Congratulations to Poetry Out Loud Winner JESSIE LEITZEL!

JESSIE LEITZEL

The Jasper Project congratulates Jessie Leitzel on winning first place in the South Carolina Poetry Out Loud State Finals, held Saturday, March 9th at Richland Library. Leitzel was one of six finalists who competed in the finals for the national recitation competition and will go on to compete in the final competition in Washington DC later this spring.

“Leitzel was composed, confident, and they presented themself as a bright and progressive representative of South Carolina,” says the Jasper Project executive director Cindi Boiter who, along with Jasper Project board of directors member, Al Black, Marilyn Matheus, and Lester Boykin, adjudicated the event. Ray McManus was the host of the event, and Paul Kaufmann was the accuracy judge. Shannon Ivey was the performance coach and Eric Bultman served as recitation coach.

Leitzel is a nonfiction writer and poet studying creative writing at Charleston County School of the Arts in North Charleston. They are the co-founding editor of the literary magazine, Trace Fossils Review, a 2024 Presidential Scholar in the Arts nominee, a gold medalist of the Scholastic Writing Awards, and a YoungArts Award winner with distinction in nonfiction.

Winning second place was Abhirami Nalachandran from Calvary Christina School in Myrtle Beach and Catherine Wooten of Westgate Christian School was awarded the third place prize.

Other finalists included Eve Decker of Spartanburg Day School, Erin Maguire of Socastee High School, and Gemma Williams of Ashley Hall in Charleston.

Congratulations to all the finalists, as well as to the Columbia SC arts community for coming out to support your literary artists!

Columbia Children’s Theatre Welcomes Debra Leopard

From our friends at Columbia Children’s Theatre —

Columbia Children’s Theatre (CCT), the Midlands’ only professional theatre specifically for families and young audiences, is thrilled to announce the addition of theatre veteran Debra Leopard to its artistic staff. 

Debra has been involved in Theatre Arts since she was 11 years old. She received her BFA with an Acting Specialty and her MA with a Directing Specialty from the University of South Carolina. She has been teaching, acting and directing in the Midlands since the early 1980s. Her directing experience includes shows at USC, Workshop Theatre, Lander College, Chapin Theatre Company, and Village Square Theatre. She has directed over 100 shows, most recently Young Frankenstein and The Addams Family. 

Debra also has an extensive acting resume including lead roles in shows such as As You Like It, The Odd Couple: Female Edition, The Wizard of Oz, The Man Who Came to Dinner, Always Patsy Cline, Second Samuel, CLUE, and many more. She most recently served as the Artistic and Education Director at Village Square Theatre in Lexington. Her teaching experience includes USC, Workshop Theatre, ICRC, Lander College, Newberry College, Millie Lewis of Columbia, and DeAbreau  modeling Agency. Debra has taught acting, directing, voice and diction, audition techniques, dialects, improv and acting for the camera across the state. She has also collaborated with actors with special needs in a number of programs including the award-winning Carolina Actors with Special Talents. 

Deb joins CCT as Artistic Associate and will helm this summer’s production of Seussical. “Debra and I went to college and graduate school together,” says CCT Artistic Director Jerry Stevenson, “and we finally get to work together!” Deb will also be directing for CCT’s Mainstage, The Peanut Butter and Jelly Players and our Entr’acte Ensemble. “I am thrilled to be working with the 2022 South Carolina Theatre of Distinction,” says Leopard, “not to mention that their new location is just minutes from my house in West Columbia.” 

Stay tuned for info regarding our summer show and Deb’s Audition Workshop!

 

About CCT

Columbia Children’s Theatre is a professional resident not-for-profit theatre dedicated to providing quality live theatre experiences for families and young audiences and is supported in part by the City of West Columbia and the South Carolina Arts Commission, which receives funding from the National Endowment for the Arts.

It's Oscars Weekend -- Columbia Creatives & Film Lovers Pick Their Faves from This Year and Others by Wade Sellers

As the cinematic award season concludes Sunday evening with the Academy Awards, Jasper asked creators and film lovers around Columbia about their most memorable movie viewing experience of 2023. Some loved new film offerings from the year. Others re-visited older classics or childhood favorites and saw them with a new point of view. Some anticipated a film only to be disappointed. Our list of Columbia creators and film lovers offered a diverse list of favorites, and we invite you, if you haven’t already, to view some of their favorites when you can.

 

Kwasi Brown - Founder, Black Nerd Mafia  

My favorite movie this year was Thanksgiving. Horror is my fav genre, which typically has a lot of disposable content. This movie, while set in modern times felt like a throwback slasher. It also explores themes of American consumerism and how out of hand it has gotten. Great kills, light humor, and an interesting compelling story. Eli Roth can be hit or miss but I’ve been waiting for this movie since the fake trailer appear in Tarantino's grindhouse forever ago and he didn't disappoint.

 

Marty Fort - Musician & Owner, Columbia Arts Academy, Irmo School of Music, Lexington Arts Academy

I watched The Goonies with my daughter. As far as what was new about The Goonies was how intense parts of it were. Sloth in hand cuffs. The mobsters. And the visuals, Oregon, the music, etc.

 

Laura Kissel - Director, School of Visual Art and Design, University of South Carolina

I loved Barbie! It captures the powerful, fun, and imaginative play a lot of young girls have when they are full of agency and fearless. Great, nostalgic set design for Barbieland, catchy song and dance sequences, and a terrific critique of the patriarchy. And I had no idea there was once a video of Barbie with a camera in her body. I want one! 

  

Merritt McNeely - CEO, Flock and Rally 

Nimona was #1. And magically, was also created by a local. But we didn't watch it the first time through that lens. For me, I cried b/c I realized the struggle that Nimona was sharing with the world - about having to be someone else until you finally just have to be you, and how hard that can be. I felt like it was the exact message my child needed to hear - whether he understood that or not. I don't know why my son cried during Nimona, he can't quite explain his feelings yet, but something moved him to tears as well. 

Tracie Broom - Co-Founding Partner, Flock and Rally 

I absolutely loved Poor Things. I found it incredibly funny and creative, and it shows a version of what women *might* want to question and explore if we weren't conditioned from a very young age to see ourselves, and our usefulness, in a limited way. Plus, what a treat for a Yorgos Lanthimos movie to wrap up on a high note!

Ed Madden - Poet

The Quiet Girl. Gorgeous. Irish film, part in Irish language. Based on novella Foster by Claire Keegan. Heartbreakingly beautiful. Things unsaid. Gestures. What is family. Who is a parent. A slow revelation, the ambiguity of the ending. The cast—Carrie Crowley was so amazing, and Catherine Clinch.

 

Cedric Umoja - Artist

Surrounded. I found the storytelling, cinematography, and acting to be excellent. It was a great way to expand upon the western genre by making its hero a Black woman who had served as a Buffalo soldier before becoming a traveler. She was everything we, as the audience, hoped she would be. 

 

Sumner Bender - Executive Director, Nickelodeon Theater 

I really enjoyed AIR, Barbie, Past Lives, and Oppenheimer. I think Oppenheimer is my favorite though. It's almost cliche because it is so critically acclaimed. I didn't see it when it first came out, but I watched it later and 10 minutes in I realized why it was so hyped up, because it is incredible! I have no qualms about loving popular movies!

  

Jay Matheson - Musician, Owner The Jam Room 

Biggest disappointment was Leave the World Behind. Looking through the 2023 film list the only one that stands out is Jules. It was quite offbeat and dealt with quite a few subjects in a unique way. Aging being a theme. Brian and Charles had to be the standout film that I ran across. Very funny and quite absurd. Not for everyone but I thought it was great. I don't keep notes so I'm sure I've forgotten a few. It was a busy year for me, so I did not watch as many films as usual.

 

Keith Tolen - Artist 

I found myself watching a film I know I have seen almost a hundred times. It’s Cool Runnings. I can’t get enough of it. I don’t know why. It has the beating the odds moments and yet how to handle defeat. I also love the flavor of the film. After all you are in Jamaica. What could be better. Solid acting and my go to film when I need to recharge.

 

Amy Brower - Actor, Artist, & Owner, Brower Casting 

2024 gave us....Barbie. The first act of the film can only be described as a cotton candy fever dream. (Which my inner 5-year-old unapologetically enjoyed) As someone familiar with (and deeply appreciative of) Greta [Gerwig]'s work, I was bracing myself for the gut punch of unflinching reality in there somewhere. And sure enough there it was, sandwiched palpably between hysterical one liners and over-the-top costume changes. Overall, it was a mixed bittersweet bag (as is womanhood) that succeeds in offering a fresh take on gender equality and self-love amidst toxic culture patterns in society and yes, in ourselves. As much as I look forward to sharing Barbie with my daughters in a few years, I feel no need to wake them from their cotton candy dreams of childhood just yet.  

 

Chad Henderson - Theatre Director & Marketing Director, South Carolina Philharmonic 

My favorite film that I watched last year was Good Vibrations, a 2013 music flick based on the life of Terri Hooley - a record-store owner instrumental in developing Belfast’s punk rock scene. I heard about Hooley while watching a PBS documentary about Northern Ireland and The Troubles, then I saw there was a movie about him. Saw the movie (loved it) and read Hooley’s autobiography. Then, by chance, when I was in NYC last summer the musical adaptation of the film was playing at the Irish Arts Center in Manhattan. So I’m a bit of a Hooligan at this point. 

 

Debi Schadel - Co-Founding Partner, Flock and Rally


Two of my favorites were Women Talking and Nimona. Women Talking was a bold movie with little action which was so refreshing. Nimona made me so proud to see a Columbia native make it and it goes to show you that the big budgets aren't always the best and it's always about the story.

 

Cindi Boiter – Founder & Executive Director, The Jasper Project

A unique film that  may not be on everyone’s radar was 2020’s Kajillionaire. I was drawn to it because it was written and directed by Miranda July (You and Me and Everyone We Know, 2005) and starred some of my favorites - Richard Jenkins, Evan Rachel Wood, Debra Winger, and Gina Rodriguez, with a smaller part played by Da’Vine Joy Randolph (nominated for Holdovers this year.) I loved it because it was quirky, and Wood’s character was a huge departure for her. But more so, I loved its treatment of parenting, and the holes parents can leave in the emotional makeup of their children. In a powerful scene, Jenkins and Winger demonstrate how parenting can be a performance more than a mission. Heartbreaking but, in the end, satisfying.

— Wade Sellers

 

 

MONIFA LEMONS is this week's Featured Poet

This week's Poet of the People is Monifa Lemons.  Before there were titles for poets there was Monifa - one name, no title, was enough.  She personifies what it means to be a poet: gracious, mentoring, talented, and selfless. To know Monifa is to experience poetry in and of the Kakalak. I am honored to call her friend.

Monifa Lemons, also recognized as SelahthePoet, began her poetic journey in Columbia, SC in the late 90s, both as a Spoken Word Artist and as a host at various venues. Her work can be found in various publications. She is currently an elementary school teacher, and a facilitator with USC Trio Upward Bound. Her focus is on creative writing and intentional creation with children and community. She is also following her entrepreneurial dreams as Coffee Roaster and Co-Owner at Haiku Coffee 575, a company she opened in Fall 2020 along with her four daughters and has returned to her original art of acting, playing the principal role of Mama in the short film Crooked Trees Gon' Give Me Wings, Directed by Cara Lawson and Produced by Hillman Grad Productions.

After Dogon Krigga

Bouncing lateral
On wind cutting our eyes
At revelations

B Boys spinning like
Dreidels on pointe listening
To scratched petals bloom

No blinking allowed
Instead, a creation stare


Calloused eyes don’t crack   

Letter from my Grandmother 

Monisa, 

it’s still da same. Dem chickens still gotta be fed, even pass dat rooster. You still gotta wake earlier when youra mothuh. You still gotta find dem chaps a home. You still gotta find a job. a real one. You still gotta stir grits, even if you raisin’ chillen that don’t want em. You still gotta do all of it. Ain’t nobody gon’ cayit forya. You still need a car. You shouldn’t be afraida da walk. You still gotta carry da wood in e’en when there ain’t no stove. You gotta wash. He’s still your uncle an’der was nothin’ we could do. You still gotta learn’na sat here an’ stay. Here. Wit’ us. You know howta make dat nana puddin’? Den you gotta teach’em. Still.   

Moon Cycle

I pinch tissue between first second and thumb
Wrap the roll like gauze over and over. Hand

Slide off palm. Fold in half. Reach between legs. Shove cover.
The hole He hallowed. Seeping. Cursed.

With standing we adjust. Loose.
Plugged crazy. Gathered insane. Stuffed.
Granules of sugar in my spoon. Stirred.
Echoes muffled. Hope absorbed. Picked by cotton.
I now walk in the room.

Water Beckons

Water beckons. Step by step I fill
myself. Up my legs. Down my hands.
slap. splash and play.
Wash me
River. Wash me whole.
Twirl my spirit til I know knot.
Cleanse me. Send a smile down.
Stream it tickling past the legs of another.
Call them out
to wade. Join us…
within the wade.



You Look good

You look good. You look good. Yeah good.

You look good. What are you doing now?

What are you doing? You look good.

You look good. What have you been doing?

What.

What have you not been doing? What were you not doing?

When did you care? When did you care about looking good?

When you do that, you look good.

Look.

Look, you are good. You are good. When did you start to care.

When did you start to care about looking? You look like you care.

About looking good, you look like you care.

You care now. We see that. We can see that you now care about

your look.

See. Look. at What. Care.

Care.

You care now. You now care. Care has been taken in your look.

Now.

What could you be doing? What have you done?

You care. We'll care now. To look at you.

We care to look at you. You look good.

Now.



Al Black Celebrates 1000th Poetry Event March 13th at Cool Beans

At the Jasper Project, we’re excited to share the news of a celebration of one of our own, Al Black, SC’s poetry guru!

Fueled by a labor of love to share and encourage the creation of poetry among his friends and neighbors writ large, for years, Al Black has been staging poetry events ranging from readings to open mic nights to song writers’ circles, and more. Next Wednesday, March 13th will be Al’s 100th poetry event. We’re happy to join the SC Poetry Society in congratulating Al and celebrating this momentous occasion at t pm at Cool Beans coffee in Columbia, SC.

The event is open and free to the public.

Congratulations, Al!

Jasper Announces the Winning Playwright for the 2024 Play Right Series

The Jasper Project is excited to announce that Chad Henderson’s play Let it Grow, has been selected as the winning play in the 2024 Play Right Series competition. Henderson’s play was unanimously chosen from 14 submissions by a committee of four theatre artists including Dewey Scott-Wiley, Libby Campbell, Bakari Lebby, and Jon Tuttle. Henderson’s play will be workshopped during the summer as part of the Jasper Project’s fourth Play Right Series, then presented as a staged reading. Previous winners of the Jasper Project’s Play Right Series include Randall David Cook’s Sharks and Other Lovers, Colby Quick’s Moon Swallower, and Lonetta Thompson’s Therapy.

The Play Right Series was created by Jasper in 2017 as a catalyst for encouraging new theatre art from South Carolina playwrights. The project is unique in that it invites community members to join the project as Community Producers, individuals and couples who take part in the workshopping of the manuscript while they learn about the process of creating theatre art. A minimum fee of $250 per person allows an individual to become a Community Producer who goes on to be recognized as an honored guest at the staged reading of the new script at the end of the project. Previous Community Producers have included James and Kirkland Smith, Bill Schmidt, Ed Madden, Bert Easter, Wade Sellers, Libby Campbell, Paul Leo and many more. Stay tuned for more information on openings for the 2024 Community Producer roster.

Chad Henderson is a professional theatre artist in South Carolina who is known for directing contemporary plays, musicals and original works that mix music, movement, imagination, and invention to create unforgettable works for the stage. Henderson served as the Artistic Director of Trustus Theatre (2015-2021) in Columbia, SC, and is the current Marketing Director for the South Carolina Philharmonic, where he most recently produced Home for the Holidays at Koger Center for the Arts. Selected Trustus Theatre credits include: The Brother/Sister Plays, Green Day’s American Idiot, Evil Dead, Bloody Bloody Andrew Jackson, The Curious Incident of the Dog in the Night-Time, The Last 5 Years, Assassins, The Great Gatsby, Next to Normal, and The Restoration’s Constance - an original musical for which Henderson also authored the book. Henderson has directed with various theatres in South Carolina including Workshop Theatre of South Carolina, The Columbia Children’s Theatre, Spartanburg Next Stage, and Theatre South Carolina (USC). Henderson has completed three residencies at The Studios of Key West, where he developed new works and directed as part of TSKW’s One Night Stand, a 24-hour new play project. His short film Overture, which he wrote and directed, won the 2017 Second Act Film Festival Audience Choice Award. In the last theatre season, Henderson directed Hundred Days (Workshop Theatre), a staged reading of Moon Swallower (Jasper Project), Don’t Let Pigeon Drive the Bus (Columbia Children’s Theatre), and Clyde’s (PURE Theatre). Other Charleston directing credits include Living Dead in Denmark (College of Charleston), The Brothers Size (Piccolo Spoleto), and PURE Theatre’s lauded production of Fun Home in 2018 which was revived for Piccolo Spoleto that same year. Chad lives in Columbia, SC with his wife Bonnie, whose love and support fuels his passion for the theatre. Visit his website for more information on the artist.

Jasper's Sidewalk Gallery at the Meridian Building Featured Artist - Debi Kelley

The Jasper Project welcomes four new artists to our 24/7 gallery space in the large streetside windows of the Meridian Building along Washington and Sumter Streets in downtown Columbia. Our board of directors member and Sidewalk Gallery curator, Kimber Carpenter, shares the goods on a new artist each week. This week we’re featuring the artist, Debi Kelley!

Debi enjoys painting classic cars/trucks, wildlife and the colorful landscapes of the South. She is currently an Associate Member of the Pastel Society of America and a Master Pastelist with the Southeastern Pastel Society.  She is also a member of the Pastel Society of SC and the Crooked Creek Art League.  She has received awards in international, regional and local shows, including the Pastel Society of SC, Southeastern Pastel Society, Union County Arts Council, Fairfield County Arts Council, Spartanburg Art Museum, SC State Fair and Crooked Creek Art League.  Her work has also been exhibited at ArtFields.
"My goal as an artist is to draw the viewer in to the painting for a closer look by using liberal touches of color, unusual angles, and detailed drawing to capture movement and life.  I want my audience to create their own story while traveling through the painting."

Join The Jasper Project for Dogon Krigga’s Closing Reception and Artist Talk at Koger

The Jasper Project and the Koger Center for the Arts have teamed up to showcase the work of Dogon Krigga in The Nook, the rotating Jasper Gallery in the latter’s second floor lobby. The work will be up until the third week of March, but we will host a Closing Reception and Artist Talk for the exhibition on March 13 from 6 to 7:30 p.m. The event is free and open to the public.

Dogon will be present to give a talk about Afrosurrealism in art, what inspires them to create, and the intentions behind each piece. Additional prints and merchandise of Dogon’s will be available for purchase during this reception! We are excited to work with Jared Johnson, the onsite photographer and reporter, for the evening, who will be moderating the talk.

Dogon’s Artist Statement:

I use vinyl, paper, and other media on a variety of surfaces to create mixed media collages and murals printed on vinyl, paper, and other adhesive substrates. I draw inspiration from spiritual principles and esoteric concepts found across the African Diaspora to create surrealist artworks at serve as portals into other worlds, and viewsations of Queer, Black people, culture, and identity in an alternate dimension. I use these materials and approaches to encourage the viewer to experience and seek the subtle and unseen worlds, while reflecting on their place in it. I use my work to challenge the status quo and disrupt the conventions of what we know to be cisgendered, heteronormative, and patriarchal ideologies, while offering something beautiful and uplifting in its place. Through this creative process, I seek to make a real way of being in, thinking of, and viewing the universe that celebrates, preserves, and restores historically excluded communities.

Jasper Welcomes "Embracing Your Inner Child: The Art of Cait Patel" to Jasper's Tiny Gallery for March

DOT MATRIX

Cait Patel, also known as “The Blissful Hippie,” has been popping up around the local art scene with her bright, inviting abstract paintings for some time now. Learn more about Jasper’s March Tiny Gallery artist here!

 

Patel has called South Carolina home for life, growing up around the Cayce area. She has loved art since she was a child, inspired by her father, who is also an artist and one of her biggest supporters. This led to her studying Studio Art at the University of South Carolina and graduating with a degree in 2014.

 

“I used to love drawing, which was my focus in college, but as I got older, I got more into abstract work,” she recalls. “I was inspired by the great abstract artists of the past like Matisse and Picasso and that has very much influenced the kind of work I do now.”

 

Once she started painting, Patel couldn’t walk away from it, saying that she “love[s] painting because of how free and colorful it is.”

 

Mostly, Patel focuses on abstract expressionism, presently inspired by the flowers and plants she collects around her home. Her paintings are an encapsulation of the nature around her everyday life, and this liveliness is key to her work.

 

“My goal is to create something and nothing at the same time. I love color and want to brighten spaces with my work,” Patel shares. “But I love that everyone can see something different in a heavily abstracted work of art.”

 

ARCHIVE

Patel continuously works to connect to her inner child—something she believes everyone has—and she hopes her work will help others connect to this as well. Part of this connection is letting go of “rules and restrictions” of what her work “should” look like.

 

“I don’t want to put a lot of restriction on myself when creating a new painting because I want it to be the truest expression of my feelings in that moment,” she says. “However, if I want to create a cohesive set of pieces, I may stick to one color scheme or style for a body of work.”

 

When it comes to actually putting a piece on canvas, Patel rarely has a concrete plan, instead selecting a color scheme and simply going with the flow. Though ideas may form in her head, she tries to resist any boundaries, following the piece as it grows and shifts organically.

 

“I also frequently ‘finish’ a piece and hate it and then immediately paint over it. I feel a work isn’t fully finished until I can look at it and say, ‘I love this, and it makes me feel like an artist’, she says. “That’s typically my gauge of when a piece is done. This can take anywhere from three days to three months.”

 

For this Tiny Gallery show, Patel made a whole new slate of pieces, each rife with the unboundaried colors she loves. On the show, she says:

 

I like to think of this show as my Summer Love collection. I wanted to evoke feelings of excitement about spring flowers and warm weather. Two things which I dearly love! I want my paintings to be eye catching and bright and to inspire others to their creative pursuits. My favorites are probably “Dot Matrix” and “Boba Party.” I love bright neon colors juxtaposed with black as it tends to really make a piece pop! I also have been experimenting more with having the frame be a part of the artwork, which is why I really love “Dot Matrix.”

Excitingly, this is Patel’s first solo show. Though this is the case, she has participated in other shows, and she recently took part in the Art for Africa fundraiser, which is an experience she holds dear.

 

“I really love doing fundraisers or gift pieces as an artist,” she says. “I love being able to use my art voice as a way to help others.”

 

To peruse and purchase her works from this show, check out Jasper’s virtual Tiny Gallery, and to stay updated on Patel as she continues to work towards larger piece and an in-person gallery show, follow her on Instagram @the_blissful_hippie

This Weeks's Poetry of the People with Al Black features Charles Watts

This week's Poet of the People is Charles Watts. I know Charles from his work with the Poetry Society of South Carolina when he sends me emails asking if I paid my dues this year and from hearing him read his work at various events. He uplifts any room he is in and is an asset to Carolina poets. —Al

Early in his career, Watts had an underground play (“Visigoths”) produced in Los Angeles, which led to scriptwriting contracts for several TV series, including “Kojack” and “Here Come the Brides.” He fled Hollywood, got an MFA in poetry, and went to Iran to teach literature at several Universities. For five years, he edited Seizure, a magazine of poetry and fiction. He has also been a cab driver, social worker, refugee worker in camps in Malaysia, Indonesia, and Costa Rica, and owner of a tour company. His poems and stories have been anthologized in Road Poets, Adirondack Epiphanies, Schroon River Anthology, Northern Oracle, and Karma in the High Peaks, which received the “People’s Choice Award” for best book of 2010 from the Adirondack Center for Writing. His poems won the Patricia and Emmett Robinson Prize (2015 - Poetry Society of South Carolina) and first place at the North Country Writers Festival twice. His books include Cure Cottage (five one-act plays), Raptures (short stories), Waking Up in a Beautiful Room (poems), and The Road to Swat (a chapbook of travel tales). He splits his time between Charleston, SC and Lake Placid, NY.

Of That Which We cannot Speak

“Of that which we cannot speak, thereof we must be silent.”

Tractatus Logico-Philosophicus

-Ludwig Wittgenstein

God does not manifest in the world

Because s/he does not exist in it

The mystical fact is that creation abides

Beyond the realm of words, beyond saying

Theology is an impotent attempt

To blur our vision with bones

Sans flesh, odes to the ineffable

That can only lead to misinterpretation

The ethical, the metaphysical, the aesthetic

The existence of the real and indescribable

Truths that my words can only compromise

Or misrepresent or falsify the meaning of

Darwin my beagle inhales squirrel musk

Spots the beast on a branch and howls, leaps

Against the tree truck and snorts like a pig

And I can describe it but not what he feels

Not the truth within his experience

Which is equally real to him as his dream

Of a forest filled with rabbit deer coyote fox

And all the joys that force his tail to wag

Oh, do not ask me to be silent

I must write my words until they approach

The edge of truth, not the truth itself

For that is where God dwells

Cancer Redux

A year and a half

Clean and clear

Is all that was granted

Through the chemo and

Immuno and who doth know

What else became involved

There was not a single symptom

No nausea, palpitation, fever

Fear, regret, or why the hell me

Took up swimming and made a mile

Took up walking the dog as we

Both forest bathed in the mountains

In fact, did all that was asked

And yet here we are

With new scans and new cancer

Send no damned affirmations

No prayers or it will be alrights

No links to peace and serenity sites

I am not happy nor am I pissed

Nor have I given up nor

Accepted what I cannot change

The recycling truck just passed my window

My view of the pond is clean and clear

If Nothing Lasts

If nothing lasts

Everything matters

The lizard on the palmetto palm

The glass hummingbird feeder

Its contents and patrons

The mouse I emptied into the trash

After the trap I set committed murder

The monk who condemns me for it

The sparrow that broke its neck

Trying to fly through the window

Into my room, the fly I swatted

Fireworks over the palace of ice

A week before the rain

Begins its melting

The mushrooms I picked and ate

Even though I could hear their screams

In the silence of the forest

The snow leopard that stalks me

In my dreams, the poison frog

I lick to fall asleep

My coonhound, who ambled with me

Out of the car into the vet's office

For his final shot at life

Everything matters

If nothing lasts

The Emptiness of Time

In a world with no sense

Of time, no word for past

Or present or future, where

All is the eternal moment

With no separation of then

From when or when

From now, there is

No need for watches

Watch only the moon

Test your emotions

As they change from

Night to night

At the new moon

You will be open

To new ideas

Write a poem

As the moon moves

Toward fullness

You will get more done

Edit the poem

As the moon begins

Its fading you will

Get no thing done

Time to dance

And in the moon’s

Fourth week

Organize yourself

Coldly calculate

The subject of your

Next poem

Jasper Collabs with Richland Library for A BIG TINY GALLERY Art Exhibition March 15th through ARTISTA VISTA

The Jasper Project is delighted to join forces with Richland Library for A BIG TINY GALLERY, an art exhibition inspired by the Jasper Project’s Tiny Gallery series which originated in the Jasper studio at Tapp’s Arts Center in October 2018 and transitioned to an online only project early during the Covid pandemic. A BIG TINY GALLERY will feature a selection of previous Jasper Project Tiny Gallery artists who were invited to show and sell physically smaller pieces of art at affordable price points that would ostensibly be more attractive to beginning art collectors and other artists. No art measures more than 25 inches in any direction or is priced over $250.

The exhibition will open on Friday March 15th  from 7 – 11 pm during Richland Library’s OVERDUE: Curated for the Creative event, with a closing reception on Friday, April 19th from 6:30 – 8:30 as part of Richland Library’s celebration of Artista Vista.  Both events are free and open to the public.

Visual artist and Jasper Project board of directors member, Keith Tolen, is managing this project, working with Ashley Warthen, who is a librarian and arts coordinator at Richland Library.

Artist - Renee Rouillier

Participating artists include Tennyson Corley, Ginny Merritt, Chilly Waters (Richard Hill), Regina Langston, Benji Hicks, Ron Hagell, Christopher Lane, Keith Tolen, Lucas Sams, Lindsay Radford Wiggins, Thomas Washington, K. Wayne Thornley, Jeffrey Miller, Kathryn Van Aernum, Mary Ann Haven, Fred Townsend, Adam Corbett, Crush Rush, Vanessa DeVore, Pascal Bilgis, Michael Krajewski, and Sean Rayford.

Artist - Sean Rayford

The Jasper Project will oversee sales of art via QR codes, scannable with a smart phone anytime the library is open.  Proceeds go directly to the publication of Jasper Magazine.

The Jasper Project is an all-volunteer organization with no paid employees and a working board of directors who manage a number of multidisciplinary projects ranging from the Second Act Film Project to Fall Lines literary journal, the Play Right series, and many more one-off adventures. For more information please visit JasperProject.org.

Opening Friday March 15th  from 7 – 11 pm during Richland Library’s OVERDUE: Curated for the Creative

~

Closing Reception on Friday, April 19th from 6:30 – 8:30 during ARTISTA VISTA

Congaree Trio featuring Hometown Talents of Phillip Bush, Claire Bryant, and Ari Streisfeld perform with Dan Sweaney at ACKC

From our friends at the Arts Center of Kershaw County …

The Arts Center of Kershaw County is proud to announce a performance by the Congaree Trio entitled Spring Romance. Spring Romance is described by the group as "a luscious program of romantic music for strings and piano." The program features an incredible mix of pieces by Lili Boulanger, Felix Mendelssohn, and Antonin Dvorak.

Made up of USC School of Music professors Phillip Bush (piano), Ari Streisfeld (violin), and Camden-native Claire Bryant (cello), this trio is a testament to the world-class talent that can be found right here in South Carolina.

In this performance, they will be joined by guest violinist Dan Sweaney. Sweaney is a renowned violist and educator with an extensive background in music education and performance, having studied and performed across the United States and Europe. Sweaney has performed with the Camerata Salzburg at major venues and festivals globally, and has collaborated with violinist Annette-Barbara Vogel, earning critical acclaim for their recordings.  Currently, he serves as an Associate Professor of Viola at the University of South Carolina.

 Thursday, March 7, 2024
6:00 pm (doors open), 7:00 pm (performance)
Wood Auditorium
$25 (adults), $15 (students) 
 
Part of the Claire Bryant & Friends Series. 

Purchase Tickets

Opening Reception for Anthony Lewis at Harbison Theatre - Friday, March 1st

Anthony Lewis at Harbison Theatre Gallery

  • Friday, March 1, 2024

  • 6:30 PM 8:30 PM

  • Harbison Theatre at Midlands Technical College7300 College Street

  • Irmo, SC

Join The Jasper Project and Anthony Lewis as we celebrate the opening of his exhibition in the gallery space at Harbison Theatre. 
 
At 6:30 PM, Anthony will speak briefly and give you the opportunity to enjoy his work prior to the opening curtain for The String Queens. During intermission, you’re invited to revisit the art and speak with Anthony individually. His artwork will be available for purchase. Learn more about Anthony and his work below.

The exhibition is free and available for viewing from March through May 2024.

About Anthony Lewis

Anthony Lewis is a South Carolina based abstract figurative painter and photographer. Lewis studied at the School of Visual Art and Design where he graduated from the University of South Carolina with his Bachelor of Fine Arts, Studio Art with a concentration on painting.  

Anthony, a multi-disciplined visual artist, likes to explore the good the bad and the injustices around the black folks' experience in the United States such as, mass incarceration, black on black crime, police brutality, mental health, suicide, the beauty of being black and the everyday struggles of the black man, woman, and child dating back to the early 1900s throughout the great black migration, Harlem Renaissance and well up into the 70s.  He enjoys the concept of being able to travel back in time and capture the being of black folk. 

He likes the use of different techniques and mediums such as acrylic, oil, charcoal, mixed-media, assemblage, and black and white film photography. He merges small scale vintage black and white photographs and larger scale paintings of black people in his paintings to form a collage. He enjoys the exploration of the creative process so he can stretch the limits of his ingenuity, flexibility and mediums needed to be successful during the process. He admires the thought of not being confined in an innovative box.  

Artist Statement

As a visual artist, I like to explore the good the bad and the injustices around the black folks’ experiences, such as, mass incarceration, black on black crime, police brutality, mental health, suicide, and the beauty of being black and the everyday struggles of the black man, woman, and child. His African American men and women dating back the early 1900's, the Black Migration, and the Harlem Renaissance. 

I have always enjoyed thinking about what my life would have been like if I could time travel and live in a different time and place, how I would have existed, loved, struggled, and breathed in another climate, so I named this series, “Blk Beingz-Essence of Matter’ as a need to revisit the existence of black children from different times in the past, like the renaissance era, slavery, the early 1900s and the great migration. 

This series will introduce you to the work I have done over the course of my BFA program at the University of South Carolina. This body of work includes different techniques and mediums such as oil, graphite, mixed media, collage, assemblage, black and white photos. 

I enjoy the exploration of the creative process so I can stretch the limits of my ingenuity, flexibility and mediums needed to be successful during the process. I also admire the thought of not being confined to an innovative box. 

Some of Anthony’s influences are, but not limited to, Jacob Lawrence, Gordon Parks, Augusta Savage, Bisa Butler, Kara Walker, Jean-Michel Basquiat, and Romare Bearden.

News from Columbia Repertory Dance Company - Riggs CreateAthon and DUMBO Dance Fest in Brooklyn

At Jasper, we have a special place in our hearts for Columbia Repertory Dance Company for many reasons. To start with, the company is working to change an unhealthy dance culture in Columbia that still supports dancers weighing in before they can dance and being suspended without pay when their weight comes in a bit high. We like the way they choreograph around dancers of all ages and sizes. And given the reality that the dance season in Columbia is rarely more than 6 months long — and professional dancers here tend to be forbidden to dance with other companies, even when they are off-contract — we like the way CRDC provides a dance home for professional dancers who rail against this unfair practice. On top of this, we’re particularly proud of this young company because the organization started out as a Jasper project before becoming a non-profit dance company in their own right. So we’re happy to share news from the CRDC with you. 

Columbia Repertory Dance Company is thrilled to announce that they are one of five groups chosen as clients for Riggs Partners 2024 CreateAthon"Riggs Partners founded CreateAthon in 1998 as an innovative way to provide probono marketing services to nonprofits in South Carolina." Over a two day period in March, a team at the design firm will work to help supply CRDC with the marketing tools and direction they need to better fulfill their mission of broadening the patron experience and extending the dance season in Columbia.

In more news for CRDC, for the second year in a row, Cola Rep Dance Company has been invited to perform in Brooklyn, NY at the DUMBO Dance Festival. Happening June 27-30, this year the company's selected repertoire is Stephanie Wilkins's Ache, performed most recently in their 2023 concert, In Our Time. Last season, the company took seven dancers to perform the works Agitato and Forgiveness Part 2 at the same festival.

 

Auditions!!!

Columbia Repertory Dance Company still has some openings for dancers. They are seeking professional dancers with availability April through September on Monday and Friday mornings, weekends and the occasional evening.

Send headshot, resume, and work samples to Colarepdanceco@gmail.com

Poetry of the People Featuring TAMARA MILES


This week's Poet of the People is Tamara Miles. Tamara is a dynamo. She hosts workshops, readings, salons, and poetry walks in state parks. As the president of the Poetry Society of South Carolina. She is busy attempting to visit every corner and every county in South Carolina. 

Tamara Miles has been teaching English at the college level for over 25 years. Her poetry has been published in a variety of journals and anthologies, and she has a small event chapbook called Earth Gospel. She was the director of the Writing Studio at Orangeburg-Calhoun Technical College for five years. Spirit Plants Radio hosted her radio show called Where the Most Light Falls, which featured poetry and music. She attended the Sewanee Writers Conference in 2016, and a Rivendell Writers Retreat in 2017 as well as several other festivals and conferences. She has been a featured poet for many events, including at O’Bheal in Cork City, Ireland and at a festival in Devon, England.

 

Townsend’s Rocky Mountain Hare

(an ekphrastic poem)

 

Drawn on stone, the Audubon pair sit side

by side and stare, alert to the hawk, one’s long ears

hung back, his mate’s up like a question, one tail

harnessed flat to ground, one hooked to sky,

 

on the whole designed for speed, earnest

as a schoolboy’s raised hand to his teacher’s

hostile eye --- and after school, the mad dash home

in early summer heat --

 

jackrabbits, half helpless on the wormwood plain,

white throats thick, markings as signal red as a fawn

or a fresh bruise ---

 

only their feet fly to where they might hide out

in a hollow, but here they are held still as punctuation

marks that halt a rush of thoughts and hush wild words ---

 

years I spent in flight, the suspected hazard

unresolved on canvas. A harsh world for the ones

who wait, huddled, for their names to be called,

for the brief lifting upward, before silence.

 

 

 Tommy’s Dream

 

Tommy grew on rural land,

away from the city’s clatter.

At seventeen, bruised and battered,

stumbling home, he fell half alive

and could go no further.

 

He went to bones in a row

of blackberry bushes three miles

from his country door. Blackberry

vines covered his body until his skull

and twenty-five other bony pieces

of him were spotted by a neighbor

searching for dark fruit.

 

I read about in the newspaper.

 

I remembered the lake house

I rented, for a year in Heflin, Alabama,

where blackberries grew wild

around a spring, and snakes

that must have been there did not bother

me.

 

My small worries didn’t matter.

 

The blackberries grew so rich

and fine that year, boldly black,

and at homes all around the south, juicy-full,

our hands that picked them scratched

and bled in scorching heat to find

and claim them for cobbler served

warm with ice cream.

 

With these hands,

we made our pleasure. We tasted

what was left of Tommy’s dreams,

sadness spooned through the batter.


 

In a Dream, My Father

 

A city at night, a carnival

in neon green just across

the water,

 

welcoming

Ferris wheel, bridge,

 

a kind of train or sled

pulled by jackaloxes,

and next a cart of fruit

spilling toward me.

 

I caught a navel orange,

bruised at the top, studied

it and put it back.

 

A fancy hall, red-painted

walls; I pushed a man

in a wheelchair toward

a door,

 

and on the other

side people waited in line,

excited to see the show.

 

I can’t give you everything,

I said, but I can give you

this,

 

and in his childlike way

he stared, holding tight

to a stuffed animal

I’d won.

 

  

Kitty Hawk, 1903

 

As boys, the bike-shop brothers

flew their kites and clutched

at guiding strings.

 

They saw the gathering wind

had blind ambitions,

and witnessed, too, a band

of birds climb toward

culled clouds with ease

as if the sky had called

their names.

 

Then, in the dreams

that come to boys,

the names they heard above

were theirs – Wilbur wrote

of his obsession as disease.

 

Always, first, a dream is met

with some suspicion, both

within the self and out.

 

What crafted wings

could bear the two to clouds?

Their parents winked --

others must have laughed

out loud, offered nothing

but derision.

 

Now, in December,

to the Outer Banks

they came, past the seven

hundredth glide, and for twelve

seconds rose on powered wings

because they were more

brave than proud

and sought true freedom

more than fame.

 

REVIEW: USC'S A RAISIN IN THE SUN Offers "A Masterclass" by Turner and Sanders

A Raisin in the Sun is the story of the Youngers, a Black family, living in poverty in the South Side of Chicago in the 1950s. It is the story of the “American Dream,” and the true ability, and the cost, of achieving that dream. Lena (Jocelyn Sanders), her son, Walter Lee, Jr. (De’On Turner) and his wife Ruth (Aaliyah Broadwater), her daughter Beneatha (Fiona Schreier), and Walter Lee and Ruth’s son Travis (Dorian Mitchell)  live together in the same run-down apartment Lena and Walter Lee Sr. moved into right after their wedding. There is a shared bath down the hallway.

The Senior Mr. Younger has recently died, and the family is waiting on the arrival of a life insurance check for $10,000.00. A life-changing sum. Each family member has a different dream for the money – Mama and Ruth dream of owning a home, Walter Lee wants to purchase a liquor store in order to become a successful businessman, and Beneatha dreams of going to medical school.

Walter Lee is employed as a chauffeur, and chafes at the restrictions imposed on him by his color and his demeaning position. He sees purchasing a liquor store as the way out and up. Lena, a God-fearing, church-going woman, is utterly opposed to both the sale and consumption of alcohol; it becomes very clear very early that the insurance money will never be used to achieve Walter Lee’s dream. Lena and Ruth, each domestic workers, yearn to move out of the dingy apartment and into a “real” home. The small determined potted plant in the kitchen window represents Lena’s wish for a garden of her own. College student Beneatha is trying to fight the stereotypes of Black women, the oppression of the Black community, and is questioning the religious beliefs with which she has been instilled from birth. Travis is an adorable ten-year old kid being spoiled into oblivion by his doting and over-indulgent grandmother. But wait! There’s more! Ruth is pregnant. Yes. Conflict and confrontation abound.

Lena finally has had enough of the bickering. She leaves the house and, on her return, advises the family that she has purchased a home. In Clybourne Park. A very white neighborhood. (Why buy a house in a white neighborhood? Because it was less expensive than a home in a Black neighborhood.)

“I do not use the term tour de force lightly… It is the only phrase I can use to describe De’ On Turner’s performance”

I do not use the term tour de force lightly. Or even ever. It is the only phrase I can use to describe De’ On Turner’s performance as Walter Lee Jr. His frustration of being a young, intelligent, able-bodied, poverty-stricken Black man is inextricably intertwined with his frustration with trying to achieve his dreams of success. The coiled-up energy inside is barely/rarely concealed. Turner paces the stage with the fluidity of a cat, and is by turns loving, seductive, impish, frustrated, angry, and desperate. He is explosive and, at times, both frightening and frightened. I have seen Mr. Turner onstage a number of times; he improves exponentially with each role.

Jocelyn Sanders is a gift to the stage, and it’s been too long since she’s been on one. Her many directorial outings are well-received, but it is a joy to watch her create one of the theatre’s most enduring characters. Her Lena is loving and tired and frustrated and hopeful. Her musings on her late husband are so vivid that he becomes an unseen yet very present member of the cast. Her heartbreak over the loss of her Walter Lee Sr. is palpable; the family’s chance at achieving the aforementioned “American Dream” exists at the cost of the life of the family patriarch.

Sanders and Turner together is a masterclass. To watch two consummate actors play off  each other is mesmerizing. I truly found myself on the edge of my seat. Columbia has always had a bountiful supply of amazing actors; this is your chance to watch two of the best in action.

“Jocelyn Sanders is a gift to the stage”

Aaliyah Broadwater was able to hold my attention simply by walking across stage. Her love for her husband and her family is ever present, as is her utter exhaustion – both physical and emotional. Fiona Schreier is a fierce Beneatha! On fire to change the world, refusing to marry her current wealth suitor, and learning and understanding more about her heritage from an African exchange student. (Sometimes you also want to smack her for being so self-centered, but … such is youth.)

Michaelmikkel Wright and John Ballard play George Murchison and Joseph Asagai, respectively. Beneatha’s beaus, they provide two entirely different points of view of the Black experience. The son from a wealthy family, George is good looking, shallow, and conceited. He takes no pride his African heritage and has no interest at all in Beneatha’s intellect. (Fortunately, he is only the proverbial “passing fancy.”) Joseph is the absolute opposite. A student from Nigeria, he takes great pride in his lineage and hopes to go back and make a difference in his village.

Mylea Pressley was an absolute hoot as the nosy neighbor, Mrs. Johnson. She barges into the Younger’s apartment, makes herself at home, and proceeds to advise them of the mistake they are making in moving to an all-white neighborhood. She “just happens” to have a newspaper article about the bombing of a home in that neighborhood. She will not be surprised if she sees the Youngers meet the same fate. Her commentary might be seen as jealousy, but it represents the fear of some people to make a change, especially a difficult one. Mrs. Johnson seems quite content with the status quo and doesn’t understand the need to change anything, particularly if it might be dangerous. Pressley’s timing is excellent. Her program bio states this is her first role in a straight play. I hope isn’t her last.

Rowland Marshall is Bobo, one of Walter Lee’s boon companions. He comes to Walter Lee to give him the bad news that the two of them have been had, and both of them have lost all of their money. Marshall’s stance and delivery was exactly that of someone who (along with WL) has made a truly idiotic decision and has to confess the failure. You really hope Bobo’s wife is kind when he tells her the news. Olan Domer plays Karl Lindner, the sole white character. Lindner represents the Clybourne Park “welcome committee.” He is exactly as you would expect him to be and Domer portrays him as smarmily as he is.

There was some “hesitation” from some of the characters early on, but as the play progressed each actor became less halting and more confident, and the lines flowed more smoothly. This was the cast’s first night in front of an audience. It does take a moment to find the rhythm of a show when you add audience responses.

The set, the sound, the costumes were all beautifully executed. (I love a working sink onstage!)  However… having something real to drink in those coffee cups would be excellent. I understand not having any liquid in the beer bottles, but please give the coffee drinkers something to sip.

Lorraine Hansberry’s A Raisin in the Sun debuted on Broadway in 1959, when she was a mere babe of 29. It was the first play written by a Black woman to be produced on Broadway, the first Broadway play with a Black director (Lloyd Richards), and, with the exception of one character, the first Broadway play with a Black cast. In 1959. It took nearly two years to come up with funding to produce the play which went on to win 4 Tony awards, the New York Drama Critics’ Circle “Best Play” of 1959, and a Pulitzer prize.

Ms. Hansberry was born into a politically active family; her father established one of the first Black savings banks in Chicago and was a successful real estate businessman. Mr. Hansberry did purchase a home in a white neighborhood, having won the right to do so after he challenged a Supreme Court decision against integration.

Many thanks to Ron Himes for bringing this classic piece to life. Raisin addresses issues which were prevalent in the 1950s and which still exist today, albeit in a more insidious fashion.

Stephanie Milling, Chair of the Department of Theatre and Dance, PROMISED that the seats in Longstreet will be re-upholstered. From her lips to (insert the name of your chosen deity’s) ears.

A Raisin in the Sun runs through Friday, March 1st at Longstreet Theatre. Three acts with one intermission. Trust me, it does not feel like three acts. Parking is always at a premium around the University, so leave home early to get a space. This weekend there is also a show (“She Loves Me”) at Drayton Hall, a performance by the SC Philharmonic at the Koger Center, and there are women’s and men’s basketball games scheduled. Good luck with that.

 

A RAISIN IN THE SUN

University of South Carolina Department of

Theatre and Dance

Longstreet Theatre

February 23 – March 1

CALL FOR VOCALISTS to Sing the National Anthem for the Columbia Fireflies at Segra Park

Are you looking to join the ranks of the greatest performances of the National Anthem? A list that starts with Whitney Houston, encompasses Jimi Hendrix, Luther Vandross, Chris Stapleton, and more? Now’s your chance!

The Columbia Fireflies have opened auditions for 66 chances to sing the *Star Spangled Banner at their home games this season, but you must schedule an audition for that opportunity by calling or emailing John Oliver at 803-888-3007 or joliver@columbiafireflies.com.

Soloists, duets, and assembled vocalists in any group size are encouraged to step up, but singers under the age of 18 must be accompanied by an adult.

*Controversial ever since it was written in 1814 by the attorney and amateur poet, Francis Scott Key, The Star Spangled Banner began as a poem that was set to the music of a popular British tune by John Stafford Smith, and adopted as the US National Anthem in 1931 under President Herbert Hoover. Thankfully, the third stanza of the poem, which references slavery, is rarely sung.

Infamous Lovers Photos -- Thanks for Coming Out and Supporting the Jasper Project!

For the second year in a row, the Jasper Project had a fabulous Valentine’s Day celebrating with some of the finest performers and sweetest guests in town at Infamous Lovers. An event conceptualized and implemented by Jasper’s own Bekah Rice, who also happens to be our new Managing Director as well as vocalist extraordinaire, we enjoyed an evening of dance, music, good food, good drink, and good friends.

If you were able to join us, thanks for coming out and supporting the Jasper Project, and thanks for choosing to spend your Valentine’s evening with us.

Thanks also to BIG LOVE, TINY COVEN DANCE, CHEF JOE TURKALY, KARI LEBBY, Bottle Artists THOMAS WASHINGTON, MICHAEL KRAJEWSKI, FRED TOWNSEND, REGINA LANGSTON, ADAM CORBETT, ED MADDEN, KEITH TOLEN, AND KIMBER CARPENTER, as well as to our generous sponsors PEAK DRIFT BREWING, SMOKED, WXRY, WAR MOUTH, NEW BROOKLAND TAVERN, HOUSE OF FABRICS, SHVAAS SPA, AND SOUND BITES EATERY, and thanks to writer and photographer KRISTINE HARTVIGSEN for capturing these images of the night!