Lee Snelgrove Leaving ED Post at One Columbia

From our Friends at One Columbia:

One Columbia for Arts and Culture, the nonprofit arts agency for the City of Columbia, has hired Margie Johnson Reese — an arts management professional with 35 years of experience who has led arts projects in Dallas, Los Angeles and West Africa — as interim executive director. 

Reese will serve in an interim capacity beginning April 1. She replaces founding executive director Lee Snelgrove, who has accepted the position of arts and culture manager at Richland Library, where he will lead efforts to raise the visibility of the arts throughout the library system and Richland County. 

“It has been an honor to work with Columbia’s many talented artists and arts organizations in increasing the vibrancy and broad recognition of the city’s cultural community,” said Snelgrove, who has led One Columbia since 2013. “One Columbia is stronger than ever, and I’m excited to see a new leader build on the progress that we’ve made over the last ten years.” 

During his time as executive director, Snelgrove established One Columbia as a vital resource for the city and for the local arts community, particularly in the area of public art projects. Over the past decade, the organization facilitated 60 public art projects, created a poet laureate position for the city, established the 1013 Co-Op cultural space in North Columbia, developed the Amplify cultural plan and launched the Stephen G. Morrison Visionary Award. 

One Columbia’s efforts were recognized recently with the 2022 Governor’s Award for the Arts, the highest statewide honor for achievement in the arts. 

“We are forever grateful for the progress made under Lee’s leadership,” said Kristin Morris, One Columbia board president. “He has been an important voice in the local arts community, and the city is better off for the tireless leadership he has shown.” 

As interim director, Reese will bring steady leadership to the organization and assist in its search for a permanent director. She brings a deep understanding of the mission of One Columbia, having already worked with the organization in developing its Amplify plan, which calls for a citywide policy to set priorities and guidelines for public funding of the arts.  

“It’s been my joy to work with Lee and the artists and arts groups in Columbia for the past several years,” Reese said. “I’m honored to have been asked by the board to provide guidance during this period of transition to help keep the momentum moving forward.” 

With One Columbia’s success so far — and numerous projects in development — the organization is positioned to play a key role in the next phase of growth in the city’s cultural sector, advancing policies that strengthen arts organizations, boost tourism, support local artists, encourage investment and promote equity.

 

THE BEAT: Art Bar Concert Review March 12, 2022 by Emily Moffitt

Video game track covers, electrifying synths, and rock and roll; Art Bar’s live music concert on March 12 had it all.

The night featured performances by Outer Ego, Dead Spring, Harry and the Hootenannies, and Bad Stars, giving the audience a plethora of genres and new music to listen to.

Several of the bands debuted new music they were working on, and some performed excellent covers by other well-known groups, like Outer Ego’s great cover of Daft Punk’s “Something About Us” and Harry and the Hootenannies’ getting the crowd going by performing the original Powerpuff Girls theme song.

With so much variation between each group, there was enough to go around for the crowd to enjoy and dance to. The intimate spacing of the stage to the audience in Art Bar bolstered the mood of the entire room, encouraging conversation between the performers and the crowd through the music and during breaks.

It was a great night and a fantastic concert and gives us plenty to look forward to in terms of future gigs for all of the groups involved here.

Jean-Marie Mauclet and Gwylene Gallimard present DISPLACEMENT, MEMORY, ERASURE Collaborative Challenges in Three Parts at 701 CCA

G & M is not just our favorite place to grab a croque monsieur and a nice Chablis in Charleston, it’s also the initials of the artists who have an exciting installation and program of art at 701 CCA opening next week.

 

According to our friends at 701 CCA –  

The artist-activist duo Gwylene Gallimard & Jean-Marie Mauclet are back at 701 Center for Contemporary Art in Columbia, SC, with Displacement, Memory, Erasure: Collaborative Challenges in Three Parts. A dozen years after the duo’s memorable, gallery-wide Olympia installation at 701 CAA, the French couple and Charleston, SC, residents present a three-part project at the center, where they are currently in residence. 

The exhibition opens Thursday, March 24, 6:00 – 8:00 p.m., with a meet-and-greet-the-artists opening event. On Saturday, April 9, the Charleston collective TINYisPOWERFUL, of which Gallimard and Mauclet are members, will present an all-day communication and learning workshop. On Sunday, April 24, 3:00 – 5:00 p.m., the exhibition closing reception will take place. 

Gallimard’s part of the exhibition, called In Progress…, presents large canvases with drawings, collage and artifacts that relay decades of the duo’s unique art-and-activism collaborations with artists and non-artists alike. “The canvases are dedicated to our many collaborations and our explorations of art in and with communities,” Gallimard says. “It also perpetuates and honors those collaborations.” 

Mauclet’s 3-D constructions in the exhibition are excerpts from A Tale of Charleston, an installation-in-the-making that critiques issues of wealth, class, culture, and race in Charleston. The tale central to the installation, Mauclet says, “actualizes a dream in which the city of Charleston has turned into a living garden. Wealth, class, cultures, race have become assets, a place for all to belong.” Several of Mauclet’s constructions refer to tiny downtown Charleston businesses that are either for sale or no longer exist. 

The project’s third component is the April 9 workshop of TINYisPOWERFUL. The day-long workshop explores art tools and other techniques for collective social engagement, communication, and learning. The workshop, open to the public, will consist of five sessions exploring ways of engaging with and in the community and exploring art as tools for social engagement, activism, and growing communities. The workshop is from 9;30 a.m. – 5:00 p.m. and will be a hybrid event with an online and in-person component. For more information, go to www.701cca.org.

About the Artists -

Gallimard (b. 1948, Paris, France) and Mauclet (b. 1942, Meru, France), Charleston residents since 1984, have worked independently and collaboratively for some four decades. Their collaborative works include Charleston’s popular community-oriented French café Fast & French, which they owned for decades, and which was conceived to offer “all the features of an art, social justice and economic sustainability project.” The duo has created installations and exhibitions tackling the health insurance industry, fast food, religious beliefs, refugees and how the past is memorialized. A 2006–08 collaboration, You Comin, brought eight artists and educators to the World Social Forum in Nairobi, Kenya. Their long-running project The Future Is On The Table between 2001 and 2013 was at South Carolina State University in Orangeburg and in Lexington, KY, Charleston, SC, and Jackson, MS. The project led Gallimard and Mauclet to residencies in India and France and an experimental conference on the Trans-Siberian train. Why do they want to be rich without us? in 2007 was part of the project The Changing Face of Charleston. Gallimard & Mauclet 2009 residency and 2010 exhibition Olympia at 701 CCA explored the history and culture of the historic mill district in Columbia where the center is located. Conversations With Time was a 2011 intergenerational art project in West Baltimore, MD. 

Gallimard & Mauclet’s work has received support from France’s Ministère de la Culture; the South Carolina Arts Commission; Charleston’s Spoleto Festival; Alternate ROOTS; Alternate Visions; the Humanities Foundations; and the National Endowment for the Arts. Mauclet studied at the University of Paris, France; the State University of New York at Buffalo, where he received an MFA; and New York City’s Cooper Union School of Art and Architecture. Gallimard studied at Paris’ Ecole Nationale Superieure des Arts Decoratifs and received an MFA from Concordia University in Montreal, Canada. 

The TINYisPOWERFUL collective believes that art and tiny businesses are nimble, adaptable, and profitable for the people. The collective argues that belonging means celebrating many histories and cultures and together becoming all we can be. 

701 CCA is located at 701 Whaley Street, 2nd Floor, Columbia, SC 29201.

 

Dates to Remember: 

Thu, March 24, 6:00 – 8:00 pm, Meet The Artist Exhibition Opening

Sat, April 9, 9:30 – 5:00, TINYisPOWERFUL Workshop

Sun, April 24, 3:00 – 5:00 pm, Exhibition Closing Reception

 

For further inquiries contact Michaela Pilar Brown at director@701cca.org or (803) 319-9949.

 

RETRO SPACE FUTURISM AND IRMO'S KIMBER CARPENTER

Her Adventure

Jasper: When did you first begin to pursue visual art? Where and when did you train,
or are you self-taught? 

Kimber: About 10 years ago. Then I was re-inspired when my mom discovered her talent and love of art in her retirement. I have been engaged heavily in art for the past 3 years. I am a self-taught artist and am always absorbing new ways to create.



Jasper: What mediums in visual arts do you typically use and why? 

Kimber: I use acrylics on canvas, mostly. I love to also combine brush painting with mixed media materials to create interesting abstract pieces. I love the vibrance that acrylics offer, especially the heavy bodied acrylics. I will also use alcohol markers to enhance or create shadows and highlights throughout the paintings.

The Damsel

Jasper: Where do you work now and where do you show your work? 

Kimber: I am a graphic artist by trade and have a freelance business, Grassroot Graphics. I am a member of the Cayce Arts Guild and am a Cottontown Art Crawl artist. My work has been featured at the Cottontown Art Crawl, Melrose Art in the Yard, Noma Warehouse, SCA Autumn Faire, SCA Mad Hatters Art Faire, Rob Shaw Gallery, Land Bank Lofts, Still Hopes Episcopal Retirement Home, 14 Carrot Foods, Musicians Supply, The Coop in Winnsboro, Nicky's Pizzeria in Lexington, State & Frink, Aloft Downtown Columbia, the Irmo Chamber of Commerce and Carolina Imports.

 


Jasper: Who have been your greatest influences as an artist? 

Kimber: I really enjoy Matt Dixon, who has created a robot character that he puts in various environments and stories. I love his style and how his work comes alive with a simple robot trying to find his way through life. I also LOVE Alexander Jansson, who is a digital mixed media illustrator, photographer, and animator. I could stare at his works for hours.



Pod Travel

Jasper: What do you feel makes your art unique? 

Kimber: I feel like my art stands out the most when I am creating my space-futurism series. This series uses colorful backgrounds from my days as an acrylic fluid artist. I love to create new scenes, using vintage imagery from sci-fi posters, graphic novels, coloring books, etc. I love the nostalgia these pieces offer and the unique colorful backgrounds that are one of a kind and have an out-of-this-world vibe.

Jasper: Who is your favorite SC-based visual artist and why? 

Kimber: Ginny Merett. Her style is incredibly unique and extremely recognizable. Every piece tells a story and I love seeing something different every time I look at her work. I keep a tiny gallery piece on my desk titled "Radical Woman" and it inspires me daily.

Space Prisoner

Jasper: What are you working on now, will we get to see it, and if so, where, and when? 

Kimber: I am currently working on more space futurism, specifically a series of paintings of ray guns to compliment my mixed media space pieces. I currently have my space futurism pieces exclusively at NoMa Warehouse and hope to have new work available there soon. I would also like to do a showcase in the future, so I will see about doing that soon.

Ray Gun 2

Ray Gun 1

Columbia Operatic Laboratory is Back at Art Bar 3/25 - GET YOU SOME FREE OPERA!

“Not your MeeMaw’s Opera Company …”

The Jasper Project is all about bringing Art to the people. Even when we, the people, aren’t expecting it and maybe didn’t even know we were missing it.

That’s why we love the way the Columbia Operatic Lab works.

At the Columbia Operatic Lab, their mission is the demystification of opera — removing all those stuffy misconceptions that opera is only for CeRtAiN PeOpLe — i.e., the kind who can afford to put on their schmanciest clothes and don their tiaras and and cummerbunds for the occasion of listening to stories of life presented vocally.

The Columbia Operatic Lab reminds us that the history of opera is full of comedy, drama, sex, irreverence, murder, and more. At one moment opera will make us LOL and at the next if will create a lump in our throats the size of Bizet’s big toe.

What’s more, they make this oft-misunderstood art form accessible by planning free concerts at local bars and simply passing the hat to help sustain their organization.

We love this!

And we’re happy to share the details of the COL’s next venture into the beauty of opera. Here’s what they shared with us …

Columbia Operatic Laboratory is presenting a concert of operatic music at Art Bar at 6:30pm on Friday, March 25. “This is not your MeeMaw’s opera company” says Evelyn Clary, who is a board member, “We will have fantastic professionals singing dearly loved operatic pieces, but we will put our fresh and fun spin on the evening. You need not be an opera nerd to enjoy the beauty of the music and share some laughs with us.”

Even those who are not opera buffs will recognize quite a few of the tunes. There will be selections from Carmen, Barber of Seville, Pirates of Penzance, and Impresario (which will be staged by the company in May). Also, they will perform an operatic setting of a portion of Night of the Living Dead.

Joining board members Michael T. Brown and Jerryana Williams-Bibiloni are baritone Greg Pipkin and Soda City’s favorite Jezebel, TrashyAmber. Bradley Fuller will accompany them. All are alumni of the University of South Carolina School of Music. “One goal of our company,” says Brown, “is to highlight SC grown talent and to provide professional performance opportunities for local artists.”

There is no cover charge, but donations to Columbia Operatic Laboratory, a 501(c)(3) are gratefully accepted. For more information on the event, check out Facebook.com/ColumbiaOperaticLaboratory

Art Bar is located at 1211 Park Street in Columbia and is a 21 and up establishment.

THE BEAT: Local Music at St. Pat's in 5 Points by Kevin Oliver

Sure, the hype for the return of the annual St. Pat’s in Five Points festival is focused on the headliners Blues Traveler and national acts such as Surfaces, Laney Wilson, and Big Something, but what often gets lost in the coverage is that St. Pat’s is also one of the biggest local music festival opportunities of the year. Columbia bands are well represented on the main stages in 2022, and every year there are additional acts playing at unofficial side stages, local bars, and restaurants in the area, and more. To help you plan a locals-focused day at the festival, here’s a rundown of area artists and when to find them on what stage:

Villanova 

2:40 pm, Greene and Harden St. Stage 

Possibly the most popular local act to play St. Pat’s multiple times, Villa*Nova brings the noise every year. The current lineup includes founding members Bobby Dredd and DJ Able One alongside singer and guitarist Brian Conner. The band released their first new music since 2015 last year, the single “Vipers,” which revealed a commitment to a heavier sound within their melodic funk roots. There’s still plenty of the funk/rock/hip-hop hybrid left in the band’s back catalog to please their longtime fans, however.

George Fetner and the Strays

1:10 - 2:10 p.m., Greene and Harden St Stage 

George Fetner has corralled his band of musical misfits into a herd of magnanimous proportions that turns any stage into a groove-laden party. Despite the near double-digit number of band members on stage, tight arrangements make the proceedings chug along purposefully. If you’re into bands such as Lake Street Dive, or the classic jams of WAR, there’s plenty to love in the joy-filled, tuneful workouts that Fetner and the Strays produce. 

Stranger Company

12:00-12:50 Harden and Blossom St Stage

A newer presence locally, this young quartet has tapped into a jam band style of rock, blues, and jazz that hearkens back to the 70’s classic rock of acts such as Wet Willie, Santana, and Sea Level, where the grooves and the guitar licks were what mattered. 

Ashley Wright and the Vance Gap Ramblers

12:00-12:50  Saluda and Devine St Stage 

Ashley Wright and her band have managed to create twang-friendly tunes that transcend stereotypes and cut close to the emotional bone. The band’s delicate arrangements juxtaposed with Ashley Wright’s full-throated alto voice bring to mind Gillian Welch and Watchhouse. 

 

Sourwood Honey Tribute Band

7:00-8:30, Home Team BBQ Stage 

The beloved Sourwood Honey was a bar-packing mainstay of the regional club circuit in the 1990s, with the dual front of Ryan Goforth and Chris Conner and ace guitarist Herbie Jeffcoat taking on the wingman position. Their brand of jam-friendly southern country rock was always a cut above the rest due largely to Conner’s songwriting skills, showcased on the pair of full-length albums the band issued in their prime. 

Conner passed from cancer back in 2007 but a few years back most of the remaining band members reconvened around Chris’ younger brother Brian Conner (of Villa*Nova), and called it a “tribute,” with Brian taking over his late brother’s parts; the goal is to keep the memory of Chris alive and reintroduce the band’s classic songs to audiences old and new. 

 

The Ramblers

4:10-5:10, Home Team BBQ Stage 

Taylor Nicholson logged plenty of miles as the lead singer for the popular regional rock act Atlas Road Crew; this outfit aims to provide plenty of classic rock and blues vibes on familiar material.

Danielle Howle & the Tantrums

2:40-3:40, Home Team BBQ Stage

 The nostalgic aspect of this year’s St. Pat’s Festival is encapsulated in the fact that Howle, a former Columbia resident and musician who now calls the Charleston area home, was playing the festival as early as the 1990s with her band Lay Quiet Awhile. The Tantrums was her next full rock band, featuring members from another late great local act, Blightobody, and the group recorded several albums for Daemon Records in the late 1990s, gaining airplay locally and regionally with songs such as “She Has A Past.” 

 

Soul Mites

1:10-2:10, Home Team BBQ Stage

The perennial party band for many Columbia natives, The Soul Mites only come out and play any more on special occasions like this.. The gruff, insistent voice of Tim Davis may be the focal point, but his supporting cast gives him a funky soul drenched rock ‘n’ roll machine to carry his crooning to another level.

Last Call for Play Right Series Community Producers

Meet Colby Quick.

Colby Quick is the Jasper Project’s 2022 Play Right Series Winning Playwright.

We’re wrapping up our cast of 2022 Jasper Play Right Series Community Producers and we have a few seats left at the table.

You can learn more about the process of how a play moves from page to stage, be our honored guest once a month at intimate, fun, and informative panel parties with Jon Tuttle, Chad Henderson, Stann Gwynn, Becky Hunter, Michael Hazin, and more, and have YOUR NAME attached as a producer to a brand new piece of theatre that will premiere as a staged reading in August, with you in the best (and most honored) seats in the house.

You can read more about the Play Right Series at the Jasper website but, in-a-nutshell, the purpose of the Play Right Series is threefold:

  • ·         To empower and enlighten audiences (you) by allowing them insider views of the steps and processes of creating theatre art

  • ·         To increase opportunities for theatre artists to participate in new art without being attached to an existing theatre organization

  • ·         To provide more affordable and experimental theatre arts experiences for new and emerging theatre artists and their audiences; thereby expanding cultural literacy and theatre arts appreciation in the greater SC Midlands area.

 

The result: Community Producers (you) who learn about the extensive process of producing a play and become personally invested not just in the production and success of the play, but also in its playwright, cast, and crew, thereby becoming diplomats of theatre arts.

 

Last fall, the Jasper Project issued a call for a new one-act play and the competition was begun. Under veteran playwright Jon Tuttle’s direction, scripts were submitted and adjudicated by a committee of outside theatre artists. The winning play, Moon Swallower by Sumter writer Colby Quick, was selected as the play that we (hopefully, you included) will produce over the next few months, culminating in the first ever Staged Reading of this brand-new play in August 2022.

 

We’re delighted to announce that Chad Henderson has agreed to serve as the director of Moon Swallower and has included among his cast such outstanding Midlands artists as Stann Gwynn, Michael Hazin, Becky Hunter, and Lonetta Thompson.

We have scheduled a series of gatherings for Community Producers and Moon Swallower cast and crew over the next six months leading up to the Staged Reading. Each gathering will feature an interactive presentation as well as a unique social component that you can read about in the attached calendar of events. (SEE SCHEDULE BELOW!)

All we need to do now is fill out our roster of Community Producers, and I hope you will consider being among them. The minimum investment for Community Producers is $250 per person with 100% of the funds going to the production of Moon Swallower.

Our first gathering is at 5 pm on Sunday March 20th when Community Producers will meet each other and the cast and crew of Moon Swallower for the first time, hear playwright Colby Quick talk about his inspiration for Moon Swallower, and receive their signed copy of Moon Swallower to take home and be among the first ever to read. 

Sunday March 20th - Meet the team and Playwright Talk

Join playwright Colby Quick to learn about his inspiration for Moon Swallower and hear him discuss his writing process and challenges, as well as his own background and goals while enjoying Wine & Cheese.

    

Sunday April 24  - Table Reading

Listen in on the first ever table reading of Moon Swallower and enjoy a unique Beer Tasting with snacks.

 

Sunday May 22nd - Director Talk

Join director Chad Henderson to learn about his background and process, the industry lessons that prepare him for directing a play, and the unique challenges and solutions he has encountered in directing Moon Swallower while enjoying the project’s official signature cocktail, The Moon Swallower.

 

Sunday June 26 - Backstage with the Actors

Listen in as the cast of Moon Swallower discusses their processes, challenges presented by their characters, and more, and enjoy a summer picnic with spiked lemonade & finger sammies.

               

Sunday July 24th - Stage Managing, Props, Costumes, Lighting, and Sound

It’s out last Community Producer gathering before the big event, so Chad, Jon, and our stage manager will discuss the components above before we pop the champagne and party!         

 

Sunday August 28th - It’s finally time for the Staged Reading of Moon Swallower with a full audience and you get the best seats in the house!

8 Questions for Whimsical Clay Artist - CHILLY WATERS

Q: When did you first begin to pursue visual art? Where and when did you train, or are you self-taught?

A: I always loved art from a young age but in 8th grade I had to make a choice between art or music as we were only allowed one elective. It was hard, but I chose music and later went on to get a degree, my first, in music. I didn’t do much with art for the next 30 years until a friend asked me if I’d like to take an intro to pottery class with her. I did and was soon hooked. I love the idea of taking a lump of mud and turning it into anything that my mind can imagine. I throw as well as sculpt, but my passion went to sculpting as it allows me to unleash my creativity with little to no limits. After that first class, which was 6 years ago, I have taken two workshops to refine some specific skills. Aside from that, I am basically self-taught through trial and error, YouTube, and networking with other artists.

Q: Where did you grow up? If you are not from SC, what brought you here?
A: I was born in Baltimore, MD and grew up just outside of Baltimore in a town call Perry Hall. My husband and I moved to SC in 2011 deciding we wanted a different quality of life and my career at the time (I retired 3 years ago) allowed me to live anywhere as long as I was near an international airport. We currently have a second home in DE where we spend part of the year. And in DE I enjoy working at a community studio where I’ve met a lot of other artists who inspire and encourage me in addition to my SC art community. Having two homes in two very different settings has provided me with two different art networks to help me learn, grow, and experiment.

A: What mediums in visual arts do you typically use and why?
Q: At this time, I am mostly focused on clay. But I have explored stained glass and am currently learning how to weld as I hope to expand my cultures to other materials that will hopefully include larger, outdoor installations.

Q: Where do you work now and where do you show your work?

A: I am a retired marketing executive for a large global corporation and am enjoying the privilege that retirement gives me to focus on art. Currently I’ve been showing my art via local art shows and sales, although, I have my first solo show in a gallery coming up in September 2022. I’ve very excited, and a little nervous.

Q: Who have been your greatest influences as an artist?
A:
Stan Lee and other cartoonists, Rene Rouillier - a talented artist and friend, Kristen Stingle - artist, and my brother who is a talented and successful artist himself.

Q: What do you feel makes your art unique?
A: My ignorance to know what others think can or cannot be done and what is or is not “appropriate.” Also, 50% of the time I have no idea what I’m making until I start constructing something. So often I’ve started with one idea in mind and changed mid-stream seeing what the clay would apparently rather be. I follow the clay and let it tell me what it wants to be when it grows up.

Q: Who is your favorite SC-based visual artist and why?
A:
Rene Rouillier, because our minds seem to work in similar ways. Meaning the things we see in our mind’s eye are often things that others may not, and/or may not understand. Seeing her work allowed me to let go and just create something no matter how weird, funny, strong, or disturbing. For example, I once did a series that was titled Fictional Serial Killer’s Bird Bathes because in my mind I thought, hum, I wonder what Norman Bates, Dexter Morgan, Annie Wilks or Hannibal Lector’s birdbaths would look like. I probably would never have built those sculptures if I had not seen others’ work, like Renee’s, addressing unusual topics.

 

Q: What are you working on now, will we get to see it, and if so, where, and when?
A: Lately I’ve been consumed with word play. I am a very visual person and when someone says a word or phrase,  I often see it in my mind’s eye and think, I need to make this so others can see what I see. For example, “Heart String,” Toe Jam,” “Dust Bunnies,” “Chick Magnet,” “Eyeglasses” and “Milk, Milk, Lemonade around the corner Fudge is Made.” Yep, I made that one too, thanks Amy Schumer. That is why my show in September at the Park Circle Gallery in North Charleston, SC will be called Chilly Waters - Because Words Have Power.

CANDACE THIBEAULT Opens New Show at Jasper Gallery at MOTOR SUPPLY

The Jasper Galleries at Motor Supply Company’s newest show, featuring South Carolina native Candace Cotterman Thibeault, opens this week.

 Candace grew up in Gilbert, South Carolina. Her interest in art began at an early age and progressed through high school and into college. Candace graduated from Capital University (Columbus, OH) with a Bachelor of Fine Arts Degree, and degrees in Public Relations and Art Therapy. Upon graduating college in 2003, she relocated to Boston, MA, to begin her professional career. She found herself working as a paralegal and a part time gallery assistant.

 In 2004, Candace purchased an art gallery and custom frame shop, while continuing her painting career. Candace found herself working on projects with pharmaceutical companies, architectural firms, local universities, and restaurants, where she was responsible for matching interior design with fine art pieces. In 2009, Candace began working on a series of contemporary mixed media paintings that would gain visual recognition. Her work began to show in art galleries and at Universities throughout New England and was featured in several online and hard copy publications. In 2015, Candace relocated to South Carolina with her husband and daughter and has been focusing more attention on her fine art. She spends most of her time teaching and painting from her home studio in Gilbert, SC.

In addition to her fine art endeavors, Candace has spent time working as an artist-in-residence, aiding in creating art curriculum for adolescents in alternative schools. She has worked on independent projects such as the Ohio Bicentennial, jewelry lines featured in Charlotte Magazines 'best gifts' holiday spread and has served as juror for several university art shows in New England. 

Candace's work has been featured in Art New England Magazine, Art Scope Magazine (Boston, Ma), and Charlotte Magazine (Charlotte, NC). Her work has been featured at Imago Gallery (Warren, RI), Bristol Art Museum, Bridgewater State University (Bridgewater, MA), Bromfield Gallery (Boston), 701 Whaley (Columbia, SC), Duxbury Art Association, Motor Supply (Columbia, SC), Koger Center for the Arts (Columbia, SC), Anastasia & Friends (Columbia, SC) and Moxie Frame (Hartsville, SC). 

The opening reception for Candace’s show will be held at Motor Supply Co. this Friday, March 11th at 6:30pm at the back table of the restaurant.

 

HAVE YOU MET ... SHARON FUNDERBURK?

  • From the beginning I was meant to be an artist. The spark began when I was in first grade, I won an award for my Santa Claus.

  • Originally, I am from Pennsylvania and grew up outside of Bucks County, a mecca for artists.

  • I went to school for commercial art and worked at a mapping company before computers I did drafting and scribing work.

  • My family moved to SC in the late ‘70s and I followed. I worked in different graphic jobs until they merged into the medical field.

  • I currently work as a Mixed Media Artist.

  • My greatest influence is my grandmother she was the original creature of the trash from treasure artist.

  • I show my work through guild shows and festivals. Cotton town art crawl and Melrose art in the yard. Cayce artist guild, SC artists and Trenholm artist guild.

  • I am also a certified Bob Ross Instructor and currently hold classes with the city of Columbia, Crooked Creek Park and Kershaw County Art Center.

  • Also, for over 15 years I have taught art classes to Seniors at the Rice home. They are my heart.

  • Currently my favorite artist is Gerald Erley — his soft colors and subjects create a mood.

  • Spirit is what I have been trying to create in my new mixed media pieces.

POETRY FOR THE PEOPLE OF UKRAINE - Premonition by Ellen Malphrus

This poem originally appeared in Fall Lines - a literary convergence volume VII-VIII

Premonition: January 2, 2020

by Ellen Malphrus

 

A castover hush of a day.

 

White tulips bend

to where there is no sun

as the dog naps

and the cat naps harder.

Little winter birds flit and flash,

awakened now from their own

long morning quiet

as a flicker drills at an oak.

The low growl of a Sunday plane

drifts back into silence and

the miles-away road buzz

goes entirely un-hummed.

 

I have lit a candle against the bleakness  

but why it seems like gloom

I cannot say.

 

Here on the cusp of the oncoming

year of perfect vision

maybe I’m afraid of

what I might see,

what I might not see.

 

Today I’d rather lie here in the porch swing

with my eyes closed

and listen to the dog snore,

the heedless woodpecker laughing.

You’re invited to share your poems and prose, dedicated to peace in Ukraine, with the Jasper Project.

Send to editor@JasperProject.com

THE BEAT: Warfare Check - Now That's What I Call Art (River Monster Records) by Kevin Oliver

“Punk was never just about raging against the machine, …“

Punk rock has a long and storied history in Columbia’s music scene, from the original punk era of Nick Pagan and the Fanatics through the positive hardcore of Bedlam Hour, the unhinged crust punk of Antischism and into the more focused assault of Stretch Armstrong, Self, Assfactor 4, and more.  

Lately the genre has seen something of a resurgence, with strong showings by Soda City Riot, Brandy and the Butcher, and now Warfare Check.  

This far down the line, anyone playing punk rock is usually self-selecting for what subgenre or sound they are going to deliver. Warfare Check falls squarely into the California punk of The Circle Jerks and Black Flag, with a bit of screamo angst and grunge bluster thrown in to keep things interesting. Frontman Bubs Rubella is more shouter than singer, a useful trait when one is barking out lyrics to songs such as “Violence Breeds Violence,” or “Go Fucking Die,” with complete seriousness.  

There are nods to the silly comedic side of hardcore on songs such as “Lord Shatterling’s Dildo Collection,” and “Mary Jane Rottencrotch,” but more often than not, the band deals in societal outrage that echoes the frustrations of the past two years plus of pandemic era issues. “2021 (Ain’t No Fun),” may state the obvious, but it does so in under two minutes with a lyrical riff that’s about as good an anthem for last year as there could be.  

“Aryan Garbage” pulls no punches, musically or lyrically. Coming across like a profane version of a Naked Raygun polemic, the song condemns the current trend of rising white supremacy with a string of mostly unprintable epithets over an unstoppable barrage of riffs.  

Punk was never just about raging against the machine, however. The community, camaraderie and belonging that punk subculture introduced was just as important in the long run, and Warfare Check’s catchiest, most memorable tune here, “I Hate This,” wraps up that “we’re all in this together” sentiment in just a few short lines: 

“We all suffer 

We all need a buffer 

What's the latest fashion,

What’s your goddamn passion?”

 

…Now that’s what I call a great question. How you answer it, that’s up to you.

ARTIST PROFILE: Paul Moore and Congaree Pottery

An artist of few words, Paul Moore’s medium of choice is earth.

“It’s old, but it’s versatile,” he says.

JASPER: When did you first begin to pursue visual art? Where and when did you train, or are you self-taught?

 MOORE: I was lucky to have opportunities as a child to create at home, even before elementary school. A beginning pottery class at the City of Columbia Art Center in 2003 was my introduction to ceramics.

 

JASPER: What mediums in visual arts do you typically use and why?

 MOORE: Earth. It’s old but versatile.

 

JASPER: Where do you work now and where do you show your work?

 MOORE: Mostly at Southern Pottery Studio.

 

JASPER: Who have been your greatest influences as an artist?

 MOORE: My parents and my 5th Grade art teacher, Mrs. Norris.

 

JASPER: What do you feel makes your art unique?

 MOORE: My eyes. My hands.

 

JASPER: Who is your favorite SC-based visual artist and why?

 MOORE: Dianne Gilbert. She creates with joy.

 

JASPER:  What are you working on now, will w get to see it, and if so, where, and when?

MOORE: Ending the “Congaree Swamp” carved series. At the Cottontown Art Crawl of course!

8 Fascinating Things About Metalsmith Artist Valerie Lamott

“Mother Earth is my greatest influence as an artist.”

  • I started metalsmithing as a hobby after work maybe 12 years ago. I took classes at the local art center in basic fabrication, enameling, and chain making. My job was essentially to break things all day (I was a Senior Corporate Quality Engineer at an audio electronics company) and the metalsmithing let me create things in the evenings. Gave me some balance.

  • I grew up in Northwest Indiana. After college I moved to Tokyo, then Seoul, then I was kind of a hippie living out of a backpack for a while bouncing around Asia and Europe, and settled in Chicago once I made it back to America. Then around 9 years ago I moved to Columbia.

  • I work in sterling silver, bronze, and semi-precious gemstones for my jewelry. The whole process, from metals to cutting rocks is messy and gross and the end product turns out so beautiful. I love it.

  • I never really grew out of that traveler phase. I work anywhere. I've made a lot of my studio mobile and you can often find me designing or sawing out pieces at a state park picnic table. I sell my work primarily at art shows, from Petoskey, Michigan to Miami, Florida and everywhere in between.

  • Mother Earth is my greatest influence as an artist. I hike, I camp, I kayak, and I take these places and moments and immortalize them in metal and rocks.

  • I think my work is unique because it's my life. I create miniature landscapes that many people identify with, but they're all from my eyes.

  • My favorite SC based artist is TomMac Garrett. Besides being a fantastic potter, he's a good friend and I love that his work incorporates images from his farm. He's an innovative artist sharing his unique voice.

  • I am currently working on a series based on a couple Midlands state parks and you will absolutely see it soon, as it's for the Jasper Project’s April Tiny Gallery Series! I also have shows coming up at the Swamp Rabbit Cafe in Greenville, the Cottontown Art Crawl here in Columbia, and the Fairhope Arts Festival in Alabama.

ARTIST PROFILE - Susan Lenz & Found Objects

Mandala CXI Steinway piano keys

JASPER: When did you first begin to pursue visual art? Where and when did you train,
or are you self-taught?

LENZ: I started in 2001 at the age of forty-two. I am self taught.

 

JASPER: Where did you grow up? If you are not from SC, what brought you here?

LENZ:I am from Columbus, Ohio and came to Columbia in 1987 in order for my husband, Steve Dingman, to work as at a coastal engineering company.  He hated it and quit after three years, but we stayed.

 

JASPER: What mediums in visual arts do you typically use and why? 

LENZ: I am primarily a fiber and installation artist but will dabble in most visual artists media.

 

JASPER: Where do you work now and where do you show your work? 

LENZ: My studio is in my legally zoned live/work location, Mouse House.  I am represented by the Grovewood Gallery on the grounds of the historic Grove Park Inn in Asheville.  I show my work in both solo and nationally juried exhibitions and high end fine craft shows including the Philadelphia Museum of Art and Smithsonian Craft Shows.

 

JASPER: Who has been your greatest influence as an artist? 

LENZ: Stephen Chesley

 

JASPER: What do you feel makes your art unique? 

LENZ: Using a threaded needle, I work in partnership with my materials and use found objects to express my thoughts on remembrance and mortality. My work is unique in the many ways it pays homage to anonymous ancestors and to those whose voices might otherwise be stilled.

 

JASPER: Who is your favorite SC-based visual artist and why?

LENZ: Stephen Chesley lives a true “artist life” without compromise and through his example, I have learned and will continue to learn how better to be more myself than I initially knew was possible.


JASPER: What are you working on now, will we get to see it, and if so, where, and when?

LENZ; I am currently working on a pandemic-inspired series influenced by the traditions of Buddhist mandala making.  Repetitive circles of found objects are stitched onto sections of neglected, old quilts.  The series is as much about the hunt for unique, found objects as the actual creation of the artwork. Adventures include dismantling an old, broken Steinway piano for three, commissioned pieces for Carolina Steinway in Charlotte and sourcing Hawai’i stamped golf tees from a cyber friend in Texas. The series now numbers over one-hundred and will be on view at the upcoming Smithsonian Craft Show, April 20 – 24, 2022 but some will be available at the Cottontown Art Crawl

The series can be found on-line at: https://foundobjectmandalasbysusanlenz.blogspot.com/

Mandal CXII Susan Lenz

Mandala XCVI - Susan Lenz

Mandala CX - Susan Lenz

Eight Things about Visual Artist Rebecca Lynne Horne

  • Growing up with a father who was an artist, I’ve painted off and on my entire life. In 2018 I began to pursue it. In 2021 my art really began to take off. I consider myself a self-taught artist but have taken several courses over the past few years.

  •  I grew up on Lake Wateree, S.C. I’ve bounced back and forth from Columbia and Camden and currently live in West Columbia 

  • I’m an abstract artist so I love the creativity that Mixed Media allows me to have. With Fluid Acrylics, I love the way the paint moves and creates beautiful shapes and colors.

  • My studio space is at my home. It’s small and packed full of art supplies! I’ve shown my work at various locations in the Midlands. Currently, I have several pieces at Aloft Downtown and several international online exhibits. Beginning in May, I’ll have several pieces on exhibit at the Koger Center. There are shows planned for later this year.

  • My greatest influence so far is Ginger Thomas. I’ve taken every course she has offered, and I’ve learned so much from her about Mixed Media art. Then, of course, my father who was a fantastic artist. I don’t make art like he did, but he was the inspiration that sparked my interest in the beginning.

  • Unique art is what I’m all about. It’s my personal mission to make art that is different. Like nothing anyone has seen before. It has to be pretty; it has to push the boundaries and it has to be intriguing. In my Mixed Media art, I love to find things to use in the structure that no one that I know of has ever considered. I also enjoy the challenge of applying many different types of texture into one piece. There are so many interesting layers and tiny surprises that someone has to look for to see. 

  • Pascale Sexton Bilgis is my favorite SC-based visual artist. Not only is she my friend but she’s an incredibly gifted artist. She has a special way with colors, structure, and composition. Her art is always vibrant, unique, and interesting. You can see her personality come through in her work.

  • Currently I’m working on getting art ready for the Cottontown Art Crawl. Also, finishing up several pieces for the Koger Center in May. I’ll have three pieces at the Crooked Creek Art League Spring Show in Chapin. That will take place starting Feb. 28 and run through March 26  After the Cottontown Art Crawl I’ll begin to work on ten to twelve pieces for a solo show this fall!

To see more of Rebecca Horne’s work visit her website.

Eight Things About Artist Ishayda Smith-Hughes

  • I started painting at age three years old. I officially legitimized my art business at age 25-years old. Both of my parents were artists when they were younger as well. I naturally got my artistic talents from both of my parents.

  • I grew up in Spartanburg, SC

  • I typically use acrylic paints and other material in my paintings.

  • I currently work as an educator and a mental health professional. I display my work at art shows and other contest in the surrounding areas.

  • My greatest influencers in art have been Romero Britto, Andy Warhol, Wak, and Bisa Butler.

  • I feel that my use of vibrant colors and subject matters make my artwork unique. I have my own type of style and I do not try to mimic any other artist.

  • My favorite SC-based artist is Teil Duncan. I love her use of bright color combinations, brush strokes and abstract imagery.

  • I am currently working on a painting of a peacock. I will have it for sale at the Cottontown Art Crawl, March 12,2022 in Columbia, SC.

ARTIST PROFILE: PASCALE BILGIS Brings Turkey and France to her Art

Pascale Bilgis grew up in a small village in Burgundy, France, and later in Dijon for her studies. At the age of 18, she left her homeland to continue her studies at the University of South Carolina where she received her BA in photography. After graduating, she worked as an archaeological photographer in southern Turkey and as an art assistant at the Pierre LOTI French School of Istanbul. While in Turkey she began to pursue a new passion for painting and ceramics. She moved back to the States in 2016 and became very active in the artist community in South Carolina. Her work has been shown in solo and group exhibitions throughout the state and has won numerous awards. She is a member of South Carolina Artists and currently lives in Lexington, SC. Learn more about the artist at her website.

HOME – New work
A multimedia artist focusing on landscapes, in her series Home, Bilgis recalls significant landscapes from her own life: the small French village of her childhood; Turkey, where she worked as an archeological photographer; and her current home, South Carolina. Working in acrylic, Bilgis splits her compositions into geometric sections using different color palettes to show the landscapes in different times of day or different seasons. She adds buildings in ceramic or wood relief. The architecture of the buildings helps identify her landscapes as belonging to specific regions: she creates the simple cottages of rural France, the bustling cityscape of Istanbul, and the nostalgic country houses of South Carolina. She chooses to show the buildings in ceramic relief to emphasize the durability of human habitations in contrast to the natural world, which reflects the changing seasons. “As the landscape is ever changing, homes remain in their original state,” Bilgis says.

Little Flat People – Mixed media
In her exhibition, Little Flat People, Bilgis seamlessly blends two-dimensional and three-dimensional elements to demonstrate the fundamental similarities between people. The artist presents little figures set among pebbles, wood frames, and panels with vibrant abstract expressionist landscapes as backgrounds. “After 2 years creating vivid abstract landscapes with ceramic architectural relief, I wanted to keep working with clay and acrylic colors but in a more meaningful way. One day while collecting pebbles on a beach in southern Turkey, I came up with the “Flat Little People” series,“ Bilgis explains. Made of clay and fired at 2000 degrees, the figures all look alike in that they are flat and uniform, but in truth they are not “flat” at all, they seem to be very lively and interesting. It is up to the viewer to imagine their emotions through their postures and implied actions.

Bilgis is one of the more than 100 artists whose work will be shown at the Cottontown Art Crawl on March 12th in Columbia, SC.

If Art presents Roger Beebe - Films for One to Eight Projectors - Wednesday March 2nd

Beebe Berlin

Roger Beebe is a filmmaker whose work since 2006 consists primarily of multiple-projector performances and essayistic videos that explore the world of found images and the "found" landscapes of late capitalism. He has screened his films around the globe at such unlikely venues as the CBS Jumbotron in Times Square and McMurdo Station in Antarctica as well as more likely ones including Sundance and the Museum of Modern Art with solo shows at Anthology Film Archives, The Laboratorio Arte Alameda in Mexico City, and Los Angeles Filmforum among many other venues. His work has been supported by residencies at the Headlands Center for the Arts and the MacDowell Colony and elsewhere.

Next week, Wim Roefs welcomes innovative film professor Roger Beebe to the If Art Gallery on Lincoln Street for a performance of Films for One to Eight Projectors and Jasper plans to be in the house. Artists and patrons of all arts disciplines are invited to attend and would be wise to do so. Film has a unique way of spurring creativity that stems from its multi-sensory stimulation, usually presented in an immersive environment, that scholars are still trying to understand. Here’s an opportunity to do some research on your own.

From If Art -

“Roger Beebe's films provide an exciting opportunity to explore new boundaries within film, performance and installation,” University of South Carolina media arts professor Carleen Maur says. “His films provide an experience that asks audiences to explore complex spatial, sonic and image relationships.” Ohio State art professor Beebe will present a film performance at if ART Gallery, Columbia, SC, on Wednesday, March 2, 2002, at 7:00 pm. Suggested donation is $5.

Beebe will operate and perform with several 16mm film projectors, showing several new works alongside some of his best-known projector performances. The latter will include the seven-projector, show-stopping Last Night of the Dying Stars of 2008/2011. Beebe also will include a sampling of recent essayistic videos, presented as live-narrated documentaries. Topics will include a range from the forbidden pleasures of men crying to the racial politics of font choices and the real spaces of virtual economy.

“Beebe’s films are both erudite and punk, lo-fi yet high-brow shorts that wrestle with a disfigured, contemporary American landscape,” Atlanta’s Creative Loafing wrote. The Independent Weekly said that Beebe’s “implicitly and explicitly evoke the work of Robert Frank, Garry Winogrand and Lee Friedlander, all photographers of the atomic age whose Western photographs captured the banalities, cruelties and beauties of imperial America."

Beebe has since 2007 had more than 130 solo exhibitions all over the United States and abroad, the latter in Mexico, Finland, Spain, France, Canada, New Zealand, Australia, Germany and the United Kingdom.

Wednesday, March 2, 2022

7:00 pm

Suggestion Donation: $5

 

For more information, contact Wim Roefs at if ART:

(803) 238-2351 – wroefs@sc.rr.com

 

if ART Gallery

1223 Lincoln St.

Columbia, SC

THE BEAT - Kismet Kind’s Sad Girl Rock

By Kevin Oliver

“Kismet” is the word for the Arabic concept of destiny, or fate–not the kind one is resigned to, but the kind that greets you with promise, anticipation, and the joy of discovery along the way. The Greenville duo Kismet Kind chose the word as their moniker because of a chance meeting, with joyful repercussions that are still playing out. 

“We met in a kismet fashion in downtown Greenville, through an introduction by a mutual friend,” says Corinne Twigg, who along with Ashley Piotrowski is the entire band. Corrine had a track record as a local singer-songwriter, so they connected immediately over music, since Ashley was a drummer–an instrument largely absent from the former’s then all-acoustic style. “A promise to hang out and jam together turned into a series of Sundays spent in Ashley’s music room,” Twigg says. 

The resulting collaboration intrigued both musicians enough that eventually, they decided to take things public; their first show was about a year ago here in Columbia at New Brookland Tavern–where they return this Friday, March 4th.  

So, what happens when a confessional singer-songwriter crosses paths with a rock ‘n’ roll drummer? In Kismet Kind’s case, the musical mind-meld creates a cacophony of swirling guitar sounds and crashing cymbals, underpinned by Piotrowski’s propulsive timekeeping. An audio collision of Sleater-Kinney and Speedy Ortiz, the tuneful racket supports lyrics that would still feel equally at home in a sensitive indie folk song. The more electric, eclectic sound amplifies not only the instruments, but the themes addressed in the song’s subjects.  

“We wear our hearts on our sleeves,” Twigg says. “We find the writing process to be just as healing and as cathartic for us as it is to share the finished product in a room full of listeners.” 

The duo has even coined a name, or a subgenre, for what they do– “Sad Girl Rock.” 

“That most closely describes the emotional nature of our sound,” Twigg explains. “We aren’t your typical female duo because we aren’t afraid to connect with the loneliest person in the room from our vulnerable place on stage.” 

Their star has risen quickly on their home turf, with the Upstate Music Awards nominating them for “Best Duo/Group” and “Best Live Act,” an impressive achievement for a brand-new act. 

“To be as fresh on the scene as we are, seeing our name on anything–let alone nominations for the Upstate Music Awards–floored us,” Twigg says. “What means even more is to see familiar faces at our shows; it’s amazing to feel that support and it never gets old.” 

There are no formal studio recordings of Kismet Kind yet, but the duo is working on something for release in 2022. Until then, you can hear some of their music on a livestream they did last summer with the YouTube channel At The Addition: https://youtu.be/OOfx2IohVUc

 

Where: New Brookland Tavern

When: 7:00 p.m.

With: Hillmouse, Death Ray Robin

How Much: $10