Camden’s Books on Broad to Host Author Talk & Book Signing for Kevin Sack, Author of Mother Emanuel with guest Camden Mayor Vincent Sheheen

A sweeping history of one of the nation’s most important African American churches and a profound story of courage and grace amid the fight for racial justice—from Pulitzer Prize–winning journalist Kevin Sack  “A masterpiece . . . a dense, rich, captivating narrative, featuring vivid prose . . . expansive, inspiring, and hugely important.”—The New York Times (Editors’ Choice)

“Race, religion, and terror combine for an extraordinary story of America.”—Eddie S. Glaude, Jr., bestselling author of Begin Again

COVER ART BY JONATHAN GREENE

Books on Broad will host veteran journalist Kevin Sack for an author talk and conversation with guest Camden Mayor Vincent Sheheen, followed by audience Q&A and a book signing of his new book Mother Emanuel: Two Centuries of Race, Resistance, and Forgiveness in One Charleston Church on Wednesday, August 13, 2025, 6pm at Liberty Hall, Revolutionary War Visitor Center, 212 Broad Street, Camden, SC, 29020. The event is free to the public. Books will be available for purchase at the event, or, in advance of the event, at Books on Broad, 944 Broad Street, Camden. The author will sign books following the program.

Few people beyond South Carolina’s Lowcountry knew of Emanuel African Methodist Episcopal Church in Charleston—Mother Emanuel—before the night of June 17, 2015, when a twenty-one-year-old white supremacist walked into Bible study and slaughtered the church’s charismatic pastor and eight other worshippers. Although the shooter had targeted Mother Emanuel—the first A.M.E. church in the South—to agitate racial strife, he did not anticipate the aftermath: an outpouring of forgiveness from the victims’ families and a reckoning with the divisions of caste that have afflicted Charleston and the South since the earliest days of European settlement.

Mother Emanuel explores the fascinating history that brought the church to that moment and the depth of the desecration committed in its fellowship hall. It reveals how African Methodism was cultivated from the harshest American soil, and how Black suffering  shaped forgiveness into both a religious practice and a survival tool. Kevin Sack, who has written about race in his native South for more than four decades, uses the church to trace  the long arc of Black life in the city where nearly half of enslaved Africans disembarked in North America and where the Civil War began. Through the microcosm of one congregation, he explores the development of a unique practice of Christianity, from its daring breakaway from white churches in 1817, through the traumas of Civil War and Reconstruction, to its critical role in the Civil Rights Movement and beyond.

At its core, Mother Emanuel is an epic tale of perseverance, not just of a congregation but of a people who withstood enslavement, Jim Crow, and all manners of violence with an unbending faith.

 

KEVIN SACK is a veteran journalist who has written about national affairs for more than four decades and has been part of three Pulitzer Prize–winning teams. A native of Jacksonville, Florida, and a graduate of Duke University, he spent thirty years on the staff of The New York Times, where he specialized in writing long-form narrative and investigative reports, often related to race. He has also written for the Los Angeles Times and The Atlanta Journal-Constitution, and his work has appeared in The New York Times Magazine. He was a 2019 Emerson Collective Fellow at New America. A native of Jacksonville, FL, Sack lives in Charleston, SC, with his wife, Dina Sack. They have three children.

VINCENT SHEHEEN was born and raised in Camden. He was a member of the South Carolina Senate from 2004-2020 and was desk mates with Senator Clementa Pinckney on the Senate floor. He was also a member of the South Carolina House of Representatives from 2001-2004. Mayor Sheheen was elected to Camden City Council in November 2024. He holds a Bachelor of Arts Degree in Political Science from Clemson University and a Juris Doctor Degree from the University of South Carolina. Vincent is co-host of the popular podcast about SC politics Bourbon in the Backroom, and has published numerous essays, articles, and the book, The Right Way: Getting the Palmetto State Back on Track. Vincent’s newest book, A Concise Guide to South Carolina State Government, is expected to be released in late 2025. Sheheen and his wife Amy have three children and one grandchild.

BOOKS ON BROAD is an independent bookstore and coffee shop located in downtown historic Camden proudly serving SC roasted King Bean coffee and offering a broad selection of new, used, and collectible books. Books on Broad is open Monday through Friday 7:30 am – 6 pm, Saturday 7:30 am – 4 pm, and Sunday 9:30 am – 3 pm. Shop from the website 24/7 at www.booksonbroad.com.

REVOLUTIONARY WAR VISITOR CENTER is one of the nation’s newest regional and national attractions, the Center features the first permanent exhibit that tells the powerful story of the American Revolution, the Southern Campaign and South Carolina’s major role in turning the tide of the war. The Center is also the gateway to all Camden and Kershaw County have to offer – from historic sites and regional festivals to a multitude of events and activities. https://simplyrevolutionary.com

Money Where Your Mouth Is Installation Thursday, July 31 at 6:30

“What moves men of genius, or rather what inspires their work, is not new ideas, but their obsession with the idea that what has already been said is still not enough.” - Eugene Delacroix


When Columbia-based arts advocate and influencer Jared Johnson decides to take on a project, HE TAKES THAT PROJECT ON, generously investing his wide and varied resources in bringing it to fruition. For the past few weeks Johnson has been working on the not-so-subtly titled MONEY WHERE YOUR MOUTH IS project with a group of individuals he assembled specifically to meet the needs of an artist whose work he’d like to see supported both culturally and financially. The artist is Monique Dove and a celebration of her work will be held Thursday evening, July 31, at 6:30 at 2001 Greene Street, Suite D.


According to Johnson, “The Money Where Your Mouth Is art event is a unique opportunity for Columbia, SC to change its approach to how we support local talent. This city loves the arts and we enjoy going to exhibitions and viewing art, but that love doesn’t always translate into purchasing art. The lack of sales have a direct impact on artists’ survival and ability to live and create more work/art.”

“Money Where Your Mouth Is,” Johnson continues, “aims to change the current narrative of the Columbia art scene. Yes, this event is free and open to the public and there will be free cocktails for guests. But the organizers will also be inviting and reaching out to those who appreciate art and have the means to pay for art. The goal is to work together as a community to sell art. … This event is the first of its kind and the inaugural artist is the talented Monique Dove and her wonderful work will be for sale. with 100 % of sales going to the artist and the hope and prayer is that these funds help her transition out of living in her car to and into safer housing.”

The event is free and open to the public. Drinks and light snacks will be served.

Who: Monique Dove
What: Money Where Your Mouth Is Art Event
When: July 31st, 2025
Where: 2001 Greene Street, Suite D, #ColumbiaSC




Jasper Invites You to Get to Know the Actors in BUSTED OPEN, 2025's Play Right Series Winning Play by Ryan Stevens

Over the next few days Jasper will use Jasper Online to share the bios of the nine cast and crew members of Busted Open, our 2025 Play Right Series winning play by Ryan Stevens. Today we’re featuring Beth DeHart, Allison Allgood, and Kristin Cobb.

BETH DEHART

Beth DeHart has been part of Columbia’s theater scene since 2006, performing in more than 20 productions across five companies: Columbia Children's Theatre, Workshop Theatre, the NiA Company, On Stage Productions, and Chapin Theatre Company. Some of her favorite roles include Latrelle Williamson in Sordid Lives (Workshop Theatre) and Bella Sky Matthews in So Long, Roscoe! (Chapin Theatre Company). Beyond the stage, Beth is a drummer, visual artist, and furniture refinisher. When not immersed in the arts, she works as an interior designer specializing in kitchen and bathroom remodels with Capital Kitchen and Bath.

Allison Allgood has a Bachelor of Arts in Theatre Arts from Furman University.  Some of her favorite roles in Columbia include Mr. Burns: a Post-Electric Play (Jenny/Bart) at Trustus TheatreMacBeth (Second Witch) with the SC Shakespeare CompanySugar (Sweet Sue) at Town Theatre, and Arsenic and Old Lace (Elaine) at Workshop Theatre.  Allison has recorded several full-length audio books as well as children’s books and magazines with the SC State Library's Talking Books Services.  She has a degree in counseling and daylights as a high school counselor. 

KRISTIN COBB

Kristin Cobb is thrilled to be part of Busted Open! By day, she serves as Executive Director of Harbison Theatre, a dream job at a venue she hopes you’ll come visit. A proud board member of the Jasper Project, Kristin is passionate about championing new work across the performing and visual arts. Her most recent onstage adventure was tackling a gritty role in Riff Raff by Laurence Fishburne, directed by Darion McCloud with the NiA Company. She also proudly holds the unofficial title of “most shows directed by Larry Hembree”—make of that what you will. Kristin has two awesome adult kids and is currently accepting applications for Husband #3.

Watch this space to learn more about the cast and crew of Busted Open, and mark your calendars for September 14th when Jasper will present a staged reading of Busted Open by Ryan Stevens at Columbia Music Festival Association!

And it’s not too late to join us as a Community Producer along with local luminaries and supporters like Hunter Boyle, Stan Conine, Larry Hembree, Wade Sellers, Perry McLeod, Bill Schmidt, Bob Jolley, Libby Campbell, and more! Click here to learn more about the 2025 Play Right Series and becoming a Community Producer.

Jasper's Tiny Gallery Artist Also Featured at All Good Books July 31

At Jasper, we love it when the stars cross and Jasper’s featured artists have opportunities to shine across organizations and venues. For example, our Tiny Gallery featured artist for July, Jessica Ream, will be spotlighted at Columbia’s beloved indie bookstore, All Good Books, on Thursday July 31 from 5 - 6 pm.

Here’s what All Good Books says about the event:

Bookbinding Presentation with Local Artist Jessica Ream

Thursday Jul 31st, 2025 — 5:00 PM

Artist Talk

 734 Harden St, Columbia SC 29205

Do you love an old book? Do you love a good journal? (Even if it is just for collecting rather than filling). Have you ever been curious about how either one is made? Better yet, ever wanted to make your own?

Join local artist and bookbinder, Jessica Ream, for an evening of book chat to learn all about the ins and outs of how she creates her one of kind journals from linen, leather and repurposed old books. You will get to play with the different bookbinding tools, watch some live demos, ask all the questions your curiosity conjours and even get your hands messy making a small journal of your own. Just kidding, it won’t be messy, but it will be fun!

Jessica Ream was born in Columbus, Ohio early in the year 1990, but was raised in Carolina suburbia. She attended Savannah College of Art and Design where she graduated with honors and a BFA in Painting. A jack-of-all trades artist, she incorporates her knowledge of painting, photography, print, sewing and sculpture into her mixed media, abstract pieces. In recent years, she has rediscovered her love of hand binding books. While mainly self taught, she was first introduced to the world of book arts in a workshop she attended while studying abroad. Her hand bound journals are made from a mix of traditional materials and rebound, vintage books. After spending time in the High Rockies of Colorado, she and her husband have returned to their southeastern origins, where they reside with their son and newborn daughter.

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So check out Jessica’s current online exhibition from the comfort of you own computer or mobile device anytime 24/7 at Jasper’s Tiny Gallery Site through July 31st — and then visit All Good Books on July 31st to learn even more about Jessica, bookbinding, and how you might be able to use that knowledge to create something beautiful yourself!

10 More Days to See Judy Bolton Jarrett's Art at Sound Bites Eatery in Downtown Columbia

There’s one more week to catch the art of Judy Bolton Jarrett at Sound Bites Eatery, 1425 Sumter Street, though the good folks at Sound Bites will be sorry to see Jarrett’s beautiful work leave their walls.

A household name in the greater Chapin area, Jarrett opened her own gallery space in 1990 and, on June 1, 2025, the artist celebrated the 35th anniversary of Art Can Studio at 108 Beaufort Street in downtown Chapin. Having served as a high school English teacher for 21 years prior to becoming a professional artist, Jarrett sees the title as her second chapter of life. “My training came from workshops, mostly in watercolor, with local and national instructors,” Jarrett says. “But the experience of picking up a brush and practicing consistently generated a style that was recognizable as mine. As I progressed in confidence, I eventually turned from watercolor into water media, gradually using acrylics and mixed media as my mediums.”

A graduate of Presbyterian College, Jarrett went on to become a juried signature member of the South Carolina Watermedia Society and the Georgia National Watercolor Society. While the artist has abbreviated studio hours of late—Art Can Studio is open on Thursdays, Fridays, and Saturdays, and all other times by appointment only—she still participates in the occasional juried art exhibitions in SC, Georgia, and Tennessee.

Jarrett’s current show at Sound Bites, “Small Works with Large Impact,” is a collection of acrylic and mixed media paintings that the artist says, “represent my love of spontaneity in both color and style, from impressionism to contemporary interpretations. Texture and color are significant elements in every painting. Mixed media works incorporate violin, clock parts, piano hammers, and words.”

Jarrett’s Sound Bites exhibition will be up until the morning of Saturday August 2nd, but if you miss the show, find Jarrett and her work at Art Can Studio in downtown Chapin and visit her website 24/7 to keep up with all this active and still-getting-it-done octogenarian artist is up to!

And mark your calendars for August - October 2026 when Jarrett celebrates her 85th birthday with a solo show at the Botanical Garden at UGA!

REVIEW: Chapin Theatre Company's Once Upon a Mattress -- A Royal Treat for All Ages

by Jane Turner Peterson

Grab your kids, grandkids, aunts, uncles—and of course, moms and dads—and get your tickets now! Once Upon a Mattress is a hilarious, heartwarming musical that’s perfect for all ages, and Chapin Theatre Company’s production is one you don’t want to miss. With just one weekend left at Harbison Theatre at Midlands Tech, this charming retelling of The Princess and the Pea promises big laughs, catchy songs, and plenty of fun.

Originally debuting on Broadway in 1959, Once Upon a Mattress introduced audiences to the unforgettable Carol Burnett as Princess Winnifred. With music by Mary Rodgers, lyrics by Marshall Barer, and a book by Jay Thompson, Dean Fuller, and Barer, the show has rightfully earned its place as a musical theatre classic. Chapin’s version stays true to the spirit of the original while adding its own lively flair and fresh energy.

The plot takes us to a whimsical kingdom “long ago and far away,” where King Sextimus has been mysteriously struck mute, and his domineering wife, Queen Aggravain, has taken control. She’s decreed that no one in the kingdom may marry until her son, Prince Dauntless, finds a princess who can pass her ridiculously unfair test. This causes chaos for young lovers Sir Harry and Lady Larken, who have urgent reasons to wed.

Enter Princess Winnifred the Woebegone, found in a swamp and brought to court by Sir Harry. She’s bold, brash, and unlike any princess the kingdom has seen. But Queen Aggravain is determined to sabotage her son’s romance, leading to a series of uproarious schemes and surprises.

Maggie Baker is delightfully bold and brassy as Princess Winnifred, with a perfect mix of comedic timing, crystal-clear vocals, great dance moves, and a natural stage presence that lights up every scene she is in. Tyler Zanga charms as Prince Dauntless, nailing both the humor and sincerity of a young man struggling to grow beyond his mother’s grasp. Their chemistry is funny, sweet, and wonderfully genuine.

Queen Aggravain, played by Debra Kiser, literally stole the show as the irritatingly chatty and bossy Queen. Her comedic timing was impeccable, and the scenes with Prince Dauntless were hysterical. The pair was delightful to watch as the overpowering mother and son duo. Be sure to watch out for her “traveling” beauty mark!

Abigail Williams, in her first Chapin Theatre role, impresses with her powerful voice as Lady Larken, making it clear she is a rising star to watch in town. Frank Thompson as the Minstrel, Joel Yarborough as the Wizard, and Billy McNeill as the Jester are a comedic trio in the best sense—playful, sharp, and totally in sync, like a medieval version of the Three Stooges. Lonnie Owen is a commanding Sir Harry, with strong vocals creating wonderful harmonies with Williams’ Larken. And Jim DeFelice nearly steals the show as the silent King Sextimus, relying entirely on physical comedy to earn big laughs—he does it masterfully.

The creative team behind the scenes pulls it all together beautifully. Director Mary Jo Johnson and musical director McCall Bethurem, both Chapin summer show veterans, guide the production with confidence and care. Choreographer Meredith Boehme brings the stage to life with clever, energetic movement—especially in the showstopping “Spanish Panic” number, which earned rousing applause.

Everything from Queen Agrivan’s outrageous costume to the royal court's vibrant costumes to the whimsical set design adds to the fairy tale magic. And yes—the giant bed lives up to the hype!

With just one weekend left, Thursday, August 24 through Sunday, August 27—this production of Once Upon a Mattress is not to be missed. Evening performances begin at 7:30 pm, with matinees on Saturday and Sunday at 3:00 pm.

Don’t miss your chance to enjoy a delightful night at the theatre. This musical proves that fairy tales—and community theatre—are alive, well, and absolutely worth celebrating.

Tickets are available now at chapintheatre.org.

Gallery Exhibit Reception Double Feature at the Koger Center

The Koger Center for the Arts has been dedicated to rejuvenating its building with brand new art on the walls during the lull of summer break. On Thursday, July 17, from 5:30 – 7 p.m., they are hosting a large art reception for the newest exhibits: in the Nook in collaboration with Jasper, Virginia Russo will be exhibiting brand new work during the month of July. In the Gallery at the Koger Center, the winners of their annual call for art are exhibiting in the group show “The Koger Center Project Winners’ Exhibition.” This exhibition features Kelley Pettibone, Staci Swider, Jordan Dantzler, Jean Lomasto, and Marion Mason. The reception is free and open to the public.

To learn more about the featured artists in the Koger Center Project Winners’ Exhibition, visit the Koger Center website here. This exhibit will be on display through September 12, 2025.

Kara Virginia Russo is a mixed media abstract artist working with watercolor, ink, collage, pencil, and embroidery to create works with layers of meaning and symbol. After recieving her Bachelor of Fine Arts from Converse College in Spartanburg, SC, she lived in Asia and Europe before returning with her husband and two children to settle in Greenville, SC. Her work portrays the essence of things, bypassing realism and portraying what cannot be seen.

Become a Community Producer in Jasper's Play Right Series Project to Support SC Theatre Artists!

With our Degenerate Art Project ending this weekend, Jasper is excited to jump into our 2025 Play Right Series project with both feet! And there’s still time for you to join us and other community producers for an exciting and enlightening experience.

As a Play Right Series Community Producer you will be a part of an elite team of art supporters who invest a modest amount of money ($250) in the production of the staged reading of the 2024-2025 Play Right Series winning play, Busted Open by Greenville, SC native Ryan Stevens.

 

How does this work?

On select Sunday afternoons this summer (schedule is below!) you are invited to join with the cast, crew, and fellow Community Producers of Busted Open, by Ryan Stevens for an enlightening and entertaining session that pulls back the curtains of theatre development and illuminates how a stageplay goes from page to stage. Your first session (July 20th) will offer you a private viewing of the first step in a play production, the Table Reading – the first time the cast of Busted Open will read their parts together.

Subsequent sessions will focus on essential ingredients in the production of a successful staged reading, such as the stage manager’s job; props, lighting, blocking, and sound; unique insights from the director; how the actors prepare for their parts; playwright perceptions from this year and past projects; and an invitation to the dress rehearsal. In addition to your invitation to gather with the cast and crew every Sunday in July, each session will also feature exciting snacks and beverages. And many more surprises each week!

Finally, you’ll take your reserved, best-in-the-house seats to a ticketed staged reading of Ryan Stevens’ Busted Open on Sunday September 14th at Columbia Music Festival Association.

But there’s more.

Your name will be included as a Community Producer on programs, posters, press releases, and other promotional materials as well as in the perfect bound book, Busted Open by Ryan Stevens, published by Muddy Ford Press and registered with the Library of Congress, and you will take home your own copies of Busted Open as a souvenir of your experience.

 

Become a Play Right Series Community Producer Now!

What is expected of Community Producers?

We hope you can make it to every exciting Sunday afternoon meeting, but we understand if you have to miss some. Each session will last from 90 – 120 minutes.

The financial commitment for a Community Producer is a minimum of $250 per person, but other sponsorships are also available and appreciated.

Our hope is that you will be so enlightened and inspired by this experience that you will become a diplomat of live theatre, fresh playwrights, and the Jasper Project and encourage your friends and colleagues to participate in live theatre themselves!

Play Right Series Levels of Engagement

Community Producer    $250

Invitation to attend all four PRS CP sessions on Sunday afternoons, July 20, August 3, August 17, August 31 and September 14 2025; reserved seats for you and up to 2 additional guests to attend the premier staged reading of Busted Open on September 14th at Harbison Theatre; your name in the book Busted Open by Ryan Stevens, as well as in the program and all promotional materials; a copy of the book, and a Jasper Project gift bag valued at more than $100

 

Other Sponsorship Levels

 

Actor Sponsor                 $500 

This level sponsors one actor and supports the Play Right Series. Your generosity will be recorded with distinction above that of  Community Producers in the published play as well as in all other promotional materials and you will receive all the benefits of 2025’s roster of Community Producers, two copies of Busted Open by Ryan Stevens, and an invitation for you and up to 4 additional guests to attend the premier staged reading of Busted Open on September 14, 2025

Playwright Sponsor        $1000

This level sponsors the funding of the playwright and supports the Play Right Series. Your generosity will be recorded with distinction above that of Actor Sponsors in the published play as well as in all other promotional materials and you will receive all the benefits of 2025’s roster of Community Producers, six copies of Busted Open by Ryan Stevens, and an invitation for you and up to six additional guests to attend the premier staged reading of Busted Open on September 14, 2025

 

Director Sponsor           $2500

This level sponsors the director and supports the Play Right Series. Your generosity will be recorded with distinction above that of the Playwright Sponsor in the published play as well as in all other promotional materials and you will receive all the benefits of 2025’s roster of Community Producers, eight copies of Busted Open by Ryan Stevens, and an invitation for you and up to eight additional guests to attend the premier staged reading of Busted Open on September 14, 2025

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Play Right Series 2025 Community Producer Schedule

 

SUNDAY, JULY 20 – 7 pm: Introducing Ryan Stevens and Busted Open

One Columbia Co-op, 1013 Duke Avenue

Meet the 2025 Play Right Series Winning Playwright Ryan Stevens and witness the Inaugural Table Reading of Busted Open

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SUNDAY, AUGUST 3 – 3 pm: The Art of Stagecraft

One Columbia Co-op, 1013 Duke Avenue

The cast & crew of Busted Open explain the process of preparing for a role and tricks of the trade to demystify some of the magic of the theatrical arts   

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SUNDAY, AUGUST 17 – 3 pm: The Playwright's Craft

One Columbia Co-op, 1013 Duke Avenue

Learn about the processes of 4 award-winning playwrights including Ryan Stevens, Chad Henderson, Lonetta Thompson, and Colby Quick with your host Jon Tuttle, author of South Carolina Onstage, The Trustus Collection, and more

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SUNDAY, AUGUST  31 - 3 pm:  Sneak Peek Week!

One Columbia Co-op, 1013 Duke Avenue

Be a fly on the proverbial stage wall among an intimate group of guests to watch a working rehearsal of Busted Open – see how far the cast has come since the first ever Table Reading just six weeks earlier

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SUNDAY: SEPT 14: The Big Event – Staged Reading of Busted Open

Columbia Music Festival Association – 914 Pulaski Street

 

Take your reserved seat for the Premiere Stage Reading of Busted Open by Ryan Stevens at Columbia Music Festival Association and enjoy a post-show champagne toast to the cast, crew, and creator of Busted Open!

 

Jasper Welcomes Jessica Ream to Our 24/7 Tiny Gallery

Tiny Gallery is a virtual gallery that gives artists an opportunity to show a selection of smaller pieces offered at affordable price points attractive to beginning collectors and patrons with smaller budgets. Pieces can be any medium but must be under 15” x 15” and under $200, with no more than 50% of works being above $100; artists show around 15-25 pieces.

Artists are featured monthly with a solo show for all months but December, which is an ornament show collaboration with Midlands Clay. This gallery runs via the Jasper website, so patrons have access to the art 24/7

For July 2025 we welcome Jessica Ream to our Tiny Gallery.

Jessica Ream was born in Columbus, Ohio early in the year 1990, but was raised in Carolina suburbia. She attended Savannah College of Art and Design where she graduated with honors and a BFA in Painting. A jack-of-all trades artist, she
incorporates her knowledge of painting, photography, print, sewing and sculpture into her mixed media, abstract pieces.

In recent years, she has rediscovered her love of handbinding books. While mainly self taught, she was first introduced to the world of bookbinding in a workshop she attended while studying abroad. Her handbound journals are made from a mix of traditional materials and rebound, vintage books.

After spending the time in the High Rockies of Colorado, she and her husband have returned to their southeastern, coastal origins, where they reside with their son and newborn daughter.


Artist Statement

I seek emotional catharsis.

My work is a visual expulsion of my intimate ruminations. Each piece is a visual confession, infused with an unbridled honesty I find paradoxically terrifying and liberating.

I am a painter, a photographer, a printmaker and a seamstress. I am a sculptor and a habitual collector of discarded objects. I am process driven; the physicality of the material capturing my natural curiosity. This child like act of discovery and alteration allows me to speak about what I cannot say audibly and drives me to create.

Why do you call it "Degenerate Art"? An Essay by Ed Madden

Longtime Jasper Magazine Poetry Editor, USC Professor, Author, and Inaugural Poet Laureate for the City of Columbia Ed Madden writes about the history that informs the Jasper Project’s upcoming Degenerate Art Project at Stormwater Studios, July 9 - 12.

Madden will also participate in the project’s Night of Protest Poetry on July 10th.

Germans line up to enter Hitler’s 1937 Degenerate Art Exhibition

Why do you call it “degenerate art”? 

By Ed Madden

 

            “Pick your oppressive regime through time and you will find efforts to

control the arts.”

                                                                                                The Guardian, 22 Feb 2025

 

On July 19, 1937, the Nazi government opened an exhibition in Munich of what they called Entartete Kunst or “degenerate art.” Only days before, Nazi culture warriors had scoured 32 of the nation’s public museums, determined to purge them of any work they considered incompatible with German values. Degenerate art was modernist art, abstract, expressive, as well as anything that represented “primitive” peoples and anything by a Jewish artist. Among those whose work was condemned by the Nazis were Max Beckmann, Marc Chagall, Otto Dix, Wassily Kandinsky, Paul Klee, as well as Henri Matisse, Pablo Picasso, and Vincent van Gogh. German artists who fell beneath the Nazi ax were fired from teaching positions, prohibited from exhibition, even from producing or selling art, forced to emigrate. The show contained 650 paintings, sculptures, prints, all arranged chaotically and grouped in defamatory categories. Like a typical Trump tweet, the walls were filled with derogatory accusations—the artists were “incompetent” and “charlatans,” the artwork an insult to Germany, to its war heroes and farmers, to German womanhood, a waste of taxpayer funds.

The exhibit was staged in tandem with the Great German Art Exhibition, which opened nearby the day before and featured Nazi-approved art, most of it classical and realist, grounded in the Nazi paradigms of nationalism and racial purity—what a recent article describes as “mostly blond people in heroic poses amid German landscapes.” Classical Greek and Roman ideals of beauty, which Hitler deemed representative of racial purity, were contrasted with the disorderly exhibit of primitive, Jewish, and distorted bodies of modernism, as well as maimed and shellshocked veterans of the Great War. (Look up Otto Dix’s “War Cripples.” Also remember how Trump disparaged a disabled veteran in 2019: “Why do you bring people like that here? No one wants to see that.”) Modernist art was diseased, deformed, “degenerate,” a term that merged aesthetic categories with anxieties about social and sexual hygiene and racial purity. They wanted to make Germany healthy again.

Music (specifically jazz), films, and literature also faced Nazi censorship. The degenerate exhibit was the culmination of a long campaign of censorship and suppression that began with widespread book burnings across Germany on May 10, 1933. As they tossed books into the flames, they chanted condemnations of “moral disintegration” and “the falsification of our history.” They praised nationalism and family values—upholding discipline and tradition in family and state”—and they demanded appropriate “reverence for our past.”

Four days before, Nazi students looted Magnus Hirschfeld’s Institute of Sex Research in Berlin, the first major institution of modern sexological research, which provided gender-affirming care and surgery to transgender people. As it is for MAGA, so it was the Nazis: transgender identity was to be erased, destroyed. The books and irreplaceable records were loaded onto trucks and taken to a town square near the Berlin Opera House to be burned in a giant bonfire in which over 25,000 books were destroyed.

That was 1933. By the time of the 1937 Degenerate Art show, Dachau had been running for four years. Other concentration camps had opened both in Germany and abroad, housing political prisoners and racial, sexual, and religious minorities. The armed services had been forced to swear allegiance not to the nation but to Hitler. Only two years earlier, the government had stripped Eastern European Jewish migrants of citizenship, as well as Roma and those of African descent. They were no longer citizens of Germany. In August of the following year, Germany would ramp up the pace of forced emigration of Jews; in November, they would attack synagogues, expel Jewish students from German schools, and send 30,000 men to the concentration camps. In 1941, eight years after the book burnings, only four years after the Entartete Kunst show, Germany began the systematic killing of Jewish people.

 

Why do we call this show a “degenerate art” show?

 

To signal the ways that authoritarian regimes attempt to control the arts. 

While admitting that MAGA and the Third Reich are not the same, The Guardian noted in February that Trump’s “cultural decrees are very much a part of the authoritarian playbook to suppress dissent, scapegoat select groups and seize power.” As they put it, “Trump’s efforts to exert control over art typify the strategy of a dictator.” Critical to that control of the arts is the takeover of public institutions and the ability to grant or withhold funds.  

Trump has cancelled almost all grants from the National Endowment for the Arts and the National Endowment for the Humanities, suggesting both should be eliminated while also mandating that all funding from cancelled grants be redirected only into initiatives that celebrate the 250th anniversary of the Declaration of Independence. He has appointed insurance attorney and former beauty pageant contestant Lindsay Halligan to remove “improper ideology” from the Smithsonian museums, and he has mandated signage in all national parks in an attempt to root out any negative representations of the past. 

He has called for the creation of a National Garden of American Heroes—250 life-sized statutes to be completed before July 4, 2026, to be perhaps placed near Mount Rushmore. He stipulates in funding guidelines, of course, that the statues cannot be “abstract or modernist.” Like Hitler, he hates modernism. He has openly fantasized about being carved into Mount Rushmore himself, so sycophant Rep. Anna Paulina Luna of Florida has introduced a bill to arrange for that to happen. Our own Rep. Joe Wilson has introduced legislation to put Trump’s face on the (nonexistent) $250 bill.

 

To connect the politics of culture, too easily dismissed as symbolic or irrelevant, to the discourses of national identity and citizenship—to the treatment of migrants and the scapegoating of racial and sexual minorities. 

Whether it’s Gleichschaltung (the Nazi alignment of all elements of society with Nazi ideology) or the Seven Mountains Mandate of Christian nationalists, fascism would force art into the service of the state. Earlier this year, when Trump purged the board of the Kennedy Center of Performing Arts and named himself chair, he posted on Truth Social, “NO MORE DRAG SHOWS, OR OTHER ANTI-AMERICAN PROPAGANDA.” For Trump, art is just another way to tighten the noose on what and who counts (or doesn’t count) as American.  

As I write this, the last of the trans members of the military are facing a final deadline to leave the service or face dismissal and loss of benefits. As I write this, Trump is threatening to arrest New York mayoral candidate Zohran Mamdani, strip him of his citizenship, and deport him. As I write this, Trump has announced the opening of a concentration camp in Florida, and the news is filled with photos of massive cages for people, official government propaganda cartoons of grinning alligators in ICE caps, and Republicans marketing concentration camp paraphernalia. Yes, you can celebrate racism and cruelty with a Koozie for your beer.  

That, we might argue, is truly degenerate.

 

So we’re calling this a degenerate art show to emphasize the importance of protest art.

Inspired by—and reclaiming—the legacy of Nazi-labeled “degenerate art,” the Jasper Project is championing creative resistance and free expression. Thinking about the echoes between then and now, we are also thinking carefully—strategically, hopefully—about what art can do.

Resist. Protest. Interrogate. Refuse. Break a silence. Hold up a light. Make a connection. Embrace a community. Illuminate an experience.

Art can imagine a different kind of nation.

Welcome to the Jasper Project’s Degenerate Art Project.

 

Sources

Culture Wars: Trump’s takeover of arts is straight from the dictator playbook,” The Guardian, 22 Feb 2025.

Degenerate Art”: The Fate of the Avant-Garde in Nazi Germany. Exhibition guide. Los Angeles County Museum of Art, 1991.

’Entartete Kunst’: The Nazis’ inventory of ‘degenerate art,” Victoria and Albert Museum, n.d.

The Forgotten History of the World’s First Trans Clinic,” Scientific American, 10 May 2021.

Lips, Eva. Savage Symphony: A Personal Record of the Third Reich. Random House, 1938.

Timeline of the Holocaust: 1933-1945,” Teacher Resources for the Holocaust Exhibit, Museum of Tolerance, Los Angeles, CA.

 

 

Introducing the Cast of Jasper's 2025 Play Right Series Winning Play - Busted Open by Ryan Stevens

Ryan Stevens - Jasper’s 2025 Play Right Series Winning Playwright & author of Busted Open

As we move toward July 20th and the first meeting of the Jasper Project’s 2025 Play Right Series Community Producers, we’re excited to announce the cast for Ryan Steven’s brand new original play, Busted Open!

Directed by Jane Turner Peterson, the cast of Busted Open includes the following —

Sunset: Ella Riley

Artemis: Kristin Cobb

Amy Bell: Maggie Baker

Jane Richmond: Allison Allgood

Painkiller: Beth DeHart

Rachel “Victory” Vance: Zanna Mills

Phil Kirkland: Clayton King

Trevor Richmond: Josh Kern

We’re still assembling our 2025 roster of Community Producers and we’d love to have you join us!

On select Sunday afternoons this summer you are invited to join with the cast, crew, and fellow Community Producers for an enlightening and entertaining session that pulls back the curtains of theatre development and illuminates how a stageplay goes from page to stage. Your first session will offer you a private viewing of the first step in a play production, the Table Reading – the first time the cast of the winning play will read their parts together.

Subsequent sessions will focus on essential ingredients in the production of a successful staged reading, such as the stage manager’s job; props, lighting, blocking, and sound; unique insights from the director; how the actors prepare for their parts; playwright perceptions from this year and past projects; and an invitation to the dress rehearsal. In addition to your invitation to gather with the cast and crew every Sunday in July, each session will also feature exciting snacks and beverages. And many more surprises each week!

Finally, you’ll take your reserved, best-in-the-house seats to a ticketed staged reading.

But there’s more.

Your name will be included as a Community Producer on programs, posters, press releases, and other promotional materials as well as in the perfect bound book published by Muddy Ford Press and registered with the Library of Congress, and you will take home your own copies as a souvenir of your experience.

What is expected of Community Producers?

We hope you can make it to every exciting Sunday afternoon meeting, but we understand if you have to miss some. Each session will last from 90 – 120 minutes.

The financial commitment for a Community Producer is a minimum of $250 per person, but other sponsorships are also available and appreciated.

Our hope is that you will be so enlightened and inspired by this experience that you will become a diplomat of live theatre, fresh playwrights, and the Jasper Project and encourage your friends and colleagues to participate in live theatre themselves!

Play Right Series 2025 Community Producer Schedule

SUNDAY, JULY 20: Introducing Ryan Stevens and Busted Open
Meet the 2025 Play Right Series Winning Playwright Ryan Stevens and witness the Inaugural Table Reading of Busted Open

SUNDAY, AUGUST 3: The Art of Stagecraft
The cast & crew of Busted Open explain the process of preparing for a role and tricks of the trade to demystify some of the magic of the theatrical arts   

SUNDAY, AUGUST 17: The Playwright's Craft
Learn about the processes of 4 award-winning playwrights including Ryan Stevens, Chad Henderson, Lonetta Thompson, and Colby Quick with your host Jon Tuttle, author of South Carolina Onstage, The Trustus Collection, and more

SUNDAY, AUGUST  31:  Sneak Peek Week!
Be a fly on the proverbial stage wall among an intimate group of guests to watch a working rehearsal of Busted Open – see how far the cast has come since the first ever Table Reading just six weeks earlier

SUNDAY: SEPT 14: The Big Event – Staged Reading of Busted Open
Take your reserved seat for the Premiere Stage Reading of Busted Open by Ryan Stevens at Columbia Music Festival Association and enjoy a post-show champagne toast to the cast, crew, and creator of Busted Open!

Purpose of the Play Right Series

Empower and enlighten audiences by allowing them insider views of the steps and processes of creating theatre art by

  • Offering limited open table and stage readings of theatrical works as well as rehearsals of theatrical works to community members

  • Offering Community Producer opportunities to the community members by keeping production costs low and involving community assets already in place. In exchange for an established minimal financial contribution, Community Producers are invited to attend designated open readings and rehearsals, informal presentations by cast and crew, and opening night performances with producer credits. The result: Community Producers learn about the extensive process of producing a play and become invested personally in the production and success of the play and its cast and crew, thereby becoming diplomats of theatre arts.

Increase opportunities for theatre artists to create and participate in new art without the necessity of being attached to an existing theatre organization by

  • Offering a space and arts engineering for playwrights to workshop their plays and one-off theatre arts experiences and potentially have them produced

  • Putting out calls for new works of theatre art from new and existing playwrights, as well as work opportunities for on-stage and backstage theatre artists.

Provide more affordable and experimental theatre arts experiences for new and emerging theatre artists and their audiences; thereby expanding cultural literacy and theatre arts appreciation in the

REVIEW: Elton John and Tim Rice's Aida at Trustus Theatre

by Cindi Boiter

Before attending Friday night’s production of Elton John and Tim Rice’s Aida at Trustus Theatre, I stopped by Ron Hagel’s new Gemini Studio complex to do my part in celebrating the work this talented collection of visual artists has created. I met an artist there who had already seen the show and they shared that it was so good that the audience had given an actual standing ovation after the end of the first act! I automatically assumed this was probably the result of a group of friends or family attending the musical and enthusiastically supporting their favorite cast member. Then I saw the show for myself and found myself on my feet, too, after the first act’s dramatic closing song, The Gods Love Nubia. That said, there were many times during this performance when I was tempted to stand at my seat, clap, cheer, whoop, and maybe even dance. The performance deserved this kind of enthusiastic response, and more.

The musical Aida, written by Elton John and Tim Rice, premiered on Broadway in March of 2000 and ran through September 2004, winning four of the five Tonys for which it was nominated. Based on Verdi’s opera of the same name, Aida is set in Egypt and tells the story of the Nubian princess, Aida, held captive by a sympathetic Egyptian general named Radames. Though their beloved nations are at war, Aida and Radames fall in love, even though Radames is engaged to marry the Egyptian princess, Amneris, a political move encouraged by his father, Zoser. The reconciliation of this love triangle is a story of love, devotion, social and familial expectations, and the challenge we all face to live an  authentic life and be true to one’s own sense of right and wrong. It is as beautiful as it is tragic.

It is difficult to determine where the magic of the Trustus production of Aida came from. Director Jessica Fichter placed it squarely on the performance of the players, while Patrick Dodds, in a lead role as Radames, named Fichter as the catalyst. Both are right.

The magic became evident early in the performance when Amneris, played by rising USC senior Rachel Vanek, gave us the song Every Story is a Love Story, followed by Radames’ stunning Fortune Favors the Brave sung by Dodds, and the equally stunning opening number from Aida, played  by Rayanna Briggs, The Past is Another Land. For this reviewer, the magic was in the music and how well the truly challenging numbers were executed. Vanek, Briggs, and so many other cast members were refreshingly new to me, but I’ve watched Dodds on the stage for more than a decade, I’m sure, and I had no idea his vocal talents could rise so successfully to the requirements of this role. Like Vanek and Briggs, Dodds was also able to merge the music with the demonstrative requirements of the role almost effortlessly, each bringing their own grace notes to the parts. Vanek, for example, helped us see how complicated her character was while at times providing comic relief that gave hints of Jennifer Coolidge. Briggs, originally from Columbia though now successfully pursuing opportunities that extend to film and TV, was, simply said, amazing, opening the hearts of the audience and crawling in to live there awhile.

These three lead actors and their unique and highly professional performances were clearly enough to carry the show, had they needed to. But they were not. In the role of the wily Nubian servant Mereb, Samaj Whitener was outstanding vocally, bringing an endearing quality to the role. Trustus veteran Kristin Claiborne in the role of Nubian enslaved woman Nehebka, gives a powerful and beautiful performance. Chris Cockrell, as Radames’  scheming father Zoser, similarly delivers the goods in his solo numbers, bringing elements of rock star to his performance. As Pharoah, Columbia theatre icon Hunter Boyle was stately and authoritative as well as inherently aware of his imminent fate. And as Aida’s father Amonasro, Joseph Scott exhibited powerful dignity in the face of despair.

With first-rate choreography by Terrance Henderson, musical direction by a partnership between Amanda Hines Wrona and Ayush Joshi, and scenic, lighting, and  costume design by Jim Hunter, Marc Hurst, and Rachel Turner, respectively, and a dozen-strong ensemble, the Trustus production of Aida checks all the boxes for a regional theatre block buster and it is not-to-be-missed. Not only immensely entertaining, the story of Aida reminds us that the measure of a person in power is how they use that power. Aida succeeds on all accounts.

Elton John and Tim Rise’s Aida runs through July 26 at Trustus Theatre. Visit Trustus.org for tickets and more information.

 

 

Free Artist Talk with Jakeem Da Dream at the Koger Center - July 1st from 6 - 7 pm

Due to the success of our latest Third Thursday Art Night with Jakeem Da Dream, the artist is coming back to the Koger Center on July 1 to give a free artist talk! Join the Jasper Project on Tuesday from 6 to 7 p.m. to learn more about the artist, Afrofuturism, and what drives Da Dream to create.

Prints of Jakeem Da Dream’s art will be for sale along with all pieces included in the exhibit. Join us in the Nook for an exclusive educational opportunity that is not to be missed!

Follow Jakeem Da Dream (Dominique Hodge) on the following channels:

Instagram: @dadreamdesigns
Facebook: Da Dream Designs

Jasper's NOOK GALLERY at the Koger Center Welcomes Dominique Hodge - aka Jakeem Da Dream TONIGHT!

The next artist in our Third Thursday lineup is Dominique Hodge, also known as Jakeem Da Dream. Hodge’s opening reception is on Thursday, June 19, from 5:30 – 7 p.m. at the Koger Center for the Arts. The reception is free and open to the public and precedes Live in the Lobby Jazz: Rod Foster and Company featuring Brittany Turnipseed.

Born and raised in Sumter, South Carolina, Dominique Hodge, known artistically as “Jakeem Da Dream” is an Afrofuturistic artist. Upon graduating from high school he furthered his artistic knowledge by attending the Art Institutes, which exposed him to a larger world of art. Actively working in the community, instructing art classes and paint-and-sip events through local art studios and galleries. He is a member of the Sumter Artists Guild as well as the Sumter Gallery of Art in which he sits on the board. His work has won an honorable mention at the 2019 Sumter Artist Guild Exhibition. Aside from working on canvas, he has also completed several mural projects within local schools and businesses. He has been working with the Auntie Karen Foundation through its Artpreneur program since 2018, where he has been providing quality art education to South Carolina youth. He is currently an active member of Roc Bottom Studios, through which he also works with Gemini Arts.

Artist Statement:

“I am an Afrofuturist artist. My work, whether it be hand drawn illustrations, acrylic paintings, or intricate murals all reflect the heart, mind, and soul of black people. I view artists as the true alchemists, and the process of creating the true alchemy. Being capable of transmuting pain, suffering, and joy into a physical manifestation is pure magic. Being able to transmute the unseen world, viewed through the conscience of the black experience into works of visual art that transcends time and space is a real-world superpower. To achieve this goal, I draw from a plethora of sources such as mythology, religion, history, astrology, astronomy, esoteric and hermetic philosophy.”

Announcing ENTARTETE KUNST - The Jasper Project's Degenerate Art Project

Did anyone really think that Jasper would stand by and let the Bad Guys get away with trying to destroy our country and our culture without US making a fuss?

No, of course not. So, here’s a little peek at what we have planned for this July. Call it a protest, call it poking the bear — WE DON’T CARE!

We call it

Entartete Kunst

Jasper’s Degenerate Art Project

Jasper’s Degenerate Art Project Description

The Degenerate Art Project is an endeavor of the Jasper Project to provide a concerted opportunity for Columbia’s artists to express their responses to our country’s current socio-political situation. Taking place July 9 – 12 at Stormwater Studios in Columbia’s historic Congaree Vista, the project will feature an invitational exhibition of visual art throughout the week with one-off multidisciplinary arts events, such as Protest Poetry and Protest Music, scheduled on specific evenings.

The title of this project, Jasper’s Degenerate Art Project, is a contemporary and SC-localized reflection of the Nazi Party’s 1937  Entartete Kunst (Degenerate Art) exhibition in Munich at which more than 650 pieces of Modernist art were haphazardly displayed alongside graffiti and mocking text labels with the goal of denigrating and ridiculing the art and artists that the Nazi party disapproved of, including the work of Picasso, Mondrian, Chagall, Kandinsky, Klee, Dix, and others.

The purpose of this project is threefold: To provide a platform for expression and/or protest via art for Midlands area artists; to bring our local arts community together both physically and in spirit during this challenging time in order to support and encourage one another;  and, to preserve for posterity, via the Jasper Project website, Columbia, SC’s artistic interpretation and response to our country’s current socio-political situation.

Please mark your calendars for:

Wednesday July 9 - Opening Reception

Thursday July 10 - A Night of Protest Poetry Hosted by Evelyn Berry

Saturday July 12 - Music Event, More Details to Come

Participating Visual Artists as o 5/17/25

  • Robert Ariail

  • Eileen Blythe

  • Pam Bowers

  • Lauren Casassa

  • Heidi Darr-Hope

  • Corey Davis

  • Laura Garner Hine

  • Dominique Hodge

  • Michael Krajewski

  • Christopher Lane

  • Susan Lenz

  • Dre Lopez

  • Cait Maloney

  • Perry McLeod

  • Jeffrey Miller

  • Emily Moffitt

  • Lindsay Radford

  • Kirkland Smith

  • Keith Tolen

  • Marius Valdes

  • Thomas Washington

  • Olga Yukhno

More Events To Be Announced at a Later Date

ERRATUM -- Selected Poetry Authors and Bionotes Transposed in Spring 2025 Jasper

In the spring 2025 issue of Jasper Magazine the authors and bio-notes for our selected poems were transposed. The poem Children of the Sun, though attributed to Li Hubbard, was actually written by Ivan Segura, and the poem Do Not Tell Me to Flee, though attributed to Ivan Segura, was actually written by Li Hubbard.

Both poems are printed and correctly identified below and will also appear in the fall 2025 issue of Jasper Magazine with the correct attributions. The Jasper Project sincerely apologizes to both poets for this error.

Do Not Tell Me To Flee

by Li Hubbard

 

This experiment in necrophilia

we call the South

is my home

 

Here I have debts to pay

trans people to love

fights to lose

ropes to loose

 

Dialects and state

lines cannot separate my veins 

from the delta of blueish blood

 

The oaks take root in my marrow

the fronds blossom from my pores

the tides stain me red

 

Borders carved in human skin

a queasy commitment 

so easily mistaken for butterflies

 

Placing my nakedness in the fresh

turned, spit

spotted soil

sinking into the mud

 

It is the most natural thing

we are so good at dying slow

down here

 

Li Hubbard is a trans writer, museum guide, and server hailing from Florida. He co-runs Queer Writers of Columbia, a LGBTQ+ collective of creatives building community around craft. Li loves to gab about art and the local coffee scene. Follow him on Instagram: @li.hubbardd | @queerwriterscolumbia

Children of the Sun

by Ivan Segura


They say we don't know 

what we want

that we all come from 

a faraway land

That we are brown 

and speak in tongues

and are in places 

we don't belong

We all arrive

for different reasons

We are here to expand 

and to become

We come for work 

and also love

We are here for fate 

or just because

We are the children 

of the sun

we roam around 

all as one

this ancient land 

to all belongs

We move with freedom 

stay strong


Are we really a nation of immigrants?

I ponder

Are we not a nation of immigrants?

I wonder

We are the children of the sun

Where we are is where we belong.

 

Ivan Segura serves as the Director of Multicultural Affairs at the SC Commission for Minority Affairs. He is also the Executive Director of Palmetto Luna Arts, a non-profit organization fostering Latino arts and culture in SC. He has over 20 years of experience in community activism, arts advocacy, and grassroots leadership for Latinos in SC.

 

Al Black's Poetry of the People Featuring Ruth Nicholson

This week's Poet of the People is Ruth Nicholson. 

I run into Ruth at all the best poetry events. Her unassuming, friendly, and soft spoken nature belies the respect she has earned within the poetry community. Her poetic voice conveys her observations and craft with a gentle, humble, economy of words that many of us wish we possessed. She is always welcomed with smiles and respect at journal and anthology release events. She is a gift to our community of words and I look forward to hearing her share her poems the next time we meet.

~Al Black

Ruth Nicholson became a South Carolina resident forty-five years ago after receiving her formal education in Pennsylvania and North Carolina. She worked for Historic Columbia Foundation, Lexington County School District Two, and finally, Richland Library. Ruth is a member of the River Poets writing group. Her poems have been published in Emrys Journal, Kakalak, Jasper, several volumes of Fall Lines: a Literary Convergence, and American Journal of Nursing, among others. A memoir essay appeared in Fall Lines X, and three of her poems are included in the new anthology Coast Lines. In 2024 Ruth received the Scotty Davis Watson Prize and the Forum Prize from the Poetry Society of South Carolina. She lives in West Columbia with her husband and an eccentric tuxedo cat.

Doctor’s Orders

Take your creaking joints and fallen arches.
March them up and down the hilly streets
in circuits of your neighborhood.
Maintain your vigor with a healthy pace.
Ignore stares from the “cool dude”
who nurses his first cigarette of the day
before he lolls with the first of many beers.
Years from now, if he lives that long,
he will trundle his aging flesh and bones
in the same shorts you wear, the same
supportive shoes and socks.
Bask in morning birdsong as you walk.
Inhale the dimming moon and climbing sun.
Exhale frayed ends of last night’s dream
and be your own best medicine.


Only the Children

An autograph rides the wind
on the underside of leaves.
Dew clings to its pen strokes.
If the sun shines, italics bloom.
Children find it etched
on the monarch’s chrysalis
and lips of daffodils.
It nests in the chambered nautilus.
No microscope brings it into focus.
It defies the graphologist,
frustrates the naturalist,
mystifies the scholar of runes.
Eyes open, they glimpse it.
Eyes closed, they feel
its letters rise to meet
their fingertips, like braille.


Even Lions

Watch and listen as our cat laps water
from her bowl, eyes half closed.
Even lions at a water hole
look and sound this innocent.
Paws that launch switchblades,
teeth that tear flesh
are the last things we think of.
We hear in the lapping
a ticking clock, the click
of knitting needles,
rain that gentles us to sleep.
We smile and keep our distance,
as if entering a church
where someone kneels alone.


Jasper Project Announces Jane Peterson as Director for Our 2025 Play Right Series Winning Play - Busted Open by Ryan Stevens

At the Jasper Project we’re excited to announce that Jane Peterson will be directing our 2025 Play Right Series winning play, Busted Open by Ryan Stevens.

A Greenville native, Peterson studied theatre at the University of SC before working for the National Association of Campus Activities and ultimately serving as Communications Director for Columbia’s beloved Washington Street United Methodist Church. A community theatre veteran, Peterson has served as a Theatre Reviewer for Jasper Online for the past few years. The Director is in the process of casting up to 8 actors for the Ryan Stevens play now.

Jasper’s Play Right Series is a collaboration between area theatre artists and Jasper Community Producers—or theater aficionados, supporters and even newcomers. The project culminates with the staged reading of a brand-new South Carolina play. This year’s premiere staged reading of Busted Open will be performed for the public on Sunday September 14th at the Black Box Theatre at Columbia Music Festival Association.

Jasper Community Producers are audience members invested in the development process for new theatre and supportive of the state’s literary talent. In exchange for a modest financial contribution Jasper Community Producers are offered insider views of the steps and processes inherent in creating theatrical art by attending readings and rehearsals, and informative talks and presentations including conversations with the actors, director, playwright, stage manager, costumer, and sound and lighting designer. The result: Community Producers learn about the extensive process of producing a play and become invested personally in the production and success of the play and its cast and crew, thereby becoming diplomats of theatre arts. If you have a passion for knowing more, understanding process, inspiration, and impetus, and seeing how a virgin play goes from page to stage, you are a good candidate for becoming a Jasper Project Play Right Series Community Producer.

Jasper Project Play Right Series Winning SC Plays To Date

2025 - Busted Open by Ryan Stevens

2024 - Letting It Grow by Chad Henderson

2023 - Therapy by Lonetta Thompson

2022 - Moon Swallower by Colby Quick

2017 - Sharks and Other Lovers by Randall David Cook

Introducing the Jasper Project's 2025 Play Right Series Winning Playwright – Ryan Stevens

It’s the 5th season for Jasper’s innovative project, the Play Right Series and we couldn’t be happier to announce that Ryan Stevens is our 2025 winner.

A native of Greenville and a 2020 graduate of USC with an MFA in Playwrighting, Stevens received his MA in Theatre in 2017 and BA in English in 2015, also from USC. Currently a Playwriting Fellow at Emery University, Stevens will commute from Atlanta during the upcoming summer to workshop his play, Busted Open, alongside a group of Midlands-area Community Producers, a process  that will ultimately lead the play to the staged reading phase of development. In addition to this performance at summer’s end, Jasper will also publish his manuscript and register it with the US Library of Congress.

The purpose of Jasper’s Play Right Series is threefold: to empower and enlighten audiences by offering insider views of the process of creating theatre art via the roles of Community Producers; to increase opportunities for theatre artists to create and participate in new art without being attached to a theatre organization; and, to provide more affordable and experimental theatrical experiences for emerging theatre artists and their audiences.

This year’s Community Producers will witness the first ever table reading of Stevens’ new play, Busted Open, as well as attend a private rehearsal and informal presentations by the playwright, director, cast and crew, and ultimately be celebrated for their financial and personal contributions (minimum investment $250) to the project at the staged reading premiere of Busted Open in late summer.

Previous Community Producers, several of whom have re-invested year after year, have included community members like Bill Schmidt, Ed Madden, Linda Khoury, Paul Leo, and James and Kirkland Smith. Additional financial support has also been generously provided by folks like Jack McKenzie, Hunter Boyle, Robin Gottlieb, and many more.

Judges for this year’s competition were Linda Khoury, executive director of the SC Shakespeare Co.; Stan Brown, professor of acting at Northwestern University and professional actor who recently enjoyed his Broadway debut in Water for Elephants; and, Jayce Tromsness, a longtime multifaceted SC theatre artist.

~~~~~

Play Right Series 2025 Community Producer Schedule

 

SUNDAY, JULY 20: Introducing Ryan Stevens and Busted Open

Meet the 2025 Play Right Series Winning Playwright Ryan Stevens and witness the Inaugural Table Reading of Busted Open

~

SUNDAY, AUGUST 3: The Art of Stagecraft

The cast & crew of Busted Open explain the process of preparing for a role and tricks of the trade to demystify some of the magic of the theatrical arts   

~

SUNDAY, AUGUST 17: The Playwright's Craft

Learn about the processes of 4 award-winning playwrights including Ryan Stevens, Chad Henderson, Lonetta Thompson, and Colby Quick with your host Jon Tuttle, author of South Carolina Onstage, The Trustus Collection, and more

~

SUNDAY, AUGUST  31:  Sneak Peek Week!

Be a fly on the proverbial stage wall among an intimate group of guests to watch a working rehearsal of Busted Open – see how far the cast has come since the first ever Table Reading just six weeks earlier

~

SUNDAY: SEPT 14: The Big Event – Staged Reading of Busted Open

Take your reserved seat for the Premiere Stage Reading of Busted Open by Ryan Stevens at Columbia Music Festival Association and enjoy a post-show champagne toast to the cast, crew, and creator of Busted Open!

For more information  about the 2025 Play Right Series schedule and Community Producer opportunities please visit the Projects section of our website JasperProject.org.