The Jasper Project Welcomes Toni Elkins to The Nook Gallery at Koger Center for the Arts this Third Thursday

The Jasper Project is excited to welcome Toni Elkins to our Nook Gallery at the Koger Center of the Arts this week. The exhibition will run from this Thursday, February 20th until the week of the third Thursday in March when the work of our featured artist for March, Thomas Washington, will be installed.

Toni M. Elkins is a Columbia-based artist who was educated at Boston University and the University of Georgia. She is a member of the Trenholm Artist Guild and the 2023 recipient of the Missouri Watercolor International: J. Richeson Award and a “Top 50 Winner of the artsfortrumpcoalition.com,” the artist says. In 2014 she won the Clark Ellefson Merit Award and in 2013 the Susie and Caroll Heyward Purchase Award, both from the SC State Fair, among other accolades throughout her life.

Elkins says, “My work has taken on a whole new meaning since the death of my husband. I find I am more introspective and more interested in my environment. I actually LOOK instead of SEE. I examine our world in a different way, and I hope to make positive changes in this world through my art.”

Elkins is sponsoring her own personal opening reception for this exhibition at the Nook Gallery at the Koger Center for the Arts on Thursday, February 20th from 5:30 – 7 pm. She is planning to bring her own bartender and beverages for this event. The Jasper Project extends it’s gratitude to the staff of Koger Center for the Arts and Jasper board secretary and Jasper Magazine visual arts editor, Emily Moffitt, for working with the artist on this unique situation.

Artist Profile: Sharon Funderburk - Jasper's February First Thursday Artist at Sound Bites Eatery

Sharon Funderburk, Jasper’s featured First Thursday artist in Sound Bites Eatery, spent the first part of her life in Pennsylvania where she was channeled into the arts by her teacher, her grandmother, and her father. They were all her inspirations.

Funderburk  went to school to be a commercial artist in the 1970s “before computers took over. I did mapping, some drafting, and advertising” she says. “I’m currently a Bob Ross instructor but I’ve also taught jewelry, and mosaic classes.” Now she teaches classes at the Camden Shoppes, and Crooked Creek Park in Chapin.

“I consider myself as a mixed media artist,” she says. “I like to be colorful and show multi layers, I like reflections and glass or water. When I start a piece, I like it to take me down the rabbit hole. Most of my pieces are done start to finish In one sitting. Like a journey.”

Funderburk has won awards with the state fair and SAMA mosaic society. She has participated in local arts initiatives like the Door Project, and the Trout Project with the city of Columbia, as well as having painted several wall murals in Columbia.

Sharon Funderburk - artist

Funderburk is currently a member of the Cayce Artist Guild, TAG, South Carolina Artists, and the Art Shoppes of Camden, and she just signed on to be a studio artist with Ron Hagel’s Gemini Arts in Columbia.

Funderburk’s art will be up through February. Visit Sound Bites Eatery at 1425 Sumter Street and scan the QR code of the painting you want to take home with you to make Sharon Funderburk’s art a part of your own personal collection.

Chapin Theatre Company’s Stilt Girl Representing SC at Southeast Theatre Convention Competition

Chapin Theatre Company recently participated in the South Carolina Theatre Association (SCTA) Community Theatre Competition with a production of Act I of Stilt Girl, an original comedy written by Lou Clyde, CTC’s Playwright in Residence. The result? Stilt Girl was selected to represent South Carolina in the Southeast Theatre Convention (SETC) in Baltimore in March 2025!

The SCTC convention is the nation's most comprehensive theatre where theatre practitioners unite to spark creativity and collaboration. Stilt Girl will be competing with eight other community theatre productions from across the Southeast United States.

Jamie Carr Harrington will be directing Stilt Girl, and the cast includes Debra Kiser, Jane Peterson, Zanna Mills, Josh Kern, and Jacob Cordes.

There will be a send-off dress rehearsal fund raising event on March 19 at 7:30 PM at Chapin Theatre Company. Tickets for the event are $20, and include a beverage (soda, wine, or coffee) and can be purchased at Stilt Girl goes to Baltimore Tickets | Chapin Theatre Company. Limited tickets will be available at the door.

Can’t make in to the March 19th event but want to support Chapin Theatre Company as they travel to Baltimore? Donate here!

REVIEW: Steel Magnolias Shines with Heart and Humor at Town Theatre By Jane Peterson

Steel Magnolias, written by Robert Harling, running Thursday through Sunday, February 13-16, at Town Theatre, is not to be missed. While matinee tickets may be sold out, seats are still available for evening performances, so I highly recommend reserving your tickets now. And as a bonus, this show marks the debut of the theater's new, incredibly comfortable seating, which is sure to enhance your experience.

Based on a true story, playwright Harling based the play on his sister. He grew up in Natchitoches and based the characters on some of his mother's friends. He believed that the women in his community were witty and clever, and that the juxtaposition of strength and fragility was typical of Southern women.

A big shout-out to director Allison McNeeley for her expertly crafted direction of this play, bringing a smooth and authentic portrayal of the story to the stage. The staging worked well keeping the characters alive within the set at all times. This is a cast of real people, and you’ll find yourself loving every one of them.

The play centers around a group of six women who gather at Truvy’s Beauty Salon in a small-town in Louisiana to prepare for the wedding of Shelby Eatenton (Zanna Mills) and her beau, Jackson Latcherie. M’Lynn Eatenton (Debra Kiser), Shelby’s mother, is at the heart of the story. Joining them are Truvy (Syhaya Aviel), who runs the salon, a newly hired assistant named Anelle (Emily Clelland), and longtime friends Clairee Belcher (Gayle Stewart) and Ouiser Boudreaux (Kathy Hartzog). These women share a deep bond of friendship, supporting each other through thick and thin. You will laugh and cry with them as their stories unfold.

The chemistry between the cast members is real. Emily Clelland, as the naive and innocent Annelle, brings humor and charm with her well-timed comedic moments and expressive and sincere performance. Syhaya Aviel shines as Truvy, infusing the character with warmth and authenticity, making her incredibly relatable and endearing. Gayle Stewart nails her portrayal of Clairee, delivering her lines with perfect timing, and Kathy Hartzog’s hilarious Ouiser is a character we all know and love.

But the standout performances for me were Debra Kiser as M’Lynn and Zanna Mills as Shelby. Their on-stage relationship is full of heart—both tender and tense, with every moment feeling true to life. Zanna’s portrayal of Shelby radiates a love for life, while her performance through Shelby’s health decline is heartbreakingly real. Watching Zanna grow as an actress over the past few years has been a pleasure—she’s one to watch. And Debra Kiser? Prepare yourself for an emotional rollercoaster. Her performance is nothing short of breathtaking, especially in the final moments of the play. Trust me, bring tissues—Kiser’s performance will leave you in tears.

The creative team also deserves a round of applause. The set design perfectly captures the essence of a beauty salon, while the period-appropriate props and costumes further immerse the audience in the world of the play.

This production is a beautiful blend of humor, heart, and poignant moments, making for a wonderfully entertaining evening at Town Theatre. Don’t miss it!

Tickets are available by calling Town Theatre at 803-799-2510, Tuesday to Friday, 12 noon to 5 pm, or online at towntheatre.com/tickets/.

Jasper's Poetry of the People with Al Black featuring Susan Madison

This week's Poet of the People is Susan Madison. I first met Susan at an early event hosted by the Pat Conroy Literary Center in Beaufort, SC. We periodically re-connect over poetry and literary projects. She is a gifted poet and writer and is a well-respected force in the South Carolina poetry and literary community. 

~Al Black

Susan Madison is a poet, essayist, and short story writer who merges visual artistry with literature. Her work explores culture, history, and consciousness. The author of two chapbooks, if i sing the blues and Gullah Paths, Madison has been published in local and national publications, including Chicken Soup for the Soul.and Ukweli. A native of Chicago, Madison studied fiction and poetry at Columbia College of Liberal Arts in Chicago. She lives on St. Helena Island, South Carolina.

True Red

Don’t try to paint me off-red,

a muted,

distilled version,

of primary red.

I am not doped-up with the flighty spirit of yellow,

made into an orange-

red.


Don’t water me down and tint me with black,

and make me into a funeral-drapery sad,

maroon red.


And please don’t whitewash me and make me,

a soft namby-pamby,

unassuming pink,

nonthreatening,

unrecognizable-

red.


Paint me a straight-no-chaser,

warning label red,

a clueless of how to handle type of red,

a bleeding out, 

unassailable,

no excuse,

unapologetic-

red.


Paint me red- red,

draped on a jet-jet black woman,

type of red-

strutting down a church aisle

of an all white,

pure white congregation-

late

red,


that stand-alone,

hush-your- mouth

sit-down-and-catch-your-breath

red.



Home


All she wanted were fingernails the color of orange rinds,

a one room cottage that witnessed the sea,

with a path paved with river stones,

a weathered-beaten door,

behind which sat a simple bed,

 curtains the flapped in the wind

and a desk,

haunted by an unknown poet

 

she would paint the shutters often to amuse herself,

when breezes kicked up their heels, 

and families of stars littered the night sky,

she’d sit outside and write letters to dead lovers,

or conjure up friends and cousins,

she could have loved more carefully,

and brush their cheeks with her finger tips. 


if sadness burglarized her,

she’d sip bourbon from a bottle,

and chew ice to chase the sting, 

or maybe she’d entered the water as she came into the world,

or pause and indulge in its pain


when joy gave her parties,

she’d danced without trying to keep  beat, 

and answer it with a holy ghost prance


But mostly, 

she’d examine her shiny orange nails,

turn her hands,

until the light bounced off the shine,

and listen to the echo of the sea

rise and fall within her womb. 



Now

My poetry is ugly now-


It sifts through garbage 

for proverbs now,

it's the merciless place between George Floyd's neck,

and the cop's knee who knelt there now.



Irreverent of religion now-

It goes to the mountainside and argues with Jesus now,

Takes up arms with the devil now,

Sits in alleys with drunkard whores now.

 


It's no longer diplomatic with liars now, 

It's the click- click- 

fuck-you walk, 

of high heels on pavements now, 

it’s the jazzed-up junky's-

don't give a shit twang now.


It stopped socializing with the righteous now,

Doesn't look away from  adult crack-babies now,

Sleeps under tarps with the homeless now,

Interviews dying dope dealers now


My poetry is ugly now-


It stopped beautifying the womb of tulips now,

Ceased feeding the chickadees and listening to cardinals calls now,


It makes music from the wails of children now,

It's the moaning in old gospels now-

the vacant look in the eyes of hopeless now


It's the song of ugly now.

The Art of Fashion -- SC Designer Diko Pekdemir-Lewis of Anton & Maxine Unveils Spring/Summer '25 collection

For most of us, an elegant fashion show with too-fab creations draped on too-beautiful bodies is something we only get to see on screen. But  Diko Pekdemir-Lewis, of SC’s own artisanal fashion brand, Anton & Maxine, is bringing us the opportunity to immerse ourselves in the art of design when she presents an in-house fashion show, En-Cloth-Sure, on Saturday, March 1 from 6 to 8 PM at 713 Saluda Ave, Columbia, SC to unveil her Spring/Summer '25 collection.

"After eight years of participating in various fashion shows and twice at New York Fashion Week, this in-house fashion show is my way of giving back to my loyal local customers and friends," says Diko Pekdemir-Lewis, designer and owner of Anton & Maxine. 

"The fashion show will take place right where all of my designs are created, reminiscent of the intimate gatherings once hosted by Chanel and Dior. Guests will enjoy wine and light hors d'oeuvres, followed by a captivating fashion show with close-up views of the models wearing the collection. Attendees can even try on garments and place custom orders directly from the studio, which is an exclusive experience that is becoming rare in today’s fast-paced fashion world."

The show’s title, "En- cloth-sure," is a play on the word "enclosure," inspired by the idea of enclosing fashion in a smaller circle. The collection features Asian-inspired designs, particularly influenced by Pekdemir-Lewis’s favorite designer, Yohji Yamamoto. Expect to see lots of black linen with oversized, loose fits that are perfect for warmer weather, as well as the new coat style.

SC Designer Diko Pekdemir-Lewis

Diko Pekdemir-Lewis is the creative force behind Anton & Maxine, a luxury fashion brand rooted in handmade craftsmanship and elegance. Pekdemir-Lewis’s formal training includes a three-year apprenticeship in bespoke tailoring and dressmaking, followed by a Bachelor's degree in Fashion Arts from Modeschule Schloss Eller in Düsseldorf, Germany. In 2014, Pekdemir-Lewis launched Anton & Maxine, named after her two daughters, Antoinette and Maxine. Now based in Columbia, Anton & Maxine continues to deliver true luxury and quality garments that blend timeless craftsmanship with modern design.

Columbia Children's Theatre's Presents Naked Mole Rat Gets Dressed: The Rock Experience!

Experience the whimsical fun and heartfelt lessons of Naked Mole Rat Gets Dressed: The Rock Experience with Columbia Children’s Theatre (CCT), South Carolina’s premier theatre for young audiences and families!

Based on the popular children’s book by Mo Willems, this rockin’ musical follows Wilbur, a naked mole rat who dares to be different by wearing clothes. With catchy songs, vibrant sets, and a message that encourages kids to embrace their unique selves, Naked Mole Rat Gets Dressed is perfect for audiences of all ages.

What makes Naked Mole Rat Gets Dressed: The Rock Experience truly exceptional is its cast of professional performers, many of whom are seasoned veterans of Columbia Children’s Theatre.

With decades of combined experience, the cast includes familiar faces like Sadie Carr, who has enchanted audiences in roles ranging from Toad in A Year with Frog & Toad to the whimsical Alison in Pinkalicious. Joining her is Lee O. Smith, a pillar of CCT since its inception, whose memorable portrayals—like Scrooge in A Christmas Carol—have delighted audiences season after season. Together, they set the tone for a production filled with expertise and love for the craft.

Adding fresh energy to the stage are emerging talents like Samson Seals, balancing a budding nursing career with standout performances as Jack in The Stinky Cheese Man, and Anna Swearingen, a University of South Carolina senior whose vibrant portrayal of Mrs. Cratchit in A Christmas Carol captivated audiences. Alongside them, Toby O’Connor and Lilly Thompson bring depth and versatility, having honed their skills in roles across Columbia's theatre scene.

One thing is for sure: this professionally staged production is designed to engage young patrons and families while delivering the high-quality theatrical experience that CCT’s Mainstage performances are known for.

Showtimes & Location:

Performances will be held at Richland Library Sandhills Auditorium (763 Fashion Dr, Columbia, SC 29223) on the following dates:

• Saturday, February 15, 2025, at 2:00 PM

• Sunday, February 16, 2025, at 3:00 PM

Ticket Information:

Join us for an unforgettable weekend of theatre as CCT’s professional actors bring the

magic of this production to life! Tickets are $15 general admission available at

www.columbiachildrenstheatre.com

Jasper Welcomes Lindsay Radford Wiggins Back to Our Always-Open Tiny Gallery

Jasper is delighted to welcome one of our favorite local artists, Lindsay Radford Wiggins, back to our always open virtual gallery space, Tiny Gallery. Lindsay’s Magic Poodle Land art is always a welcome addition to anyone’s home gallery with its whimsical depictions of all things beautiful and cosmic. And this exhibition offers collectors of all economic situations the opportunity to build their gallery with hometown art at price points that range from 60 to 150 dollars with 25 pieces of all sizes to choose from!

Lindsay Radford Wiggins graduated from Columbia College with a Studio Art Degree in 2011. Originally from Montgomery, Alabama, she now considers Columbia home after living here 23 years. She works full-time in histology and paints as much as she can when she is not working in the lab. She is a multi-media artist and photographer. Watercolor on paper has been her most recent obsession. Wiggins’ most recent body of work is inspired by mediation, walks in nature, and her beloved poodle, Ziggy. Her paintings embody a spiritual authenticity with her own signature whimsical flair. Influenced by German expressionism and women surrealists, her work speaks to the artist’s personal experiences, connections, and emotions, making each piece a diary-like entry of celestial swirls. The playful imagery and repetition of symbols invites the viewer to call upon their own life experience and create their own personal dialog. Wiggins’ work has been exhibited at numerous SC venues, including 701 Whaley, Koger Center of the Arts, and Trustus Theater. Her paintings are represented in many private collections, and she was featured on the cover of Jasper Magazine’s spring 2022 issue and on the cover of Kristine Hartvigsen’s book The Soulmate Poems

 

Roni Henderson in Conversation with Michaela Pilar Brown at Sumter County Gallery of Art This Saturday!

It’s just a short distance to drive out to Sumter County Gallery of Art this Saturday to enjoy two of Columbia’s — actually South Carolina’s — most exciting artists in conversation.

From 1 - 2:30 pm SCGA will present Roni Henderson in conversation with Michaela Pilar Brown. The convo will take place amid the art of SCGA’s current exhibition, Out of this World by Bob Warner and Solace by Roni Henderson.

The SCGA website shares that, “Roni Nicole Henderson is a Columbia, SC-based writer, filmmaker, and photographer. She earned her MFA in Film and Television at Savannah College of Art and Design. Her work has been exhibited in galleries, museums, and film festivals across the country and internationally including Spelman Museum, Atlanta, GA, Leonard Pearlstein Gallery, Drexel University, Philadelphia, PA, Museum of Contemporary Art, Atlanta, GA, Blackstar Film Festival, Philadelphia, PA, New Orleans Film Festival, and the Columbia Museum of Art. Roni’s photography was published in the 2018 release, MFON: Women Photographers of the African Diaspora and in 2017, she self-published a memoir entitled Of Grace and Moons: The Making of Grace. Roni was recently awarded a Columbia Mellon Monuments Fellowship by Wideman-Davis Dance and is currently working to accomplish two creative milestones, publishing her first book of poetry with photographs as well as producing her first feature film, Grace. Roni is represented by Mike Brown Contemporary Gallery, Columbia, SC.

Michaela Pilar Brown is an image and object maker. She studied sculpture and art history at Howard University, though she has always been a maker of things. Born in Bangor, Maine and raised in Denver, Colorado, she cut her teeth in the halls of a museum where her mother worked as a security guard, and has been immersed in the culture of objects, their making and interpretation ever since.” She is “an independent curator and multidisciplinary artist using photography, installation, collage, painting and performance.  Brown is the 2018 grand prize winner of Artfields juried art competition.  She is a 2018 inaugural resident artist of the Volcanic Residency, Whakatane Museum, Whakatane, New Zealand. She was one of the six American artists selected to participate as a Resident Artist for OPEN IMMERSION: A VR CREATIVE DOC LAB produced by the CFC Media Lab, The National Film Board of Canada (NFB) and JustFilms | Ford Foundation in Toronto, Canada, an Inaugural Resident Artist at the 2016 Sedona Summer Colony and a 2016 Artist in Residence, Kunstlerwerkgemeinschaft Kaiserslautern, Germany and has held residencies at the Vermont Studio Center and the McColl Center for Art and Innovation.”

Collage artist Bob Warner, whose work is also on exhibit, “is a native Chicagoan, born in 1947. … Warner attended Lincoln University in Pennsylvania as an undergraduate student. He studied history at the University of Chicago. Mentored by the acclaimed historian, John Hope Franklin. Warner’s love for History and Jazz is what inspires him. … Warner’s exhibition Out of This World (the title of one of his favorite John Coltrane song) reflects his love of Jazz, Black Studies, Black culture, life experiences, and family. All inform his art. He creates pieces that extol a time, the players, and events of his people. His fascination with cardboard, cloth, textured materials, and a myriad of other tossed away items have redefined his own visual and conceptual vocabulary. His work has been exhibited in Chicago, IL, Los Angeles, CA and Sumter, SC.

The event is free and open to the public. Light refreshments will be served.

SCGA is located at 200 Hasel Street in Sumter.

For more information please contact SCGA executive director, Karen Watson.

REVIEW - Workshop Theatre's HARVEY--A Classic American Comedy by Jane Peterson

At its heart, Harvey is a story about

acceptance, kindness, and the freedom to be yourself …

Harvey, currently running at Workshop Theatre, is a Pulitzer Prize-winning and classic comedy written by Mary Chase. It premiered in 1944 and ran on Broadway for four years. The play was adapted in 1950 into the classic film of the same name starring Jimmy Stewart.

Directed by Bakari Lebby, the story centers around Elwood P. Dowd (Marshall Spann), a gentle, mild-mannered man who claims to have a best friend—a six-foot-tall, invisible rabbit named Harvey whom he introduces to everyone he knows in town. Elwood’s eccentricity is a source of embarrassment for his sister Veta Louise (Katie Mixon), who is desperate to climb the social ladder and fears Elwood’s behavior will hold her back. When Veta’s patience reaches its limit, she attempts to have him committed to a sanitarium, only for the staff to start questioning who’s truly the "crazy" one. This leads to some entertaining, if not a bit absurd, twists and turns as Veta finds herself drawn into the strange world of Elwood’s imagination.

Marshall Spann shines as Elwood, embodying the character’s warmth and innocence with remarkable ease. His performance is the heart of the show, making Elwood’s outlandish belief in Harvey feel both natural and endearing. His interactions with the invisible rabbit are a joy to watch—there's something genuinely magical about how Spann connects with Harvey, even though we (the audience) can't see him.

Katie Mixon brings a lot of energy to her role as Veta, though at times her performance edges into the over-the-top territory. Her dedication to the role and comedic timing earned her plenty of laughs.

… there's something genuinely magical about how Spann connects with Harvey …

A standout in the ensemble is Emily Padgett, who impressively juggles two roles—Ethel Chauvenet, the quirky aunt, and Betty Chumley, the wife of the head psychologist at the sanitarium. Her facial expressions and impeccable timing elevate her performance, proving that sometimes less is more when it comes to comedy.

Some of the other performances, however, felt a bit forced, and there were moments where actors seemed to be going through the motions rather than fully embracing their characters. The characters were very lively and will keep the audience entertained.

Visually, the set was a bit of a mixed bag. While the barebones design worked in some instances, the frequent entrances and exits felt awkward and confusing. A more cohesive use of props and period-specific details could have helped ground the production more firmly in its 1940s setting. I would like to have seen everyone in period-specific costumes which I know can be a difficult task.

The play runs a little over two hours, with two intermissions, so be prepared for a longer evening. Despite its minor flaws, the production offers plenty of charm, humor, and thought-provoking moments. At its heart, Harvey is a story about acceptance, kindness, and the freedom to be yourself—lessons that feel just as relevant today as they did when the play first premiered.

Catch Harvey at Cottingham Theatre before it closes on February 2. It is a fun, quirky escape into a world where imagination and kindness rule the day. Tickets are available by phone and online. Don’t miss your chance to meet Elwood and his invisible friend Harvey!

Call for Literary Artists - Wine About It Anthology Series

The Wine About It Anthology Series is a collection of stories focused on resilience, identity, and community, highlighting diverse voices and experiences from across South Carolina. Each volume showcases the diverse culture of the state with local narratives, celebrating storytelling, culture, and social justice. Paired with unique wine selections that enhance the reading experience, the series offers an immersive, sensory connection between literature and wine.

This collaborative initiative brings together Lit Between the Wines, Liberation is Lit, and Uncut Gems Agency to curate a dynamic experience that fosters community engagement, education, and empowerment. Each business plays a crucial role in uplifting underrepresented voices while promoting social justice through storytelling. The series culminates in Wine & Vinyl: A Multidisciplinary Art Exhibit, where literature, wine, and visual art offer a celebratory experience that reflects the rich cultural landscape of South Carolina.

PHOTO ESSAY by Perry McLeod - Jeffrey Miller Opening/Patrick Davis Concert Harbison Theatre

All Photos Courtesy of Perry McLeod

left to right - Keith Tolen, Jeffrey Miller, Fred Townsend

At Jasper, we can’t stop singing the praises of our friends at Harbison Theatre. Not only does Kristin Cobb and her team place a priority on presenting the best of SC performing arts alongside outstanding touring artists, but they have also welcomed the Jasper Project into their lobby to create a gallery space for local art. Previous Jasper Project featured artists include David Yaghjian, Olga Yukhno, Lori Starnes, Nate Puza and more, and this year we’re currently featuring the silkscreens and woodblocks of visual artist Jeffrey Miller and we have the brilliant painter Rebecca Horne on deck for our fall exhibition.

We kicked off Miller’s exhibition Friday night with an opening reception prior to the presentation of a big night of music by another well-known SC talent, Patrick Davis, and friends. The talented photographer Perry McLeod was on hand to capture some of the special moments that always happen when artists and arts lovers come together to celebrate the unique exchange of energy that is up close and personal art appreciation. Thanks to Perry for sharing these shots below.

Featured artist Jeffrey Miller with copies of Jasper Magazine fall 2024 and Miller article

L-R Cindi Boiter, artist Fred Townsend, featured artist - Jeffrey Miller, Wade Sellers - Jasper board president, Jasper board member Keith Tolen, Jasper board member elect Stan Conine

Jasper Board Member Keith Tolen with board VP Kristin Cobb and Jasper ED Cindi Boiter

David Ryan Harris

L- R — Patrick Davis, Maggie Rose, David Ryan Harris, Gabe Dixon

Poetry of the People Featuring Peggy Logan

This week's Poet of the People is Peggy Logan aka Tabu Hazel. I have known Peggy Logan for close to 15 years. She is an award educator and spoken word poet and has featured at Mind Gravy and other Midlands venues many times. Often her poetry highlights the challenges faced by under-priviledged youth she encounters in the public education sector or facing challenges in yourself. Every child deserves a Peggy Logan in their corner lifting them up and mentoring them to become their best selves.

~Al Black

Dr. Peggy Logan, aka Tabu Hazel, is a dynamic spoken word artist, writer, and actor whose work resonates deeply with audiences. Known for her bold storytelling and unapologetic voice, she explores themes of self-worth, empowerment, and the complexities of human relationships. Under her poetic alter ego, Tabu Hazel, she crafts powerful narratives that challenge stereotypes, redefine identity, and inspire transformation.

A multi-talented creator, Peggy's artistic pursuits extend beyond poetry. She is the writer and visionary behind Digital Deception, an award-winning drama that dives into the complexities of love and betrayal in the digital age. Her work in the film world reflects her gift for capturing raw emotion and authentic storytelling. As an actor, Peggy has graced the stage and screen, bringing depth and intensity to every role she portrays.

With a career rooted in creativity and authenticity, Peggy Logan continues to inspire and empower others through her words, performances, and stories. Whether on the page, stage, or screen, her artistry leaves an indelible mark.

Broken Crown

He came to me like a whisper in the dark,
soft, deliberate, his words weaving a spell.
A kiss on my forehead,
his signature claim to reel me in,
as if that gentle touch
could rewrite the story of my scars.

"To be with me is growth," he said,
and I let his promises take root.
I believed him.
I believed the warmth of his hands,
the way his gifts spoke louder than my doubts.
Money slipped into my pocket like a secret,
gestures wrapped in silken lies.

I knew about her.
The ring, the vows, the life he shared.
But I thought I was the only other,
his chosen confidant,
a second truth in his divided world.

Until I wasn’t.

It started with her—
my friend, her laugh untouched by guilt.
She didn’t know about us,
but I found out about them.
The way his eyes lingered on her,
the way his words mirrored the ones
he used to draw me in.

And then there were others,
names I’ll never know,
faces blurred by the weight of discovery.
Each revelation broke me a little more.
What I thought was love
became a lesson in betrayal.

I told no one.
Not about her,
not about him,
not about the nights I spent
trying to piece together
how I let myself fall so far.

His love wasn’t love.
It was a mirror,
reflecting every fracture in my soul,
a hollow promise dressed in warmth.

He left me raw,
my heart in shreds,
my spirit crumbling under the weight
of what I thought we were.
But I didn’t stay there.
I couldn’t.

I gathered the broken pieces of myself,
the shards of my spirit he tried to scatter.
It wasn’t easy.
Pain has a way of sinking into the bones,
lingering in the silence,
whispering in the dark.

But I chose forgiveness.
Not for him.
For me.
Because to carry his shame was to let him win,
and I refused to live in the shadow
of a love that was never mine.

It still hurts.
The memory is a wound that aches,
a scar that reminds me of who I was,
and who I’ll never be again.

This crown I wear now,
it wasn’t his to give.
It’s mine.
Forged in fire,
shaped by survival,
polished by the light I found within myself.

I stand in that light now.
Whole.
Unbroken.
Free.

Love Out Loud

I never told my mother that I loved her enough when she was living.  

We weren’t raised to speak love out loud.

Love was something we showed—buried in Sunday dinners,

Folded into the way she passed the cornbread, warm and buttered,

In the way she mended wounds without a word. 

We weren’t built for affection with open arms, 

We carried secrets like weights, grudges like armor, 

And buried our silence in the same place we buried our pain.

 

I never told my mother that I loved her enough. 

We weren’t quite built for that— 

Too much pride, too much history in our bones. 

Our families hold secrets like heirlooms, 

We hold onto hate like it’s all we know, 

And we bury silence in the same ground as our roots.

 

I grew up watching her hands do all the talking, 

Hands that braided me and my sister’s hair, that wiped our tears, 

Hands that worked long after the world told her to rest. 

She loved in ways that didn’t need words, 

And I loved her back the same. 

But I wonder—what would’ve happened if I had said it more? 

If I had spoken the words that sat heavy on my tongue, 

Before time turned them into regrets I now carry.

 

I want cookouts and Sunday dinners that fill more than plates. 

I want laughter that isn’t afraid to be loud, 

Conversations that don’t dodge the hard truths. 

I want to tell her that I see her now— 

Not just as my mother, but as the woman who carried the weight of the world 

And never let it break her spirit. 

I see the sacrifices, the sleepless nights, 

The silent tears she thought I didn’t notice.

 

We weren't raised to speak love out loud, 

But I feel it now, burning in my chest, 

And it’s too late to say it in the way I should have— 

Too late to fix the words I left unsaid. 

But if I could, I would tell her: 

I love you, not just for the things you did, 

But for the things you endured, 

For the battles you fought in silence, 

For the love you gave, even when the world gave you none.

 

We hold grudges like we hold breath— 

Tight, waiting for the release that never comes. 

We bury our pain in silence, let it fester like wounds unhealed. 

But I don’t want to do that anymore. 

I don’t want the silence, I want the truth— 

I want to tell you that I love you, even if we never said it enough. 

I want to cook and laugh and feel 

Everything that time took away from us.

 

I wish I’d known that love doesn’t wait, 

That it doesn’t have to be hidden, held back by tradition, 

That love could have filled the air, instead of just our plates. 

I never told my mother I loved her enough when she was living— 

But now, I’m trying to love her in ways she’d understand, 

Trying to break the cycle of silence, of holding on too tight to what doesn’t matter, 

And letting go of what does.

 

So, if I could have one more Sunday, 

One more dinner, one more day, 

I’d say it—I’d shout it, whisper it, let the words spill. 

Because love was always there, 

We just didn’t know how to say it.

 

But now I know, and I’m telling you— 

I love you, in ways that stretch beyond silence, 

In ways that live even after the words go unsaid.

 

 Thrones of Insecurity


Oh, they enter like the room owes them something

Two women cloaked in chaos, misery their king.

Every word a dagger, sharp but weak,

Every glance a judgment they’d never dare speak.

They don’t build—they tear.
No bridges, no bonds—just walls of despair.
Sisters in name, but strangers in spirit,
Screaming for validation, too afraid to hear it.

Their laughter echoes, but it’s hollow and forced,
Fueling their power with envy, their only recourse.
They find fault in others to avoid their own cracks,
Throwing stones from glass houses, hoping no one throws back.

They circled me once, baiting me to join,
Their game of gossip, their poison coin.
But I don’t dance in dirt, I don’t play that tune—
I rise with the sun while they howl at the moon.

Oh, they tried to pull me into their storm,
But I refused, my peace my norm.
They mocked my stillness, mistook it for fear,
Not realizing my silence was louder than their sneer.

They sit on thrones made of envy and spite,
Rulers of nothing, dimming their own light.
Believing their bitterness is some kind of crown,
But I’m no subject—I won’t bow down.

They whisper like wind, their lies take flight,
But truth doesn’t falter, not under their might.
I see their pain cloaked in venom and steel,
They cut with their words because they don’t want to feel.

While they stew in their chaos, I plant my peace,
Watering joy where their shadows crease.
Fighting my demons in silence and grace,
Finding light in the laughter youth leaves in its trace.

Because you can’t tear down what you didn’t create,
And I’m not your competitor, just your mirror of hate.
I walk my own path, no need for their games—
Their thrones crumble under the weight of their names.

And here’s the truth they’ll never admit:
They’re not queens—they’re prisoners in their own pit.
Bound by their anger, chained by their pride,
They can’t stand to see someone simply survive.

But while they unravel, I’ll continue to rise,
Their pettiness shrinking under wide-open skies.
Because real queens don’t destroy; they build and uplift,
They speak with love and give others the gift
Of strength, of grace, of something pure—
But that kind of power they’ll never endure.

So keep your crowns made of sorrow and stone,
I’ll wear resilience, my joy my own.
Because while you fester in what you lack,
I’ll rise—always—and never look back.

And one day, when their storm settles,
When they’re left with their silence and twisted medals,
They’ll realize they never conquered me—
I was too busy building my legacy.

 

 


REVIEW: The Revolutionists at Trustus Side Door Theatre - A Lesson (or Two) in History Reviewed by Jane Peterson

The Revolutionists, written by Lauren Gunderson at Trustus Theatre’s Side Door Theatre is a vibrant blend of humor, intensity, and bold historical imagination. Gunderson is known as one of the most produced playwrights today. Set during the tumultuous Reign of Terror in 1793 France, the play introduces us to four women—three of whom were real historical figures—who grapple with the injustices and struggles of their time. Their conversations, filled with passion, rebellion, and hope for a better world, feel surprisingly relevant given the political unrest in our country today.

The first of these women is Olympe de Gouges (Kathleen Arcovio Pennyway), a French playwright and activist who fought for women’s rights. As de Gouges declares, she is “happy that my plays piss off the right kind of people.” She is approached by Marianne Angelle (Courtney Sims), a fictional character who symbolizes the Haitian rebels and revolutionaries of the time. Angelle persuades de Gouges to write pamphlets supporting the abolition of slavery, particularly in Haiti, where the enslaved are fighting for their freedom. Alongside them is Charlotte Corday (Nicole Perez), the infamous assassin of revolutionary Jean-Paul Marat, who justifies her act of violence by accusing Marat of inciting mass murder. Poised for her execution, Corday seeks de Gouges’ help to craft a memorable last line before killing Marat in his bathtub. Finally, there is the deposed Marie Antoinette (Elane Werren), who wants de Gouges to rewrite her story in a way that will make the people love her again. She desperately seeks “better press” in the wake of her fall from grace.

Written by Laura Gunderson, the play is dialogue-heavy and, at times, could benefit from some tightening. However, the cast delivers the material with such verve and energy that it’s hard to look away. The actors frequently break the fourth wall, drawing the audience into the action, and this direct engagement never feels forced. Kudos to director Martha Hearn for expertly utilizing the intimate space of the Side Door Theatre, ensuring that every audience member feels like part of the action. Hearn's character direction is particularly strong, bringing out the best in each performer. Courtney Sims, as Marianne Angelle, is the standout performer of the evening. Her deeply emotional portrayal brings richness and depth to her character, making her both powerful and poignant. Elane Werren, as Marie Antoinette, follows closely behind, showcasing impressive comedic timing and playful expressions that add much-needed levity to an otherwise heavy narrative. Werren shines in her humorous moments, making Antoinette’s desperation both tragic and entertaining.

Although some of the set changes can be a little clumsy—an ongoing challenge in a small space—the overall design works well and does not distract from the performances. The minimalism of the set complements the play’s focus on character and dialogue. The Revolutionists not only serves as a fascinating history lesson but also acts as a timely meditation on the fight for justice, equality, and freedom. The language can be strong, so if you are sensitive to rough language, you may want to consider that.  I appreciated how the play encouraged me to revisit French history and the revolutionary women who shaped it. The show runs through February 1 at Trustus Theatre. With limited seating, be sure to grab your tickets soon at trustus.org!

Jasper Welcomes Victoria Rickards and Perry McLeod to thehallway: community art for February Exhibition HOW TO LOVE

Reception February 9th 3-5 pm

Graffiti Smile by Victoria Rickards

The Jasper Project welcomes Victoria Rickards and Perry McLeod to thehallway: communityart at 701 Whaley for a two-person exhibition titled How to Love, celebrating all the ways we show our love for the month of February. An opening reception is scheduled for Sunday, February 9th from 3-5 pm in the 701 Whaley Hallway - Community Art space.

Victoria Rickards was born in 1999 in Miami, Florida, and is currently based in Columbia, SC. A  multifaceted artist and lighting designer whose work challenges perceptions and explores themes of deception, fluidity, and surrealism, Rickards holds a Bachelor of Fine Arts in Theatre, Lighting Design, and Technology from the College of Charleston and is pursuing a graduate degree in Lighting Design at the University of South Carolina.

Rickard’s artistic journey has taken her to prestigious venues, including the Columbia Museum of Art and Art Basel Miami and allowed her to collaborate on digital projects, contributing to innovative NFT designs and more. Her work has garnered recognition from respected institutions and media outlets, including features in Forbes. A passionate advocate for innovation in art and design, Rickards continues to push boundaries and inspire others through her creative vision.

Rickards paints with the heart of a storyteller, crafting narratives from her history. Her artistic evolution unfolds in stages of abstraction, beginning with faces and progressing into distorted bodies and maps. Latent representations emerge beneath layers of color, quietly rebelling against societal norms surrounding body and self. Her maps symbolize a metaphorical journey through physical and emotional landscapes, representing internal terrains of thoughts and memories.

Perry McLeod

Perry McLeod is a Fullbright scholar, retired high school teacher, and a photographer and avid traveler. He shoots sports, concerts, events, “and just about anything else I can point a camera at,” he says. “I love photography! Every day is a new adventure and I just want to capture the moments that will make people stop and think. Make people want to make a change. Make people smile. Make people go -"Damn", or "nice" or "wow". Photography is the most perfect art - we all get moments that will never happen again. It's frozen in time forever - how cool is that?” 

A USC alumnus, McLeod taught Social Studies and Digital Media Production in both Richland District One and Richland District Two for 31 years. During his teaching career, he established a digital media production program at Richland Northeast High School, which fueled his love for photography and his fascination with video production. After retiring from education, Perry's passion for photography continued to grow, and he has worked for several local and national media outlets. In addition to photography, Perry has a deep love for travel. He says, "When I travel, my mind races with all the new things around me. I see a face, an old building, or an amazing vista, and I have to capture that moment." He believes that "a photograph is magic!"

 

Poetry of the People with Al Black Featuring Rian N. Jenkins

My first Poet of the People for 2025 is Rian N. Jenkins. 

Rian has been a fixture on the Midlands poetry scene for many years as both a poet, spoken word artist and mentor. She is a beacon of light who empowers and promotes others with her positivity and I'm proud to call her, Friend.

~Al Black

Rian N Jenkins has been in love with writing since sixth grade.  For over 30 years, she has inspired, entertained, and educated many through poetry, novellas, journalism, and performances.  In 2021, she added author to her resume.  She has published three poetry anthologies and looks forward to debuting her first children’s book, A Blessing for The World, and her first middle grades novel, Reverse.

A native of Sumter, SC, she  graduated from Ridge View in ‘98 in Columbia, SC and Winthrop University in ‘03. She has roots in Edisto Island, Hollywood and St Helena Island; she is the mother of a brilliant and talented young king and is a podcaster who speaks on topics that spread light. 

A former teacher (twenty years) and a spoken word artist, author, mentor and program director of CROWN HER, formerly known as the ROSES mentoring program, she is a LIT specialist who does book talks online while sponsoring All Black Author Book Drive and Giveaway in the Columbia area.  In her spare time, she loves to spend time with her family and friends, watch sports, especially football or a good show that entertains while causing her to push her pen, thrift, and eat at different restaurants.  

To learn more information about her or how to book her for a performance, author visit, writer’s workshop or find her on social media, visit her website, www.riannjenkins.com.

____

“Determined”

Determined.

He was fleeing.

With raindrops streaming down his face

     as in attempting to be an obstacle

     deterring him from the finish line.

Crying too many times almost eroded the lifeline.

Despite the sun not shining,

    he finally saw the light,

    his way out.

His breakthrough is attainable, worth the fight.

Determined

Marching down the busiest road.

Bumper to bumper traffic doesn’t stop him 

      from rolling two suitcases, one with a broken wheel, 

      along with the weight of the two more bags, 

      one on his back wasn’t enough defer his dream, 

      obtaining the reality of freedom. 

Pausing only to catch his breath.

He would not abort the mission.

Determined. 

Nothing was going to stop him.

The raindrops are falling, 

        creating what some would deem 

        a collision course with reckless drivers.

Rainy days evoke a clash of wills 

     provoking fatigue among the weak.

Intimidated out of the belief of worthiness.  

Determined, deserving of every promise. 

He refused to get tired 

He knows he is strong enough to walk through rain.

The pain of staying is enough to push anyone insane.

Determined.

He wouldn’t remain, waste away, abandoning hope.

This rain didn’t compare to the storm he faced for years.

He didn’t care how many breaks he had to take. 

He didn’t care about onlookers wondering where he is going.

Ignoring their annoyance echoing in the blaring of horns.

He knows his destination.

Endless cycles was no longer an option. 

Too legit to quit.  

Determined

Resilience is the cape that flies behind him,

      undergirding him to pull two suitcases, one with a broken wheel, 

      the weight of the two more bags, one on his back

       wasn’t enough defer his dream, 

       obtaining the reality of freedom 

       through a busy street 

       that would deem a borderline a highway

       scaring away any boldness.

Yet, he is careful to avoid traffic.

Nothing was going to stop him from this journey.   

Determined.  

 ~~~

“Unveiling”

Why do we carry the young into spaces 

to witness brilliance

they may not remember

may not cherish or relish

embrace like a desired toy?

Maybe we will awaken a space 

in their heart that is dormant.

Unknowing or cognizant of the potential

of what can grow if we expose young eyes and minds

to a future they didn’t know existed.  

Culture is what it is giving.

Experiences that can be

life changing.

Igniting a passion, a dream to be lived as reality.

Inspiring, empowering, impacting

Reverberating in the souls and spirits of many

a contagious energy elevating and illuminating this earth.  

Maybe we also understand 

we can never be content with saying he or she is the first 

with no one standing in line to carry the baton, the legacy.

We beam with pride as they roll their eyes

Because we carry them into spaces

to witness magnificence 

Permeating their psyche with images 

alternating destiny. 

Igniting a passion, a dream to be lived as reality.

Inspiring, empowering, impacting

Reverberating in the souls and spirits of many

a contagious energy elevating and illuminating this earth.  

Maybe we sense the gift God placed in their spirit

Cultivation and irrigation is needed for it to sprout

            So we ignore the pouts on their faces

When we  carry them into spaces

To witness eminence

Identifying the journey God has for them.

Igniting a passion, a dream to be lived as reality.

Inspiring, empowering, impacting

Reverberating in the souls and spirits of many

a contagious energy elevating and illuminating this earth


Jasper's Sidewalk Gallery at the Meridian Building Features Trio of Local Talent -- Christopher Lane, Emily Wright, and Marion Mason

By Christina Xan

The Meridian Sidewalk Gallery is Jasper Galleries’ most unique space. While patrons cannot enter the gallery, the sidewalks are accessible to all 24/7. Lining both Sumter and Washington Streets around the historic Meridian Building, the gallery prominently features two 2D artists and one 3D artist each quarter.  

For the first quarter of 2025, Jasper Galleries has paired the bright, dynamic paintings of Christopher Lane and Emily Wright with stunning wooden sculptures from Marion Mason. The differing shapes and forms wrap and snake around each other, each piece telling its own part of a grander story together. 

Patrons have until the end of March to stop by and view the works, all of which are purchasable via scanning a QR code at the end of each window or contacting jaspergalleries@gmail.com. Learn more about each artist below.

Christopher Lane - artist

Christopher Lane, born in Minnesota in 1968, drew inspiration from notable artists such as Thomas Hart Benton, Andy Warhol, Georgia O’Keeffe, and Roy Lichtenstein during his formative years.  His artistic development was further influenced by a period spent in Cairo, Egypt where the architecture, sculpture, symbolism, hieroglyphs and vibrant colors of Egyptian art left a significant mark on his work.  Diagnosed with dyslexia, he attended the GOW School in South Wales, New York, which provided him with educational support. Following this, Lane lived in Paris for a year, enriching his creative pursuits.  He pursued an art degree at Eastern New Mexico University but left to support his young family while serving in the United States Navy as a submariner.  Now residing in South Carolina, Lane focuses on creating visual stories that encourage viewers to reconsider divisive subjects through a gentler perspective. He is actively involved in various group exhibitions nationwide and recently showcased his work at ArtFields. 

Lane employs striking imagery to transform life experiences into visual narratives that center on individuals and their interpersonal relationships.  He is deeply committed to social justice and environmental protection, illustrating the interconnectedness of these themes in his work.  His paintings frequently include elements of nature and often convey historical, political, or spiritual stories, reflecting his enthusiasm for these topics.  As a modern surrealist and storyteller, Lane’s artworks can typically be analyzed in multiple scenes while maintaining a unified theme.  Using vibrant colors, rich symbolism, and layered imagery, he addresses complex issues, encouraging viewers to perceive them through a new, perhaps softer lens. 

Marion Mason - Artist

Marion Mason writes the following:

I am a visual artist who taught high school Art for forty-two years. 

I earned the Bachelor of Arts Degree in studio art (sculpture concentration) from the University of South Carolina, and the Master of Fine Arts Degree (in sculpture) from the University of Georgia. In addition, I earned the Master of Education (adult & community education) from Carolina.  

Prior to my teaching career I served as an officer in the U.S. Navy for 9 years (5 on active duty) and am a veteran of the Vietnam War.  

I began my 42-year HS Art teaching career as the artist-in-residence, and on-site coordinator, at the former Richland District One Artistically Talented and Gifted (ARTAG) High School Program. Many years ago, I was a member of the design and implementation team of the original Tri-District Arts Consortium (Tri-DAC), and I have taught sculpture there for 15 summers. Also, I had the privilege of teaching three summers in the three week Honors Program at the SC Governor's School for the Arts and Humanities. I have conducted many art workshops for school, district, community, and state-wide groups, from middle schoolers through adults. In 1982 I was awarded Teacher of the Year recognition at C. A. Johnson High School and was also honored as the Richland District One Teacher of the Year. Currently I teach various visual arts courses and serve as the Fine Arts Department Head at White Knoll High School. 

Since retiring from teaching in January 2019, I am now a full-time professional artist again, and exhibit and sell my sculpture, pendants and earrings. Over the years I have shown and won awards at many local, state, regional, and national competitive and invitational exhibits.

Emily Wright - artist

e.lois wright, known by friends and family as Emily Wright, is a lover of Life with all of its small details and rich hues of color that spill into our every day.  Emily’s first love is the written language.  She began an early love affair with poetry, prose and the theater arts, earning a BA in English with honors at Lander University.  With a desire to express the vibrant facets of Self, she discovered her passion for creating visual art and started a journey toward understanding its cathartic impact on her holistic health.  Emily, first, was drawn to decoupage with art journaling and, later, engaged all of her free time in jewelry making.  A means of “balancing the distractions”, she found solace in piecing together unique and bold wearable art from discarded found objects, taking the broken and making them beautiful, again. 

In 1999, Emily began selling her original, up-cycled jewelry under the name “Balanced Distractions”, finding that her patrons connected with her pieces on a very personal, emotional, and, even, spiritual level, which stands true, today.  Over the last twenty-five years, hundreds of friends, family, and strangers have donated the fragmented and unwanted—glass, pottery, metal and jewelry—all to this shareable, artful healing. A pivotal point in Emily’s artistic journey appeared with the cresting of Columbia’s “Thousand-Year Flood” (2015).  Simple, surprising treasures were unearthed from surrounding Midland rivers, allowing Emily to feel, deeply, the flow of inspiration and creative potential, “taking the broken and making them beautiful, again”. 

Emily’s choices of medium and forms of expression continue to expand and unfold before her, as she is fully immersed in the art of authentic self-expression with a “fresh eyes” perception.  From tapping mantras into canvases to mindfully transforming watercolor blots into faces to molding faux flowers out of old water bottles and shotgun shells, she is present to create from the heart. Most favorite mediums include acrylic/oil/chalk/pastels on canvas/wood/metal, and her time is lovingly spent on making decor and yard art, up-cycled furniture, handmade paper journals from recyclable goods, photography, and learning more and more about costuming and stage make-up.  

Her love for all arts is echoed in her role as “Artist in Residence” (2019-Present) for “Swamp Sessions—‘Off the Grid’ Sustainable Energy Project” in Awendaw, SC, alongside South Carolina’s “Low-Country Hall of Fame” singer/songwriter, Danielle Howle.

Josef Berliner and Wilma King Collaborate for Jasper Galleries at Sound Bites

By Christina Xan

While there was no First Thursday this month, Jasper and Sound Bites still celebrated the start of another year with an Opening Reception last week for a double feature at the restaurant’s gallery space, showcasing the work of friends and artists Josef Berliner and Wilma King. 

Both artists have presented an array of works from intimate portraits of two girls hiding under covers to stunning highlights of prominent celebrities/figures. Berliner and King each have distinct styles they have honed for decades, yet their work effortlessly complements each other through vivid colors and the intersection of the natural world, particularly floral scenes. 

Berliner and King alike have pursued art since they were young and have roots in South Carolina, both having attended the University of South Carolina. Berliner has continued to work and create in the state, showing at the Columbia Museum of Art and participating in exhibits with Bullets and Band-Aids and the University of South Carolina Department of Dance Gala. Alongside this, he has pursued work as a deejay, an aural expression of his creativity that is often seen visually. Not just any deejay, Berliner’s work as an award-winning premier nightclub deejay led him to performing at many of the largest and best-known clubs in the Southeast. 

King’s horizons are constantly shifting, having lived across 11 states. She spent this time—over 30 years—working as an educator at a multitude of American schools, teaching courses in public relations, communication studies, advertising design, publication design, and photography. Returning to Columbia, she has shown in places and exhibits such as 701 Whaley, the Ernest J. Finney Cultural Center, and MIRCI’s 52 Windows. King has not only participated in numerous art shows but has collaborated on over 13 published papers in her field. 

As an artist, Berliner goes by the name “Jobey,” which is how he signs all his work. In his own words: “Jobey is the more outgoing and confident alter ego of Josef Berliner. Behind the mask is a thoughtful, somewhat shy, and introspective artist. Armed with the knowledge that I am not alone in this attribute, I seek…to go behind the surface facade of my subject matter and search for the deeper and often hidden and complex personae beneath.”  

King “endeavors to combine her experiences of living in 11 states (including Alaska) with her educational background into a visual storytelling collaboration through her painting. Her pursuit and passion go beyond a daily practice of technique and development. She believes that universality—seeking common ground—is what makes art purposeful.”   

Even if patrons missed the opening, they could still embark on this journey with Berliner and King until January 31st when the work comes down. Sound Bites Eatery, located at 1425 Sumter St, is open M-F 10-3 and weekends 11:30-2:30. Stop by to grab a delicious, freshly made bite to eat and see this unforgettable show.

Mary Ann Haven Features New Collection of Work for Jasper Galleries at Motor Supply Co. Bistro

by Christina Xan

The first quarter of 2025 will present patrons at Motor Supply Co. Bistro the opportunity to embark on a journey with artist Mary Ann Haven that follows the ebbs and flows of her own tumultuous experiences throughout 2024.  

With a BFA in Design from the University of North Texas, Haven has spent nearly 40 years as a working artist in the Midlands—first self-employed and focusing on “commissioned art, murals and tromp l'eoil custom layered finishes, including plasters, metal leaf gilding and hand painted signage” and, for the last decade, homing in on canvases and commissions. 

Haven has participated in a multitude of shows and juried competitions, including Open Studios, the SC Watermedia Society Digital Show, and Artfields. The 11 pieces in her show with Jasper Galleries—which opens this Friday, January 17th from 6:00pm—8:00pm at Motor Supply in the Vista—depict a journey of hope, loss, and letting go. 

Haven has penned the following retrospective on the collection, which will be up for view and available for purchase until the end of March. 

“There is for me a sense of before and after in this body of work. When Jasper gave me the opportunity to have a show in a location that would allow me to share my bigger paintings, I was excited. If nothing else, the goal of January 2025 would give me a whole year of something to work toward. I didn't know at the time how much I would need that to keep moving forward. 

The two 36" x 36" puzzle series pieces, “Adaptable” and “New Day New View” are a lighter, playful exploration of yin and yang, peace vs. chaos and the joy felt when attempting to balance a composition using form, value, and color. The three 20" x 20" pieces, “Reflections I & II” and “South by Southwest” also play with the same elements with collage added in. These five pieces represent the ‘before’ stage. 

The emotional landscape began to shift in April when I lost a close friend to cancer. Sometimes you can point to certain people and know that they have changed the direction of your life. He was one of those individuals for me. A month later I received a call notifying me that my very independent eldest sibling was in dire straits. I can acknowledge now that my parents raised three offspring that live lives independent of each other. Being the youngest, this was the first time I had been called into action to help one of them. I experienced a real mixmaster of emotions, which included surrendering to what one cannot control (other people's choices) and a new level of concern/anxiety over what it can mean when things go wrong while aging alone. I found that my normal desire to paint nonrepresentational work came to a full stop. To my surprise, an idea I had had for decades resurfaced as a way to go forward. 

At a dinner party in 1996 I was introduced to a fellow local artist Carolita Cantrell. While chatting about my marriage ending, she told me that I needed "shelter without walls". Her example of this was a partner who honored an artist's need to be an artist...and all that meant. In the last decade I have spent time at the coast where I regularly view fisherman's shelters at the end of piers which are basically…shelter without walls. These two things came together as a new series with a moody result. The first piece is “No Chumming for Sharks.” That label was actually a sign on an existing shelter before it was destroyed when washed away in a hurricane. Beyond the literal meaning, to me it meant ‘don't ask for trouble.’  The second painting, “Storm Front,” is a dreamscape that was painted on top of composite silver leaf. It depicts the hope moonlight brings in the darkness.   

I included a self-portrait that was painted when I was feeling emotionally raw. It's figuratively a medical prescription full of symbols, some more meaningful than others. “Open The Book” is a piece about life continuing to bring us new lessons. It helps if we stay open and are willing to learn. The last two finished were the 30” x 40” pieces in deep teal and blues. “Blue Wave with Spilled Milk” was named in mid-November. You can make that name what you wish. The last, “Forest Dreams” was painted in response to Hurricane Helene. It brought the possibility that I might have to put aside the dream I've had for years of living in the mountains. 

Overall, painting has become a mirror of my emotional response to my environment. By the way, the name of the self-portrait is “The Year of Letting Go.” 2024 was definitely that for me.”