THE BEAT: Local All-Star Ramones Tribute Show by Kevin Oliver

Although the Ramones disbanded in 1996 after a 20-year run of albums and legendary live shows, the New York punk band’s influence remains strong. It was that legacy which led bassist Jason Carrion of Isabelle’s Gift to choose their music to pay tribute to in this coming Saturday night’s all-star tribute show at the Art Bar. This isn’t just any tribute act, however. Carrion has enlisted a “Who’s Who” list of local musical luminaries to play and sing together in a rotating cast that will present Ramones tunes from the familiar to the more obscure deep cuts.

“This whole thing grew out of my desire to see more of my music friends that I’d been missing the last couple years because of Covid,” Carrion says. “I had lunch with Jay Matheson (of the Jam Room and multiple local bands), and he was on board immediately, as were the people at the Art Bar.” 

The calls to other musicians came next, and Carrion says almost everyone said ‘yes.’ Logistically the preparations have been tricky, with several players coming in from other cities and even other states. 

“Jay let us use the Jam Room for practice, and Web Hulon of lowercase gods opened up his place for us too, so we had different combinations practicing different places with different people,” Carrion says. “Brian Vogle, who used to be in Drown Mary with me, is coming from Atlanta to play this show.” 

Other participants include Carrion’s bandmates Chris Sutton and Scott Frey from Isabelle’s Gift, Patti Davis, currently of the Transonics but also from the late great punk band Six Ten Split, among others, Claude Spurlock of Gruzer, Billy Riot of Soda City Riot, members of Brandy and the Butcher, and Jeremy Martin. Carrion’s own son, who usually does hip-hop music, is involved as well. 

It’s a real history of local bands,” Carrion says. “Jay started playing here in the 80’s, Chris and I came out of the 1990s along with Patti, and the Gruzer guys and Soda City Riot are more recent, down to Brandy and the Butcher.” Even the bands of more contemporary vintage include members who have been around the local music scene for years. 

The camaraderie of getting together and rehearsing these songs has been the biggest benefit for everyone, he adds. 

“There are no full bands participating in this as a single unit,” Carrion says. “Everyone is mixed up with people from other bands, some of whom they’ve never played music with before–that’s been the fun part.” 

While everyone was mostly familiar with the songs, there were some choices made on songs and who would sing what. Not everyone can do “I Wanna Be Sedated,” after all, and there were some songs that even the musicians didn’t want to have to learn. 

“Ramones songs are more complex than people realize,” says Web Hulon, who will be singing two of the set’s 18 picks. “One of my favorites got voted down because it would have been too hard to do, but it was Jason’s idea for me to sing ‘Do You Wanna Dance,’ an older song that was a cover when the Ramones did it.” 

Carrion sees this as a confirmation of being into playing live music just for the sake of playing, nothing else, and he’s excited to be playing with a group of musicians who feel the same way.

“I went to see Soda City Riot for the first time a while back, since Travis Nicholson is playing with them and now also with us in Isabelle’s Gift,” He recalls. “They just brought it that night, every part of that band is great–that’s the kind of energy and level of fun we want to bring to this.”  

The Ramones Tribute Show happens Friday, April 15th at the Art Bar, doors open at 8:00 with the show starting at 10. $8 cover, 21+ only. 

REVIEW: Emily Moffitt's "Dreamscapes"

Dreamscapes by Emily Moffitt - Passage Gallery, McMaster College at USC, March 20-April 2,2022

Emily Moffitt dreams in the third person.

It is in part these dreams that inspired her recent show, appropriately named Dreamscapes. Combining abstractions with representational figures and landscapes, Moffit explores cultural identity, grief, and family trauma.

A Columbia native, Moffit is a senior English and studio art student at the University of South Carolina. Dreamscapes is the culmination of her work as a student artist.

The exhibition features a variety of approaches—the technique evolved over time as Moffit expanded her thematic goals and widened the range of mediums. Beginning with pieces on mixed media paper, Moffit extended her practice to include collaged bits of mylar and yupo. The latter portion of the show includes works on black canvas.

Regardless of what medium she works with, Moffit likes to start her pieces intuitively, using liquid India inks and spraying them with water to allow the piece to develop organically— marks she calls “meticulously random.” She didn’t put pressure on the images looking perfect in the early stages.

“It was a really random process and I really enjoyed how freeing it started out as, with the ability to get more fine-tuned mark making as the piece progressed,” Moffit says.

Half Puerto Rican, Moffit used these pieces to express and explore her identity. After the recent passing of her abuela, the project helped her pass through stages of grief while navigating healthy ways of coping with trauma.

Pieces feature recurring iconography that stems from symbols of the Taíno people, who resided in what is currently Puerto Rico. Turtles, frogs (coquí), icons for the sun and moon god hide between the color and texture of Moffit’s pieces. These symbols are used heavily in modern life in Puerto Rico and are associated with their culture.

“I remember seeing them growing up since my mom had necklaces of some of them, and I have a coquí sticker on my car.” Moffit says. “It’s little things like that I see that makes me feel that much more connected, so I decided to incorporate them into my pieces.

The shared culture and trauma of the family is an ongoing theme in the work— a complicated subject given Moffit’s mixed heritage and limited fluency in Spanish. This sense of fractured identity is an inspiration for and important facet of Moffit’s recent work.

Moffit always dreamed in the third person, but as her mental health became drained, so her dreams became convoluted and confusing. Already in the practice of processing through her art, Moffit used her work as a way of translating these dreams— and her sense of self.

Moffit’s work was initially illustrative (it was only in college that she learned the difference between illustration and fine art), but Moffit progressed into finding an intentional “fine art” style in the past year. This show was an attempt to blend the joy of creating both.

While Dreamscapes marks the end of Moffit’s work as an undergraduate, she has no intentions of quitting art. Moffit doesn’t know where her process may take her. Whether she will continue mapping out dreams or follow another passion, Moffit’s love for the arts isn’t going anywhere.

Until then, Moffit hopes that viewers can use her show as a “conversation starter” for how their own dreams can be perceived. “I used to think dreams didn’t have much meaning until last year and that’s why I ended up making these works in the first place,” Moffit says.

Dream on, Emily Moffit.

By Stephanie Allen

Irmo hosts the 2nd Annual International Festival -- with ART!

From a small, sleepy, rural town of the 1950’s, Irmo South Carolina has grown into a bustling suburb of our capital city and now has some valuable International influences .  As Columbia has grown and stretched its reach across the river, Irmo has become an extension of urban life and with it come the benefits of a small town enjoying big city shopping, cuisine, music and arts, excellent recreational activities, health care, sports, educational opportunities, and economic growth.

The International diversity has significantly added to the quality of life in this community.

The Irmo schools reflect these changes. Seven Oaks Elementary School has students who speak more than 30 languages. Irmo Middle School is an International Academic Magnet School and Irmo High School is an International Arts Magnet. With its many cultural and faith differences, Irmo is a friendly, peaceful place to live.

Irmo is also an economically successful community, and their International residents contribute to that success.

To celebrate this diversity,  Irmo is hosting its second International Festival on April 24 at the Community Park from 10-5 and it is free to the public. There will live entertainment, food, a Story telling tent, art exhibits, vendors, and an opportunity to help build a Rangoli – a beautiful, giant eco-friendly Indigenous art form created on the ground. (If you want to help build the Rangoli bring a small bag of items  to add  pasta, rice, spices, flowers, coffee grounds, beans, bird seed, corn, etc. You can also work on the Rangoli April 18-23 each afternoon beginning at 5pm – a wonderful experience for nature lovers and creative artists of all ages. Supplies will be provided. )

The Irmo International Festival will be a fun day in the park for family members of all ages.

Honoring Kay Thigpen Sunday, April 10th 2 - 5 pm at Trustus Theatre

Celebrate the life of Trustus co-founder Kay Thigpen at Trustus Theatre on Sunday, April 10th from 2:00 to 5:00pm.

The event will include a cocktail hour and a memorial service featuring Trustus Company members hosted by Dewey Scott-Wiley and Chad Henderson.

Kay Kaplan Thigpen was co-founder of Trustus Theatre along with her late husband, Jim. She died on September 20, 2021 at the age of 80. She is succeeded in life by her children Lori Brown (Janet Brabham); Marc Brown (Betsy) ; Erin Thigpen Wilson (Laurens); and grandson Max Brabham.

Kay was a friend, a mentor, a mom, a guiding light for so many, and she will be dearly missed.

In lieu of flowers, the family has asked for donations to Trustus Theatre in memory of Kay. Donations are accepted online at www.trustus.org  or by mail. Checks can be mailed to 520 Lady St, Columbia, SC, 29201 and should include “In memory of Kay Thigpen.”

 

WELCOME VALERIE LAMOTT to Jasper's TINY Gallery

At Jasper, we can’t get over the work Valerie Lamott has put together for our April Tiny Gallery show!

So many descriptors come to mind when writing about Lamott’s art — grounded in place, meaningful, sentimental, powerful, pristine, Cola-centric — but mostly, exquisite! The detail the artist brings to her jewelry, with each piece being hand-made, unique, and personally inspired, makes the opportunity we have to show and offer this work to Jasper readers a real honor.

Valerie Lamott is a Columbia, SC, based jewelry artisan, but can rarely be found there. She's more likely to be hiking or camping or kayaking in any one of America's state parks. She uses these places as inspiration for her artwork and hopes it inspires others to play outside too.

WE hope you enjoy seeing and perhaps purchasing Lamott’s work as much as we enjoy presenting it.

Visit Tiny Gallery for many more pieces.

Check out the whole lineup of Tiny Gallery Artists for 2022.

Do YOU Have your Birthday Party Tickets Yet?

We have limited the number of attendees to 150 including all the participating artists, so don’t sleep on locking your ticket down!

We have music from Post Timey String Band, pop up art performances from Columbia Reparatory Dance Company & others, live painting by Michael Krajewski & Lucas Sams, an art show featuring work from 20 Soda City - based artists, a raffle like you’ve never seen before, food from Chef Joe Turkaly, a VIP Champagne reception and so much more!

THE BEAT - Songs From The Vault: Admiral Radio’s New Album of Very Old Songs

By Kevin Oliver

 

Before we sat down on their front porch to talk about the release of Admiral Radio’s new album Songs From The Vault, I spied a vintage door leaning on the wall in a side room of Coty Hoover and Becca Smith’s charming Earlewood Park home. Described by Becca as “a project that I haven’t tackled yet,” the door’s flaking paint and unusual upper glass panes certainly appeared to be the bones of something that could be repurposed to great artistic effect. The songs on the new album are like that, worn yet comfortable tunes with the familiarity of an old coat of paint peeling from a door, layers upon layers that reveal older truth underneath. 

“We held on to the concept behind this album for a while, wanting something a little more simple and stripped down,” Smith says.  

The duo’s debut, Sounds Like You, was produced using a full band in the studio, something they rarely have the luxury of having on stage in a live setting. 

“We wanted to have something out there that reflected our pure duo sound,” Hoover admits. “We made a point to have this not be extremely polished.” 

The recording was done with the same production team of Carl Burnitz and Todd Mathis who helmed the debut, but this time around they eschewed the trappings of studio mikes, overdubs, and multiple takes in favor of a single condenser microphone hanging in the middle of a room between the two performers. Every song on the album is a single, complete take in that setting with nothing added–just Coty and Becca singing to each other and playing guitars and banjo.  

“A lot of the songs on this are ones we already play, songs we have collected over the last few years that we are drawn to for different reasons,” Smith says. “Sometimes it’s the lyrics, the story that the song tells, or it could be the way it makes us feel, and the way we sing it together.” 

Hoover and Smith sing together like the married couple they are, with their two voices playing off each other in close harmonies that sound as natural as a spring breeze bending the branches of a live oak tree. The sidewalk that constrains and conceals the tree’s roots is an apt metaphor for modern musical expectations that limit what people know about the history behind what they are hearing.  

Smith and Hoover both have deep connections, personal stories that link them to many of these songs and recording them was a bit of a history lesson for them, too. 

“One of my earliest memories growing up is a stuffed animal that I had,” Smith recalls. “It played ‘You Are My Sunshine,’ which if you really pay attention to the lyrics is pretty morbid.” 

Hoover’s recollection touches on the ancient ballad, “Oh My Darling, Clementine.”

“My uncle used to sing ‘Clementine’ to us while we were swinging in the back yard with the other kids,” He says. “I love songs like that where I have a specific memory of it, but when we play it now, I’m always thinking ‘Man, that’s a really sad song.’” 

Hoover and Smith’s easy familiarity with this material belies their own relatively recent vintage; so, when they decided to reach this far back to find songs for the new album, it took a little thought and some effort to research the sources.  

“With this project has come the recognition that some of our favorite songs span a stretch of time that’s much longer than we realized,” Smith says. “The songs we chose go back as far as the 1800s. To dive into the details of who wrote what, when was it published, and thinking about life then versus life now, and that we are still singing that same song two hundred years later, it’s really powerful. It has been a humbling and enriching experience to bring these into our own light and sing them in our own way.”  

The pandemic forced Hoover and Smith to reassess their musical career and focus on what mattered the most, which for them was the connection with others through making music. 

“Like most other full-time musicians, we were a bit lost in 2020 when the pandemic hit,” Hoover says. “We had plans to put out our debut album and tour behind it the rest of the year, and all of that was gone, suddenly.” 

The duo had to quickly figure out how to make ends meet financially and yet still continue to make music. They filled the gaps musically with livestreams, including a fully produced album release concert filmed professionally at the Sumter Opera House, but it wasn’t quite the same, Smith says. 

“The livestreams we did from home were a way to connect that was very restorative for my sense of community and faith in human connections through those very uncertain times,” She says. “We really, truly needed that, and it was an incredible time of camaraderie and support, even though we weren’t able to see our audiences in person. The Opera House show was a strange experience, in that it felt like a dress rehearsal, not quite the real thing.”  

A little more than two years into marriage and going through a pandemic, Smith says that they have learned a lot in the process about what they really want. 

“We are embracing the bits that aren’t quite perfect,” She says. “The pandemic experience has loosened up our attitude towards performance. Before, I was so serious and wanted everything to be just right every time. Now, I just want to play; I really just want to play.”  

You can hear Admiral Radio play this week when they celebrate the release of Songs From The Vault in concert at Downtown Church, 2030 Gregg Street. Doors open at 6:30, they will play from 7-8. A donation is requested, along with whatever food and beverage you prefer to bring in with you for this casual, communal musical evening. 

 

The Beat: Prettier Than Vinyl

The acoustic pop duo Prettier Than Matt have been on an extended leave of absence from performing together live, but they had a very good reason–the birth of singer Jessica Sims’ first child. They recently returned to local stages, and this Sunday they’ll celebrate this new chapter with the release of their 2021 album Colors on vinyl. You can hear them live, and pick up a copy of this limited vinyl release, on Sunday afternoon when they play Steel Hands Brewing from 1-4 p.m.

Prettier Than Matt return to live performances, release Colors On Vinyl

For a group that had been playing together for over a decade, sometimes four and five nights a week, taking a four month break was a different experience, but for different reasons.

“It has been bittersweet for me as I’ve missed playing,” Sims admits. “But I’ve loved the time I have had to really focus on how to be a new mom. It feels great to be back, but it’s hard to be away from the cutest baby on the planet.”

Her musical partner in Prettier Than Matt, Jeff Pitts, never actually stopped playing. Picking up different gigs became a way to fill the time. 

“I enjoy getting to play music, period, so I did a lot of solo shows and started playing with Charles Riley as the Jeff & Charles Show,” Pitts says. “I’m thankful for having those options during these months, but being back feels great. Jessica and I did an impromptu reunion set at a Jeff Lucero show on my birthday–he asked us to play, so we did a few songs, and the joy I felt hearing Jessica sing again was probably obvious to everyone in the room.”
So what effect will the new arrival have on Prettier Than Matt’s ongoing activity? Both Pitts and Sims acknowledge that the days of everyday gigs are probably in their past. 

“It’ll be much of the same, but just less on the gigging front,” Pitts says. “We will still put out new music, look for licensing opportunities, and continue to play and livestream, but it won’t be as much as we did before. I’ll continue to do the solo stuff and play with Charles, too, but Prettier Than Matt is still my personal creative outlet and passion.” 

Sims says they feel a debt and an obligation to their fans, but that some priorities, understandably, have changed.

“We’ve made so many great relationships with fans, friends, and venues over the years that we’ve been picking our favorites and making sure that we still play those spots,” She says. “I want to focus on being present and being a good mom, though.” 

On an even happier note, Sims says that motherhood has already brought new inspiration to her writing.

“I will say that becoming a mom and going through all of these major life changes has inspired a few new songs that I’m really excited to record soon,” she says. 

The release of Colors on vinyl is not the duo’s first foray into the newly hip world of LPs, Pitts points out.

“We released a compilation vinyl album in 2019 called Retrograde, which had our favorite songs from our past releases along with one new song,” He says. “When we finished this last one we were proud of it and knew that releasing it on vinyl was something we wanted to do.” For Pitts, vinyl is the preferred medium for listening to such an album-length project.

“We want people to hear the album front to back as it was recorded, and I think vinyl is the best, and most fun, way to do that.”

 

 

Jasper's 10th Birthday Party is Finally Happening! April 14th at 701 Whaley

Join us at 701 Whaley’s newly renovated POOL Hall for the long-awaited celebration of the Jasper Project’s 10th Birthday!

Music from Post-Timey String Band, Adam Corbett and more

Dance performance from Columbia Repertory Dance Co.

DJ Preach Jacobs

Food from Chef Joe Turkaly

Art Sale featuring work from some of Columbia’s top visual artist including Thomas Crouch, Lauren Chapman, Dawn Hunter, Caitlin Maloney, Candace Thibeault and MORE!

Raffle featuring items from your favorite businesses in town.

Emcee Eric Tucker.

Many more surprises!

Plus, be among the first to party on the 100-year-old pool at 701 Whaley!

And CAKE!

Party Guests are limited to 150 people and all guests receive 1 free raffle ticket and can purchase additional $5 tickets at the event


 Tickets

$20 advance - $25 at the door general admission Or

 A limited number of VIP Sponsor tickets are available in advance and include:

  • Early admission at 6 pm for a Champagne reception sponsored by Kristian Niemi (and keep drinking champagne all night if you’d like!)

  • Be the first to sample Chef Joe Turkaly’s dining delights

  • Reserved table seating

  • Recognition from the stage & on social media

  • A swag bag Packed to the brim with gifts from your favorite arts organizations & businesses in town

VIP Tickets - $60 each or $100 per couple

Table for 8 - $1000 (includes a private serenade at your table by musician & visual artist Adam Corbett - and surprises)

Midlands Area Music Students Travel with Instructor Marty Fort to Perform at GRACELAND April 6th

Wednesday April 6th, 7 p.m. music students from the Columbia Arts Academy® rock the Guest House at GRACELAND in Memphis, TN.

Home of Elvis, there’s a full two days of music from schools all over the country performing rock, pop, classical music and more April 6th and 7th. They have a 450 seat gorgeous theater on the Graceland property and our students could not be more excited to perform. The Columbia Arts Academy® students will perform Wednesday April 6th 7:00 p.m. ET and a live stream is available at www.columbiaartsacademy.com. The students range in age from 7-18 and include piano, voice, guitar, drums students rocking out classic hits at the birth place of rock and roll. Following the students, the Capital City Playboys and the Columbia Arts Academy® teachers band who performed with Kirk Hammett of Metallica at the Columbia Museum of Art in 2020 perform a full two hour set.

Marty Fort

The Columbia Arts Academy® is dedicated to showcasing their students at the top venues around the country. They’re fresh off of their standing ovation last year at the Foster Theater at the Rock and Roll Hall of Fame. The public is invited to tune in for the live stream and cheer on these upcoming artists as they play the big stage in Memphis.

Jasper reached out to Fort to get a bit more info on the upcoming adventure.

What made you choose Graceland as a destination for your students?

I’m a huge Elvis fan and a few years back they opened a new resort there the Guest House at Graceland. It has an amazing 450 seat theater (photo attached) and they allow student groups to perform. It’s the perfect venue and a part of history, so we’re all very excite about it.

What do you hope they'll take away from this experience?

The thing I didn’t expect, but I learned from the last road trip is that for many of them it’s a resume builder.

They are looking to get into college, have careers in entertainment, so for them, to perform at a venue of this caliber is huge. I would have given anything to have this kind of opportunity when I was there age. At that time in my life we were happy to just play a backyard party. But I do also have to say, Art Boerke was very good at letting high school bands play Rockafellas. My first show playing there was when I was 16

This is your second time taking your students on the road, right?

Yes, played Rock and Roll Hall of Fame Foster Theater last year, got a standing ovation from a room largely of strangers from around the country.


Do you have a third setting in mind?

Getting ready to sign the contract and will be doing the big reveal after that. All I can say is, the venue and the city are literally one of the top 3 entertainment capitals, so that can narrow down anyone’s guess.





Jasper Presents First Thursday at Sound Bites with Featured Artist Michael Shepard

We're so happy that Mai Turner & Terri MacLaughlin have invited Jasper in to host First Thursdays for them at Sound Bites Eatery -- And that they are letting us feature a new artist each month!

Join us at 6 pm on Thursday April 7th for dinner, drinks, art from Michael Shepard, and/or a comfy place to gather with your arts-loving friends!

Sound Bites is located at 1425 Sumter Street, one block off Main Street between Hampton and Washington.

About Artist Michael Shepard

Michael Shepard, a South Carolina native and long term resident of Columbia, SC, is an eclectic artist currently working in acrylics, soft pastels and mixed media. His styles, techniques and media change with each piece depending on the subject matter and the inspiration it ensues.

When asked what creating art means to him, Michael responded: “Well, I could say Art is an expression of the feelings and interpretations of my situation in the world around me. It’s a means to escape isolation and means to process emotions. It’s a salvation from adversity and destitution and it is also a celebration of well being and happiness…”

“But really, I’m just a guy painting pictures and hopefully creating works people will enjoy.”

Stay tuned for more about Michael Shepard as we approach First Thursday. Mark your calendars and we’ll see you on Sumter Street and Sound Bites Eatery!

Al Black has Two April Poetry Events Planned featuring Lawrence Rhu, Miho Kinnas, and Lang Owen

Pre-pandemic, it was hard to find Jasper Project Board of Directors Member and Local Open Mic Organizer, Al Black, when he wasn’t sitting in a coffee shop or a church basement with poets and songwriters gathered around him, waiting for their turn at the microphone. But lock-downs and social distancing brought all of Black’s endeavors to a screeching halt once Covid worked its way into the city.

Thankfully (and fingers crossed) those days are over and we can start gathering into our little (and large) tribal enclaves once again to cheer each other on as we explore the assorted paths of the written word.

And Al Black is back at his post, hosting and encouraging Midlands area literary artists as they grow and learn more about themselves and each other by sharing their work.

Two events coming up in Columbia during April’s Poetry Month include:

Words, Words, Words

Saturday, 04/02 at 2 pm

Southeast Branch Richland Library

7421 Garners Ferry Road

Columbia, SC 29209

Singer/songwriter, Lang Owen opens

for Poet, Miho Kinnas

Organized and hosted by Al Black

https://www.richlandlibrary.com/event/2022-04-02/words-words-words-poet-miho-kinnas


SIMPLE GIFTS - poetry & original lyric songs

7-9 pm, Tuesday, 04/05 (Monthly)

Columbia Friends Meeting House

120 Old Pisgah Road

Columbia, SC, 290203

Featuring: Poet, Lawrence Rhu & Singer/songwriter, Lang Owen

Followed by open mic (original poetry and music only)

hosted by Poet, Al Black

Columbia Open Studios April 2nd & 3rd -

By Emily Moffitt

48"x60" oil on canvas, Walking a Tightrope by Christopher Lane

Columbia Open Studios returns on April 2nd and 3rd! The event is a “self-guided, weekend-long, free tour of artists’ studios in the Greater Columbia, South Carolina area, including all of Richland and Lexington Counties” and gives South Carolinians an opportunity to check out some of the most prominent inventive minds Columbia has to offer.  

It is a free event that offers time to meet with the participating artists individually at the Preview Party, and the event aims to create a direct connection between the artists and audiences both in person and on the web through social media promotion and interpersonal marketing.  

Patrons get to have a sneak peek into the individualized studio life of their favorite local artists by touring their studio spaces.  

Many artists who participate in COS are repeat participants; 2022 will be the fourth year that Christopher Lane participates in the event. A highly successful artist with a passion for making large format paintings that make large statements and one who finds beauty in every inch of landscape that South Carolina offers, Lane finds great value in being a part of the COS artists. “I enjoy it immensely as it allows patrons to observe my work in a more intimate setting and connect in a way we can’t always do in galleries.”  

This sentiment is surely shared amongst the other participants, both on the part of the artists and the audiences. The participant roster features a wide variety of artists from multiple disciplines, with painters, ceramicists, and everything in between, creating lots of chances for visitors to find a new artist’s body of work to fall in love with.  

The event will be free to the public and last from 10 AM to 6 PM on Saturday April 2nd, and from 12 PM to 6 PM on Sunday April 3rd.  

For more information, you can check out their website columbiaopenstudios.org and subscribe to their newsletter! The participating artists with pertinent information about their work and locations are all featured on the website.

Lee Snelgrove Leaving ED Post at One Columbia

From our Friends at One Columbia:

One Columbia for Arts and Culture, the nonprofit arts agency for the City of Columbia, has hired Margie Johnson Reese — an arts management professional with 35 years of experience who has led arts projects in Dallas, Los Angeles and West Africa — as interim executive director. 

Reese will serve in an interim capacity beginning April 1. She replaces founding executive director Lee Snelgrove, who has accepted the position of arts and culture manager at Richland Library, where he will lead efforts to raise the visibility of the arts throughout the library system and Richland County. 

“It has been an honor to work with Columbia’s many talented artists and arts organizations in increasing the vibrancy and broad recognition of the city’s cultural community,” said Snelgrove, who has led One Columbia since 2013. “One Columbia is stronger than ever, and I’m excited to see a new leader build on the progress that we’ve made over the last ten years.” 

During his time as executive director, Snelgrove established One Columbia as a vital resource for the city and for the local arts community, particularly in the area of public art projects. Over the past decade, the organization facilitated 60 public art projects, created a poet laureate position for the city, established the 1013 Co-Op cultural space in North Columbia, developed the Amplify cultural plan and launched the Stephen G. Morrison Visionary Award. 

One Columbia’s efforts were recognized recently with the 2022 Governor’s Award for the Arts, the highest statewide honor for achievement in the arts. 

“We are forever grateful for the progress made under Lee’s leadership,” said Kristin Morris, One Columbia board president. “He has been an important voice in the local arts community, and the city is better off for the tireless leadership he has shown.” 

As interim director, Reese will bring steady leadership to the organization and assist in its search for a permanent director. She brings a deep understanding of the mission of One Columbia, having already worked with the organization in developing its Amplify plan, which calls for a citywide policy to set priorities and guidelines for public funding of the arts.  

“It’s been my joy to work with Lee and the artists and arts groups in Columbia for the past several years,” Reese said. “I’m honored to have been asked by the board to provide guidance during this period of transition to help keep the momentum moving forward.” 

With One Columbia’s success so far — and numerous projects in development — the organization is positioned to play a key role in the next phase of growth in the city’s cultural sector, advancing policies that strengthen arts organizations, boost tourism, support local artists, encourage investment and promote equity.

 

THE BEAT: Art Bar Concert Review March 12, 2022 by Emily Moffitt

Video game track covers, electrifying synths, and rock and roll; Art Bar’s live music concert on March 12 had it all.

The night featured performances by Outer Ego, Dead Spring, Harry and the Hootenannies, and Bad Stars, giving the audience a plethora of genres and new music to listen to.

Several of the bands debuted new music they were working on, and some performed excellent covers by other well-known groups, like Outer Ego’s great cover of Daft Punk’s “Something About Us” and Harry and the Hootenannies’ getting the crowd going by performing the original Powerpuff Girls theme song.

With so much variation between each group, there was enough to go around for the crowd to enjoy and dance to. The intimate spacing of the stage to the audience in Art Bar bolstered the mood of the entire room, encouraging conversation between the performers and the crowd through the music and during breaks.

It was a great night and a fantastic concert and gives us plenty to look forward to in terms of future gigs for all of the groups involved here.

Jean-Marie Mauclet and Gwylene Gallimard present DISPLACEMENT, MEMORY, ERASURE Collaborative Challenges in Three Parts at 701 CCA

G & M is not just our favorite place to grab a croque monsieur and a nice Chablis in Charleston, it’s also the initials of the artists who have an exciting installation and program of art at 701 CCA opening next week.

 

According to our friends at 701 CCA –  

The artist-activist duo Gwylene Gallimard & Jean-Marie Mauclet are back at 701 Center for Contemporary Art in Columbia, SC, with Displacement, Memory, Erasure: Collaborative Challenges in Three Parts. A dozen years after the duo’s memorable, gallery-wide Olympia installation at 701 CAA, the French couple and Charleston, SC, residents present a three-part project at the center, where they are currently in residence. 

The exhibition opens Thursday, March 24, 6:00 – 8:00 p.m., with a meet-and-greet-the-artists opening event. On Saturday, April 9, the Charleston collective TINYisPOWERFUL, of which Gallimard and Mauclet are members, will present an all-day communication and learning workshop. On Sunday, April 24, 3:00 – 5:00 p.m., the exhibition closing reception will take place. 

Gallimard’s part of the exhibition, called In Progress…, presents large canvases with drawings, collage and artifacts that relay decades of the duo’s unique art-and-activism collaborations with artists and non-artists alike. “The canvases are dedicated to our many collaborations and our explorations of art in and with communities,” Gallimard says. “It also perpetuates and honors those collaborations.” 

Mauclet’s 3-D constructions in the exhibition are excerpts from A Tale of Charleston, an installation-in-the-making that critiques issues of wealth, class, culture, and race in Charleston. The tale central to the installation, Mauclet says, “actualizes a dream in which the city of Charleston has turned into a living garden. Wealth, class, cultures, race have become assets, a place for all to belong.” Several of Mauclet’s constructions refer to tiny downtown Charleston businesses that are either for sale or no longer exist. 

The project’s third component is the April 9 workshop of TINYisPOWERFUL. The day-long workshop explores art tools and other techniques for collective social engagement, communication, and learning. The workshop, open to the public, will consist of five sessions exploring ways of engaging with and in the community and exploring art as tools for social engagement, activism, and growing communities. The workshop is from 9;30 a.m. – 5:00 p.m. and will be a hybrid event with an online and in-person component. For more information, go to www.701cca.org.

About the Artists -

Gallimard (b. 1948, Paris, France) and Mauclet (b. 1942, Meru, France), Charleston residents since 1984, have worked independently and collaboratively for some four decades. Their collaborative works include Charleston’s popular community-oriented French café Fast & French, which they owned for decades, and which was conceived to offer “all the features of an art, social justice and economic sustainability project.” The duo has created installations and exhibitions tackling the health insurance industry, fast food, religious beliefs, refugees and how the past is memorialized. A 2006–08 collaboration, You Comin, brought eight artists and educators to the World Social Forum in Nairobi, Kenya. Their long-running project The Future Is On The Table between 2001 and 2013 was at South Carolina State University in Orangeburg and in Lexington, KY, Charleston, SC, and Jackson, MS. The project led Gallimard and Mauclet to residencies in India and France and an experimental conference on the Trans-Siberian train. Why do they want to be rich without us? in 2007 was part of the project The Changing Face of Charleston. Gallimard & Mauclet 2009 residency and 2010 exhibition Olympia at 701 CCA explored the history and culture of the historic mill district in Columbia where the center is located. Conversations With Time was a 2011 intergenerational art project in West Baltimore, MD. 

Gallimard & Mauclet’s work has received support from France’s Ministère de la Culture; the South Carolina Arts Commission; Charleston’s Spoleto Festival; Alternate ROOTS; Alternate Visions; the Humanities Foundations; and the National Endowment for the Arts. Mauclet studied at the University of Paris, France; the State University of New York at Buffalo, where he received an MFA; and New York City’s Cooper Union School of Art and Architecture. Gallimard studied at Paris’ Ecole Nationale Superieure des Arts Decoratifs and received an MFA from Concordia University in Montreal, Canada. 

The TINYisPOWERFUL collective believes that art and tiny businesses are nimble, adaptable, and profitable for the people. The collective argues that belonging means celebrating many histories and cultures and together becoming all we can be. 

701 CCA is located at 701 Whaley Street, 2nd Floor, Columbia, SC 29201.

 

Dates to Remember: 

Thu, March 24, 6:00 – 8:00 pm, Meet The Artist Exhibition Opening

Sat, April 9, 9:30 – 5:00, TINYisPOWERFUL Workshop

Sun, April 24, 3:00 – 5:00 pm, Exhibition Closing Reception

 

For further inquiries contact Michaela Pilar Brown at director@701cca.org or (803) 319-9949.

 

RETRO SPACE FUTURISM AND IRMO'S KIMBER CARPENTER

Her Adventure

Jasper: When did you first begin to pursue visual art? Where and when did you train,
or are you self-taught? 

Kimber: About 10 years ago. Then I was re-inspired when my mom discovered her talent and love of art in her retirement. I have been engaged heavily in art for the past 3 years. I am a self-taught artist and am always absorbing new ways to create.



Jasper: What mediums in visual arts do you typically use and why? 

Kimber: I use acrylics on canvas, mostly. I love to also combine brush painting with mixed media materials to create interesting abstract pieces. I love the vibrance that acrylics offer, especially the heavy bodied acrylics. I will also use alcohol markers to enhance or create shadows and highlights throughout the paintings.

The Damsel

Jasper: Where do you work now and where do you show your work? 

Kimber: I am a graphic artist by trade and have a freelance business, Grassroot Graphics. I am a member of the Cayce Arts Guild and am a Cottontown Art Crawl artist. My work has been featured at the Cottontown Art Crawl, Melrose Art in the Yard, Noma Warehouse, SCA Autumn Faire, SCA Mad Hatters Art Faire, Rob Shaw Gallery, Land Bank Lofts, Still Hopes Episcopal Retirement Home, 14 Carrot Foods, Musicians Supply, The Coop in Winnsboro, Nicky's Pizzeria in Lexington, State & Frink, Aloft Downtown Columbia, the Irmo Chamber of Commerce and Carolina Imports.

 


Jasper: Who have been your greatest influences as an artist? 

Kimber: I really enjoy Matt Dixon, who has created a robot character that he puts in various environments and stories. I love his style and how his work comes alive with a simple robot trying to find his way through life. I also LOVE Alexander Jansson, who is a digital mixed media illustrator, photographer, and animator. I could stare at his works for hours.



Pod Travel

Jasper: What do you feel makes your art unique? 

Kimber: I feel like my art stands out the most when I am creating my space-futurism series. This series uses colorful backgrounds from my days as an acrylic fluid artist. I love to create new scenes, using vintage imagery from sci-fi posters, graphic novels, coloring books, etc. I love the nostalgia these pieces offer and the unique colorful backgrounds that are one of a kind and have an out-of-this-world vibe.

Jasper: Who is your favorite SC-based visual artist and why? 

Kimber: Ginny Merett. Her style is incredibly unique and extremely recognizable. Every piece tells a story and I love seeing something different every time I look at her work. I keep a tiny gallery piece on my desk titled "Radical Woman" and it inspires me daily.

Space Prisoner

Jasper: What are you working on now, will we get to see it, and if so, where, and when? 

Kimber: I am currently working on more space futurism, specifically a series of paintings of ray guns to compliment my mixed media space pieces. I currently have my space futurism pieces exclusively at NoMa Warehouse and hope to have new work available there soon. I would also like to do a showcase in the future, so I will see about doing that soon.

Ray Gun 2

Ray Gun 1

Columbia Operatic Laboratory is Back at Art Bar 3/25 - GET YOU SOME FREE OPERA!

“Not your MeeMaw’s Opera Company …”

The Jasper Project is all about bringing Art to the people. Even when we, the people, aren’t expecting it and maybe didn’t even know we were missing it.

That’s why we love the way the Columbia Operatic Lab works.

At the Columbia Operatic Lab, their mission is the demystification of opera — removing all those stuffy misconceptions that opera is only for CeRtAiN PeOpLe — i.e., the kind who can afford to put on their schmanciest clothes and don their tiaras and and cummerbunds for the occasion of listening to stories of life presented vocally.

The Columbia Operatic Lab reminds us that the history of opera is full of comedy, drama, sex, irreverence, murder, and more. At one moment opera will make us LOL and at the next if will create a lump in our throats the size of Bizet’s big toe.

What’s more, they make this oft-misunderstood art form accessible by planning free concerts at local bars and simply passing the hat to help sustain their organization.

We love this!

And we’re happy to share the details of the COL’s next venture into the beauty of opera. Here’s what they shared with us …

Columbia Operatic Laboratory is presenting a concert of operatic music at Art Bar at 6:30pm on Friday, March 25. “This is not your MeeMaw’s opera company” says Evelyn Clary, who is a board member, “We will have fantastic professionals singing dearly loved operatic pieces, but we will put our fresh and fun spin on the evening. You need not be an opera nerd to enjoy the beauty of the music and share some laughs with us.”

Even those who are not opera buffs will recognize quite a few of the tunes. There will be selections from Carmen, Barber of Seville, Pirates of Penzance, and Impresario (which will be staged by the company in May). Also, they will perform an operatic setting of a portion of Night of the Living Dead.

Joining board members Michael T. Brown and Jerryana Williams-Bibiloni are baritone Greg Pipkin and Soda City’s favorite Jezebel, TrashyAmber. Bradley Fuller will accompany them. All are alumni of the University of South Carolina School of Music. “One goal of our company,” says Brown, “is to highlight SC grown talent and to provide professional performance opportunities for local artists.”

There is no cover charge, but donations to Columbia Operatic Laboratory, a 501(c)(3) are gratefully accepted. For more information on the event, check out Facebook.com/ColumbiaOperaticLaboratory

Art Bar is located at 1211 Park Street in Columbia and is a 21 and up establishment.

THE BEAT: Local Music at St. Pat's in 5 Points by Kevin Oliver

Sure, the hype for the return of the annual St. Pat’s in Five Points festival is focused on the headliners Blues Traveler and national acts such as Surfaces, Laney Wilson, and Big Something, but what often gets lost in the coverage is that St. Pat’s is also one of the biggest local music festival opportunities of the year. Columbia bands are well represented on the main stages in 2022, and every year there are additional acts playing at unofficial side stages, local bars, and restaurants in the area, and more. To help you plan a locals-focused day at the festival, here’s a rundown of area artists and when to find them on what stage:

Villanova 

2:40 pm, Greene and Harden St. Stage 

Possibly the most popular local act to play St. Pat’s multiple times, Villa*Nova brings the noise every year. The current lineup includes founding members Bobby Dredd and DJ Able One alongside singer and guitarist Brian Conner. The band released their first new music since 2015 last year, the single “Vipers,” which revealed a commitment to a heavier sound within their melodic funk roots. There’s still plenty of the funk/rock/hip-hop hybrid left in the band’s back catalog to please their longtime fans, however.

George Fetner and the Strays

1:10 - 2:10 p.m., Greene and Harden St Stage 

George Fetner has corralled his band of musical misfits into a herd of magnanimous proportions that turns any stage into a groove-laden party. Despite the near double-digit number of band members on stage, tight arrangements make the proceedings chug along purposefully. If you’re into bands such as Lake Street Dive, or the classic jams of WAR, there’s plenty to love in the joy-filled, tuneful workouts that Fetner and the Strays produce. 

Stranger Company

12:00-12:50 Harden and Blossom St Stage

A newer presence locally, this young quartet has tapped into a jam band style of rock, blues, and jazz that hearkens back to the 70’s classic rock of acts such as Wet Willie, Santana, and Sea Level, where the grooves and the guitar licks were what mattered. 

Ashley Wright and the Vance Gap Ramblers

12:00-12:50  Saluda and Devine St Stage 

Ashley Wright and her band have managed to create twang-friendly tunes that transcend stereotypes and cut close to the emotional bone. The band’s delicate arrangements juxtaposed with Ashley Wright’s full-throated alto voice bring to mind Gillian Welch and Watchhouse. 

 

Sourwood Honey Tribute Band

7:00-8:30, Home Team BBQ Stage 

The beloved Sourwood Honey was a bar-packing mainstay of the regional club circuit in the 1990s, with the dual front of Ryan Goforth and Chris Conner and ace guitarist Herbie Jeffcoat taking on the wingman position. Their brand of jam-friendly southern country rock was always a cut above the rest due largely to Conner’s songwriting skills, showcased on the pair of full-length albums the band issued in their prime. 

Conner passed from cancer back in 2007 but a few years back most of the remaining band members reconvened around Chris’ younger brother Brian Conner (of Villa*Nova), and called it a “tribute,” with Brian taking over his late brother’s parts; the goal is to keep the memory of Chris alive and reintroduce the band’s classic songs to audiences old and new. 

 

The Ramblers

4:10-5:10, Home Team BBQ Stage 

Taylor Nicholson logged plenty of miles as the lead singer for the popular regional rock act Atlas Road Crew; this outfit aims to provide plenty of classic rock and blues vibes on familiar material.

Danielle Howle & the Tantrums

2:40-3:40, Home Team BBQ Stage

 The nostalgic aspect of this year’s St. Pat’s Festival is encapsulated in the fact that Howle, a former Columbia resident and musician who now calls the Charleston area home, was playing the festival as early as the 1990s with her band Lay Quiet Awhile. The Tantrums was her next full rock band, featuring members from another late great local act, Blightobody, and the group recorded several albums for Daemon Records in the late 1990s, gaining airplay locally and regionally with songs such as “She Has A Past.” 

 

Soul Mites

1:10-2:10, Home Team BBQ Stage

The perennial party band for many Columbia natives, The Soul Mites only come out and play any more on special occasions like this.. The gruff, insistent voice of Tim Davis may be the focal point, but his supporting cast gives him a funky soul drenched rock ‘n’ roll machine to carry his crooning to another level.

Last Call for Play Right Series Community Producers

Meet Colby Quick.

Colby Quick is the Jasper Project’s 2022 Play Right Series Winning Playwright.

We’re wrapping up our cast of 2022 Jasper Play Right Series Community Producers and we have a few seats left at the table.

You can learn more about the process of how a play moves from page to stage, be our honored guest once a month at intimate, fun, and informative panel parties with Jon Tuttle, Chad Henderson, Stann Gwynn, Becky Hunter, Michael Hazin, and more, and have YOUR NAME attached as a producer to a brand new piece of theatre that will premiere as a staged reading in August, with you in the best (and most honored) seats in the house.

You can read more about the Play Right Series at the Jasper website but, in-a-nutshell, the purpose of the Play Right Series is threefold:

  • ·         To empower and enlighten audiences (you) by allowing them insider views of the steps and processes of creating theatre art

  • ·         To increase opportunities for theatre artists to participate in new art without being attached to an existing theatre organization

  • ·         To provide more affordable and experimental theatre arts experiences for new and emerging theatre artists and their audiences; thereby expanding cultural literacy and theatre arts appreciation in the greater SC Midlands area.

 

The result: Community Producers (you) who learn about the extensive process of producing a play and become personally invested not just in the production and success of the play, but also in its playwright, cast, and crew, thereby becoming diplomats of theatre arts.

 

Last fall, the Jasper Project issued a call for a new one-act play and the competition was begun. Under veteran playwright Jon Tuttle’s direction, scripts were submitted and adjudicated by a committee of outside theatre artists. The winning play, Moon Swallower by Sumter writer Colby Quick, was selected as the play that we (hopefully, you included) will produce over the next few months, culminating in the first ever Staged Reading of this brand-new play in August 2022.

 

We’re delighted to announce that Chad Henderson has agreed to serve as the director of Moon Swallower and has included among his cast such outstanding Midlands artists as Stann Gwynn, Michael Hazin, Becky Hunter, and Lonetta Thompson.

We have scheduled a series of gatherings for Community Producers and Moon Swallower cast and crew over the next six months leading up to the Staged Reading. Each gathering will feature an interactive presentation as well as a unique social component that you can read about in the attached calendar of events. (SEE SCHEDULE BELOW!)

All we need to do now is fill out our roster of Community Producers, and I hope you will consider being among them. The minimum investment for Community Producers is $250 per person with 100% of the funds going to the production of Moon Swallower.

Our first gathering is at 5 pm on Sunday March 20th when Community Producers will meet each other and the cast and crew of Moon Swallower for the first time, hear playwright Colby Quick talk about his inspiration for Moon Swallower, and receive their signed copy of Moon Swallower to take home and be among the first ever to read. 

Sunday March 20th - Meet the team and Playwright Talk

Join playwright Colby Quick to learn about his inspiration for Moon Swallower and hear him discuss his writing process and challenges, as well as his own background and goals while enjoying Wine & Cheese.

    

Sunday April 24  - Table Reading

Listen in on the first ever table reading of Moon Swallower and enjoy a unique Beer Tasting with snacks.

 

Sunday May 22nd - Director Talk

Join director Chad Henderson to learn about his background and process, the industry lessons that prepare him for directing a play, and the unique challenges and solutions he has encountered in directing Moon Swallower while enjoying the project’s official signature cocktail, The Moon Swallower.

 

Sunday June 26 - Backstage with the Actors

Listen in as the cast of Moon Swallower discusses their processes, challenges presented by their characters, and more, and enjoy a summer picnic with spiked lemonade & finger sammies.

               

Sunday July 24th - Stage Managing, Props, Costumes, Lighting, and Sound

It’s out last Community Producer gathering before the big event, so Chad, Jon, and our stage manager will discuss the components above before we pop the champagne and party!         

 

Sunday August 28th - It’s finally time for the Staged Reading of Moon Swallower with a full audience and you get the best seats in the house!