Stormwater Studios & the Charlotte Art League Gallery present THE EXCHANGE

In the kind of innovative arrangement many of us have been clamoring for, the artists of Stormwater Studios have partnered with those of the Charlotte Art League Gallery for an Artist Exchange and the opening night reception for the Columbia leg of the adventure is

Thursday night, July 14 from 5-7 pm.

In a nutshell, the artists from both galleries—Stormwater Studios and the Charlotte Art League Gallery—swapped galleries, with the Stormwater artists opening their exhibit on July 8th in Charlotte and the artists from CAL opening theirs Thursday night here in Columbia.

CAL Gallery is located at 4237 Raleigh Street in Charlotte. Stormwater is located at 413 Pendleton in the Congaree Vista.

Both exhibitions will run through July 29, 2022.

1980: STUDY OF DEREK RIDGERS' "THE OTHERS"

2,000.00

Artist: Ella Williamson

Medium: Graphite and charcoal

Resilience

Artist: Pat Gilmartin

Medium: Bronze

Dimensions: 5”x22”x4”

Price: $1300

TRUMPET PLAYER

475.00

Artist: Melvin D Nix

Medium: Acrylic on Canvas

Dimensions: 18" x 24"

Jasper Presents the Staged Reading of the 2022 Play Right Series Winning Play -- Moon Swallower by Colby Quick

MOON SWALLOWER STAGED READING

SUNDAY AUGUST 28TH — 4 PM

at CMFA

TICKETS $10 ADVANCE - $12 AT THE DOOR

The Jasper Project presents the staged reading of a brand-new play, Moon Swallower by novice playwright, Colby Quick.

Quick is the winner of Jasper’s second Play Right Series competition in which he competed with other unpublished playwrights for an opportunity to have his play workshopped and developed by a team of seasoned theatre artists with the end result being a staged reading and the option of further development toward a fully realized stage production.

Moon Swallower will be presented at CMFA on Sunday August 28th at 4 pm with a talk back session and reception following the reading.

Moon Swallower is directed by Chad Henderson with a cast that includes Lonetta Thompson, Stann Gwynn, Becky Hunter, Richard Edwards, and Michael Hazin. Katie Leitner is the stage manager. Veteran playwright Jon Tuttle is the project manager for the 2022 Play Right Series.

The 2022 Jasper Play Right Series is made possible by the contributions of a team of Community Producers, all of whom will have contributed financially to the development of the project and have, reciprocally, been involved in the process from an educational perspective.

They are Bert Easter, Ed Madden, James Smith, Kirkland Smith, Bill Schmidt, Paul Leo, Eric Tucker, Cindi Boiter, Wade Sellers, and Jon Tuttle.

The purpose of the Play Right Series is to empower and enlighten Community Producers by allowing them insider views of the steps and processes of creating theatre art. In exchange for a  minimal financial contribution, Community Producers are invited to attend designated open readings and rehearsals, informal presentations by cast and crew, and opening night performances with producer credits. The result is that Community Producers learn about the extensive process of producing a play and become invested personally in the production and success of the play and its cast and crew, thereby become diplomats of theatre arts.

Community Producers’ names, and that of the Jasper Project, will also be permanently attached to the play and will appear in the published manuscript which will be registered with the Library of Congress and for sale via a number of standard outlets under the auspices of Muddy Ford Press and the imprint of the Jasper Project.

The Jasper Project produced their first Play Right Series in 2017, producing a staged reading of Randall David Cook’s Sharks and Other Lovers under the direction of Larry Hembree

About the playwright: Colby Quick is a thirty-one-year-old writer, singer, musician, actor, husband, and father of two. He is the lead singer and guitarist of a Stoner Doom band known as Juggergnome and in the development phase of a rap duo project called Ski & Beige. Colby played Ebenezer Scrooge in Northeastern Technical College’s stage production of A Christmas Carol in 2019 and is currently in his final semester at Francis Marion University as an English Major and Creative Writing Minor. “I have mostly written poems, songs, and short stories, as well as an unpublished novel.: Quick says. “When I was young, I would make stop-motion videos and I wrote scripts for all of them. I think this helped a lot with writing the Moon Swallower.”

About the project manager: Jon Tuttle is Professor of English and Director of University Honors at Francis Marion University, author of THE TRUSTUS COLLECTION (Muddy Ford Press, 2019), which includes six of his plays that premiered at Columbia’s Trustus Theatre, and a recipient of the South Carolina Governor’s Award in the Humanities.

The Jasper Gallery at Motor Supply Co. Bistro Welcomes the Art of Mike Dwyer

Meet the Artist

Friday, July 15th @ 7 pm

in the Bistro Bar

BAD WORDS

2022
acrylic on panel
12 in. x 16 in.

In the Jasper Project’s continued efforts to facilitate the exhibition of the art of Midlands-based artists on Columbia’s public walls we welcome the work of Michael David Dwyer to Motor Supply Co. Bistro at 920 Gervais Street in Columbia’s historic Congaree Vista.

In his decades-spanning practice, Michael Dwyer has focused on making abstract paintings that place color front and center. His recent work deploys crisp-edged chunks of translucent color that meander, zigzag, or float through the composition. The paintings are improvisational structures that often reveal evidence of their evolution.

LEXIKON

2022
acrylic on panel
14 in. x 18 in.

Dwyer holds a BFA from Syracuse University and an MFA from the University of South Carolina. His work has been exhibited in Syracuse, Providence, and various cities in South Carolina. Most recently, Dwyer's work was included in the exhibition The Shape of Things at 701 Center for Contemporary Art.  

GHOST NOTES

2021
acrylic on panel
14 in. x 11 in.

Dwyer says, “As a kid, I was surrounded by modern art at home - mostly my father’s paintings. I loved visiting my dad's studio. I liked the spattered dishevelment, the smell of paint, and the paintings that I couldn't fully understand, but instinctively grasped, as the works came to life. I knew at an early age that making art was something I wanted to pursue.

“A sense of movement has been an important element in my work for many years. Earlier pieces often conveyed a feeling of forms drifting in space. Then there was a shift toward using linear compositions to create direction. I wanted your eye to move along a variety of paths and have experiences along the way. My paintings relate to movement, physically, but also as it exists in music. I also found from my earlier collage work that I like shapes in my paintings to have crisp, assertive edges, like those that came from using scissors. Pieces are sometimes informed by elements of our environment like billboards, architecture, and graffiti. Ultimately, I’m always chasing that transcendent moment where color, shape, and movement come together in a way that‘s thrilling and right.”

The Artist - Michael Dwyer

The show opens on Tuesday July 12th with an invitation to Meet the Artist on Friday, July 15th in the bistro bar at 7 pm.

Head for the Hills to Support Columbia's 3D Artists Clay Burnette, Lee Sipe, and Susan Lenz

“There’s gold in them thar hills!” — a quote originally spoken by Georgia miner M. F. Stephenson, though ironically lifted by Mark Twain and attributed to his character Col. Mulberry Sellers in his 1892 novel, The American Claimant.

If you’re looking for a reason to flee the hot and humid dog days of this particular Soda City summer for some cool and cleansing mountain breezes, Jasper has a thought—Why not pack up the old wagon and head up to lovely Asheville to show support for some of Columbia’s finest 3D artists whose work is currently exhibited there?

At Blue Spiral Gallery, Clay Burnett and Lee Sipe are part of a group show of unique and innovative basket makers representing artists from throughout the country.

Of Staked Out: Contemporary Basketry, the gallery website says, “What can you make with sweetgrass, copper wire, clay, thread, paper, reed, pine needles, beeswax, cement and paint? A whole lotta baskets! The artists in Staked Out use traditional and non-traditional materials to create functional and sculptural masterpieces. Some artists stake out the form and weave though with the traditional methods of the Cherokee peoples; others build it up from clay or wood; while others use brightly colored thread and natural fibers to enhance decorative elements.”  

Fertility by Clay Burnette

Clay Burnette from the gallery website:

“I coil pine needles with waxed linen thread. I begin the process by gathering fresh pine needles from longleaf pine trees that grow in the sandhills of South Carolina. The needles are colored with fabric dyes, acrylic paints and iridescent inks, then sewn into coils using various colors of waxed linen thread. My tools are simple: a large steel upholstery needle and a pair of sharp pointed scissors. When completed, each piece is preserved with a light coating of beeswax and signed with my initials. I use the basic basketmaking technique of coiling to create contemporary shapes that incorporate lots of patience, persistence, and imagination. Time is irrelevant whenever I am stitching. The exploration of color, pattern, texture and form keeps me focused on the moment, but always thinking of what is yet to come.”

Vessel No. 380 by Lee Sipe

Lee Sipe from the gallery website:

“My heritage helps me to appreciate the unusual beauty in the common, the simple and the ordinary as well as the beauty of form and detail. I use weaving, twining, hand building and coiling to transform pine needles, clay, reeds, copper wire and other materials into forms that capture my experiences. I value order, hard work, detail, the beauty and tranquility of nature, tradition, family and sharing with friends. I also place great value on innovation. I consistently strive to create works that incorporate these values and are totally new, fresh and unique.”

The show runs July 1 through August 24, 2022, in the Blue Spiral Lower-Level Gallery, 38 Biltmore Avenue.

Mandala CXXIII by Susan Lenz at the Grovewood Gallery

While in Asheville, one should always pay tribute to the work of Columbia’s own Susan Lenz who has been represented by the illustrious Grovewood Gallery for a decade or more. Lenz’s Stained Glass, In Box, and Found Object mandalas are items of high demand in the gallery, and, in fact, the artist is toiling away at present to provide the gallery with Lancet Windows which, once again, are in short supply.

Lenz writes on her website:

“I stitch both by hand and machine but also indulge a passion for book arts and unique, 3D found art objects. Altering found photos is an obsession. My work has appeared in national publications, numerous juried exhibitions, and at fine craft shows including the Philadelphia Museum of Art and Smithsonian Craft Shows. I've been featured on art quilting television programs and on South Carolina Etv's Palmetto Scene. My work is in the permanent collection of the Textile Museum in Washington, DC and the McKissick Museum in South Carolina.”

Grovewood Gallery is adjacent to the Grovepark Inn at 111 Grovewood Road in Asheville.

An aside:

If you know of any other artists showing their work out in the hinterlands beyond the SC Midlands, please let Jasper know so we can help spread the word. Lord knows the spaces for our artists to show off the fruits of their labors are slim, which is a sad commentary on a state’s capitol city. So, until we have that problem collectively resolved, let’s put on our Deadhead hats and, as much as we can, follow our artists wherever they show!

-Cb

Jasper Welcomes Ginny Merett to Sound Bites Eatery as July's First Thursday Artist in Residence

RECEPTION THURSDAY JULY 7TH AT 6 PM

SOUND BITES EATERY

1425 SUMTER STREET

Ginny Merett

Jasper welcomes Ginny Merett to Sound Bites Eatery as the First Thursday Artist in Residence for the month of July! Merett’s signature collage work has become her trading card over the past few years creating a one-of-a-kind aesthetic that has yet to be duplicated. Bright and whimsical, the work often offers a first impression that is lighthearted but, upon further inspection, proves to contain powerful messages and social commentary.

Ginny Merett has been an artist and art educator in the Columbia community for over three decades. Through those years she used various media to create art but for the last ten devoted her time to creating multimedia collage pieces. Inspired by stylish women and ordinary faces and images, she portrays unique characters using parts and pieces from current day and vintage media.


Ginny’s collage pieces have been shown at Stormwater Studio, ArtFields, Koger Center for the Arts, the Jasper Project, USC School of Visual Art and Design’s McMaster Gallery, SC State Library, and other local venues like Trustus Theater, She Festival, Cottontown Art Crawl and Melrose Art in the Yard. Her work is published in the Jasper Project’s Jasper Magazine, Spring 2019 edition and in Sheltered: SC Artists Respond During the 2020 Pandemic; and in Bullets and Band-Aids Volume 3. 

She gives back to the community by visiting and sharing her work with various area schools and donating art to local charities.


Ginny was born and raised in Denver and has lived in South Carolina since 1987. Art has sustained Ginny throughout her life and is the cause for her every success. She constantly sewed, created, and treasured drawing as a child and sought out every art opportunity in school. Because art was such a passion of Ginny’s youth, she studied art education where she explored a wide range of disciplines and mediums; and taught art in the public schools for 30 years.


Her influences include David Hockney’s joiners, Robert Rauschenberg’s combines, Hannah Hoch’s timeless collages, and the beautiful execution of John Singer Sargent’s portraits.


Ginny is a member of Figurativeartists.org and is an Artist Peer with the Jasper Guild. Look for her at ginnymerett.com and on all social platforms.

Merett’s exhibition will run from Sunday July 3 through the end of the month. The public is invited to a an opening celebration on First Thursday, July 7th at 6 pm at Sound Bites Eatery at 1425 Sumter Street.

CALL FOR JASPER FIRST THURSDAY ARTIST RESIDENTS @ SOUND BITES EATERY

********** CALL FOR ART **********

The Jasper Project is looking for 2D artists to show their work on a monthly basis as part of a partnership with Sound Bites Eatery, 1425 Sumter Street.

If YOUR WORK is vivid, whimsical, brightly colored, small-to-medium in format, and offered at modest price points and if YOU are fun, flexible, and chill, You might be a good fit as a Jasper First Thursday Artist Resident!

Jasper First Thursday Art Residents will hang their work before the first of a new month and celebrate their exhibit opening on the first Thursday of that month with a reception starting at 6 pm. Purchased is processed by the Jasper Project which takes a 25% commission of the price of the art. In return, Jasper promotes the show on the Jasper Project website and social media with articles, press releases, and frequent internet posts. (Humble reminder: the Jasper Project is an all-volunteer, non-profit, grass-roots organization and all incoming funds go directly toward the publication of Jasper Magazine and our many projects promoting and supporting members of the SC Midlands area arts community.)

If you are interested in applying to be a Jasper First Thursday Artist Resident, please send the following to JasperProjectColumbia@gmail.com:

  • Name and contact info

  • 4-5 samples of your work

  • Bio

  • Artist Statement

Previous First Thursday Artist Residents have included:

Next available residency is October 2022.

What? Was that June 30th that just FLEW RIGHT BY? Lucky for us, FALL LINES is FLEXIBLE!

FALL LINES DEADLINE EXTENDED TO JULY 5TH!

At Jasper, we know how hard it is to keep deadlines in our headlights and out of our rearview mirrors!

And while we are thrilled with both the quantity and quality of the submissions we’ve received this summer, we have no reason not to take a deep breath and invite our beloved SC wordsmiths to do the same, take pen in hand once again, and send us even more poetry and prose for Fall Lines volume IX.

That’s right, you have until July 5th midnight to send us your first batch of work if the deadline passed you by.

OR, if you scrambled to get your submissions in on time, we invite you to send us another batch to double your chances of being published this year.

Same rules as the first time around - just an extended deadline.

How’s that for independence?

We Got Your Fall Lines Submission Guidelines Right Here.

The Supper Table Goes to Jasper County!

THE MORRIS CENTER FOR LOWCOUNTRY HERITAGE

We’re delighted to announce that the Supper Table, the Jasper Project’s most ambitious project to date, is traveling to the South Carolina Lowcountry this summer for a 6-month-long residency at the Morris Center for Low Country Heritage in Ridgeland, Jasper County, South Carolina.

The Supper Table, an homage to the 40th anniversary of Judy Chicago’s 1979 epic feminist art exhibition, is a multidisciplinary arts project celebrating the history and contributions of 12 extraordinary South Carolina women and featuring the work of almost 60 of South Carolina’s most outstanding women artists in the visual, literary, theatrical, and film arts.

Place setting honoring SC artist Eartha Kitt by Mana Hewitt

The Supper Table was created between 2018 and 2019 and began touring the state in November 2019, traveling from Columbia to Irmo, Camden, Florence, Lake City, and more, but its itinerary was interrupted by the Covid-19 pandemic. For more information on the women honored with seats at the table created by outstanding SC women artists, as well as the writers, filmmakers, theatre artists, visual artists, and portrait artist Kirkland Smith, please visit the Supper Table page on the Jasper Project website.

Place setting honoring SC’s Dr. Matilda Evans by SC artist Rene Rouillier

The Morris Center for Low Country Heritage has a number of educational and interpretive events planned to further explore and celebrate the Supper Table including the following.


7/16/2022

11:00 AM - 12:00 PM

Table Talk: The Supper Table Opening

Kayleigh Vaughn/Cindi Boiter

Part history lesson, part art installation, all homage. The Supper Table, its origins and impact on South Carolina Women’s History is the topic of conversation with Morris Center Curator Kayleigh Vaughn and Jasper Project Director Cindi Boiter.

https://www.morrisheritagecenter.org/events/table-talk/

 

8/12/2022

6:00 PM - 7:00 PM

Take a Seat: Visual Artists' Panel

Tonya Gregg, BA Hohman, Flavia Lovatelli

Enjoy some lively table talk as several of the visual artists from The Supper Table discuss their role and process in contributing to the art installation.

https://www.morrisheritagecenter.org/events/take-a-seat-visual-artists-panel/

 

Many of the SC artists involved in the Supper Table project

9/20/2022

5:00 PM - 6:00 PM

South Carolina "Herstory"

Dr. Valinda Littlefield

Scores of women have left an indelible mark on “herstory” in the Palmetto State. This inspiring talk connects to The Supper Table.

https://www.morrisheritagecenter.org/events/south-carolina-herstory/

 

10/21/2022

6:00 PM - 7:00 PM

Take a Seat: Writers' Panel

Christina Xan, Claudia Smith Brinson, Kristine Hartvigsen

Food for thought? In conjunction with The Supper Table, several writers share about their role and process contributing to the exhibition.

 

11/18/2022

6:00 PM - 7:00 PM

Take a Seat: Filmmakers' Panel

Ebony Wilson, Carleen Maur, LeeAnn Kornegay

Food for thought? In conjunction with The Supper Table, several filmmakers share about their role and process contributing to the exhibition.

 


THE BEAT: Sam and Illia The Duo of All Trades

By Emily Moffitt

Sam & Illia are not your average cover duo. Based out of Columbia, the two talented musicians met up through a mutual association with the local music instruction school Freeway Music and decided to form a performing duo with Sam playing bass or guitar and Illia on vocals. Both of them have been around music for most of their lives, with Sam picking up the guitar in college after playing piano as a child, and Illia participating in theater groups while taking voice lessons since the age of 4. Falling in love with the idea of musical performance was what set them on the track to pursue music as a career.            

There is no preferred genre of the duo; rather, they perform everything they love to hear from soul and jazz to punk rock. Both musicians developed their craft on their own at first; Sam learned to utilize one of the most powerful tools a musician can use: his own ears. “I love bands like Pink Floyd, and drew a lot of bass specific influence from Flea,” he says. “What was big for me in learning to play would be putting on some recordings of my favorite songs and just listening to the bass lines by ear, or I would just have to learn the song by ear entirely.”  

Illia herself grew up through an emo phase with the music she listened to, finding Paramore to be heavily influential. She eventually got into the R&B scene, citing Bruno Mars and Kehlani as two beacons of inspiration for forming her own lyrical style. Her secret weapon to developing her voice and deciding what style works for what song is repetition. “I try to get creative with runs when I’m singing, and repetition helps a lot with that. I try to do something different every time I record, so I can go back and pick out something I like, then try to repeat what I did that sounded the best.”  

Sam and Illia each have their own creative techniques when it comes to creating the duo's distinct sound. Sam’s own guitar playing is heavily influenced by guitarists like John Mayer, and the desire for the cleanest sound. Illia’s solo sound is rooted in a balance between punk or soul. For Illia, her goal is to be a true individual; “I don’t want to sound like anyone else,” she states. “I really want my voice to be my own.” Put them together, and the duo accomplishes beautiful covers of everything they touch, from jazz pieces to pop music.

 The duo appreciates how great the music scene of Columbia is for anyone wanting to kick off their career; “The scene in Greenville was extremely competitive, and in Columbia I’ve never had an easier time getting gigs for us than now,” Sam states. The two value the business side of the music scene highly, something that both musicians believe other musicians should take into consideration when they’re starting their own careers. “It matters a lot more than some realize,” Sam and Illia say. “Learning marketing and how to make the money work for your gigs is super important.”  

Illia’s biggest piece of advice for other musicians emphasizes both talent and persistence; “It really matters how much you pursue it. You could be the best musician ever but if you don’t put yourself forward, you’re not going to get to the place you want to get, which I’ve learned even more since we started working together.” 

Sam & Illia can be found on Instagram (@samandillia), Facebook (@samandillia), and their personal website (https://www.samandillia.com/). Upcoming performances include a show at Gardeners’ Outpost on Franklin Street on June 24, Lexington Farmer’s Market on June 25, Steel Hands Brewing on July 17, and more! 

Chapin Theatre Company Announces CALL for 10 Minute Play Scripts

CALL FOR SCRIPTS!

Exciting News from our Friends at Chapin Theatre Company!

Submissions will be open from June 15 through August 26.  We will accept only one play per playwright this year, so submit your best piece!

Other rules:

  • Playwright must live in South Carolina

  • Play must be no longer than 12 minutes in length

  • Maximum of 5 characters

  • Simple production with limited set pieces

  • Keep it PG 13 or less

  • Play should be in a "play format" and saved as a pdf. Play title and page number must be written on each page

  • This is a blind submission, so your name must NOT be written on the script

Plays will be selected in early September.  The eight winning plays will be part of the 2nd Annual 10-Minute-Ish Play Festival on November 4-5 at the Firehouse Theatre in Chapin.

Good Writing and Good Luck!

Submit

here!

Art Show by Jasper Magazine Spring 2022 Cover Artist Lindsay Radford Wiggins Opening at 701 Whaley on July 10th

with Linda Toro

Artist Lindsay Radford Wiggins’ show, Stardust, will be featured at the hallway gallery at 701 Whaley St. in Columbia, SC July 10–Aug. 27. The public is invited to view the artwork and meet the artist, as well as purchase original works and prints during a reception on July 10 from 6–8 p.m. 

Radford Wiggins is the cover artist for the Spring 2022 issue of Jasper Magazine which is circulating around Columbia now. 

Stardust features a series of oil and watercolor paintings that embody a spiritual authenticity and Wiggins’ signature whimsical flair. Influenced by German expressionism and women surrealists, the works speak of the artist’s personal experiences, connections, and emotions, making each piece a diary-like entry of celestial swirls. The playful imagery and repetition of symbols invite the viewer to call upon their own life experiences and create their own personal dialog.  

The exhibition offers an opportunity to see the breadth and depth of Wiggins’ work – in addition to larger canvases and watercolors, a series of her smaller paintings will also be on view. Wiggins says, “The process of painting many small works in one sitting helps with meditative flow and opens me to being more playful with imagery.” 

Born and raised in Alabama where she attended the Booker T. Washington Magnet Art School, Wiggins says that the experience helped shape her as a young artist. Now living in Columbia, SC, where she completed her BA in Studio Art at Columbia College, Wiggins says, “Art, for me, is a therapeutic way of moving what is inside me into a physical form. My hope is that my work uplifts, inspires, and empowers others to seek their own voice.”

THE BEAT: Glass Mansions Homecoming

Photo credit: Mia Al-Taher

When Glass Mansions plays New Brookland Tavern this Saturday night, June 25th, it will be a homecoming of sorts for the former Columbia band, which packed up and moved to Austin Texas in January of 2021. Now a duo of founding members Blake Arambula and Jayna Doyle, Glass Mansions is on their first cross country tour since relocating, and they couldn’t be happier to be back on the road.

“The music scene here is all different genres, and they’re all really supportive of each other, but I’m still trying to find my New Brookland Tavern out here,” says singer Jayna Doyle, referring to the West Columbia venue that was their home base for many years. “There’s not really anywhere that’s going to replace that for us yet–that’s why we are excited to be back on tour and coming home to Columbia to play again.”

It has been a long road, metaphorically speaking, for Doyle and Arambula since their move in the middle of the pandemic.

“When Covid first happened we were in the middle of a tour, in the middle of Iowa, driving through corn fields and listening to AM radio as they were talking about this virus, and local cases in the US, it felt like something out of a zombie apocalypse movie,” Arambula recalls. “We were booked at SXSW that year for ten different showcases, a lot was going to be happening. We showed up in Austin and it was a ghost town, it was crazy to see that. Usually when we would come it would be buzzing and busy.”

In January 2021, the pair made the move to Austin official.

“It was surprisingly easier than we thought it would be,” Arambula says. “I work in live events, so when all that got canceled we had a window of time where we could do whatever we wanted, and that became moving to Austin.” Once there, the duo had to negotiate the local scene and find their way around a new town, however.

“As soon as we got there Blake started hosting an Emo Bingo night and since it was one of the only things going on mid-week around town, we got to meet a lot of people through that,” Doyle says. “We were able to become friends with people and then when covid became less of a danger and things opened up more, we already had these connections established.”

Austin, Texas has a reputation as a live music town, and both Doyle and Arambula agree that it has been living up to the hype for them.

“We feel a little spoiled,” Doyle says. “There’s often too much to do. We went to the Austin City Limits Festival, one of the biggest festival shows I’ve been to. We’ve been soaking it all in, and we have been fortunate to get to see a lot of bands we look up to, bands we are influenced by in our own music.”

Their own music, after all, is what they are in Austin for, and it’s what has brought them back to live performance and touring. 
“We hit the ground running this year, and got some cool opportunities to open for other bands,” Doyle says. “It has been nonstop for us the past few months. There’s a pop scene here, a synth scene, there’s a space for our kind of music, too.” 

That music is still the same bracing electro-pop alt-rock sound Columbia audiences know from previous releases, though the two-piece nature of the current lineup means they have been refining, and redefining, their sound. 

The pair have been working on new music, and plan for its release soon.

“We are being more intentional, especially with the lyrics,” Doyle says. “In the past things have been kind of rushed, but now we have been doing some recording in Austin with Taylor Webb producing–it is a new thing for us to trust someone else we don’t know with our music. That’s exciting, and a little scary, and we are challenging ourselves and the process more.”

Arambula is just happy to be playing music in front of an audience, he says. “We were unsure before now about booking anything for the past year, but finally decided that the time was right. We needed to play, to get back on the road and revisit the places we have been, and see our friends and fans out there.”  

Glass Mansions
New Brookland Tavern
Saturday, July 25th
Facbook Event

The Art of the Dad Joke

No, Neil Patrick Harris and his beautiful family are not from Columbia, SC, but I wish they were. And since he has started a whole new newsletter project that, in honor of Father’s Day, shared some classic so-bad-they’re-good jokes this week, I decided to take a closer look at the Art of the Dad Joke - which, let’s face it, takes a certain skill set to pull off. Or not. Which really is the key to the Dad Joke to start with.

The following Dad Jokes come straight from the brain of Dr. Olaf Doogie Horrible himself, and You can subscribe to his newsletter, too, by simply clicking here.

To all the dads, granddads, stepdads, baby daddies, special uncles, and father figures out there, Happy Father’s Day. But most importantly, learn how to tell a joke and how to take yourself less seriously.

Now, are you ready to roll your eyes?

  • Two guys walk into a bar…you would have thought one of them would have seen it.

  • My son turned four today. I didn’t recognize him, I had never seen him be four.

  • Do you know about the king who was 12 inches tall? He was a horrible king but he made a great ruler.

  • Dad, can you tell me the difference between a grape and a raisin? No sun.

  • Why do naval ships in Norway have barcodes on the sides? So when they get to port they can Scan-da-navy-in.

  • Today this guy knocked on my door asking for donations for the local pool. So I went into the kitchen and gave him a glass of water.

  • What rhymes with orange? No, it doesn’t.

  • What’s the difference between a well-dressed man on a unicycle and a poorly-dressed man on a bicycle? Attire.

  • You’ve heard of Pop Tarts, right? Why aren’t there any Mom Tarts? It’s because of the pastry-archy. - (My Favorite!)

  • Dad jokes are how eyeroll. (My least favorite!)

ELVIS TRIBUTE by BERNIE LOVE & THE MEMPHIS THREE (aka Columbia's Favorite Playboys & Friend) - July 2nd at the Art Bar

JULY 2ND, 2022!!!!!!!!!!!!!

A few words from Marty Fort, founder and director of the Columbia Arts Academy and longtime member of the Capital City Playboys, who encourages music lovers to mark their calendars for July 2nd.

“So everyone's excited for the new [Warner Brothers} ELVIS movie coming, out...But I want to HIGHLY encourage you to come to Art Bar on July 2nd to see Columbia's full blown and brand NEW Elvis Tribute set Bernie Love featuring the Capital City Playboys with Patrick Baxley bringing the heat as Elvis.” 

“[We’re] so excited to rock this set of Elvis tunes, many of which we performed at the Guest House at Graceland in April. So come out for this EARLY show 8:30 p.m. Who knows if we'll ever do it again?” 

Bernie Love will be followed by a rocking set by the Capital City Playboys as well as Jared Petteys and the Headliners. There may even be more surprises in store.

The Art Bar is located at 1211 Park Street in Columbia’s historic Congaree Vista.

DRAW JASPER and Be on the COVER of JASPER MAGAZINE!

Draw Jasper

Win YOUR SPOT on the Cover of Jasper Magazine!

Have you always wondered what Jasper would look like if Jasper was a real living and breathing entity? Would they have purple hair and sexy eyes or be bald and bodacious? Would they have a big nose and bigger ears, bowed legs or knocked knees? Hairy arms? A shiny grill? Now you can let your imagination run wild as you create an image of Jasper as you see them!

The winning entry will score the coveted spot as the Cover Artist for the Fall 2022 issue of Jasper Magazine as well as a $250 cash prize.

All accepted images will be included in the Draw Jasper Art Show and available for purchase at the artist-designated price, with the artists receiving 75% of the sale price and 25% going toward the publication of Jasper Magazine.

Entry Requirements

  • Photos or scans of the original artwork should be emailed to JasperProjectColumbia@gmail.com no later than August 15, 2022 DEADLINE EXTENDED TO SEPTEMBER 9TH! and should include your name, contact info, and the price point for your original art. The original art will be exhibited in the Draw Jasper Art Show.

  • Emailed images should be 8.5x11” and high-resolution (ideally at least 300 dpi and in CMYK).

  • The original art should not exceed 8.5 x 11 inches and there should be space allowed for the masthead along the top or bottom of the image.

  • Any medium is allowed as long as the original is 2-D.

  • Jasper may be depicted full-length, as a portrait, or anything in between.

  • Finalists will be notified by September 1, 2022 and details of the Draw Jasper Art Show will be announced then.

SCENT by Heather LaHaise Opens at Stormwater Studios Wednesday June 15th

In the new Heather LaHaise art show, Scent, opening on Wednesday June 15th at Stormwater Studios in Columbia, SC, the artist says, “Dogs possess an amazing sense of smell and the scents they gravitate to inspired this series. They have the unique capability to analyze smells well beyond any human. Aside from being our best friends, They sniff out bombs and drugs, pursue suspects, find dead bodies, and even help find cures for disease.”

She continues, “In SCENT. I have researched and then selected 20 scents (one per painting) they are drawn to. I hope to acknowledge the scent, while at the same time create a work that appeals to the human visual sense!”

While LaHaise’s portfolio certainly includes her share of abstracts and attractive, inviting interiors, like the one above, it is her collection of canine portraits for which she has become well known.

Macron

The Stormwater show at 413 Pendleton Street runs from June 15-19 with a reception June 16 from 5 - 8 pm.

The public is invited to attend.

VOTE FOR JASPER for Free Times Best of Columbia Local Website Music/Entertainment

There are a lot of reasons to vote for Jasper for the Free Times Best of Columbia Local Website Music/Entertainment.

  1. Jasper is the only Local Website devoted JUST to local music, art, and entertainment, so you know we have you covered when it comes to staying on top of news and events

  2. Jasper is written and maintained entirely by artists and entertainers themselves who have a vested interest in keeping the local music, arts, and entertainment industry healthy and vital!

  3. When we go wherever we go to work or play we are surrounded by friends and colleagues who are going to hold our feet to the fire to keep us accountable to them and to you, our readers, to make sure we are giving you the best local coverage we can.

But most of all, vote for us because Jasper loves you and we’re in your corner- swinging, and fighting, praying and loving, and sending out all the good vibes to make Columbia the best music, arts, and entertainment city it can possibly be.

Support your local grassroots, non-profit, ain’t-nobody-making-no-money-offa-you arts organization - THE

An Evening with the Columbia Repertory Dance Company THIS SATURDAY

The Public is invited to an evening with the city’s newest professional dance organization, the Columbia Repertory Dance Company, on Saturday, June 18th at 7 pm at Columbia Music Festival Association - 914 Pulaski Street.

There will be snacks and adult beverages, as well as an opportunity to learn more about the dance company and its mission for performances and growth in the South Carolina Midlands. Attendees will also get an inside look at works in progress and meet new company members.

The event is hosted by the board of directors for the Columbia Repertory Dance Company including company founders Bonnie Boiter-Jolley and Stephanie Wilkins.

There is a suggested donation of $25 which can be made

online

or at the door.

THE BEAT: Both Sides Now Lang Owen explores stories and sounds on his new album "She’s My Memory"

By Kevin Oliver

Columbia singer-songwriter Lang Owen’s new album She’s My Memory is a relationships album, but not in the classic boy-meets-girl pop music mold. Rather, the sixty-something Owen has collected what amounts to a lifetime of thoughts here on friendships of all kinds, from romantic partners new and old to co-workers and the people we see on TV screens and newspaper bylines. In putting the album together, he also relied on musical relationships built over the past five years since he emerged onto the local scene. 

 

Owen enlisted fellow songwriter and guitarist Todd Mathis as his producer, with a diverse cast of additional players on board and additional recording and mastering from Carl Burnitz. The result is a shimmering statement of purpose, a beautifully rendered collection of songs that tell stories in a way that captures the heart and the imagination. Musical touchstones from James Taylor to Joni Mitchell, Emmylou Harris, Todd Rundgren, and more reveal themselves upon repeated listens, but Owen has firmly established his own sound and style with this new album.

 

There are stories both told and implied here, from the simple work ethic of “Man With A Broom,” to the internal evaluation of “Where Does The River Start?” Of the latter, Owen says, “On the surface the narrator is dealing with a breakup, but in my mind, he’s questioning himself–how did I get to this point, where am I going from here, and especially, how have I made some of the choices I did along the way?” 

 

Some of the choices Owen made in recording these songs included expanding his musical palette well beyond just himself, with the assistance of producer Todd Mathis. It was all in the preparation, Owen says.

“We sat down with scratch tracks of the songs I recorded on my own and brainstormed what kind of instrumentation would work with each,” He recalls. Guest musicians who ended up participating include drummer Mike Scarboro (The Runout), guitarist Zach Bingham, and backing vocals from Becca Smith of Admiral Radio. Bass duties were split between Chris Paget, Jeff Gregory (The Runout), Mathis’ former bandmate Kevin Kimbrell, and Mathis himself, who also filled multiple other instrumental roles. 

 

Being in a “band” situation isn’t exactly a new thing for Owen, though it had been a while, he admits.

 

“I played in bands in the 1980s, and I enjoyed playing with other people,” He says. “When I picked music back up in 2017(after decades as a teacher, visual artist, and social worker), I played by myself mostly because I just didn’t know any other musicians.” 

 

There are story songs here that those who have followed Owen’s solo acoustic shows the past few years will recognize as falling directly in his usual style, such as the topical “Last Gasp Of The News.” This time around there are also songs where the sound falls more toward the “band” side of things, with a particular vibe that a simple acoustic guitar arrangement wouldn’t be able to achieve as vividly.

 

“Collection Day” is one such tune, with an unhurried, yet rhythmic indie rock feel not too far from bands such as Yo La Tengo. “Smile From You” leans on Owen’s strummed guitar, but the other elements contribute to the song’s unsettled, foreboding atmosphere of an uncomfortable snapshot in time.

“We spent a lot of time on working out that one,” Owen says. “It went through a lot of different variations to get where it did–any time you work with great musicians, they’ll come up with great ideas.” 

 

Even with the expanded arrangements and feel of the recording sessions, Owen’s flair for narrative shines through. The title track “She’s My Memory” is a story song about telling stories, where a comment from a co-worker about remembering his life better than he does prompted a story of a person losing their memory who is still able to remember it through his wife’s anecdotes.


“I think that song sets the tone for the album,” Owen concludes, “which in part is about the importance of relationships to our well-being.” 

 

In “Everybody Here” the opening lines, in their own way, reach that same conclusion–we all help each other, whether we realize it or not: 

 

“Everybody here’s my therapist

I need all the help I can get

I look around, I’m losing my ground

I don’t like what I see one bit

I float by like a whisper, you hand me a megaphone

In our own little worlds somehow, we’re not alone

We’re not alone”

 

Lang Owen releases “She’s My Memory” officially on all platforms June 17th. The release show, featuring a full backing band of many of the players on the album, happens at Curiosity Coffee on Saturday, June 18th, from 5-8 p.m. $10 

 

Facebook Event with ticket link

Summer Reading: Columbia Folks Share What They're Reading This Summer

Joelle Ryan-Cook

Love them or hate them there’s something about South Carolina summers (or wherever you go to escape them) that make you look forward to losing yourself in a fabulous book or two, or four, or five.

For me (Cindi), the world has been a bit too much lately and I’m craving the escape and pretend power that comes with magical realism and fantasy. I want to lose myself in a world that allows me to twitch my nose and make all those NRA lobbyists and the politicians who take their money turn into the cockroaches they really are. So, I’ll be reading the 4th in Alice Hoffman’s Practical Magic series, published late in 2021, The Book of Magic.

Practical Magic, the first book on which the 1998 movie starring Sandra Bullock and Nicole Kidman was based was published in 1995 and was so much better than the film. (So, if you loved the film, you’ll flip over the book!) The other books in the series fully develop the history of the Owens sisters and the magic they possess. This last volume ties all the loose ends together and I can’t wait!

I asked several of my friends to tell me what they were either looking forward to reading this summer or what they would recommend for summer reading. Here are the goodies they shared --

 

“I’m looking forward to reading The Art of OOO by Chris McDonnell. This is a coffee table sized art book about the creation of the Cartoon Network show Adventure Time. The book is filled with process art and sketches used to invent a visual universe and creative characters from scratch and I’m excited to see how they did it!

That is when Mary the Dog is through with it!”

-       Marius Valdes

“I loved the Netflix series Heartstopper--so sweet!--so I just ordered all four graphic novels. One of my students had recommended it. Maybe I'll get a chance to teach it next spring!”

-       Ed Madden

 

“I love sharing books I’ve read! My two favorites are below! 

Lillian Boxfish Takes a Walk by Kathleen Rooney 

Fabulous story told by a woman who walks around NY City on New Year’s Eve and remembers her life through the people she meets - Jazz Age to current times. Fiction but based on actual person.  

Leaving Time by Jodi Picoult - love everything by her!

A “present-day” story with a mystery element and an unlikely team of investigators including a discredited psych – this book tells the story of Alice in her childhood and college years and her decision to go to Africa to study elephants. Lots of fabulous info about elephants – Picoult did her research!” 

-       Dolly Patton

 

“Oooh...I love this... 

“I’m looking forward to reading, actually listening to (truth be told, I prefer audiobooks these days) The Underground Railroad by Colson Whitehead. May not be "summer read" material for some, but I just listened to his "The Nickel Boys" and my two teenagers were entranced. Hoping they'll feel the same on summer road trips with this book as well!  

-       Melanie Huggins

 

“I like crime and heavier stuff. If you haven’t read the Patricia Cornwell Scarpetta novels, start. Postmortem is the first. Dr. Kay Scarpetta is one of my favorite characters and Cornwell’s forensic knowledge keeps you enlightened and turning every page as you learn the gruesome details as well as her well written characters. 

-       Kristin Cobb

  

“For me, the slower pace of summer is something I look forward to as I like to spend time discovering new recipes and cooking for friends all season. This year I have been thinking about my mother’s Italian family and how much their zest for life is expressed through gatherings around the table with great food and wine. I am going to take a deep dive into that heritage through the classic 1992 cookbook The Splendid Table: Recipes from Emilia-Romagna, the Heartland of Northern Italian Food by Lynne Rossetto Kasper.

Reading cookbooks full of stories, history, glossaries, and technique is a summertime joy.” 

-       Joelle Ryan -Cook

 

“This summer, I’ll be spending a lot of time with Alice Childress’ play Wedding Band, because I’ll be editing it for inclusion in South Carolina Onstage, a 200-year history of Palmetto State drama. That bit of officiousness notwithstanding, it’s a terrific read at a time when marriage rights are still being debated and dinosaurs still stalk the land. It’s set in Charleston and explores the sociopolitical complexities of interracial marriage during a flu epidemic—I mean how topical can you get? It opened at New York’s Public Theatre in 1972 and has remounted around the world many hundreds of times.” 

-       Jon Tuttle 

 

“I’m looking forward to reading, Hopes and Impediments by Chinua Achebe because he's one of my favorite authors and that's one of the only books in his collection I haven't read yet. 

I have been obsessed by Thomas Freidman's Thank you for Being Late because while it does do a great job of making you rethink being "late", it incredibly breaks down how far behind technology human adaptability is and how critical it is that we update all of our societal systems: education, criminal justice, transportation, social, city development, etc. - to be able to adapt to our new tech-driven world.”  

-       Sherard "Shekeese" Duvall