At the Jasper Project we have nothing but praise and appreciation for the work the Koger Center for the Arts has done to bring more diverse arts disciplines to their halls. In addition to providing Jasper with a designated space called The Nook to offer monthly openings in conjunction with The Vista’s Third Thursday celebration (thanks Koger!), over the past few years they have elevated SC visual arts appreciation by sponsoring their own visual arts contest (sort of awkwardly) titled The Koger Center Project. Jasper has written about this year’s winners already via Jasper Online, but we were happy to find that we have already written about 5 out of 6 of the winning artists in the pages of Jasper Magazine. Let’s take a look back at these stories by visiting the Jasper Magazine archives.
Photo by Perry McLeod
Kate Timbes: Right Places, Right Times
By Emily Moffitt
Ten days after Kate Timbes graduated from Wofford University, she moved halfway across the world to Germany. This was a decision that became integral not only to her career, but to her life as an artist.
Timbes graduated from Wofford’s studio art program in 2023 with a minor in business and film. She grew up in a creative household, amongst a sister with an affinity for art and a father who worked as an architect. The creative spirit of her family spanned multiple generations; Timbes’ grandfather is an artist as well, and her mother often brought her to bead crafting shows growing up. “I credit my parents and their support and belief in me to be an artist,” says Timbes. “They never questioned my career choice.” Her parents were there to watch her artistic abilities flourish from coloring with crayons, to creating commissions for their family friends. Even now, Timbes’ studio where she perfects her craft is at her parents’ house.
Growing up, Timbes knew she wanted to pursue art after spending her childhood years painting and making jewelry, but she originally considered graphic design as a career. It was not until her undergraduate years at Wofford that she discovered and fell in love with studio art. While studying studio art, she got to explore with a variety of mediums and pursued as many opportunities as possible to learn what she could. “I accepted a work study at a school in Tennessee where I learned to spin my own wool,” says Timbes. “I saw so many other artists honing their craft, and they were all so encouraging and eager to share their knowledge with me.”
Photo by Perry McLeod
As her studies progressed, one of her professors at Wofford approached her and asked if she had any experience making paper. “I told her I had seen it be made, and I spent the next two months learning as much as I could about the medium,” Timbes says. “I was going to help lead a class on how to make your own paper. The next thing I knew, I could not get my hands out of paper baths.”
Awakened with a sense of wonder in how to push the limits of this newfound medium, Timbes started to see motifs from her existing practice reawakened. She found that she resonated with the low-to-zero waste practice of making paper from scratch and wanted to learn how to use plant fibers to make new sheets. Timbes says, “I felt very connected to a tradition that is starting to disappear in certain places around the world.”
At the beginning of her papermaking practice, Timbes would experiment with sheet pulling to see what would happen, figuring out if the sheet would be used for painting, sculpture, or just exist as a sheet of paper. Now, just a few years later, paper making is Timbes’ primary method of creating building blocks for her art in her daily routine. “When I am on the journey to find what possibilities exist within paper, and what it is going to do to push me...I find it to be a very conversational art practice.”
Photo by Perry McLeod
Conversation itself is integral to many of Timbes’ artistic endeavors. The paper that Timbes creates is made through a conversation of intention: what will a specific piece of paper be used for, what kind of fibers are needed for the sheet, and how will it react to the additives? Timbes even casts her own body in handmade paper for some of her projects. The resourcefulness of the artist is not reserved for making paper from scratch, however, as she is proficient in using fabric to create stunning installation and performance work. One notable medium that Timbes has visited multiple times in her career is a simple bedsheet. “In 2022, when I was working on my senior project, Roe V. Wade was overturned,” says Timbes. “I looked for an outlet for rage, and turned to tearing up bed sheets, weaving the strips into rage rooms.” The accessibility of bedsheets made the project’s foundation easy to start. Using leftover paint from a previous mural project, the rage room installation came to fruition by throwing the watered-down paint all over the stripped, cut, and torn bedsheets until they dried. Afterwards, she created circular installations with the strips by weaving them together to create a microcosm of rage and relief.
The experience with this project followed her from Spartanburg to Garmisch. In a setting with no formal studio or ample space to create like she had in college, Timbes made sure to immerse herself in the culture of the small ski resort town she worked out of. After spending time researching the local ecology and energy of the town, it prompted her to reflect on her own desires as an artist. “I had to ask myself, ‘What am I passionate about? How do I narrow everything down? Am I a sculptor, painter, or something else?’” She ended up cultivating all these thoughts and experiences with her surroundings into her notable performance piece/sculpture/photography series, “I Cut My Arms Off So That I Could Fly.” In her hotel room, Timbes found an ample number of bedsheets once again to be her canvas. “The piece is a fiber sculpture turned performance that was inspired by a glacier that melted off the top of the highest mountain in Germany,” says Timbes. “There were so many tours going up there, but no acknowledgment of the glacier itself. It was almost like a tourist attraction that did not exist.” Some church groups in the area hosted funerals for the glacier, which pushed Timbes to create a remembrance of her own. After tearing and dyeing the bed sheets, she wove them into a set of arms she could wear. It was not until right before the ski season ended that Timbes came up with the perfect idea: “I took the piece up into the mountain and decided to ski down while wearing it. That’s where the photos came from.” What resulted was a stunning coalescence of movement, reverence, and originality that has reappeared throughout Timbes’ portfolio.
Now in the present day, Timbes has taken all of her life experiences and creative endeavors and melded them into a path she is sure to take with aplomb. Timbes has joined an artist collective named Zerospace, participated not only in exhibits across South Carolina, but as far away as California and Denmark. Building a community and participating in one that exists amongst her artist peers is the most important thing to Timbes’ artistic practice. At Woven Studios, Timbes creates murals and takes commissions, emphasizing the importance of understanding her clients. Building relationships with clients fosters trust, while collaborating with other artists inspires creativity and new ideas, especially now that she's returned to South Carolina. “Within the last year, tapping into the Carolinas’ creative communities has really fueled my practice, and I have acknowledged how important creative spaces are,” says Timbes.
Photo by Perry McLeod
Upcoming projects for Timbes include participation in the Koger Center’s annual art competition exhibit, where a jury-selected panel of SC artists is featured and Timbes was awarded first place. Additionally, Timbes is developing a new collection of fiber and paper-based works inspired by German folklore. Timbes’ explores subject matter and artistic concepts with the originality and passion of someone who has given themself the grace to create without self-imposed boundaries: a tenet passed down from her father. “It is hard to navigate the world right now, let alone as an artist in her 20s,” says Timbes. “But I have to be okay with failure, comfortable with vulnerability, and just reiterate to myself that whatever happens, I got this.” With a knack for storytelling and working with intention, she is well on her way to fashioning herself as one of the young artists to watch in Columbia, SC or wherever her journey takes her.
This article appears in the current issue of Jasper Magazine, Spring 2026.
