed and created.

Last week, Brandy and the Butcher gathered a crowd and, this week, the Capital City Playboys will be performing one set only starting at 9 pm.

Kristian Niemi  - photo by Richard Best

Kristian Niemi - photo by Richard Best

“I’ve always tried to support local arts, whether musical or in any of the other disciplines, so this was just a natural progression,” Niemi says. “We’ve been doing live music at Black Rooster all year; it was time to do it at Bourbon, also. This series should honestly be called ‘Kristian’s Friends’ Bands’ series since nearly every band has members that are close friends of mine, and I love to see them perform. I chose bands that are all very upbeat, rocking bands for this series. We’ll do more with other genres in the future, but this first series is definitely rocking.” 

The series, sponsored by Jack Daniels distillery, runs through November 13th, and will include, among other Midlands-based groups, Glamcocks, Grand Republic, and will close out the series with Niemi’s self-claimed “best friend” and band, Tom Hall and the Plowboys. Niemi says that while he’ll start up a new concert series in the spring, he will continue to have live music on the patio, but it just won’t be concerts, per se. 

“I want it to be a concert, not background music,” Niemi says. “I really want the crowd to get into it; to get in front of the stage and dance and sing along. I really want a concert vibe. These artists have spent a lot of time writing original material and I want it appreciated as a concert.” 

Jay Matheson of the Capital City Playboys is excited about their show on Saturday night. “I know Kristian loves music and I’ll bet he would like to do more things like this just to be able to hang out himself and enjoy the show with friends,” Matheson says. “It’s a great space for a music show and the first one last week with Brandy and the Butcher was a really good time. Best fun I’ve had at a show in a while.”

“Jack Daniels distillery has signed on as our sponsor for this series, and as a part of that are giving away some cool stuff. In addition to us creating some special cocktails for the bands, Jack Daniels is giving away some swag and some bigger prizes that we’ll announce at the end of the series” Niemi says.  “They’ll include bottles of their Single Barrel selections, some high-end swag, and even an exclusive VIP tour of the distillery followed by dinner.” 

After a long strange trip, Jerry Fest is back this Sunday!

“Don't tell me this town ain’t got no heart”


Jerry Garcia

Per The Five Points Association …

The Five Points Association, Loose Lucy’s and Mind Harvest Press are hosting the return of JerryFest—live and in-person—this Sunday, October 3, 2021. A FREE outdoor concert held at the main Five Points fountain on Saluda Avenue, JerryFest runs from 2pm-10pm and features multiple bands all performing Jerry Garcia and Grateful Dead music.

 

Since 2014, the event has welcomed around 1,200 to the Five Points village for a family- and pet-friendly afternoon of fellowship and music along with artisan crafts, food, beverage and merchandise vendors. JerryFest was started to commemorate the life and art of Jerry Garcia. Rock guitarist and musical icon, Garcia was best known as the lead guitarist for the Grateful Dead that inspired legions of followers known as “Deadheads.”

 “One of our signature neighborhood events returns with its tie-dyed sea of happy faces all enjoying 'rainbows full of sound,' as the song goes,” says Don McCallister, co-owner of Loose Lucy’s along with his wife Jenn.“

The music for the 2021 edition kicks off with the Columbia Community Drum Circle, followed by a regional headliner, the cleverly-named JGBCB (Jerry Garcia Band Cover Band). Local acts Big Sky Revival, Stillhouse and Gentle Jack round out the main stage bill, with the Red Shack Pickers performing at The Hubbell art installation across from Loose Lucy’s located at 709 Saluda Avenue. 

Fox 102.3 will be broadcasting live from 5pm-7pm at Greene and Harden Streets, and you’ll also get a glimpse of our JerryFest Dancing Bear parading throughout the festival footprint. There will also be an opportunity at the Columbia Fireflies booth for a photo op with Mason and our Dancing Bear.

 

Music Line Up:

  • Columbia Community Drum Circle - 2pm-3pm

  • Gentle Jack - 3pm-4pm

  • Big Sky Revival - 4:30pm-5:30pm

  • Stillhouse - 6pm-7pm

  • JGBCB - 7:30pm-10pm

 

Participating Vendors:

  • Bang Back Pinball Lounge

  • Blue Pizza

  • Booze Pops Columbia

  • Columbia Fireflies

  • Crowntown Cannabis (formerly Charlotte CBD Five Points)

  • Grizzly Belle

  • High Life Smoke Shop

  • Kombi Keg

  • Nessy's Naturals

  • Pelican's SnoBalls

  • Philly Flava II

  • Revyved Records

  • Something Special

  • Stolon Superfoods

 

There will be street closures that day from 10am-11:59pm. The 2000 Block of Greene Street starting at the stage in front of CJ’s down to Harden Street will be closed and blocked off. The main fountain plaza at 747 Saluda Avenue, Saluda Avenue in front of Starbucks and Saluda’s and the Saluda Avenue loading zone between the fountain and the Harden Street parking lot will be closed and blocked off as well. 

COVID-19 protocols will be encouraged for all festival participants and vendors due to the City of Columbia’s Mask Ordinance. Please see full details of the ordinance at columbiasc.gov. Cash will be accepted, but please bring credit/debit cards for your primary form of payment. Per SC Code of Laws Section 23-31-235, NO CONCEALABLE WEAPONS ALLOWED. 

For more information on JerryFest, please visit FivePointsColumbia.com/JerryFest. You can also follow the festival on Facebook @FivePointsSC, Twitter @FivePointsSC and Instagram @FivePointsSC.

 

Future Fortune Artist Talk: Dogon Krigga interviewed by Michael Murray at Tapp's Outpost October 3rd, 2021

Tapp's Outpost is excited to host an intimate discussion between Artist Dogon Krigga and Co-host of the Podcast Cultivated Ignorance, Michael Murray, on October 3rd at 4pm. Unpacking the vision and inspiration of the exhibition Future Fortune: A visual treatise on perspective, Dogon and Michael will hone in on the experiences, characters, and world views that shaped the artists visual story line. The talk will also be streamed on Facebook live for those community members who can't participate in person. The show is currently on view at Tapp's Outpost, 715 Saluda Avenue, Columbia, SC 29205, and is free and open to the public Tuesday through Saturday 10am to 6pm

Dogon Krigga expresses magick with the use of pixel and paper. Known as “the keeper of the crossroads between magick and mixed media”, Dogon incorporates divine mysteries, transcribed over time throughout their ancestors’ experiences to connect Black people to the future and the past.

Dogon immortalizes modern and ancient traditions, wisdom, and theory into majestic and whimsical digital and mixed media collages that venerate those that came before, those that will come, and those that exist outside of time. 

Dogon Krigga utilized over a decade of experiences, techniques, knowledge and training as a graphic designer and practitioner of Afrofuturism and other African diasporic traditional religions to illuminate the spiritual paths and possibilities for all whom receive their creations.

Dogon Krigga currently resides where they grew up, in Columbia, SC. Krigga is primarily a self-taught artist, with a creative lineage connected to legends like Romare Bearden and Tom feelings. Their background in creative writing, journalism, and music production also lends to their creative perspective.

Michael A. Murray is a local poet/author who has been writing stories and stanzas ever since his hand could hold a pen. He is also a photographer, filmmaker, podcast host, public speaker, mentor, and founder of the NU GRWTH Artist Collective: a premier conduit that gives black and brown artists of the south the resources, visibility, and appreciation needed to be as influential as their dreams aspire to be.

Since 2016 Michael has joined various creative circles and founded various artistic outlets with one objective constantly in mind: Do whatever it takes to help see both the world and all those who inhabit it reach their highest, truest potential. With this goal at the forefront, Michael founded Playlixt LLC, an event and multi-media based platform built to promote and celebrate artists of various backgrounds and disciplines looking for opportunities to showcase their talents to the masses.
 

The exhibition will be on view September 9th through October 30, 2021. The exhibition is free and open to the public Tuesday through Saturday 12pm to 6pm. Masks and social distancing will be required. For questions about the works on view or Tapp's Outpost, please email caitlin@outpostartspace.org

Columbia Summer Rep Dance Company Keeps Cola’s Talent Local by Stephanie Allen

“What would have happened had they stayed here — what if that talent had been able to thrive here in Columbia because they were given the opportunity to pursue … what they were maybe really missing out on?

Josh Alexander, Bonnie Boiter-Jolley, Jennifer Becker Lee, Josh Van Dyke, Nicholas White, Abby McDowell, Nicole Carrion - photo — Kevin Kyzer

Josh Alexander, Bonnie Boiter-Jolley, Jennifer Becker Lee, Josh Van Dyke, Nicholas White, Abby McDowell, Nicole Carrion - photo — Kevin Kyzer

The Columbia Summer Rep Dance Company brings jobs to dancers and shows to local audiences during the summer months. After founding the company in 2019, Bonnie Boiter-Jolley and Stephanie Wilkins are looking to do “something different.” This summer, after suspending the program due to COVID-19, the company is back with a limited engagement performance on August 13th & 14th of LIMITLESS

Columbia only had two professional ballet companies, according to Boiter-Jolley — Columbia City Ballet and Columbia Classical Ballet. Their respective seasons each last from around September to March, leaving half the year vacant of professional ballet for Columbia audiences — and several months without local work for performers.  

photo credit Kevin Kyzer

photo credit Kevin Kyzer

Boiter-Jolley had long discussed the notion of working through the summer with other dancers at the Columbia City Ballet, but the idea lacked momentum until she started working with Wilkins. That’s when the option of starting a summer company came to life.  

According to Boiter-Jolley, Wilkins had the creativity, energy, and motivation to get the project of bringing dance to Columbia’s off-season started. Wilkins had been an adjunct professor at Columbia College and USC and owns a Pilates studio in Columbia. “I kinda got burnt out in the university world and wanted to supplement my Pilates life with my artistic life and have a dance company of my own,” Wilkins says.  

The Jasper Project serves as the fiscal agent for the Columbia Summer Repertory Dance Company until the organization acquires its own non-profit status.

“We have all this talent in Columbia that has to leave,” Wilkins says, “and we’d rather they stay here.”

After just five weeks of preparation, they were able to raise enough funds to debut their first show in 2019 and were, notably, able to pay both the dancers and the choreographers. Dancers and choreographers often have to find work outside of Columbia during the summer months due to their shortened seasons. “We have all this talent in Columbia that has to leave,” Wilkins says, “and we’d rather they stay here.” 

According to Boiter-Jolley, there’s been a longstanding rivalry between Columbia City Ballet and Columbia Classical Ballet —  a sense of competition that, in her opinion, is “silly,” given the breadth of talent that has originated in Columbia. Columbia dancers have made their way into the New York City Ballet, Broadway, and European companies, to name a few. “What would have happened had they stayed here — what if that talent had been able to thrive here in Columbia because they were given the opportunity to pursue … what they were maybe really missing out on?” Boiter-Jolley asks.  

photo Kevin Kyzer

photo Kevin Kyzer

Boiter-Jolley questions the way in which Columbia limits itself, suggesting that the Columbia professional dance scene has been too strictly defined. Her goal with the new dance company is to create something new that is just as valuable and intellectually stimulating as traditional professional dances.  

Aside from two small pieces that premiered in March, everything for the company’s upcoming season is entirely new. The dancers started rehearsing last summer, wearing masks, spacing out, and taking additional precautions. COVID-19 presented specific challenges to Wilkins as a choreographer, who has a penchant for partner-based dancing. Now that the members of the company have been vaccinated, some of the choreography has been adjusted to allow for more closeness between the dancers.  

Boiter-Jolley intends for their August show to be a “pure and heartfelt” experience for everyone participating, without a sense of competition with other organizations.

This season will feature guest choreographers Dale Lam, head of Columbia City Jazz Conservatory, and Angela Gallo, the dean of the School of Visual and Performing Arts at Coker University, in addition to dancers Joshua Alexander, Abby McDowell, Nicholas White, Nicole Carrion, Josh Van Dyke, Samuel Huberty, and Jennifer Becker Lee. Alexander  appeared in Hairspray Live! on ABC, So You Think You Can Dance, and the Superbowl halftime show

The company is now only a few weeks away from its next performance, titled LIMITLESS. Boiter-Jolley intends for their August show to be a “pure and heartfelt” experience for everyone participating, without a sense of competition with other organizations. “We’re doing this because we love it,” Wilkins says, “and we can’t wait to share it with the city.” Both women look forward to seeing maskless dancers on stage, watching their facial expressions of emotion, and seeing the breath that carries their movements.   

“There’s room for all of us,”

Wilkins mentioned the importance of fundraising efforts because, in spite of this genuine passion, the dancers and choreographers deserve to be paid. Based on funds, Wilkins would like to travel with the dancers and take them to international festivals. Additionally, Wilkins would like to see more local collaboration and mutual support.   

NICOLE CARRION AND NICHOLAS WHITE - photo Kevin Kyzer

NICOLE CARRION AND NICHOLAS WHITE - photo Kevin Kyzer

The women want viewers unfamiliar to the dance scene to watch their performances and feel something — regardless of what that emotion is. They encourage longtime supporters of Columbia dance not to limit themselves, to see something different with them, and, specifically, donate.  

The women are open to conversations and questions from anyone interested in their work and want to avoid competition. “There’s room for all of us,” Wilkins says.

LIMITLESS

AUGUST 13TH & 14TH

8 PM

TRUSTUS THEATRE

TICKETS & SPONSORSHIP OPPORTUNITIES HERE 

Local Poet, Musician, and Painter Will Pittman Unveils First Gallery Show

 “Art is life and life is art, and like it's like closure to have these materials and put in the time and the execution of the vision of what you're trying to” — Will Pittman

Will Pittman

Will Pittman

Will Pittman thrives in the interstices of poetry, music, and painting. A longtime lover of the arts and dweller of the city, he is finally revealing his first art show at State of the Art in Cayce next month.  

Pittman was born in Arkansas, but his family moved to Cayce when he was only 2, and he has long considered South Carolina his home. Even after leaving for college, travel, and experience, he came back to Cayce, where he resides now.  

Pittman, now 32, recalls his first encounter with art being comic books, joking that he used to fill his head with stories and images of Wolverine and Spiderman during class. While he took drawing classes in high school, it would be several years until Pittman began dedicating himself to this craft. 

While working in the distribution center of an Amazon factory, Pittman made a deal with himself: on his off days, he would dedicate 10 hours to painting, which he started by imitating the artists he admired most like expressionists Kokoschka, post-impressionist Van Gogh, and founder of impressionism Monet.

“My work is categorically original—it's still, in my opinion, similar of the beauty of perception in nature,” Pittman reflects, “You know, the thing about the expression of nature is that it can't be totally objective—documentation can't be totally separated from the artist's own mark inside of that.” 

In this interweaving of old and new, Pittman expresses with oil paints and portraiture. He roots part of his style in his relationship with John D Monteith, a local painter who Pittman worked with as an “informal protégé” before building a friendship. As for inspiration, it comes from all over, Pittman never quite placing where it might strike.  

“I'll put it like an author—it's whatever turns a phrase. When I write poetry, sometimes I'll take out books and just flip through and look for words, and then it's like an engine for creativity,” Pittman explains, “That's what portraiture is like for me; it wasn't something that I consciously saw out. And at the same time, it's a reason to load your brush, get that viscosity, and put it on a canvas.  

These ruminations follow Pittman across a number of disciplines, specifically writing and singing. He remembers first reading the American transcendentalist poets and feeling like a “tornado blew his windows out.” He started writing and performing soon after, opening for artists like Justin Townes Earle, Shovels and Rope, and Dex Romweber. 

“My love for literature feeds into songwriting, and those two are like sister arts, and then the painting and drawing, speak to each other, I think, in their craftiness, their intelligence,” Pittman relates, “When I approach a canvas, it's like being a carpenter's apprentice again.” 

Upon desiring forming these experiences into a show, Pittman walked directly into State of the Art and made conversation with gallery owner, Levi Wright, saying it was a form of “American neighborly friendliness.” Pittman showed Wright his art, and Wright knew it was the kind of stories he wanted to help tell. 

“Sometimes you see someone’s work and know they have something special,” Wright says. “And I believe Will is one of those people—he has that something.” 

Pittman is the gallery’s featured July artist. Around 12 canvases of various sizes and prices will be featured, including the two photographed above and a painting of the Hunley, a Confederate submarine Pittman just happened to stumble across last year and knew he had to record. The show is titled “Intervening Time: Facsimile and Ragbag.” 

“I decided to go all out and call it ragbag because the whole main kernel of painting and visual art is that it imitates life. You know, if I were to paint your portrait I would consider elements of art, like line and value and sort of render that with tools,” Pittman details, “But it's really like illusions—your face really doesn't have lines, your face has forms. And I have to make these sort of falsehoods on the canvas, and then that produces the image.” 

The show runs from the 1st to the 31st, and the Opening Reception is Thursday, July 8th from 3:00pm – 6:30pm. During this time, there will be pop-up vendors with food, vintage clothes, and jewelry outside, and Pittman will play his music. 

As the show turns towards its opening, Pittman has eyes set forward even beyond: painting more, playing his music, writing, and reminiscing on the overlaps—and—he’s currently in school to become an art teacher. 

“Art is life and life is art, and it's like closure to have these materials and put in the time and the execution of the vision of what you're trying to,” Pittman effuses, “Maybe having a show will be like a form of emphasizing a period of my life and then putting it away to move onto other material.”  

To support Pittman, follow him on social media (like his YouTube where he shares music, readings, and ruminations) and stop by State of the Art in the month of July to see his intimate reflections of the world around us, a world you might come to learn you didn’t know quite as well as you once thought.

 

—Christina Xan

2021 Cottontown Art Crawl is Just What Everyone Needs Right Now

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It’s like all the art gods got together and whispered in the ears of Julie Seel and her team of talented friends and neighbors in the charming little hamlet of Cottontown at once, “Your community needs art and sunshine and music and a reminder that people are basically good and giving. Give them the art they crave!”

And it was so.

This Saturday from 10 - 3 plan to put your troubles on a plane to the moon, but take yourself and everyone you love to Columbia’s Cottontown-Bellevue historic district where you can bask in the vibes of 83 artists who have been cooped up for a year with nothing to do but express the gamut of their emotions with their hands and pent up creativity.

There is no telling what these amazing people have put together for us.

What we do know is this:

  • the Host Station is at 2150 Sumter Street where you can pick up maps or meet your friends

  • 42 art sites are neighborhood porches, yards, & in the areas of local businesses

  • the Cottontown Art Crawl organizers are committed to creating a safe and inviting atmosphere so social distancing and masks are required across the entire area

  • the event is free but the art is not - while almost all artists will take cards, it’s a good idea to have a little cash on hand

  • this is the third annual Cottontown Art Crawl, but it’s the biggest thus far, so plan accordingly

  • there will be music in the Indah Coffee parking lot - see the line-up below

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While you’re here, why not check out all our friends who have committed to supporting their local arts magazine by joining the JASPER GUILD

HERE

and maybe while you’re there you might want to add your own name to the list of esteemed supporters

Jasper's Artisan Fairway Central to West Columbia Kinetic Derby Day by Christina Xan

The Jasper Project Brings Bigger and Better Artisan Fairway to 2019’s Kinetic Derby Day

Kinetic Derby Day Poster Art by Michael Krajewski

Kinetic Derby Day Poster Art by Michael Krajewski

The City of West Columbia is bringing back Kinetic Derby Day for a 2nd year this Saturday. This event is a combination of both derby car racing and kinetic sculptures to represent the creativity in STEM and to give people of all ages a chance to learn and create. The kinetic sculptures will be shown in a parade that kicks off the event, and the racing, hosted by GoCo Events, will happen throughout the day.

 

The event’s goal to inspire creative problem solving and creative thinkers is perhaps most inventively seen with The Jasper Project’s Artisan Fairway, which is even bigger and better than last year.

 

Barry Wheeler, who is president of the Board of Directors here at Jasper, has been planning and organizing the fairway for over 6 months, ensuring he developed a variety of different musicians, poets, and visual artists. With the help of Grayson Goodman and Mark Plessinger, Wheeler was able to create these experiences, allowing people to witness art being made, make art themselves, and purchase from local artists.

 

During the entirety of Derby Day (11:30 a.m. – 3:00 p.m.), there will be performances on the JAM Room Stage, where 5 different musicians will showcase their work: Saluda River Academy for The Arts, Boomtown Waifs, John the Revelator, Midimarc, and Husband. These performances are not meant to form one loud concert but instead to create a small, relaxed environment where the musicians can share their craft and create a sense of community for everyone. Wheeler hoped that this would “develop an environment that cultivates interesting happenings.”

 

Around the corner, in the courtyard behind Ed’s Editions, Columbia’s Poet Laureate, Ed Madden, and Bert Easter have organized 4 hours of jazz & poetry readings from local poets. Starting at noon, Mark Rapp will kick off with 45 minutes of jazz, while Madden, Ethan Fogus, Loli Molina, and Monifa Lemons Jackson will all be reading poetry for 20 minutes each.

 

Beyond these readings & performances, State Street itself will be lined with tents, two of which will be two visual arts tents. In the first, five local artists will be doing live paintings: Michael Krajewski, Lucas Sams, Corey “Roc Bottom” Davis, Shelby Leblanc, and Thomas Washington. People will be able to come and watch the artists in their process and see how 5 different artists approach their art in unique ways. Additionally, there will be a silent auction as it develops, and at the end of the day, 5 people will go home with original works of art.

 

In the second visual art tent, people who have been inspired by the live paintings can do live paintings of their own. People will be encouraged to draw “Roboto” in whatever form it means to them. All drawings will be uploaded to the Derby Day social media, and a vote will be held after the festival for the best art piece.

 

Additionally, there will be 21 tents set up with completely different artistic encounters. Wheeler’s goal for the 21 tents was to provide not only very different artists but artists who take away the stigma that art is pretentious. In fact, several of the tents will be actually teaching art or providing hands on art experiences. For example, Yarnbombers of Columbia, who will also be doing an installation piece on State Street, will be teaching knitting in their tent. Directly next to them, the Columbia Art Center will be doing clay turning demos for adults and children who want to learn how to hand turn clay.

 

In addition to just seeing art, Wheeler has also brought much more chances to purchase art pieces. The Jasper Project, The Crafty Cottage, Laura Garner Hine, Pat Harris, Mary Mac Cuellar, and Katie Chandler will all be selling art that they have created or curated, with again, a goal of providing a variety of styles. The Jasper Project’s tent, for example, will have Derby Day themed prints by Michael Krajewski.

 

Again, Wheeler wanted to reinforce his message that art is vast. An example of this, he placed Crafty Cottage and Hine’s tents are side by side, to show a contrast between crafting and what is deemed “fine art,” so that people can see the creativity, hard work, passion, and talent that goes into creating these different classifications of art. Continuing with the theme of contrast, Pat Harris and Richland Library both do very different kinds of art with wood, the latter doing woodworking and the former working with a lathe, and they both will be showing their work in their respective tents.

 

These are only some of the opportunities. There will be bike shows & repairs, found footage video screenings, virtual reality demos, 3D printing, face painting, henna, balloon art, and more. Every tent you enter will allow you to either learn more about what the community is doing, create your very own art no matter what skill level you are at, or support the artists of Columbia.

 

Lastly, there are tents for our local youth who need help in their school or personal lives. The Midlands Middle College will be there offering opportunities for high school kids to get college credit, while LRADAC will be there with programming to help those addicted to drugs and alcohol.

 

According to Wheeler, this event is most important because of how it can inspire children: “The festival promotes STEM, specifically women in STEM. If little girls see women already succeeding in STEM, they will already know what they can do. They don’t have to create place. It’s already there.”

 

While this article contains plenty of information, it can only provide a preview. To get the complete run down of events, check out the Jasper Kinetic Derby Day page. Here, you can see the locations of all the tents and performances as well as detailed background information about all our artists.

 

Come out Saturday at 11:00 a.m. to experience and create art. The event is completely free and jam packed with awesome events. We’ll see you there!

 

Follow The Jasper Project on Facebook and on Instagram @the_jasper_project

for more updates on local artists and events!

 

Artist, Christopher Lane's Exhibition Resist Division Opens December 7 at Frame of Mind

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“Collectively, what I’m trying to say is we throw away 2/3 of what we produce because we’re in such a hurry to produce it,” local artist Christopher Lane passionately speaks on his upcoming art exhibition, “I would like to take 1/3 and give it to the people … there shouldn’t be any reason why anybody is hungry in this country.  There should be no reason why some kids not getting an education.”

 

50-year-old, full-time artist, Christopher Lane, relinquishes a collection of work that reflects on the individual and delivers a message that contains the true form of who we are as a whole, as a community: we are one.  Lane’s exhibition, “Resist Division,” opening Friday December 7, 2018 from 6 p.m. to 9 p.m. at Frame of Mind and lasting through January 28, 2019, expresses the desire to accept one another as one in the same and to reach a point of complete equality rather than the cruel reality that we often face: division.

 

“I don’t know if it’s because my family is so diverse.  I don’t know if it’s because I’ve made every mistake and I need a break sometimes.  You know, you can throw Winston Churchill in there, ‘divided we fall,’” the artist describes his ideas behind this collection of work, “So, I think it’s just, we’re better together.  We’re all the same, basically.”

 

Lane is aware that we are separated by aspects such as beliefs, race, and geography; however, through his collection, “Resist Division,” he takes notice that we are separated by our unique individuality but we should not be divided.  We all have the same basic rights and we all have needs and desires.  The things that separate us should not also divide us.

 

“ … I went back through Arlington, you know, I went through all the monuments and if you look at all the tombstones it’s like, men and women in there.  And it’s every religion, people that don’t believe in religion, gay people, straight people, whatever,” the artist softly laughs as he describes the monuments he saw coming back from a DC trip, “It’s like, they’re all on there and to me, you know, you’re an American.”

 

Lane studied art at New Mexico University and minored in photography.  He began painting as a child, where he found the trade therapeutic.

 

“I have dyslexia … so, I guess I would paint to kind of escape,” Lane speaks on painting at a young age.

 

Though he began painting at a young age, this collection shows the passion and desire he has developed to create a world where we decide not to let our physical appearances or personal mentalities separate us.  Where we accept the truth, and come together as one.

 

 The artist often paints dreams that he has had, but he gets much of his inspiration from simply watching the news and seeing what’s going on globally.  Though he doesn’t always understand it, he studies it and learns from it, until he can create artwork to represent his discovery.  Here is what Lane passionately describes when asked about the process of creating this collection:

 

“… watching this,” Lane eagerly points to the news running on the TV screen, “… everything’s the same basically… I watch this and it’s like the run off and I’ll see something and I don’t understand it, and I’ll dig into it.  Normally, my first opinion on something when I first see it and I’m really passionate- I’m completely wrong, you know?  And then, if I look at it for a while, then start maybe taking it aside, I realize, ‘well, I understand where they’re coming from and, well, this is what I think,’ and then we talk and then that person goes, ‘well, I didn’t know that was that.’  And when I try to paint, it’s all of that.’  He continues to eagerly express his ideas, “And I don’t know if I’m smart enough to do it …  I don’t know if I can change anybody but I can at least speak and send a message, and maybe it will make the other person think.”

 

As the veteran and current artist describes one of his paintings found in his “Resist Division” exhibition, you can see the fire within him to really send a message and to bring the division that has become our society to one:

 

“That one was like a year ago and they were kind of questioning what a real American is,” Lane points at a painting hanging on his studio wall, “ ... but I was just like, well, what is that?  You know, it’s like, I’m Norwegian.  I’m all Norwegian except for Iroquois Indian, and that’s what that painting is.  You know, am I good enough for you?  Do I qualify?  And it just really made me mad.”

 

 

Lane’s work isn’t just a lovely painting for you to admire.  It is a striking collection of paintings that send a passionate message that not only needs to be heard, but understood.  That is Lanes desire with this exhibition: to share his thoughts through his craft, to share the one truth and to bring a divided world together.

 

“Resist Division,” is an exhibition that all should come together for.  It is a collection that will make you think, make you question and make you reflect.  Reflect not only on the division of our society, but on the constant rush that we seem to live in.  How did things end up this way?  How can we resist division? 

 

 As best said by Christopher Lane, ask yourself this: “What led us here?”

 

 

 

 

 

 

The Jasper Project Joins with COR to Present Time for Art Gala & Volunteer Hour Fundraiser at CMA

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The Jasper Project is delighted to partner with COR – Columbia Opportunity Resource – on this year’s celebration of Time for Art. Time for Art celebrates the Midlands’ arts, non-profit, and business communities through a silent art auction amidst an elegant Winter Wonderland gala on Saturday, December 8 at the Columbia Museum of Art. Volunteer hours are the currency of the evening and attendees bid for their favorite art pieces with hours of service to their community, taking their winning pieces home once service hours are completed.

COR invited the Jasper Project to participate this year by choosing 14 Midlands area artists to be honored on the evening of the gala. Selected artists then provided samples of their work from which COR chose and purchased one piece from each artist at a fair market price assigned by the artists themselves. All selected artists and a guest are invited to attend the gala as the guests of Jasper and COR where they will be recognized and honored. One artist will be chosen by an independent judge as the recipient of the Jasper Project Time for Art Best in Show Award and will be featured in the spring 2019 issue of Jasper Magazine.

This year’s honored artists are: Thomas Washington, Ginney Merett, Lucas Sams, Olga Yukhno, Michael Krajewski, Keith Tolen, Flavia Lovatelli, Sean Rayford, Sharon Collings Licata, Herman Keith, Kathryn Van Aernum, Cedric Umoja, Patricia Gilmartin, and Jan Swanson.

Tickets for the evening are on sale now and available at Eventbrite. The evening includes everything one would expect from a black tie optional affair with an open bar, hors d'oeuvres from F2T Productions, Management and Catering, a DJ (Big Time Entertainment), and live music by The Reggie Sullivan Band. Dress in your best and get ready to party! Tickets are $75/person and $140/couple. COR members have access to an exclusive discount.

 

 

 

Milo the Magnificent Coming to Columbia Marionette Theatre This Weekend with a Special Friday Evening Performance

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When asked to describe puppet act, “Milo the Magnificent,” along with the duo behind the magic, Alex & Olmsted (Alex Vernon and Sarah Olmsted Thomas), artist director for the Columbia Marionette Theater, Lyon Hill, captures the moment with three enchanting words: Charming, uplifting and playful.

 

“Milo the Magnificent” is a puppet performance starring an aspiring magician, Milo.  While Milo never uses dialogue, he consistently shows emotion throughout the production in the form of expression, engaging the audience without the use of language.  Alex & Olmsted, the duo behind the production, bring a unique spin to their use of innovative puppetry, according to Hill:

 

“Their work features a unique style of puppetry that draws from animation and cartooning.  The character Milo never speaks, but expresses a wide variety of emotion through interchangeable facial expressions.  At CMT (Columbia Marionette Theater), we like to showcase inventive puppetry, so I was keen to bring them to Columbia.”

 

That’s right! This one-of-a-kind production, “Milo the Magnificent,” will be featured in Columbia at CMT, one of only two guest artist brought to CMT per year.  As a show for all ages, this is one to bring amusement, entertainment and excitement to all.

 

The production will run on Friday, November 16th at 7 p.m. and Saturday, November 17th at 11 a.m. and 3 p.m.  Ticket cost is $5 per guest, ages 2 and up.

 

The Friday evening performance is a unique one, as CMT typically does not put on evening productions; however, Milo the Magnificent will run one time on Friday evening, giving guest the opportunity to experience the show in all its glory.  A true, magical experience.

 

“The Friday evening show performance in an opportunity to see the show in a slightly different setting,” Hill says of the 7:00 p.m. production, “The theater darkens a bit more, there are no birthday parties, it gives the artist a chance to really shine.”

 

As for Hill’s personal favorite aspect of the performance: “It is a well realized production. The music, humor and style all merge perfectly.”

 

Come see for yourself!

 

To experience Milo and his magic, grab those close to you and come out to Columbia Marionette Theater this weekend to get a taste of Alex & Olmsted’s, “Milo the Magnificent,” and all of the unique and fun entertainment that this production has to offer!

 

For more information on the duo behind the act, visit: www.alexandolmsted.com

—Hallie Hayes

Rosewood Art and Music Festival: The Celebration of SC Art and Artist Through a One-Day Festival

 

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By: Jasper Intern Hallie Hayes

David Britt, the event director for the Rosewood Art and Music Festival (RAMF), describes this art festival as “a one-day, micro-urban festival that was conceived as a way to showcase South Carolina’s talented emerging artists and to help elevate the cultural scene in Columbia.”  The festival celebrates the arts locally in Columbia, SC, and it is an event that any who take pride in SCs local arts, along with simple fun, must experience.

RAMF is an annual fun-for-all festival that takes place in the Rosewood area of the city. Now in its eighth year, the festival will held this Saturday, September 29 from 11:00 a.m. to 7:00 p.m.  Parking will be available at Rosewood Baptist Church any time after 12:00 p.m. and admission to the festival free.

Not only does this event support SC art, but it supports the artists who create the magic we have the opportunity to experience, as well.

“Every art purchase made will help support a hard-working, independent SC artist,” Britt explains, “and helps them continue to develop their craft.”

The visual artists showing at RAMF are assembled by Alexandra White, also known as “Abstract Alexandra.” White makes the event a pleasant experience for those involved, making sure that they are met with proper expectations.

“She is the one who curates all of the artists and does a ton of work to make our festival a professional experience for all involved,” the event director says on White. “Her vision and eye for talent have been crucial to elevating the festival’s growth and making the event a great venue for our SC artists to get some of the recognition that they are very deserving of.”

The festival has hosted poets at the event in the past, but this year it will be hosting its first poetry competition where cash prizes will be awarded. The poets entered into the competition have been organized by Stephanie Suell. 

“Stephanie Suell has done a great job organizing the poets this year,” Britt states.  Attendees of the festival will have the opportunity to hear this year’s poets read their poetry in between band sets.

As seen in the title of the festival, music is also a large part of the event.  RAMF will showcase different artist and genres throughout Saturday, giving each band their own set time located on one of two stages.

“We have a completely new line up of music artist this year with some of Columbia’s best up and coming bands,” Britt says on this year’s lineup.

 You can find the lineup of musicians and poets for the day below.

The Rosewood Art and Music Festival works hard to make this event a pleasant experience for all attendees, and to simply celebrate the gifted artists that Columbia is lucky to call members of the community, all free of charge.

“I would want people to know that we have been working hard to produce a great event,” Britt explains,” the artists have been working hard to produce great art and I think anyone who attends will be glad they did.”

Find the lineup for this year’s Rosewood Art and Music Festival below:

CALLIOPE STAGE

12:00 - 1:00 pm - Slim Pickens
1:00 pm - Poetry - Marie Grady
1:30 - 2:30 pm - Autocorrect
2:30 pm - Poetry - John Starino
3:00 - 4:00 pm - Daddy Lion
4:00 pm - Poetry - Patrice Pino
4:30 - 5:30 pm - The Dead Swells
5:30 pm - Poetry - Colette Jones
6:00 - 7:00 pm - Ashes of Old Ways

APOLLO STAGE

11:30 - 12:30 pm - Julia Beckham Duo
12:30 pm- Poetry - Alfonso Ross
1:00 - 2:00 pm - McKenzie Butler Band
2:00 pm - Poetry - William Hilliard, Jamez Tisdale
2:30 - 3:30 pm - The Runout
3:30 pm - Poetry - Tribal Raine
4:00 - 5:00 pm - Husband
5:00 pm - Poetry - Patricia Marvin
5:30 - 6:30 pm - Alien Carnival
6:30 pm - Poetry - Constance Johnson

SIX USC MFA Students Bring Ekphrasis to Stormwater Studio's Jan Swanson & Heather LaHaise Exhibit

Jasper welcomes

Dylan Nutter, Katarina Merlini, Trezlen Drake, Victoria Romero, Andrew Green, & Emily Davis

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This Thursday evening at the Jasper Project’s Fall 2018 Release Party, six MFAs from the University of South Carolina will be doing a special ekphrastic reading.

 

The event, which will take place at 6:00 p.m. at Stormwater Studios, will host several activities including live music, $10 refillable drinks, readings from the new issue of Fall Lines, as well as the ekphrasis.

 

What is ekphrasis? Ekphrasis is a work of literature such as fiction or poetry that stems from and/or is inspired by visual art. As the Poetry Foundation says, “Through the imaginative act of narrating and reflecting on the ‘action’ of a painting or sculpture, the poet may amplify and expand its meaning.”

 

What you may know is last week Stormwater Studios launched its new exhibit, “Year of the Dog” featuring artists Jan Swanson and Heather LaHaise. What you probably don’t know is since the opening, six of USC’s MFA candidates have been working at the studio and choosing paintings that inspire them. All week they have been writing fiction and poetry based on the art of Swanson and LaHaise. This Thursday, they’ll read them for the first time.

 

Before then, though, you can meet the artists here and get an idea of the treat you’ll be in for Thursday.

 

Hope to see you there!

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Dylan Nutter

 

Dylan Nutter is a second-year poet in the M.F.A program at the University of South Carolina. He is the Poetry Editor for Yemassee Journal.  He holds a B.A. in English with a concentration in creative writing from Salisbury University. A native of Maryland, his poetry gravitates towards the manipulation of sound and the exploration of the relationships between family, location, and identity

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Katarina Merlini

 

Katarina Merlini is a Samminarinese-American poet born and raised in Michigan. In her poetry, she explores the nature of heritage, inheritance, and Americana. She has earned distinction from both the University of Michigan as well as the University of South Carolina where she is pursuing a MFA in Poetry beginning Fall 2018.

 

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Trezlen Drake

 

Trezlen Drake is a second-year poetry MFA at the University of South Carolina. A native North Carolinian, she has been writing poetry since elementary school, but is learning skills to craft the kinds of poems she never would have dreamed of at 8 years old. Her writing style favors persona and confessional poems sprinkled with flavors of the South.

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Victoria Romero

 

Victoria Romero is a second-year MFA fiction candidate at the University of South Carolina who writes about the interconnections of societally separated people. She hails from New York and is also mysterious.

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Andrew Green

 

Andrew Green is a fiction writer from Baltimore, Maryland and is currently a second-year MFA candidate in Fiction at the University of South Carolina. His historical fiction examines characters on the margins during periods of technological and cultural change.

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Emily Davis

 

Emily Davis is a MFA candidate in Fiction at the University of South Carolina. She teaches composition and is a reader for Yemassee, USC’s art and literary journal. She's interested in genre-mixing, bending, and breaking, superheroes, contemporary fiction, and narrative structure. She lives and dies by her three dogs.

by Christina Xan

Join Us

Thursday, September 27th at 6 pm

Stormwater Studios on Huger St. behind One Eared Cow Glass

Music by The Witness Marks and more

Buy a $10 souvenir Jasper Cup & drink beer/wine for free

Conundrum and ifArt Host Concert

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Id M Theft Able & Reflex Arc @ ifArt on June 25

 

 

Conundrum Music Productions is pleased to announce a concert by the Portland Maine noise artist Id M Theft Able, at ifArt Gallery on Monday, June 25.   Sharing the bill will be Reflex Arc and bigSphinx.

 

Id M Theft Able performs within and without the realms of noise, avant improvisation, sound poetry, and performance using voice, found objects, electronics, and whatever else is available. He has given hundreds of performances across 4 continents in settings ranging from the humblest of squats to the fanciest of festivals.

 

Reflex Arc is a two-piece experimental & improvisational band from Raleigh, NC. Crowmeat Bob plays a variety of horns & sometimes electric guitar while Ginger Wagg plays a variety of body parts, spaces and emotional states.

 

bigSphinx is a solo project of local laptop improvisor Tom Law.

 

The door will open at 8:00pm, and a $7 admission fee will be collected at that door.  The music will commence at 8:30pm.  ifArt Gallery is situated at 1223 Lincoln Street, Columbia, South Carolina 29201.   Further information can be obtained on the World Wide Web at conundrum.us, or by using a telephone to dial (803) 250-1295. 

 

 

Id M Theft Able: https://idmtheftable.bandcamp.com/

Reflex Arc: http://www.gingerwagg.com/reflex-arc

bigSphinx: http://bigsphinx.com/tomlaw.html

News from the Rosewood Art & Music Festival -- OPEN CALL to Artists & Poets

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Calling all painters, sculptures, photographers, upcycled artists, potters and more for the 8th annual Rosewood Art and Music Festival

Applications open June 1, 2018.

Professional, amateur & emerging creators may complete the free application online at RosewoodFestival.com June 1st to August 1st.  

Artists may apply to participate in multiple activities; Exhibitor, Pop-up Gallery/Juried Show and/or Poetry contest. Application, Categories and Guidelines are found online at RosewoodFestival.com

 

On the application Exhibitors will select either individual booth or communal visual arts tent. The communal visual arts tent is a shared space for artists who may be new to the festival scene, have a smaller body of work, or may prefer to live paint.

The Pop-up/Juried Tent is for two-dimensional and three-dimensional visual artists ready to compete for over $2000 in prizes.

The Poetry contest is for writers and poets seeking to be published and more.

On Saturday September 29, 2018, from 11am-7pm, thousands will descend into the Rosewood Neighborhood of Columbia, SC for the 8th Rosewood Art & Music Festival. Multiple stages with live music throughout the day provides a pleasant festival experience. Sit and listen, grab your dance shoes, or simply enjoy the sounds as you take in the visual arts and celebrate Southern arts and culture.