The Jasper Project Welcomes Lucy Bailey to the Tiny Gallery

Jasper is excited to welcome artist Lucy Bailey to the Jasper Project Tiny Gallery!

Lucy Bailey’s ceramic sculpture centers around the figure, with liberal use of layered textures and mixed media elements. Additional work explores combinations of ceramics and wood or wire, and earthenware altar boxes that create narratives through assemblages of found objects.

In 2021 one of her sculptures was exhibited at ArtFields in Lake City, SC. Her work was awarded the Best in Show distinction in exhibitions by the Annual Artist’s Guild of Spartanburg (SC) Juried Show and the Arts Council of York County (SC) Annual Juried Competition. Bailey’s work has twice been selected for the 701 Center for Contemporary Art’s South Carolina Biennial show. Her work was published in Lark Books’ 500 Figures in Clay-2.

With work ranging from $32 to $130 there is something for everyone to be found in this month’s Tiny Gallery. Check out a few items below and then venture of to Jasper’s Tiny Gallery to see the entire exhibition!

 

And while we have you, please consider supporting the Jasper Project tomorrow during Midlands Gives. Here’s a list of what Jasper has accomplished over the past twelve months!

You can find our Midlands Gives Donation Page right here! Thanks!

A Midlands Gives Message from Cindi & Wade -- The Jasper Project's State of the Heart

Thank you!

As we approach Midlands Gives next week and you make your decisions on where to invest your gifts, we’d like to report back to you on how the Jasper Project has used the tokens of your kindness since last year.

First and foremost, we have published two 64-page issues of Jasper Magazine and we have another issue in design now that will be in your hands in a matter of weeks.  These issues have reviewed, previewed, examined, explained, memorialized, and celebrated more than 100 of our Midlands-based artists. The issue coming your way will look at the art of Lindsay Radford, Quincy Pugh, Rebecca Horne, Lucy Bailey, Tyrone Geter, Diko Pekdemir-Lewis, Mike Miller, Jane Zenger, Josetra Baxter, Tamara Finkbeiner, Terri McCord, Juan Cruz, Saul Seibert, Rex Darling, Tam the Viibe, Desiree, Katera, Lang Owen, Hillmouse, Space Force, Candy Coffins, Admiral Radio, Carleen Maur, the mission of SCAC ED David Platts, and the international efforts of Columbian-founded dance organization, Artists for Africa.

We have published a dual volume of Fall Lines – a literary convergence, celebrating the prose and poetry of 60 SC writers, awarding the Broad River Prizes for Prose to Randy Spencer and Kasie Whitener and the Saluda River Prizes for Poetry to Angelo Geter and Lisa Hammond, while at the same time celebrating the photography of Crush Rush. And we have issued a call for Fall Lines 2022.

We have conceptualized and implemented a competition for the publication of a chapbook for a SC BIPOC writer in honor of Lizelia Augusta Jenkins Moorer and the winner is being announced and celebrated as we speak. Board member Len Lawson brought us this beautiful idea and will edit the book which will be published this fall. 

We have implemented another issue of the Play Right Series, with new board member Jon Tuttle issuing a call for an original, unpublished one-act script, overseeing the adjudication, and selecting young playwright Colby Quick as the winner. Nine community producers have joined director Chad Henderson and his cast to learn more about the page to stage process for theatre arts, and we will invite you to join us for a staged reading of Moon Swallower in August. 

We have featured one artist per month in our virtual Tiny Gallery under the direction of board member Christina Xan, including artists whose work you know very well and artists whose work we think you’ll be happy to learn about including Gina Langston Brewer, Adam Corbett, Bohumila Augustinova, and more.

Because of the dedication of our amazing web maven and board member Bekah Rice, we have a website that is comprehensive, up-to-date, easy to maneuver, and quite lovely, if we do say so ourselves. Since last spring we have brought the good news of Columbia arts to you via more than 160 Online Jasper (previously blog) posts. And counting.

We threw a fabulous party to celebrate the 10th birthday of Jasper Magazine, and, with board member Laura Garner Hine’s incredible work, we welcomed more than 30 artists to demonstrate and celebrate their talents.

We have shown art for Columbia artists at Jasper Galleries that include Harbison Theatre, Motor Supply, also under the management of Laura Garner Hine, and our sidewalk gallery at the Meridian building conceptualized and realized by board member Bert Easter.

We have included the work of 25 (and counting) brilliant SC writers under the auspices of the Jasper Writes project, implemented in conjunction with Jasper poetry editor, Ed Madden

We have helped a new non-profit spread its wings by serving as the fiscal agent to Columbia (Summer) Repertory Dance Company, which is now its own entity. Bye bye little birdie! 

We have launched several new projects including:

  • A new weekly music column by Kevin Oliver called THE BEAT;

  • First Thursday featured artist exhibitions at Sound Bites Eatery – with artists including Marius Valdes, Ginny Merritt, and Quincy Pugh lined up for the next few months, and Alex Ruskell showing his work in May;

  • The monthly Jasper Poetry Salon hosted by Al Black at the One Columbia Co-Op;

  • Another monthly singer/songwriter happening called Front Porch Swing, also by Al Black, also at the One Columbia Co-Op.

  • Last Thanksgiving, we launched a weekly newsletter called Sundays with Jasper that keeps the community up-to-date on Jasper news and arts happenings in general. You can sign up for Sundays with Jasper here.

Of course, none of this could have been done without the support of our community and your recognition of the vital role grassroots arts organizations play in the landscape of an arts community.

We continue to vow to you that every penny that comes the way of the Jasper Project will go directly back into the greater Midlands area arts community as we keep our overhead close to zero, save for insurance and rent (when we have a brick-and-mortar home.) None of your generous funding goes to payroll, taxes, or nice desks and chairs. We work from our homes and from our hearts.

It's worked this way for 10 ½ years. We’re keeping at it as long as you let us.

Thank you for your continued support.

Cindi Boiter, Wade Sellers, and the entire board of the Jasper Project and staff of Jasper Magazine

 

Announcing the Winner of the Inaugural Lizelia Augusta Jenkins Moorer BIPOC Chapbook Prize - Maria S. Picone

Maria S. Picone (photo courtesy of the artist)

It is with great joy that the Jasper Project announces that the winner of the inaugural Lizelia Augusta Jenkins Moorer Poetry Chapbook Prize is Maria S. Picone of Myrtle Beach, SC for her chapbook entitled, Sky Sea Edict.

Maria S. Picone/수영 is a Korean American adoptee who won Cream City Review’s 2020 Summer Poetry Prize. She has been published in Tahoma Literary Review, The Seventh Wave, Fractured Lit and Best Small Fictions 2021. Her work has been supported by Lighthouse Writers, GrubStreet, Kenyon Review, and Tin House. She is a 2022 Palm Beach Poetry Festival Kundiman Fellow and Chestnut Review and The Petigru Review's managing editor. 

Lizelia Augusta Jenkins Moorer (1868-1936) was a teacher and social activist in Orangeburg, SC. Born in Pickens, SC, she taught at the Normal and Grammar Schools at Claflin College for 40 years. Her published anthology of poems Prejudice Unveiled, and Other Poems (1907) examined the Jim Crow South’s propensity for lynching, racism, and social injustice. Moorer was also an advocate for women’s suffrage in South Carolina, especially in the Methodist Church. 

The purpose of the Lizelia August Jenkins Moorer Prize, affectionately called the Lizelia Prize, is to offer a BIPOC poet from SC a publishing contract with Muddy Ford Press to publish their debut chapbook under the guidance of an established poet. The inspiration of Dr. Len Lawson, who is a member of the Jasper Project board of directors and the author, editor, or co-editor of four books of poetry, Lawson will also serve as editor of Picone’s chapbook and will collaborate with them on the construction of the book. Picone will receive publication via Muddy Ford Press, a cash prize, and ten author copies of the book.

This year’s judge of the more than 10 submissions was Raena Shirali. Shirali is a poet, editor, and educator from Charleston, SC. Her first book, GILT (YesYes Books, 2017), won the 2018 Milt Kessler Poetry Book Award, and her forthcoming collection, summonings, won the 2021 Black Lawrence Press Hudson Prize. Winner of a Pushcart Prize & a former Philip Roth Resident at Bucknell University, Shirali is also the recipient of prizes and honors from VIDA, Gulf Coast, Boston Review, & Cosmonauts Avenue. She holds an MFA in Poetry from The Ohio State University and is an Assistant Professor of English at Holy Family University, where she serves as Faculty Advisor for Folio—a literary magazine dedicated to publishing works by undergraduate students at the national level. Her work has appeared in American Poetry Review, Academy of American Poets’ Poem-A Day, The Nation, The Rumpus, & elsewhere.

About Picone’s work, Shirai writes, “What does it mean to belong—to a country, to a culture, to oneself? Maria S. Picone’s work is defined by these questions, and her work joins a storied lineage of Asian American authors who have wondered the same. Dense, insistent, and endlessly rewarding, Sky Sea Edict studies loss through identity and identity through loss in poems overflowing with language and yet marked by their empty spaces. These poems defiantly experiment, crossing text out, attempting language by repeating, iterating, attempting, scrapping it all and trying, again, to learn a mother tongue. Sky Sea Edict is a glorious declaration of oppositional existence, a vibrantly musical exploration that—as Picone herself writes—“weigh[s] these lucks against the lacks.”

Lawson is also delighted with the outcome of the inaugural poetry competition, saying, “Maria S. Picone translates her experience as a Korean adoptee in the South into the language of poetry, filling in any gaps with compelling verse, connecting her timeline with her original and adopted tongues. She braves the unknown in her life with these courageous words, offering a free-spirited narrative we must observe from all angles of both sky and sea. Picone has a voice to remember going forward.”

Lawsone continues, “The legacy of South Carolina poets of color became the impetus of this project with the example of Lizelia Augusta Jenkins Moorer at the forefront. Her poetry and service to South Carolina presents a beacon for any artists of color seeking to make a permanent mark in their communities. My hope is for this project to endure as more gifted voices emerge from our state.”

For more information about Maria S. Picone please visit her website.

Jasper Welcomes the Multi-talented Alex Ruskell to First Thursdays (slightly) Off Main at Sound Bites Eatery

After a resounding success at Jasper’s first First Thursday featuring artist Michael Shepard in April, we are thrilled to be back at the new arts downtown dining den, Sound Bites Eatery, for First Thursday in May.

May brings us the bright and whimsical art of Alex Ruskell!

When Ruskell isn’t serving as the director of Academic Success at the UofSC Law School, he is a member of the equally bright and whimsical band, the Merry Chevaliers.

A champion of silliness and advocate of art in all its frivolity, Ruskell’s art offers a dose of something most of us have come to cherish of late — a reason to smile.

Joining Alex for this opening event will be Dick not Richard who will be laying down the groove and keeping our heads bopping and our hips swinging.

Come out for an evening of visual art, music, and fabulous food!

Free and open to the public — See You Thursday at First Thursday (slightly) off Main at Sound Bites Eatery - 1425 Sumter Street.

Fall Lines Call for Poetry and Prose is Open

Fall Lines – a literary convergence is a literary journal presented by The Jasper Project in partnership with Richland Library and One Columbia for Arts and History.

Fall Lines will accept submissions of previously unpublished poetry, essays, short fiction, and flash fiction from April 1, 2022 through June 30, 2022. While the editors of Fall Lines hope to attract the work of writers and poets from the Carolinas and the Southeastern US, acceptance of work is not dependent upon residence. 

Publication in Fall Lines will be determined by a panel of judges and accepted authors (ONLY) will be notified by October 1, 2022, with a publication date in January 2023. Two $250 cash prizes, sponsored by the Richland Library Friends and Foundation, will be awarded: The Saluda River Prize for Poetry and the Broad River Prize for Prose.

Ø  POETRY: Up to five poems may be submitted with each submitted as an individual WORD FILE.
Include one cover sheet for up to five poems. Submit poetry submissions and cover sheet to FallLines@JasperProject.org with the word POETRY in the subject line.

Ø  PROSE: Up to five prose entries may be submitted with each submitted as an individual WORD FILE.
Include one cover sheet for up to five prose submissions. Submit prose submissions and cover sheet to FallLines@JasperProject.org with the word PROSE in the subject line.

COVER SHEET should include your name, the titles of your submissions, your email address, and mailing address. Authors’ names should not appear on the submission. Do NOT send bios.

ALL ENTRIES SHOULD BE TITLED.

There is no fee to enter, but submissions that fail to follow the above instructions will be disqualified without review.

Simultaneous submissions will not be considered. Failure to disclose simultaneous submissions will result in a lack of eligibility in any future Jasper Project publications.

 __

 The Columbia Fall Line is a natural junction, along which the Congaree River falls and rapids form, running parallel to the east coast of the country between the resilient rocks of the Appalachians and the softer, more gentle coastal plain.

Something Blue at 701 Whaley Hallway

1st Place - Kim Kim Foster

2nd Place - Kim Kim Foster

3rd Place - Russel Jeffcoat

Better Days by Kim Kim Foster

PhotoSC presents Something Blue featuring the work of 15 local photographers interpreting of the concept ‘blue” in a photographic exhibition which opened on Thursday, April 7, 2022 at 6:00 p.m. in the Community Hallway at 701 Whaley.

The prospectus asked photographers to address the concept of blue – “a color – what shade, tint or hue? An emotion – what does it feel like? A time of day – dawn or dusk? A memory of who, where or what?”

Photographers juried in the show include Sandy Andrews, Kimberly Case, Steve Chesley, Kim Kim Foster, George Fulton, Susan Hogue, Latrease Holman, Russell Jeffcoat, Mathew John, Tracy Martin, Fred McElveen, Maggie Mullin O’Hara, ML Miller, Yeshua Perez, Ed Shumnes, and Sam Wolfe.

Kim Kim Foster is awarded the first and second place prize in the show, beautifully illustrating both the color and the emotion in her two photographs, ‘Better Days’ and ‘Where from Here?’ Dark and moody, these two photographs reach out to the viewer in on an emotional level as well as thru her color palette.

The second place went to Russel Jeffcoat, a well-known Columbia photographer, for his unique cyanotype print, ‘Abandoned,’ an image of old tires heaped in a pile. Cyanotype is one of the oldest photographic processes with a distinctive blue color, often used for botanicals, it is known as a blueprint.

The exhibition was juried by Leslie Burns, a noted alternative process photographer from Charleston, SC. Burns has been exhibited internationally and published in Cyanotype: The Blueprint in Contemporary Practice by Christina Z. Anderson. She has been featured on Fotosavant.com, Lenscratch.com and OneOneThousand.org. In June 2012, Burns was named as one of the “100 Under 100: The New Superstars of Southern Art” by Oxford American Magazine. She has been an Instructor of Photography at University of Georgia, Trident Technical College, College of Charleston and Redux Contemporary Arts Center.

The juried exhibition features 31 images that span the genres of abstract, architecture, alternative processes, fantasy, landscape, nature, portraiture, still life, and street photography and will hang thru the end of June 2022 in The Hallway at 701 Whaley.

PhotoSC is a 501C3 non-profit arts organization dedicated to the exploration of photography and visual culture. Supported by the SC Arts Commission, our long-term plans are to illuminate the general public and the art community about the photographic canon through education and gallery shows, to address visual literacy and photography’s role in society, and to create spaces where photographers can reveal their work to a larger public thru in a dedicated facility

Jasper presents Line-Up for First Thursday Featured Artists at Sound Bites Eatery

It almost feels like we’re back to normal.

But really, what is normal? Will we ever be normal again? Were we ever normal to start with?

You can help answer these questions and more by joining Jasper as we bring back one of our favorite pre-pandemic events - gathering with the Jasper tribe (that’s YOU!) to welcome art from a featured artist to our walls. But now, given that the Jasper Project no longer has walls on Main Street we’ll be gathering for First Thursdays Slightly Off Main at Sound Bites Eatery at 1425 Sumter Street, one block off Main Street between the Taylor and Hampton Street blocks.

After an exciting launch of our new series in April with featured artist Michael Shepard, we’re thrilled to announce our line-up for the season below:

May 5 – Alex Ruskell

June 2 – Kimber Carpenter

July 7 – Ginny Merett

August 4 – Marius Valdes

September 1 – Quincy Pugh

We’ll start at 6 pm and the artists will be in the house to chat with you about their art and maybe grab a photo with you when you pick out a treasure to take home.

Terri Mac and Mai Turner will have the kitchen open so plan on grabbing a delicious dinner or glass of vino or beer to enjoy while you check out new art and either catch up with friends or meet some new ones.

In the meantime, stop by Sound Bites Eatery by the end of April for some yummy food and the art of Michael Shepard!

Columbia Baroque Presents “Catesby Comes to the Carolinas: A 300th Anniversary Celebration” May 10, 2022

Richard Stone

From our good friends at Columbia Baroque …

Columbia Baroque invites you to join us Tuesday, May 10 as we present ”Catesby Comes to the Carolinas: A 300th Anniversary Celebration” the final program of our concert series, “Around the Globe: Exploring Unfamiliar Territories.” Our concert is a collaboration with the Catesby 300 organization as they lead the celebration of the 300th anniversary of Mark Catesby in the Carolinas. We are delighted to welcome John Myers, historian, and guest artist Richard Stone, theorbo and lute, who joins our performers Brittnee Siemon, mezzo-soprano; Mary Hostetler Hoyt, baroque violin; Erika Cutler, baroque violin; Gail Ann Schroeder, viola da gamba; and William Douglas, harpsichord. 

The renowned English naturalist, Mark Catesby came to the Carolinas in 1722 to study flora and fauna, the results of which were included in his Natural History of Carolina, Florida, and the Bahama Islands. In addition, Catesby enjoyed singing and was especially fond of the music of Georg Frederic Handel.

Our concert will open with a delightful trio sonata by William McGibbon followed by English songs from the pub favored by Catesby as a participant. To connect with Catesby’s love of nature, we will include a section of music in imitation of birds followed by solo selections for each member of our ensemble. The program will conclude with music by Catesby’s favorite composer, Georg Frederic Handel.  

The Washington Post has described lutenist Richard Stone's playing as having "the energy of a rock solo and the craft of a classical cadenza." His recordings of the Fasch lute concerto and the complete Weiss lute concerti are available on Chandos. Other recording and broadcast credits include Deutsche Grammophon, Polygram, NPR, the BBC and Czech Radio. He has been guest soloist with Apollo's Fire, Handel and Haydn Society, Mark Morris Dance Group, the Boston Symphony and the Philadelphia Orchestra. Stone co-founded and co-directs Philadelphia baroque orchestra Tempesta di Mare and is professor of lute and theorbo at the Peabody Institute. 

A career teacher, John Myers began as an adult educator for unique groups in South Carolina: migrant and seasonal farmworkers and for state Native Americans, specifically the Catawba Nation. He retired from the South Carolina Department of Education in 2019 and is now employed as a historical interpreter at the Lexington County Museum. An avid birder, Myers is a member of the Audubon Society of Columbia and a team leader of the Catesby 300 planning committee, a group of SC state and national park administrators, statewide educators and museum administrators and historians. 

Columbia Baroque’s “Catesby Comes to the Carolinas: A 300th Anniversary Celebration” will be presented Tuesday evening, May 10 in the Recital Hall at the University of South Carolina School of Music, 813 Assembly St. in Columbia. Come early for “Concert Conversations,” hosted by scholar, Peter Hoyt beginning at 7 p.m. with the performance at 7:30 p.m.  

Tickets are $20. All students attend free. For ticket purchasing and information visit www.columbiabaroque.org. 

Celebrating the Jasper Guild!

At the Jasper Project, we celebrate the community members who join us in our mission of promoting, supporting, and shining a bright and loving light on the members of the greater SC Midlands Arts community by joining the Jasper Guild.

Thank you to the newest members of the Jasper Guild and Welcome to the Jasper Family!

April 2022

Al Black                                               ALLY

Clark Ellefson                                      ALLY

Kimber Carpenter                               ARTIST PEER

John Casey                                          ADVOCATE

Pat Gillam                                           ARTIST PEER

Phillip Bush                                         FRIEND

 

March 2022

Bekah Rice                                          FRIEND

Jane Zenger                                         CHAMPION

 

Feb 2022

Gail Anastasion                                   ARTIST PEER

Terri McLaughlin                                FRIEND

Randy Spencer                                    ADVOCATE

 

Jan 2022

Susan Craig                                         ALLY

Richard Laymon                                  CHAMPION

Arthur Turfa                                        FRIEND

If YOU would like to join the Jasper Guild — or join the Jasper Family in some other role — please visit

the Jasper Project website

by the end of this week so YOUR NAME will be in the next issue of Jasper Magazine. releasing May 2022!

THE BEAT: Stardog - On the Ropes - Self-released

By Kevin Oliver

When the sudden news of Stardog guitarist Beau Long’s death spread through the local rock scene last year, it looked like a void had opened up that would be difficult to fill. Long’s proficiency in the kind of 70s/80s arena-ready rock swagger that Stardog excelled at is not something that’s all that common anymore. How would the band soldier on, or would they? 

Turns out that Long had one more fight left in him; his guitar parts for the band’s next album were completed prior to his passing. It is a fitting tribute to their late bandmate that the remaining band members chose to press on and finish what they’d started with Long. 

Four of the six tunes here are new compositions–Long’s last written and played with the rest of the band. There’s the boxing allegory, “The Left Hand,” which equates the sweet science to life lessons learned the hard way. “Lying” brings the Stardog sound into a more swinging 90’s alt-rock direction, more Soundgarden and Stone Temple Pilots than anything that might have worn spandex tights on stage. It’s also lead singer Artie Joyner’s peak performance, vocally, where he’s just soaring above the music on the chorus, yet emotive and restrained in the verses when he needs to be. 

 “All Time High,” with an insistent tempo driven by rock solid drummer Scott Mark King and a chorus that invites fist pumping and singing along, is typical of the band’s strengths–taking something that in lesser hands might be considered dated and cheesy and making it sound fresh and exciting all over again.  

The other thing that Stardog does well is create the kind of songs that make you think you’ve heard them before. “Nobody’s Sleeping” is one of two older songs included on this new release, It opens the proceedings with a not-so-subtle Van Halen style arrangement; stick around for the scorching Beau Long guitar solo–it’s worth the wait. “Lemonade Girl” is built on a riff and chord progression that’s naggingly familiar (I have my suspicions, but I’ll let you figure it out for yourself) before the full band kicks in for yet another great singalong chorus.

There is no pretense or artifice in the music Stardog plays, nor has there ever been. The band’s signature style is pure unadulterated over the top FM rock grandiosity, and here they deliver it like they are playing for the kids in the cheap nosebleed seats, lighters raised for an encore.

Jasper Talks with Valerie Lamott About Transforming Nature into Wearable Art

That is my intent—to tell a story of a place or an activity outdoors. Everyone has an emotional connection to some place and the memories are a big part of this for me – Lamott

As we move into the spring, we start to see changes in the natural world around us. Particularly attune to these changes is Valerie Lamott, a local artist and jeweler who travels across state and national parks, becoming intimately familiar with nature, and transforming standout images and experiences into jewelry. 

For her Tiny Gallery show, Lamott crafted 17 new pendants from recent trips to SC State Parks. Learn more about her process and inspiration below.

 

JASPER: Tell me a bit about yourself and where you grew up.  

 LAMOTT: I grew up in Northwest Indiana. It’s a very unique place that’s hard to describe. I learned to drive a tractor at my after-school job picking pumpkins on a farm and then my friends and I would hop on the train to downtown Chicago (only 30 miles away) to spend the money we earned there.

 

JASPER: That’s so fun! Did you begin working with art back then? 

LAMOTT: Art has always been a part of my life in the sense that I grew up with access to craft materials and was encouraged to use them. My mom taught me to sew as soon as I was big enough to reach the foot pedal (standing!). I could make whatever I wanted with whatever materials were available. And I did.

 

JASPER: Did you take that ‘playing around with mom’s sewing materials’ with you into your studies? 

LAMOTT: I have a Master of Engineering degree, and while most would say that is not an applicable education, I disagree. Engineers design and build things. My jewelry is something I design and build. I may not be solving differential equations anymore (yay!), but the basic design concepts are the same. I’ve also taken many informal arts classes, any class I can, really. It doesn’t need to be metalsmithing and jewelry—I’m down for a painting class or stained glass or sewing or printmaking or…I love it all.

 

JASPER: Inside of loving it all, you found a home in jewelry. How did that come about? 

LAMOTT: I had no intention of becoming a jeweler. My sister and I were both 20-something and living in Chicago when she found a jewelry class she wanted to take. I wasn’t really interested, but she’s my sister, so I agreed to go. She thought it’d be beading or something, but it was torches and hammers and saws. She quit after the first class. 10 years later it’s my job.

 

JASPER: Ha, I love that! Now that you’ve been inundated in this for a while, how do you choose which materials you want to use? How do you source them? 

LAMOTT: You know those kids who have to pick up every pretty rock and are really annoying about learning about what kind it is and how it’s made and all that?  Some of us don’t grow out of it. Using gemstones was never a question in my work.  I love the metalwork, but once I learned to cut and polish gems there was no going back. I’ll source my rocks anywhere I legally can.  I buy a lot at gem shows, but I find a lot on the ground too.  I also find so many at National Parks and they all stay right where I found them because you don’t take things from National Parks.  If I can leave them there, you can too. Thematically, I think this idea of natural scenes really lends itself to metals and gemstones, as those metals and gems all come from Earth in the first place.

 

JASPER: Beyond using metals and gems, are there specific styles that you lean towards? 

LAMOTT: My style has changed dramatically over time, and I hope it continues to do so.  I’m always learning new techniques and bits of those will always find their way into my work. My work from 5 years ago absolutely makes me cringe now, and I hope today’s work makes me cringe in 5 years. I always want to be creating something new.

 

JASPER: Thinking about new and old, what kind of ideas or images usually find their way into your work? Has nature always been your primary inspiration? 

LAMOTT: I’ve always done “nature inspired” work, and I’ve always thought that’s so cliche. Who isn’t “inspired by nature”? So, I set out to see all of South Carolina’s state parks and find different inspiration within them. Instead of being inspired by nature in general, perhaps I could find inspiration in specific (natural) places. That snowballed into creating landscapes. For now, I’m sticking to state and national parks, partially because they give me a cohesive body of work, but mostly because I really like state and national parks and now I get to hang out in them and call it work!

 

JASPER: Tell me about how you create – what goes into the process of moving from idea to a piece of jewelry.

 LAMOTT: The majority of my design work is done on the trail. I’m starting to find myself taking photos with the intention of creating jewelry from them—if I step a little bit that way, that angle on the tree looks better. That kind of thing. For the inlay landscapes, I have a pretty concrete image in my mind, and that’s what I create. I do make some pieces from cabochons and their creation is far more fluid. I have a pile of rocks and some cut out hikers, mountains, trees, and whatnot on my bench and I move them around till something feels right. One thing that’s nice about metalsmithing is once it’s soldered, there’s not much changing it. It forces you to decide it’s done.

 

JASPER: What did you do for this show, particularly?  

LAMOTT: These pieces were made specifically for this show. I’ve had both the ideas of making some smaller pieces and doing a series based on Columbia in my mind, so when I was approached about this show it seemed like the perfect time to finally do both. These are my first smaller pieces and I’m absolutely thrilled with them. This size is here to stay for me.

 

JASPER:  You included images with the pendants in this show – is this typical for you? 

LAMOTT: I always show the images if I have them. I think the pendants stand alone as artwork just fine, but one of the comments I hear most is how my work “tells a story.”  And that is my intent—to tell a story of a place or an activity outdoors. Everyone has an emotional connection to some place and the memories are a big part of this for me.  That’s why I only work from my photographs. It’s about a connection with a place at that time.  I think showing my images along with the pendant helps to tell that story.

 

JASPER: Speaking of memories, do you have any standouts with your art career?  

LAMOTT: I have too many to list, but every single one involves my artist friends. It takes a special kind of person to decide they’re just going to throw up a tent and sell their work. It’s been a fun ride so far. Recently I won an award of distinction at the Fairhope Arts Festival and that absolutely made my day!!  That is a wonderful show filled with incredibly talented artists, and I’m honored to have won an award there.

 

JASPER: Well, what’s in the future for you? 

LAMOTT: Upcoming shows include Troyfest and Panoply in Alabama, Rockville Arts Festival in Maryland, Chastain Arts Festival in Atlanta, and Tephra Fine Arts Fair in Virginia.  I have a pretty full schedule this year and I’m traveling quite a bit, so perhaps it may be easier to catch me online. I try to update my Instagram (@valerielamottdesigns) daily, and I can email invoices for anything I post on there.

 

Lamott’s show will be up until April 30th, and you can peruse her stories and purchase one for yourself 24/7 via Jasper’s virtual gallery: https://the-jasper-project.square.site/tiny-gallery

THE BEAT: Review - Henry Luther's Southern Cities

by Kyle Petersen

I’m coming a bit late to local singer/songwriter and raconteur, Henry Luther.

His latest studio record, Southern Cities, was released back in November 2020, but I honestly just came across it recently, after planning (and failing) to make it to a show he was playing at New Brookland Tavern.

Even having missed the show, I’m sure Luther is great live, mostly because he writes in that rowdy but whip-smart troubadour mode that’s built for clubs and honky tonks. “Jesus Christ Second Amendment Blues,” one of the standout tracks from the record, is a great example of this. Riding a dusty lead guitar lick and some simple strumming, Luther drawls out a fabulous yarn with the would-be savior shot down by a racist cop for arriving “Constitution and gun in hand.” It’s a hilarious bit, and one that might get a beer bottle thrown at him in front of the wrong crowd. 

And that blend of gallows humor and sardonic insights is rife throughout, whether he’s working in coded class commentary (“Lifestyles,” “Myrtle Beach Girl”) or tales of substance-based debauchery (“Southern Cities,” “I Love Liquor (But Liquor Don’t Love Me”). His ability to be both funny, direct and philosophical at the same time puts him firmly in the lineage of Jerry Jeff Walker, John Prine and Todd Snider. Not bad company.

But he’s not quite a straight shooter, guitar picker-type–musically, Luther is a hodgepodge of DIY Americana in the vein of early Avett Brothers or Old Crow Medicine Show, with a streak of Jeffrey Lewis-style anti-folk contrarianism and Dave Berman’s droll exasperation.  

For all of its charms, the record very much seems to be catching Luther in transition, torn between the solo troubadour mode and the possibilities of a more rocking alt-country guise. Regardless of which way he leans in the future, he’s clearly a songwriter that can’t help but engage and enrapture.  

New Poetry and Songwriter Events from Jasper and Al Black

Jasper Project board member and local poetry event guru, Al Black, is bringing two brand-new, unique events to the Midlands: a poetry salon and an outdoor music concert. Both events are starting this month: poetry month.

 

Jasper’s Poetry Salon

 

The mission of Jasper’s Poetry Salon is to give both new and established poets a safe, communal space in which to share their work and connect with other poets.


This is not a workshop, nor is it a simple reading. Everyone at the Salon will be able to share at least one poem, and conversation about the poems read will occur organically. Participants will be able to step into a relaxed environment with like-minded individuals—a space with no judgment where the goal is to hear, share, and appreciate language and story. This event allows any and all poets to enter a singular dwelling space and establish a sense of community with other Columbia-based poets who they may not meet otherwise. This is a wonderful opportunity for poets who feel isolated or who want casual feedback on their work. Whether one has been writing and publishing poetry for decades or has only just written their first poem, they will be welcomed with open arms and warm conversation.  

Occurring on the last Tuesday of every month, the event will hold its first gathering on April 26th at 7:00pm at 1013 Duke Avenue.

 

Front Porch Swing

 

The mission of Front Porch Swing is to provide a space for local musicians to showcase their work and for people to share in said work without distraction from what is important: the music.

 

On the last Sunday of each month, a singular music act will set up on the porch of the co-op on Duke Avenue and play for two hours. Anyone interested can come at their leisure, completely for free, and enjoy the performance. This come-one, come-all experience asks patrons to bring their own chairs, blankets, food, and drink—or whatever they might want to enjoy as they settle under the South Carolina sun with friends, new and old, to hear local music, new and old. Unlike some music-related events, here there is no dance floor, no bar, and no simultaneous events; for the duration of the performance, the focus is on the music itself. Whether a long-term Cola-music lover or brand new to the scene, this relaxed environment is the perfect space for anyone wanting to view local talent. 

The first Front Porch Swing will take place on April 24th at 2:00pm, featuring the band Jazz Dog, also at 1013 Duke Avenue.

 In the coming week, we will feature deep dives with Al Black on each event, so if you aren’t following Jasper’s online magazine, scroll down and enter your email to be updated when the articles come out!

 

 

THE BEAT: Local All-Star Ramones Tribute Show by Kevin Oliver

Although the Ramones disbanded in 1996 after a 20-year run of albums and legendary live shows, the New York punk band’s influence remains strong. It was that legacy which led bassist Jason Carrion of Isabelle’s Gift to choose their music to pay tribute to in this coming Saturday night’s all-star tribute show at the Art Bar. This isn’t just any tribute act, however. Carrion has enlisted a “Who’s Who” list of local musical luminaries to play and sing together in a rotating cast that will present Ramones tunes from the familiar to the more obscure deep cuts.

“This whole thing grew out of my desire to see more of my music friends that I’d been missing the last couple years because of Covid,” Carrion says. “I had lunch with Jay Matheson (of the Jam Room and multiple local bands), and he was on board immediately, as were the people at the Art Bar.” 

The calls to other musicians came next, and Carrion says almost everyone said ‘yes.’ Logistically the preparations have been tricky, with several players coming in from other cities and even other states. 

“Jay let us use the Jam Room for practice, and Web Hulon of lowercase gods opened up his place for us too, so we had different combinations practicing different places with different people,” Carrion says. “Brian Vogle, who used to be in Drown Mary with me, is coming from Atlanta to play this show.” 

Other participants include Carrion’s bandmates Chris Sutton and Scott Frey from Isabelle’s Gift, Patti Davis, currently of the Transonics but also from the late great punk band Six Ten Split, among others, Claude Spurlock of Gruzer, Billy Riot of Soda City Riot, members of Brandy and the Butcher, and Jeremy Martin. Carrion’s own son, who usually does hip-hop music, is involved as well. 

It’s a real history of local bands,” Carrion says. “Jay started playing here in the 80’s, Chris and I came out of the 1990s along with Patti, and the Gruzer guys and Soda City Riot are more recent, down to Brandy and the Butcher.” Even the bands of more contemporary vintage include members who have been around the local music scene for years. 

The camaraderie of getting together and rehearsing these songs has been the biggest benefit for everyone, he adds. 

“There are no full bands participating in this as a single unit,” Carrion says. “Everyone is mixed up with people from other bands, some of whom they’ve never played music with before–that’s been the fun part.” 

While everyone was mostly familiar with the songs, there were some choices made on songs and who would sing what. Not everyone can do “I Wanna Be Sedated,” after all, and there were some songs that even the musicians didn’t want to have to learn. 

“Ramones songs are more complex than people realize,” says Web Hulon, who will be singing two of the set’s 18 picks. “One of my favorites got voted down because it would have been too hard to do, but it was Jason’s idea for me to sing ‘Do You Wanna Dance,’ an older song that was a cover when the Ramones did it.” 

Carrion sees this as a confirmation of being into playing live music just for the sake of playing, nothing else, and he’s excited to be playing with a group of musicians who feel the same way.

“I went to see Soda City Riot for the first time a while back, since Travis Nicholson is playing with them and now also with us in Isabelle’s Gift,” He recalls. “They just brought it that night, every part of that band is great–that’s the kind of energy and level of fun we want to bring to this.”  

The Ramones Tribute Show happens Friday, April 15th at the Art Bar, doors open at 8:00 with the show starting at 10. $8 cover, 21+ only. 

REVIEW: Emily Moffitt's "Dreamscapes"

Dreamscapes by Emily Moffitt - Passage Gallery, McMaster College at USC, March 20-April 2,2022

Emily Moffitt dreams in the third person.

It is in part these dreams that inspired her recent show, appropriately named Dreamscapes. Combining abstractions with representational figures and landscapes, Moffit explores cultural identity, grief, and family trauma.

A Columbia native, Moffit is a senior English and studio art student at the University of South Carolina. Dreamscapes is the culmination of her work as a student artist.

The exhibition features a variety of approaches—the technique evolved over time as Moffit expanded her thematic goals and widened the range of mediums. Beginning with pieces on mixed media paper, Moffit extended her practice to include collaged bits of mylar and yupo. The latter portion of the show includes works on black canvas.

Regardless of what medium she works with, Moffit likes to start her pieces intuitively, using liquid India inks and spraying them with water to allow the piece to develop organically— marks she calls “meticulously random.” She didn’t put pressure on the images looking perfect in the early stages.

“It was a really random process and I really enjoyed how freeing it started out as, with the ability to get more fine-tuned mark making as the piece progressed,” Moffit says.

Half Puerto Rican, Moffit used these pieces to express and explore her identity. After the recent passing of her abuela, the project helped her pass through stages of grief while navigating healthy ways of coping with trauma.

Pieces feature recurring iconography that stems from symbols of the Taíno people, who resided in what is currently Puerto Rico. Turtles, frogs (coquí), icons for the sun and moon god hide between the color and texture of Moffit’s pieces. These symbols are used heavily in modern life in Puerto Rico and are associated with their culture.

“I remember seeing them growing up since my mom had necklaces of some of them, and I have a coquí sticker on my car.” Moffit says. “It’s little things like that I see that makes me feel that much more connected, so I decided to incorporate them into my pieces.

The shared culture and trauma of the family is an ongoing theme in the work— a complicated subject given Moffit’s mixed heritage and limited fluency in Spanish. This sense of fractured identity is an inspiration for and important facet of Moffit’s recent work.

Moffit always dreamed in the third person, but as her mental health became drained, so her dreams became convoluted and confusing. Already in the practice of processing through her art, Moffit used her work as a way of translating these dreams— and her sense of self.

Moffit’s work was initially illustrative (it was only in college that she learned the difference between illustration and fine art), but Moffit progressed into finding an intentional “fine art” style in the past year. This show was an attempt to blend the joy of creating both.

While Dreamscapes marks the end of Moffit’s work as an undergraduate, she has no intentions of quitting art. Moffit doesn’t know where her process may take her. Whether she will continue mapping out dreams or follow another passion, Moffit’s love for the arts isn’t going anywhere.

Until then, Moffit hopes that viewers can use her show as a “conversation starter” for how their own dreams can be perceived. “I used to think dreams didn’t have much meaning until last year and that’s why I ended up making these works in the first place,” Moffit says.

Dream on, Emily Moffit.

By Stephanie Allen

Irmo hosts the 2nd Annual International Festival -- with ART!

From a small, sleepy, rural town of the 1950’s, Irmo South Carolina has grown into a bustling suburb of our capital city and now has some valuable International influences .  As Columbia has grown and stretched its reach across the river, Irmo has become an extension of urban life and with it come the benefits of a small town enjoying big city shopping, cuisine, music and arts, excellent recreational activities, health care, sports, educational opportunities, and economic growth.

The International diversity has significantly added to the quality of life in this community.

The Irmo schools reflect these changes. Seven Oaks Elementary School has students who speak more than 30 languages. Irmo Middle School is an International Academic Magnet School and Irmo High School is an International Arts Magnet. With its many cultural and faith differences, Irmo is a friendly, peaceful place to live.

Irmo is also an economically successful community, and their International residents contribute to that success.

To celebrate this diversity,  Irmo is hosting its second International Festival on April 24 at the Community Park from 10-5 and it is free to the public. There will live entertainment, food, a Story telling tent, art exhibits, vendors, and an opportunity to help build a Rangoli – a beautiful, giant eco-friendly Indigenous art form created on the ground. (If you want to help build the Rangoli bring a small bag of items  to add  pasta, rice, spices, flowers, coffee grounds, beans, bird seed, corn, etc. You can also work on the Rangoli April 18-23 each afternoon beginning at 5pm – a wonderful experience for nature lovers and creative artists of all ages. Supplies will be provided. )

The Irmo International Festival will be a fun day in the park for family members of all ages.

Honoring Kay Thigpen Sunday, April 10th 2 - 5 pm at Trustus Theatre

Celebrate the life of Trustus co-founder Kay Thigpen at Trustus Theatre on Sunday, April 10th from 2:00 to 5:00pm.

The event will include a cocktail hour and a memorial service featuring Trustus Company members hosted by Dewey Scott-Wiley and Chad Henderson.

Kay Kaplan Thigpen was co-founder of Trustus Theatre along with her late husband, Jim. She died on September 20, 2021 at the age of 80. She is succeeded in life by her children Lori Brown (Janet Brabham); Marc Brown (Betsy) ; Erin Thigpen Wilson (Laurens); and grandson Max Brabham.

Kay was a friend, a mentor, a mom, a guiding light for so many, and she will be dearly missed.

In lieu of flowers, the family has asked for donations to Trustus Theatre in memory of Kay. Donations are accepted online at www.trustus.org  or by mail. Checks can be mailed to 520 Lady St, Columbia, SC, 29201 and should include “In memory of Kay Thigpen.”

 

WELCOME VALERIE LAMOTT to Jasper's TINY Gallery

At Jasper, we can’t get over the work Valerie Lamott has put together for our April Tiny Gallery show!

So many descriptors come to mind when writing about Lamott’s art — grounded in place, meaningful, sentimental, powerful, pristine, Cola-centric — but mostly, exquisite! The detail the artist brings to her jewelry, with each piece being hand-made, unique, and personally inspired, makes the opportunity we have to show and offer this work to Jasper readers a real honor.

Valerie Lamott is a Columbia, SC, based jewelry artisan, but can rarely be found there. She's more likely to be hiking or camping or kayaking in any one of America's state parks. She uses these places as inspiration for her artwork and hopes it inspires others to play outside too.

WE hope you enjoy seeing and perhaps purchasing Lamott’s work as much as we enjoy presenting it.

Visit Tiny Gallery for many more pieces.

Check out the whole lineup of Tiny Gallery Artists for 2022.

Do YOU Have your Birthday Party Tickets Yet?

We have limited the number of attendees to 150 including all the participating artists, so don’t sleep on locking your ticket down!

We have music from Post Timey String Band, pop up art performances from Columbia Reparatory Dance Company & others, live painting by Michael Krajewski & Lucas Sams, an art show featuring work from 20 Soda City - based artists, a raffle like you’ve never seen before, food from Chef Joe Turkaly, a VIP Champagne reception and so much more!

THE BEAT - Songs From The Vault: Admiral Radio’s New Album of Very Old Songs

By Kevin Oliver

 

Before we sat down on their front porch to talk about the release of Admiral Radio’s new album Songs From The Vault, I spied a vintage door leaning on the wall in a side room of Coty Hoover and Becca Smith’s charming Earlewood Park home. Described by Becca as “a project that I haven’t tackled yet,” the door’s flaking paint and unusual upper glass panes certainly appeared to be the bones of something that could be repurposed to great artistic effect. The songs on the new album are like that, worn yet comfortable tunes with the familiarity of an old coat of paint peeling from a door, layers upon layers that reveal older truth underneath. 

“We held on to the concept behind this album for a while, wanting something a little more simple and stripped down,” Smith says.  

The duo’s debut, Sounds Like You, was produced using a full band in the studio, something they rarely have the luxury of having on stage in a live setting. 

“We wanted to have something out there that reflected our pure duo sound,” Hoover admits. “We made a point to have this not be extremely polished.” 

The recording was done with the same production team of Carl Burnitz and Todd Mathis who helmed the debut, but this time around they eschewed the trappings of studio mikes, overdubs, and multiple takes in favor of a single condenser microphone hanging in the middle of a room between the two performers. Every song on the album is a single, complete take in that setting with nothing added–just Coty and Becca singing to each other and playing guitars and banjo.  

“A lot of the songs on this are ones we already play, songs we have collected over the last few years that we are drawn to for different reasons,” Smith says. “Sometimes it’s the lyrics, the story that the song tells, or it could be the way it makes us feel, and the way we sing it together.” 

Hoover and Smith sing together like the married couple they are, with their two voices playing off each other in close harmonies that sound as natural as a spring breeze bending the branches of a live oak tree. The sidewalk that constrains and conceals the tree’s roots is an apt metaphor for modern musical expectations that limit what people know about the history behind what they are hearing.  

Smith and Hoover both have deep connections, personal stories that link them to many of these songs and recording them was a bit of a history lesson for them, too. 

“One of my earliest memories growing up is a stuffed animal that I had,” Smith recalls. “It played ‘You Are My Sunshine,’ which if you really pay attention to the lyrics is pretty morbid.” 

Hoover’s recollection touches on the ancient ballad, “Oh My Darling, Clementine.”

“My uncle used to sing ‘Clementine’ to us while we were swinging in the back yard with the other kids,” He says. “I love songs like that where I have a specific memory of it, but when we play it now, I’m always thinking ‘Man, that’s a really sad song.’” 

Hoover and Smith’s easy familiarity with this material belies their own relatively recent vintage; so, when they decided to reach this far back to find songs for the new album, it took a little thought and some effort to research the sources.  

“With this project has come the recognition that some of our favorite songs span a stretch of time that’s much longer than we realized,” Smith says. “The songs we chose go back as far as the 1800s. To dive into the details of who wrote what, when was it published, and thinking about life then versus life now, and that we are still singing that same song two hundred years later, it’s really powerful. It has been a humbling and enriching experience to bring these into our own light and sing them in our own way.”  

The pandemic forced Hoover and Smith to reassess their musical career and focus on what mattered the most, which for them was the connection with others through making music. 

“Like most other full-time musicians, we were a bit lost in 2020 when the pandemic hit,” Hoover says. “We had plans to put out our debut album and tour behind it the rest of the year, and all of that was gone, suddenly.” 

The duo had to quickly figure out how to make ends meet financially and yet still continue to make music. They filled the gaps musically with livestreams, including a fully produced album release concert filmed professionally at the Sumter Opera House, but it wasn’t quite the same, Smith says. 

“The livestreams we did from home were a way to connect that was very restorative for my sense of community and faith in human connections through those very uncertain times,” She says. “We really, truly needed that, and it was an incredible time of camaraderie and support, even though we weren’t able to see our audiences in person. The Opera House show was a strange experience, in that it felt like a dress rehearsal, not quite the real thing.”  

A little more than two years into marriage and going through a pandemic, Smith says that they have learned a lot in the process about what they really want. 

“We are embracing the bits that aren’t quite perfect,” She says. “The pandemic experience has loosened up our attitude towards performance. Before, I was so serious and wanted everything to be just right every time. Now, I just want to play; I really just want to play.”  

You can hear Admiral Radio play this week when they celebrate the release of Songs From The Vault in concert at Downtown Church, 2030 Gregg Street. Doors open at 6:30, they will play from 7-8. A donation is requested, along with whatever food and beverage you prefer to bring in with you for this casual, communal musical evening.